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In the Darkroom
10.0
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From the Pulitzer Prize-winning journalist and best-selling author of Backlash, an astonishing...
Biography memoir social issues
The Cactus
8.5
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Susan Green doesn't like surprises - she likes to be in control. But at 45 her perfect life starts...
Fiction
Stay Sexy and Don't Get Murdered: The Definitive How-To Guide From the My Favorite Murder Podcast
Karen Kilgariff and Georgia Hardstark
5.0
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The highly anticipated first book by Karen Kilgariff and Georgia Hardstark, the voices behind the #1...
True crime Murder Addiction Depression Anxiety Eating disorders
Goddess in the Stacks (553 KP) rated This Common Secret in Books
Sep 6, 2017
An eye-opening first-hand account of being an abortion doctor
Let me begin by saying I am a feminist. I am pro-choice. This was a difficult read because it talks about the lengths people will go to infringe on the rights of women like me to make that choice. Dr. Wicklund goes into detail about the dangers she personally has faced as an abortion provider – from stalking, to assault, to arson and death threats. The murders of Dr. Hill and Dr. Britton are mentioned, and the attempted murder of Dr. Tiller. (An attempt on Dr. Tiller’s life was successful two years after the publication of the book.) She resorted to wildly varying routines, different methods of transportation, elaborate disguises, as well as hiring private security guards, none of it really alleviating her fear that she could be next.
Running throughout the entire book is Dr. Wicklund’s concern for her patients. She is a dedicated, compassionate woman who wants nothing but the best for the women in her care. In many cases, that’s not actually abortion. One of the things that makes her an excellent doctor is ferreting out what is really in her patients’ best interests.
The book is mercifully short; I have no doubt she had many more stories she could have told, but the topic is brutal and hard to read, and keeping it concise and on-message was well done. I still had to set it down and play some mindless video games when I was done, as it was a little overwhelming.
This Common Secret also touches on why people keep it a secret. Why people don’t talk about their abortion. And why people should. If more people realize that the women that get abortions are your neighbor, your sister, your grandmother – not just that “whore that slept around” – although she, too, deserves an abortion if that is the right choice for her. Maybe they would rethink their opposition to it.
I’m honestly probably not giving this book justice – it’s a decade old, but could have been written yesterday. And I am infuriated by anti-choice assholes.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Running throughout the entire book is Dr. Wicklund’s concern for her patients. She is a dedicated, compassionate woman who wants nothing but the best for the women in her care. In many cases, that’s not actually abortion. One of the things that makes her an excellent doctor is ferreting out what is really in her patients’ best interests.
The book is mercifully short; I have no doubt she had many more stories she could have told, but the topic is brutal and hard to read, and keeping it concise and on-message was well done. I still had to set it down and play some mindless video games when I was done, as it was a little overwhelming.
This Common Secret also touches on why people keep it a secret. Why people don’t talk about their abortion. And why people should. If more people realize that the women that get abortions are your neighbor, your sister, your grandmother – not just that “whore that slept around” – although she, too, deserves an abortion if that is the right choice for her. Maybe they would rethink their opposition to it.
I’m honestly probably not giving this book justice – it’s a decade old, but could have been written yesterday. And I am infuriated by anti-choice assholes.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Rachel King (13 KP) rated In Praise of Stay-at-Home Moms in Books
Feb 11, 2019
As a stay-at-home mom myself, partly by choice and partly by default, I didn't realize how much I needed the lift this book provided until I finished it. While SAHMs are gaining in support, thanks to the wonders of the internet, the effects of the feminist movement are hard to undo, and I still find myself feeling bad for not "running the hamster wheel."
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.
Kristy H (1252 KP) rated The Next to Die in Books
Apr 4, 2019
OK, I won't lie, this was a really strange book. But, I also found it oddly captivating. I didn't realize until I started it--my mistake--that this was book #10 in a series. I am not a fan of picking up mid-series, though Goodreads tells me I read books #1 and #3 a while back. And I do somewhat remember Simon Waterhouse. Still, I felt like an outsider looking in somewhat, and I bet I would have enjoyed this one more if I knew more of the backstory of Simon, his wife, Charlie, and their investigative team.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
However, the mystery here stands alone, and while it's bizarre (I can guarantee the motive in this one will be one of the most strange and enjoyable you'll have seen in quite some time), it's compelling and even funny. The story unfolds from the point of view of Kim, who is telling things via a self-written true crime book that details her involvement in the Billy Dead Mates murder investigation. Then we get Simon and Charlie's view of the Billy investigation. And, finally, the writings of a rather crazed feminist reporter named Sondra Halliday who claims Billy is killing women due to misogynist reasons.
It all culminates in a detailed yet surprisingly suspenseful story--Kim is center stage, but also a suspect in some ways. She's a bitter, funny comedian, and I really liked her character. Hannah captures interactions well, and I enjoyed both Kim and grumpy yet brilliant Simon. The whole book was very different for a thriller, but oddly enjoyable too. There were definitely times when I wished things would hurry along; there's a side plot where Charlie obsesses about her sister, which just seems annoying, and some of Sondra's rants are just a bit too much. Still, it's easy to get caught up in the story, especially Kim's book and Charlie and Simon's investigation. The format is different but engaging.
Overall, while this one was a little strange and slow, I did enjoy it. Hannah is a great writer, and her characters are vivid, flawed, and humorous. The plot is definitely different, but it will draw you in. 3.5+ stars.
Gareth von Kallenbach (974 KP) rated Futurama: Into the Wild Green Yonder (2009) in Movies
Aug 14, 2019
The fourth (and lets hope not final) of the planned straight to DVD Futurama movies, “Futurama: Into The Wild Green Yonder” has arrived and continues the winning formula of the television series and three previous films as well as ties things up nicely should this be the final outing for the Planet Express crew.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
The film opens with a new take on the traditional opening and we are treated to the scenic Mars Vegas complete with futuristic interpretations of the class Las Vegas hotels. As the film opens, Mars Vegas is being destroyed to make way for a new and even better Mars Vegas. This does not sit well with Amy (Lauren Tom) as her father is the one behind all of this, and when she learns that he plans to eliminate portions of a solar system to make the universes biggest miniature golf course, she decides to join a militant feminist group with Leela (Katey Sagal).
As this is happening Fry (Billy West), learns that he has the power to read minds and is recruited by a secret organization who inform him of a great evil that is loose in the galaxy and that he will be the key to preserving the universe.
Bender (John Di Maggio), as usual is happy to drink and grift his way through life, that is until a affair with a local crime figures wife provides him with some danger and distraction.
When a planned protest goes horribly wrong, Leela and Amy end up as fugitives and are doggedly pursued by Captain Zapp Brannigan as they race against the clock to save the creatures of the solar system from Leo Wong’s planned construction.
The film is as usual, loaded with laughs and plenty of pop culture gags. Snoop Dogg and Penn Jilette make cameo appearances as do many of the characters from the series.
With sharp picture and sound, this is a very enjoyable new adventure for fans and should add demand for future adventures in the series and provide great viewing enjoyment.
There are loads of extras which include deleted scenes, commentaries, as well as deleted scenes.
Micky Barnard (542 KP) rated An American Marriage in Books
Jan 18, 2019
Gut punching read
AN AMERICAN MARRIAGE has been on my radar for a while, I knew it was going to be a tough read so I had to be ready to go in. This isn’t a love story, it is a life story. It was a tough read but I am all the richer for having read this story and the world of literature is richer for this realistic representation of hell raining down on an innocent black man.
Celestine and Roy didn’t have the perfect marriage but it was real, they argued, they communicated and they worked on it; they were happy. All that was stolen from them in an instant in a cruel and unjust way. What plays out is the passing of years and their experiences and those of their families and friends.
The trials Roy existed through were brutally tough to read but I felt transported to his lived experience and I was willing his position to a place of improvement. Celestine was a feminist, I admired her tenacity and ability to exist and continue...until I didn’t. What happened with these characters that I became so very invested in, made me feel very conflicted. Their decisions, their journeys were painful but real and I felt crushed at various junctures.
Sometimes love just isn’t enough, sometimes there isn’t enough love. My mind is still knotted, wondering about the what-ifs and the maybe if... One thing is for sure, this injustice happens, most likely on a daily basis and so this was an important story to tell.
I’ve come out of this read not feeling in love with these characters because, guess what, they were flawed. I have come out of this read incredibly impressed by the narrative voice of Tayari Jones and her ability to tell the tough tale with heart, passion and grit.
“Much of life is timing and circumstance, I see that now. Roy came into my life at the time when I needed a man like him...But how you feel love and understand love are two very different things.”
Celestine and Roy didn’t have the perfect marriage but it was real, they argued, they communicated and they worked on it; they were happy. All that was stolen from them in an instant in a cruel and unjust way. What plays out is the passing of years and their experiences and those of their families and friends.
The trials Roy existed through were brutally tough to read but I felt transported to his lived experience and I was willing his position to a place of improvement. Celestine was a feminist, I admired her tenacity and ability to exist and continue...until I didn’t. What happened with these characters that I became so very invested in, made me feel very conflicted. Their decisions, their journeys were painful but real and I felt crushed at various junctures.
Sometimes love just isn’t enough, sometimes there isn’t enough love. My mind is still knotted, wondering about the what-ifs and the maybe if... One thing is for sure, this injustice happens, most likely on a daily basis and so this was an important story to tell.
I’ve come out of this read not feeling in love with these characters because, guess what, they were flawed. I have come out of this read incredibly impressed by the narrative voice of Tayari Jones and her ability to tell the tough tale with heart, passion and grit.
“Much of life is timing and circumstance, I see that now. Roy came into my life at the time when I needed a man like him...But how you feel love and understand love are two very different things.”
The Collected Poems of Elizabeth Barrett Browning
Elizabeth Barrett Browning and Sally Minogue
Book
eng With an Introduction and Notes by Dr Sally Minogue Elizabeth Barrett Browning was such an...
LeftSideCut (3778 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.