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Lee (2222 KP) rated Christopher Robin (2018) in Movies
Aug 19, 2018
Hayley Atwell is very underused (1 more)
Not really much of a kids movie
A good dose of warm fuzzy feelings
After recently reading a fair few uncomplimentary critic reviews for Christopher Robin, I wasn't sure what to expect from this. But, I was actually pleasantly surprised. And my wife absolutely loved it!
The movie begins with Christopher Robin as the child we all know from the stories. He's having a farewell tea party with Pooh and the gang in the hundred acre wood - a chance to see this latest incarnation of them all, beautifully rendered, different from what we're used to, but still very familiar. Christopher Robin is leaving them to head off to boarding school, so it's going to be a while before we see them all again.
From there we quickly skip through the next few chapters of Christopher's life, while the opening credits play. Boarding school, the death of his father, meeting his wife (Hayley Atwell) and heading off to fight in the war, before returning home. We pick up again with him while working for Winslow, a luggage company. His manager (a brilliant performance from Mark Gatiss) is putting pressure on him to come up with cost saving measures, in order to save the failing company, and demands that he work the whole weekend in order to come up with a solution. Christopher was due to go away with his family that weekend to his childhood home in Sussex, so must let them down once again in favour of work. Hayley Atwell is greatly underused in this movie, but plays the disappointed wife very well. Daughter Madeline doesn't think her dad ever was a child as all he wants her to do is work hard in order to go to boarding school, read her boring books instead of fun books and work instead of play. He's a far cry from the young Christopher Robin we know.
The whole movie is very dark and gloomy looking, with bright vibrant Disney colours rarely to be seen, even more so in this first part of the movie. Aside from some small comedy moments, this isn't really a kids movie at all.
When Pooh arrives in London, seeking out Christopher Robin having lost Tigger and his other friends, the tone of the movie immediately changes. The wonderful, soothing, familiar voice of Jim Cummings bringing this silly old bear to life as he tries to adjust to Lon-don life. There are some wonderfully funny moments, full of heart, even more so when the whole gang are finally reunited and all causing chaos in London.
While never quite reaching the dizzyingly high standard set recently by the amazing Paddington 2, Christopher Robin still manages to provide you with a warm fuzzy feeling inside and a very funny, enjoyable experience. And with a lesson in making sure your embrace your inner child thrown in too!
The movie begins with Christopher Robin as the child we all know from the stories. He's having a farewell tea party with Pooh and the gang in the hundred acre wood - a chance to see this latest incarnation of them all, beautifully rendered, different from what we're used to, but still very familiar. Christopher Robin is leaving them to head off to boarding school, so it's going to be a while before we see them all again.
From there we quickly skip through the next few chapters of Christopher's life, while the opening credits play. Boarding school, the death of his father, meeting his wife (Hayley Atwell) and heading off to fight in the war, before returning home. We pick up again with him while working for Winslow, a luggage company. His manager (a brilliant performance from Mark Gatiss) is putting pressure on him to come up with cost saving measures, in order to save the failing company, and demands that he work the whole weekend in order to come up with a solution. Christopher was due to go away with his family that weekend to his childhood home in Sussex, so must let them down once again in favour of work. Hayley Atwell is greatly underused in this movie, but plays the disappointed wife very well. Daughter Madeline doesn't think her dad ever was a child as all he wants her to do is work hard in order to go to boarding school, read her boring books instead of fun books and work instead of play. He's a far cry from the young Christopher Robin we know.
The whole movie is very dark and gloomy looking, with bright vibrant Disney colours rarely to be seen, even more so in this first part of the movie. Aside from some small comedy moments, this isn't really a kids movie at all.
When Pooh arrives in London, seeking out Christopher Robin having lost Tigger and his other friends, the tone of the movie immediately changes. The wonderful, soothing, familiar voice of Jim Cummings bringing this silly old bear to life as he tries to adjust to Lon-don life. There are some wonderfully funny moments, full of heart, even more so when the whole gang are finally reunited and all causing chaos in London.
While never quite reaching the dizzyingly high standard set recently by the amazing Paddington 2, Christopher Robin still manages to provide you with a warm fuzzy feeling inside and a very funny, enjoyable experience. And with a lesson in making sure your embrace your inner child thrown in too!
Mariafrancesca (30 KP) rated Only Ever Yours in Books
Mar 30, 2019
I am not sure what to think about this book.
I didn't like a single thing, I couldn't put it down for a second but I didn't like it: I didn't like the story or the settings, and the characters are horrible.
Then again I don't think this book is meant to be liked.
It disturbs me in a way that I cannot really understand: it disturbs me because it is so cliche that I would like to laugh at it, but in the same time I can see so much of my younger self in those girls that it scares the hell out of me: all the doubts, and the mean best friends, the willing to fit in no matter the costs - even if it means betraying yourself.
This book makes me feel uncomfortable.
At the beginning I didn't like the line that the author put between women and men, like saying "this is all men's fault, they did this, they are the bad guys", and then you meet this men and you realize that they are just scared teenager as well, with a life already decided for them. Maybe this book disturbs me because it just put you in the middle of the story but it does't explain how humanity arrived at that point: how is it possible that people just stopped to have daughters? Why women didn't fight this culture when it was spreading? Why did they accept all of that in the first place?
Maybe again, this is not the point of the book and maybe what it really bothers me about it is the complete lack of hope: there is not a single character that can be considered good (even though no one can be considered the bad guy), not a single character took the right path, they are all absolutely incapable. But worst than that I think is the complete lack of hope for the society, the resignation to a system that cannot be changed, drugs and death as the only way out.
I didn't like this book at all, I wasn't impress by it, I felt offended, angry, sometimes bored.
But I couldn't put it down until the end, and maybe this is why is worth reading it.
I didn't like a single thing, I couldn't put it down for a second but I didn't like it: I didn't like the story or the settings, and the characters are horrible.
Then again I don't think this book is meant to be liked.
It disturbs me in a way that I cannot really understand: it disturbs me because it is so cliche that I would like to laugh at it, but in the same time I can see so much of my younger self in those girls that it scares the hell out of me: all the doubts, and the mean best friends, the willing to fit in no matter the costs - even if it means betraying yourself.
This book makes me feel uncomfortable.
At the beginning I didn't like the line that the author put between women and men, like saying "this is all men's fault, they did this, they are the bad guys", and then you meet this men and you realize that they are just scared teenager as well, with a life already decided for them. Maybe this book disturbs me because it just put you in the middle of the story but it does't explain how humanity arrived at that point: how is it possible that people just stopped to have daughters? Why women didn't fight this culture when it was spreading? Why did they accept all of that in the first place?
Maybe again, this is not the point of the book and maybe what it really bothers me about it is the complete lack of hope: there is not a single character that can be considered good (even though no one can be considered the bad guy), not a single character took the right path, they are all absolutely incapable. But worst than that I think is the complete lack of hope for the society, the resignation to a system that cannot be changed, drugs and death as the only way out.
I didn't like this book at all, I wasn't impress by it, I felt offended, angry, sometimes bored.
But I couldn't put it down until the end, and maybe this is why is worth reading it.
Gareth von Kallenbach (980 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 18, 2023
John Wick is back and you know what to expect! The action is bigger, the fight scenes are more elaborate, and the killing is…normalized. It is an awesome and fun two-hour and forty-nine-minute joyride that is constantly moving and does not feel nearly that long.
It is crazy to think that in the world of John Wick, after how many bodies he has left in his wake over the last three movies, that anyone would bother even going after him. And yet, this is a popcorn action film in the trustiest since because if you aren’t suspending disbelief and enjoying the ride, you aren’t doing it right.
While it's normally John Wick against the world, this time he seeks help from old friends who help him reign death and destruction upon anyone in his way as he attempts to kill his way to freedom from the “high table.” It is this comradery that sets this film apart from its predecessors. For the first time since the first film, we actually get character development and emotional investment for Wick and his friends.
Most notably joining Keanu Reeves this time is Donnie Yen of Ip Man fame. Channeling traditional martial arts films, Yen plays a blind master assassin in his own right, who like Wick, was retired, but was brought back to save his family and hunt down his friend John Wick. Fans of his martial arts films will recognize Yen’s movement that is both graceful and precise as a dance. Additionally, Hiroyuki Sanada (Bullet Train, The Twilight Samurai), brings his strong and stoic presence as a loyal friend to help John Wick, despite the potential danger it will bring to him and his family. While Shamier Anderson (Race, Bruiser) introduces a new character to the series, tracking John Wick to score a payday. These three delightfully add story depth to series mainstays Ian McShane and Laurence Fishburne as we dive deeper into the lore of “everything under the table.”
Opposite them, Bill Skarsgard, plays a ranking Marquis, given the power to hunt down Wick and make an example of all those who fail to “serve under the high table.” He is exactly the type of pompous and ruthless villain that we all love to hate. It is through the exhibition of his power and arrogance that we learn more about the lore and rules of this world of assassins, which is intriguing and entertaining as John Wick must navigate not only people trying to kill him but also the “old rules” on his path to freedom.
These fresh faces and story elements help the John Wick series to feel more enjoyable than ever, while, fans of martial arts films, samurai films, and a certain 1979 cult classic, will recognize the various homage paid in John Wick Chapter 4. Making this the best addition to the series since the first film.
4.5 out of 5 stars
It is crazy to think that in the world of John Wick, after how many bodies he has left in his wake over the last three movies, that anyone would bother even going after him. And yet, this is a popcorn action film in the trustiest since because if you aren’t suspending disbelief and enjoying the ride, you aren’t doing it right.
While it's normally John Wick against the world, this time he seeks help from old friends who help him reign death and destruction upon anyone in his way as he attempts to kill his way to freedom from the “high table.” It is this comradery that sets this film apart from its predecessors. For the first time since the first film, we actually get character development and emotional investment for Wick and his friends.
Most notably joining Keanu Reeves this time is Donnie Yen of Ip Man fame. Channeling traditional martial arts films, Yen plays a blind master assassin in his own right, who like Wick, was retired, but was brought back to save his family and hunt down his friend John Wick. Fans of his martial arts films will recognize Yen’s movement that is both graceful and precise as a dance. Additionally, Hiroyuki Sanada (Bullet Train, The Twilight Samurai), brings his strong and stoic presence as a loyal friend to help John Wick, despite the potential danger it will bring to him and his family. While Shamier Anderson (Race, Bruiser) introduces a new character to the series, tracking John Wick to score a payday. These three delightfully add story depth to series mainstays Ian McShane and Laurence Fishburne as we dive deeper into the lore of “everything under the table.”
Opposite them, Bill Skarsgard, plays a ranking Marquis, given the power to hunt down Wick and make an example of all those who fail to “serve under the high table.” He is exactly the type of pompous and ruthless villain that we all love to hate. It is through the exhibition of his power and arrogance that we learn more about the lore and rules of this world of assassins, which is intriguing and entertaining as John Wick must navigate not only people trying to kill him but also the “old rules” on his path to freedom.
These fresh faces and story elements help the John Wick series to feel more enjoyable than ever, while, fans of martial arts films, samurai films, and a certain 1979 cult classic, will recognize the various homage paid in John Wick Chapter 4. Making this the best addition to the series since the first film.
4.5 out of 5 stars
Lyndsey Gollogly (2893 KP) rated Dauntless (Nevermore Trilogy #3) in Books
Apr 29, 2021
57 of 250
Kindle
Dauntless ( Nevermore trilogy book 3)
By Shannon Meyer
Once read a review will be written via Smashbomb and link posted in comments
"My name is Mara, and I want desperately to become a mother."
All of my dreams were dashed when the world was promised hope but instead became a place of danger, death . . . and monsters.
When we arrived at the compound, we believed we had found our safe haven at last. For the briefest of moments, their medicine and science lulled us into a false sense of security. But within the bowels of this haven, where the cure for Nevermore is being developed, there lurks an evil which is far worse than anything we've already encountered.
Sebastian is used as a test subject, a process that instead of curing him, is slowly killing him. As his heart falters, mine must draw upon new strength if I am to fight our way out of the compound.
If we can escape, the journey will still not be over. I will have to protect Sebastian, a vial with a possible cure and our final secret.
But before safety, that vial must first make it out intact even with the knowledge that it may very well kill Sebastian, before saving the others.
This has been an amazing journey with one kick ass female character! The drug that ripped her world apart helped save her husband and her babies. I really enjoyed this trilogy and think Shannon Mayer is a very talented writer!
Kindle
Dauntless ( Nevermore trilogy book 3)
By Shannon Meyer
Once read a review will be written via Smashbomb and link posted in comments
"My name is Mara, and I want desperately to become a mother."
All of my dreams were dashed when the world was promised hope but instead became a place of danger, death . . . and monsters.
When we arrived at the compound, we believed we had found our safe haven at last. For the briefest of moments, their medicine and science lulled us into a false sense of security. But within the bowels of this haven, where the cure for Nevermore is being developed, there lurks an evil which is far worse than anything we've already encountered.
Sebastian is used as a test subject, a process that instead of curing him, is slowly killing him. As his heart falters, mine must draw upon new strength if I am to fight our way out of the compound.
If we can escape, the journey will still not be over. I will have to protect Sebastian, a vial with a possible cure and our final secret.
But before safety, that vial must first make it out intact even with the knowledge that it may very well kill Sebastian, before saving the others.
This has been an amazing journey with one kick ass female character! The drug that ripped her world apart helped save her husband and her babies. I really enjoyed this trilogy and think Shannon Mayer is a very talented writer!
Darren (1599 KP) rated Iron Man (2008) in Movies
Oct 24, 2019
Characters – Tony Stark is a billionaire playboy engineer who has been developing the latest weapons to defend the home land, he looks down on most the people he meets including the soldiers showing around the warzone. He gets captured and designs a weapon that sees him escape, he makes himself Iron Man which will keep him alive, which sees him looking at life through different eyes, where he doesn’t want to supply weapons in conflict. Rhodey is the military best friend of Tony’s he uses the weapons created to help his men, he can get tired of Tony’s partying lifestyle. Obadiah Stane ran Stark enterprise after Tony’s parents death, he has mentored Tony in business, but is left with a difficult decision after Tony’s decision to stop making weapons. Pepper Potts is Tony’s assistant, she handles the affairs while he gets on with his business.
Performances – Robert Downey Jr is fantastic in the leading role, we can believe his confidence and cocky nature that he is showing through the film. Terrence Howard is playing a more grounded character, he would go onto be replaced in this role, he just doesn’t have the complete opposite against that Robert brings. Jeff Bridges is strong as the villainous businessman who is controlled by greed. Gwyneth Paltrow does a solid job as Pepper, where she is going to become a character we get to know through the franchise.
Story – The story shows us how Tony Stark went from businessman to Iron Man after learning the cost of his weapons which are being used on both sides of the war and must stop the man running his family’s company into the ground with these action. For origin stories we get to see the change in Tony’s mentality over the course of the story which is what will make somebody a hero. We don’t get the completely over the top destruction, with most of the fight scenes blending into the story where we see Tony learning how to control his suit. We get the first steps into the Marvel Cinematic Universe which brings the franchise to life with this just needing to give the hero an early villain that will make him a new hero in the world.
Action/Sci-Fi – The action in this film comes war sequences and how Tony learns about his suits capabilities, the first mission shows what we are going to see in the future. The sci-fi elements in this film comes from how the suit is created to keep Tony alive and the new levels of technology involved.
Settings – The film takes us to a couple of locations, Miami where Tony lives shows his playboy lifestyle, the Afghan locations show how the war is being fought with the two different sides and the same weapons.
Special Effects – The effects used in this film show us the scale of what Tony will have do to survive, we have the idea of his heart that never looks out of place.
Scene of the Movie – Iron Man’s first mission.
That Moment That Annoyed Me – Rhodey isn’t the most interesting character in this film.
Final Thoughts – This is a wonderful beginning to the franchise which would go onto change how cinema is experienced, it has the origin of an unknown character to the casual fans of comic book movies, which works for laughs and action, without being a comedy.
Overall: Fun, entertaining and enjoyable.
Performances – Robert Downey Jr is fantastic in the leading role, we can believe his confidence and cocky nature that he is showing through the film. Terrence Howard is playing a more grounded character, he would go onto be replaced in this role, he just doesn’t have the complete opposite against that Robert brings. Jeff Bridges is strong as the villainous businessman who is controlled by greed. Gwyneth Paltrow does a solid job as Pepper, where she is going to become a character we get to know through the franchise.
Story – The story shows us how Tony Stark went from businessman to Iron Man after learning the cost of his weapons which are being used on both sides of the war and must stop the man running his family’s company into the ground with these action. For origin stories we get to see the change in Tony’s mentality over the course of the story which is what will make somebody a hero. We don’t get the completely over the top destruction, with most of the fight scenes blending into the story where we see Tony learning how to control his suit. We get the first steps into the Marvel Cinematic Universe which brings the franchise to life with this just needing to give the hero an early villain that will make him a new hero in the world.
Action/Sci-Fi – The action in this film comes war sequences and how Tony learns about his suits capabilities, the first mission shows what we are going to see in the future. The sci-fi elements in this film comes from how the suit is created to keep Tony alive and the new levels of technology involved.
Settings – The film takes us to a couple of locations, Miami where Tony lives shows his playboy lifestyle, the Afghan locations show how the war is being fought with the two different sides and the same weapons.
Special Effects – The effects used in this film show us the scale of what Tony will have do to survive, we have the idea of his heart that never looks out of place.
Scene of the Movie – Iron Man’s first mission.
That Moment That Annoyed Me – Rhodey isn’t the most interesting character in this film.
Final Thoughts – This is a wonderful beginning to the franchise which would go onto change how cinema is experienced, it has the origin of an unknown character to the casual fans of comic book movies, which works for laughs and action, without being a comedy.
Overall: Fun, entertaining and enjoyable.
Ryan Hill (152 KP) rated Captain America: The First Avenger (2011) in Movies
May 9, 2019
"i'm just a kid from brooklyn"
"I'm just a kid from Brooklyn"
A rip-roaring homage to old fashioned serials and comic books. Joe Johnston somehow pulls off the tone and look, firmly planting me into the 1940's time period. As fantastical as it is I still feel the real world within the picture.
Protagonist Steve Rogers makes for an easily likable guy who at the start is a smaller guy, who stands up to bullies even if it means getting his ass beat. His dream is to serve his country and although not meeting physical requirements for the army, he proves the heart and courage to become the specimen of a super soldier syrum. With this experiment, Steve's size, strength and conditioning is greatly enhanced and becomes the face of WW2 propaganda. His desire to fight however gets him involved with the battle against a division of the Nazi's known as Hydra, headed by Johann Schmidt, the "Red Skull".
Red Skull is one of the best villians of the Marvel cinematic universe. I couldn't imagine him played by anyone other than Hugo Weaving who brings such gravitas and personality to the role. Red Skull is an experiment of the soldier syrum himself which gives him a certain connection to Rogers, but chooses to use his power for the service of himself and his evil desires. The film includes the element of Nazi fascination with science and experimentation, taking it a step further. Red Skull discovers other worldly magic, the Tesseract of Asgard, which he utilizes for the use of weaponry. Thus, blending historical events with an exciting dose of imagination. A Nazi more powerful than Hitler? That's pretty scary.
The action comes swift and mighty, combining the fleshy violence of war with creative comic book thrills. It's some of the most entertaining action I've ever seen. I love that the presence of Hitler can be felt even though he is not on screen. It seamlessly connects the future with the past, makes the looming threat of the entire world felt, and contains elements of other Marvel films past and present that only adds to the movie and never detracts. Tony Stark's father has a direct influence on Captain America which adds a layer to the proceeding films. Thor and Loki's place in future events are tied in perfectly. Steve's friendship with Bucky and presumed death is one of the emotional cores to the film that also plays into the sequels. Unbelievable.
Can I just mention the charming romance between Peggy and Steve Rogers? It's so natural and plays out over the duration of the film without anything ridiculous. When Peggy tears up as Steve is speeding toward the unkown in a downed plane, I lose it. I lose it every time. They never got that last dance and my heart is broken.
When Red Skull calls Steve a "simpleton with a shield" I'm like YES!! that's why I love him. I could be Steve Rogers. I could be Captain America. Well, not really, but he's one of the most relatable on screen super heroes. I'd even say he's the one I can see myself in the most. Consider me #TeamCap.
I must make mention of the wonderful musical score and songs written for the film. Very important piece to the puzzle. I listen to "Star Spangled Man" just about every time I take a walk. The costumes and production design deserve all the love in the world as well. Tommy Lee Jones is great and makes me laugh as usual. All performances are great. Points for finding a use for Captain America's vintage comic book costume and re-enacting the punch to Hitler's face from Captain America issue #1.
Who taught Cap how to fight like that though? Guess that's one of the perks of the syrum too.
A rip-roaring homage to old fashioned serials and comic books. Joe Johnston somehow pulls off the tone and look, firmly planting me into the 1940's time period. As fantastical as it is I still feel the real world within the picture.
Protagonist Steve Rogers makes for an easily likable guy who at the start is a smaller guy, who stands up to bullies even if it means getting his ass beat. His dream is to serve his country and although not meeting physical requirements for the army, he proves the heart and courage to become the specimen of a super soldier syrum. With this experiment, Steve's size, strength and conditioning is greatly enhanced and becomes the face of WW2 propaganda. His desire to fight however gets him involved with the battle against a division of the Nazi's known as Hydra, headed by Johann Schmidt, the "Red Skull".
Red Skull is one of the best villians of the Marvel cinematic universe. I couldn't imagine him played by anyone other than Hugo Weaving who brings such gravitas and personality to the role. Red Skull is an experiment of the soldier syrum himself which gives him a certain connection to Rogers, but chooses to use his power for the service of himself and his evil desires. The film includes the element of Nazi fascination with science and experimentation, taking it a step further. Red Skull discovers other worldly magic, the Tesseract of Asgard, which he utilizes for the use of weaponry. Thus, blending historical events with an exciting dose of imagination. A Nazi more powerful than Hitler? That's pretty scary.
The action comes swift and mighty, combining the fleshy violence of war with creative comic book thrills. It's some of the most entertaining action I've ever seen. I love that the presence of Hitler can be felt even though he is not on screen. It seamlessly connects the future with the past, makes the looming threat of the entire world felt, and contains elements of other Marvel films past and present that only adds to the movie and never detracts. Tony Stark's father has a direct influence on Captain America which adds a layer to the proceeding films. Thor and Loki's place in future events are tied in perfectly. Steve's friendship with Bucky and presumed death is one of the emotional cores to the film that also plays into the sequels. Unbelievable.
Can I just mention the charming romance between Peggy and Steve Rogers? It's so natural and plays out over the duration of the film without anything ridiculous. When Peggy tears up as Steve is speeding toward the unkown in a downed plane, I lose it. I lose it every time. They never got that last dance and my heart is broken.
When Red Skull calls Steve a "simpleton with a shield" I'm like YES!! that's why I love him. I could be Steve Rogers. I could be Captain America. Well, not really, but he's one of the most relatable on screen super heroes. I'd even say he's the one I can see myself in the most. Consider me #TeamCap.
I must make mention of the wonderful musical score and songs written for the film. Very important piece to the puzzle. I listen to "Star Spangled Man" just about every time I take a walk. The costumes and production design deserve all the love in the world as well. Tommy Lee Jones is great and makes me laugh as usual. All performances are great. Points for finding a use for Captain America's vintage comic book costume and re-enacting the punch to Hitler's face from Captain America issue #1.
Who taught Cap how to fight like that though? Guess that's one of the perks of the syrum too.
JT (287 KP) rated Abraham Lincoln: Vampire Hunter (2012) in Movies
Mar 10, 2020
Of all the absurd film titles this has to be right up there. Abraham Lincoln: Vampire Hunter is a film that you can tune into and lose yourself with – nothing more than that.
Directed by Timur Bekmambetov (Wanted) the film initially focuses on the early life of one Abraham Lincoln (Benjamin Walker) whose mother is killed at the hands of a vampire.
Fueled by revenge he goes out and tries to avenge her death, unsuccessfully at first. He is then taken under the wing of Henry Sturges (Dominic Cooper) who shows him the proper ways to fight back, in a training montage that makes Rocky’s wood chopping skills look pathetic.
Sturges leaves Lincoln to go off on his own but sends him the names of undead that he has to go out and kill on a regular basis, while trying to hide his nocturnal hobby from those closest to him. First thing to note with this film is many of the techniques that made Wanted a unique action flick are used considerably throughout, a bit too much for me.
CGI in film should be used sparingly as far as I’m concerned, but when faced with a scene where there is no feasible way you could shoot for real then it’s a perfect solution. When Lincoln is giving chase to Jack Barts (Marton Csokas) across a stampede of wild horses it provides a great action sequence for which CGI comes into its own.
In-fact pretty much all the action sequences use this, and with the climactic train sequence proving a highlight to the end of the film it’s not anywhere near enough to make it a standout, you can only hide behind special effects for so long before you’re going to get found out.
There is a pause in proceedings, a chance to catch breath from all that over the top action, as Lincoln puts down his silver coated axe and follows a career in politics looking to abolish slavery as well as vampires. His lifelong friend Will Johnson (Anthony Mackie) also joins him on this quest as his personal Presidential aide.
Of course it turns out that vampires are unable to kill their own as we see from a brief flash back where Dominic Cooper is mindlessly attacked and his beloved taken from him, so he clearly has a motive as well.
It’s all harmless fun, and while the late Abe Lincoln provides some small resemblance to Liam Neeson with a beard (was it only me that thought that) it’s a far fetched and totally ludicrous story that you cannot take too seriously for a minute.
Directed by Timur Bekmambetov (Wanted) the film initially focuses on the early life of one Abraham Lincoln (Benjamin Walker) whose mother is killed at the hands of a vampire.
Fueled by revenge he goes out and tries to avenge her death, unsuccessfully at first. He is then taken under the wing of Henry Sturges (Dominic Cooper) who shows him the proper ways to fight back, in a training montage that makes Rocky’s wood chopping skills look pathetic.
Sturges leaves Lincoln to go off on his own but sends him the names of undead that he has to go out and kill on a regular basis, while trying to hide his nocturnal hobby from those closest to him. First thing to note with this film is many of the techniques that made Wanted a unique action flick are used considerably throughout, a bit too much for me.
CGI in film should be used sparingly as far as I’m concerned, but when faced with a scene where there is no feasible way you could shoot for real then it’s a perfect solution. When Lincoln is giving chase to Jack Barts (Marton Csokas) across a stampede of wild horses it provides a great action sequence for which CGI comes into its own.
In-fact pretty much all the action sequences use this, and with the climactic train sequence proving a highlight to the end of the film it’s not anywhere near enough to make it a standout, you can only hide behind special effects for so long before you’re going to get found out.
There is a pause in proceedings, a chance to catch breath from all that over the top action, as Lincoln puts down his silver coated axe and follows a career in politics looking to abolish slavery as well as vampires. His lifelong friend Will Johnson (Anthony Mackie) also joins him on this quest as his personal Presidential aide.
Of course it turns out that vampires are unable to kill their own as we see from a brief flash back where Dominic Cooper is mindlessly attacked and his beloved taken from him, so he clearly has a motive as well.
It’s all harmless fun, and while the late Abe Lincoln provides some small resemblance to Liam Neeson with a beard (was it only me that thought that) it’s a far fetched and totally ludicrous story that you cannot take too seriously for a minute.
Gareth von Kallenbach (980 KP) rated Hot Rod (2007) in Movies
Aug 14, 2019
Following up their successful sting on Saturday Night Live, the video masterminds behind such hits as “Lazy Sunday, and “Dick in a Box”, the Lonely Island Boys have unleashed a wild comedy that skewers some of the best comedy standards of the last two decades.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
In “Hot Rod”, Andy Samberg stars as Rod Kimble, self proclaimed stuntman who believes he is the offspring of a stunt coordinator. Rod never misses a chance to try a new death defying stunt with the help of his stunt crew. There is just one problem, Rod is probably the worst stuntman ever to grace the planet.
Armed with his trusty moped, Rod attempts to jump swimming pools, vans, and even body boards all with failed and side-splitting results.
Rod also is struggling to win the respect of his stepfather Frank, (Ian McShane), and comes to believe he can only do this by winning one of their numerous fight sessions. As is expected, Rod is even worse at fighting as he is at stunts. This is time leads to a real dilema for Rod, when Frank becomes ill and needs an operation which the family is unable to afford.
Rod decides that he must raise the money to save Frank, so he can kick his butt and gain his respect. Towards this end, Rod rent himself out as a stuntman for hire, and some very funny moments ensue as each outing is even more inept than the one that preceded it.
As if Rod did not have enough trouble in his life, he admires the newest member of his stunt team Denise (Isla Fisher), but runs afoul of her jerky boyfriend Jonathan (Will Arnett), which leads to even more mayhem as the film unfolds in an enjoyable but predictable love triangle. While the plot is not likely to set any new standards for originality, the film shines when it is sending up the numerous films from the 80’s such as “Footloose”, and “Rad” with their often over the top sendups.
While there are stretches of the film that seem to be going nowhere, the film cleverly will turn on a dime and go off in new tangents often with hysterical results which is the strength of the film. Many times I found myself watching the film thinking segments were really out there or dumb, only to erupt in laughter when the scenes played out to their conclusions.
The biggest weakness of the film is that like many other films that star Saturday Night Live cast members, some of the jokes hit and some miss, especially when sketch length bits are carried out over 90 minutes.
While the film was designed to pay homage to past films, it works suprisingly well as not only a pop culture satire, but as a physical comedy. With fine supporting work by Sissy Spacek and Jorma Taccone, “Hot Rod” rises above its stupid comedy origins and creates a fresh, if silly offering that will leave you laughing.
Charlie Cobra Reviews (1840 KP) rated Train to Busan (2016) in Movies
Jul 7, 2020 (Updated Oct 22, 2020)
Thrillingly Unique and Entertaining Addition to the Zombie Film
Contains spoilers, click to show
This movie was great and the unique concept of having the survivors on a train was different from any zombie I've ever seen. Seok-woo is a divorced business man who never has time for his daughter, whose only wish for her birthday is to see her mother. After reluctantly agreeing to take her by train a zombie apocalypse occurs and they have to survive on the train. The scenes on the train were pretty amazing and really intense. Having to fight zombies in close quarters at times with no weapons made them incredibly tense, especially the ones where they had to sneak past them in the dark. As I said before a big thing that bothered me was that in certain scenes it appeared as if the zombies didn't actually attack the people to eat them but just bite them spreading the virus like World War Z. This was a serious let down for me in World War Z and the only reason I didn't make a bigger deal about it in this one is because there were scenes where a zombie was scene eating someone one that's already on the ground and also where they swarm someone who was already bitten, more than likely eating them. See to me the two greatest reasons why zombie are scary and so popular is because they combine two big fears that people have on a primal way. 1 is the fear of death and the dead, people don't want to die of course, but people are also afraid of dead things, dead people, animals etc.. And then 2 being eaten alive. That I think is something nobody would even wish on their worst enemy, so that's why zombies are such a scary movie monster. But when you change them to being infected instead of reanimated corpses and instead of eating the living they are trying to spread a disease by biting people and not eating them, it takes away from the horror part of it. I really liked the scene where the man with the pregnant wife, Seok-woo and the young baseball player gear up to make their way to the back cars to save their family members. I also liked the special effects used, everything except that deer in the beginning of the movie, which wasn't that terrible in the big scope of things but it reminded me of that prairie dog in the beginning of Crystal Skull (which was big red flag for that film). I have to say that this was really one of the better zombie films out there and I hear there is an animated prequel that was realized a month later and now talks about a sequel. I give this movie a 7/10.
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