Bong Mines Entertainment (15 KP) rated Between Us by Hayden James in Music
Jun 6, 2019 (Updated Jun 6, 2019)
The retro-filmstrip footage follows the empowering Venice-based all-women skate crew, GRLSWIRL, down the California Coast. Also, it follows them as they go from piling into a ’70s-style camper van to effortlessly skating the back-streets of Venice.
‘Nowhere To Go’ highlights Hayden and Nicky Night Time’s abilities to produce tracks which are club-ready and radio-friendly.
The likable tune contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with dance, EDM, and electro-pop elements.
Also, it displays Nat Dunn’s powerful vocal performance and songwriting talents.
Naations are responsible for the huge Ibiza 2017 anthem, entitled, “Real Life”, with Gorgon City & Duke Dumont.
Not too long ago, they released their debut EP, entitled, “Teardrop”. The 6-track project serves as an introduction to the duo’s teardrop and star concept, which represents the light and the dark, which inspired their creative process.
They have performed at notable music venues on both sides of the Atlantic, including New York’s Output as well as Brixton Academy and XOYO in London. Also, they made their CRSSD Festival debut alongside Hayden, before heading back to Australia to support British songstress Anne-Marie on the AU leg of her tour.
https://www.bongminesentertainment.com/hayden-james-nowhere-to-go-naations/
JT (287 KP) rated Midsommar (2019) in Movies
Mar 10, 2020
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
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