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American Stranger: A Novel
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A daughter of Jewish refugees searches for love and a spiritual home in this novel by the National...
The Red Lotus
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From the #1 New York Times bestselling author of Midwives and The Flight Attendant comes a twisting...
Netherland
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In early 2006, Chuck Ramkissoon is found dead at the bottom of a New York canal. In London, a...
Perfecting Sound Forever: An Aural History of Recorded Music
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In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it...
House of Glass: The Story and Secrets of a Twentieth-Century Jewish Family
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After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a...
The Last Truehart
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1898, Geelong, Victoria. Stella Truehart is all alone in the world. Her good-for-nothing husband has...
Merissa (11950 KP) rated The Spellcaster's Trap (The Familiar Curse #1) in Books
Mar 5, 2021 (Updated Aug 2, 2023)
Okay, so where do I start? The Spellcaster's Trap is the first book in The Familiar's Curse series, and we start off with Juliet at seven years old, when her father tells her the story of how the shapeshifters and spellcasters war came to be. Fast forward ten years and Juliet is now with her not-so-nice stepmother, who arranges for her to die. Simply put, that doesn't happen.
I LOVED THIS STORY! I was intrigued from the very beginning, and I loved the connection Juliet and Dante had. The acknowledgement of Romeo and Juliet made me smile, and I thought that both Dante and Juliet acted very maturely given the circumstances, knowing they couldn't be together. Did I want them to be? Hell yeah!!! These two NEED to be together.
History is often twisted and warped through time and, as is often said, is written by the victors. Having both spellcasters and shapeshifters acknowledge this point made me feel all warm and fuzzy inside. That was a good thing because this ends with one helluva cliffhanger that about killed me! I need the second book, like right now.
The pacing was perfect, the characters are fantastic - although not always in a good way! Nicholas, I'm looking at you!!! - and the world-building was awesome. There's simply no way I couldn't give this 5-stars. Absolutely recommended by me, and... when is Book 2 out? Please?
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 5, 2021
I LOVED THIS STORY! I was intrigued from the very beginning, and I loved the connection Juliet and Dante had. The acknowledgement of Romeo and Juliet made me smile, and I thought that both Dante and Juliet acted very maturely given the circumstances, knowing they couldn't be together. Did I want them to be? Hell yeah!!! These two NEED to be together.
History is often twisted and warped through time and, as is often said, is written by the victors. Having both spellcasters and shapeshifters acknowledge this point made me feel all warm and fuzzy inside. That was a good thing because this ends with one helluva cliffhanger that about killed me! I need the second book, like right now.
The pacing was perfect, the characters are fantastic - although not always in a good way! Nicholas, I'm looking at you!!! - and the world-building was awesome. There's simply no way I couldn't give this 5-stars. Absolutely recommended by me, and... when is Book 2 out? Please?
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 5, 2021
Merissa (11950 KP) rated The Dragon's Rose (Grym Hollow #1) in Books
Jan 23, 2024
THE DRAGON'S ROSE is the first book in the Grym Hollow series and I want all of them... now!
We start in a contemporary setting as Rose leaves the hospital where her sister has just given birth. Not long after, she is whisked away to another world and The Dragon's Keep. Not only is she there because of a bargain made, but also to marry the King - a little tidbit she doesn't know until just before the happy occasion!
Malix and Rose are a perfect pair. She is feisty and sassy. She has dealt with her own loss and so cares for others. She is also unafraid to go toe-to-toe with her husband when he's acting like a jerk! Malix is fighting to keep his kingdom safe but is intrigued by the human woman who stands up to him. He is protective and will always do his best.
This was an outstanding story that I devoured in one sitting. It is full of emotions that will draw you in and keep you turning the pages. My heart broke for Caliban, even as he found healing with Rose. It perfectly blends danger, humour, love, betrayal, romance, and steam.
The dragons' battle may be over but the war hasn't been won. We move on to the wolves next and I can't wait!!! HIGHLY recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2024
We start in a contemporary setting as Rose leaves the hospital where her sister has just given birth. Not long after, she is whisked away to another world and The Dragon's Keep. Not only is she there because of a bargain made, but also to marry the King - a little tidbit she doesn't know until just before the happy occasion!
Malix and Rose are a perfect pair. She is feisty and sassy. She has dealt with her own loss and so cares for others. She is also unafraid to go toe-to-toe with her husband when he's acting like a jerk! Malix is fighting to keep his kingdom safe but is intrigued by the human woman who stands up to him. He is protective and will always do his best.
This was an outstanding story that I devoured in one sitting. It is full of emotions that will draw you in and keep you turning the pages. My heart broke for Caliban, even as he found healing with Rose. It perfectly blends danger, humour, love, betrayal, romance, and steam.
The dragons' battle may be over but the war hasn't been won. We move on to the wolves next and I can't wait!!! HIGHLY recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2024
Movie Metropolis (309 KP) rated Wonder Woman (2017) in Movies
Jun 10, 2019
DC gets it right
I’m not going to sit here and tell you that Wonder Woman is alright because it’s been directed by a woman, or that it’s the most progressive superhero film of the last decade. No, neither of those things are true.
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
Ross (3284 KP) rated The Revenge of the Dwarves in Books
Mar 19, 2018
Too epic for its own good
I loved the first Dwarves book: the world-building, the adventure, the characters and the interactions were all superb. The story, while being far from original, was very enjoyable and engaging. In the follow-up, War of the Dwarves, cracks started to appear, showing such an ambitious storyline was just too big for one book, with Heitz being prone to focus on every intimate detail of a scene (while being enjoyable it does take the attention away from the overall story somewhat), meaning some important events/hints are glossed over.
This trend continues here, where the scope just seems to be a bit too big and squeezed in. We don't really have any sight of a large-scale assault from the orcs and trolls on the defences of the land, these are mentioned briefly as backstory, while the focus is on Rodario the actor trying to find his friend, while getting his end away left, right and centre. The dwarves play less of a key role for large parts of the book, as so much is needed from Rodario/Furgas' storlyline that we leave the dwarves entirely for large sections of the book.
The translation of this third book also seems lower quality than before, where some parts seem to be google-translated and don't really scan all that well in English. Compared to how well this was carried out on the first book, this is something of a let-down.
Overall, the story itself is strong (the 13 diamonds, one of which contains a massive store of magic, scattered throughout the kingdoms start to be stolen by strange creatures/machines) but the narrative tends to wander a little looking for humour where there really is no need for any (or the payoff is never worth it).
With only 2 books to go, I think the gap between them is going to grow as I find myself less keen to dive straight into the next one, and I haven't bought the 4th one yet (though I have the 5th from Netgalley to review!). And whether I will then read the Alfar prequels after that remains to be seen (though they are sitting on my kindle).
This trend continues here, where the scope just seems to be a bit too big and squeezed in. We don't really have any sight of a large-scale assault from the orcs and trolls on the defences of the land, these are mentioned briefly as backstory, while the focus is on Rodario the actor trying to find his friend, while getting his end away left, right and centre. The dwarves play less of a key role for large parts of the book, as so much is needed from Rodario/Furgas' storlyline that we leave the dwarves entirely for large sections of the book.
The translation of this third book also seems lower quality than before, where some parts seem to be google-translated and don't really scan all that well in English. Compared to how well this was carried out on the first book, this is something of a let-down.
Overall, the story itself is strong (the 13 diamonds, one of which contains a massive store of magic, scattered throughout the kingdoms start to be stolen by strange creatures/machines) but the narrative tends to wander a little looking for humour where there really is no need for any (or the payoff is never worth it).
With only 2 books to go, I think the gap between them is going to grow as I find myself less keen to dive straight into the next one, and I haven't bought the 4th one yet (though I have the 5th from Netgalley to review!). And whether I will then read the Alfar prequels after that remains to be seen (though they are sitting on my kindle).