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Awix (3310 KP) rated The Day the Earth Stood Still (1951) in Movies
Apr 9, 2019
Michael Rennie is magnificently detached but humane in this parable about an alien visitor arriving in early-50s Washington DC. He brings an important message from the galactic community, but is met with only paranoia and petty squabbling amongst the people of Earth.
Unusual amongst the early-50s flying saucer movies in not featuring malevolent aliens, although given this is famously an allegory for the life of Christ, Klaatu is a surprisingly ambiguous figure, and the film's subtext is not nearly as liberal as you might expect: the message is an authoritarian one, 'do as you are told, or else'. Still a classic of the genre, with striking, much-copied special effects sequences and music, a literate and thoughtful script, and terrific performances and direction.
Unusual amongst the early-50s flying saucer movies in not featuring malevolent aliens, although given this is famously an allegory for the life of Christ, Klaatu is a surprisingly ambiguous figure, and the film's subtext is not nearly as liberal as you might expect: the message is an authoritarian one, 'do as you are told, or else'. Still a classic of the genre, with striking, much-copied special effects sequences and music, a literate and thoughtful script, and terrific performances and direction.
Awix (3310 KP) rated Devil Girl from Mars (1955) in Movies
Mar 30, 2019 (Updated Mar 30, 2019)
Notorious cheapo British SF film objectively deserves about a 2 or 3, but it's worth at least an 8 for connoisseurs of duff B-movies, so I've split the difference. Title character Nyah (Laffan) swishes about in a shower curtain, occasionally hypnotising men she wants to take home to Mars, and devastating the countryside with her pet robot (which looks like a fridge with legs). Everyone else tries to get on with some very soapy subplots.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Awix (3310 KP) rated Invasion of Astro-Monster (1965) in Movies
Feb 22, 2018
Planet X marks the Spot
Sixth Godzilla movie, third for Rodan, second for Ghidorah, if anyone's counting. Not really a proper monster movie, if we're honest, more a sort of Japanese take on a flying-saucer B-picture. Aliens from Planet X ask to borrow Godzilla and Rodan to help deal with their local monster problem (King Ghidorah); evil plans are naturally afoot.
Almost wholly mad; still quite entertaining, but the lack of actual monster action (the three big beasts get very little screen-time) is inevitably quite disappointing. Rattling pace makes up for a lot of the film's flaws, and the basic idea - aliens try to conquer the world using monsters - would be endlessly recycled in future proper Godzilla films. Easy to dismiss this movie as quaintly dated 60s tosh, but surely a film where the forces of evil are driven off by the power of rape alarms has something to say to the #time's up generation.
Almost wholly mad; still quite entertaining, but the lack of actual monster action (the three big beasts get very little screen-time) is inevitably quite disappointing. Rattling pace makes up for a lot of the film's flaws, and the basic idea - aliens try to conquer the world using monsters - would be endlessly recycled in future proper Godzilla films. Easy to dismiss this movie as quaintly dated 60s tosh, but surely a film where the forces of evil are driven off by the power of rape alarms has something to say to the #time's up generation.
Awix (3310 KP) rated Ghidorah, the Three-Headed Monster (1964) in Movies
Feb 12, 2019
Archetypal Toho monster mash with exuberant men-in-suits wrestling and an all-over-the-place plot - Flying Saucer enthusiasts predict the apocalypse, a Himalayan princess survives an assassination attempt when she is possessed by the spirit of a Venusian (or Martian, depending on which version you watch), a mysterious meteorite hatches out Ghidorah the three-headed space dragon. Earth's fate depends on the ability of a caterpillar to persuade a nuclear dinosaur and a giant pterodactyl to work together.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
Lots of fun if you enjoy this sort of thing, with many incidental pleasures - not least the startling shades-and-ruff outfit adopted by the chief villain at one point. Not quite as jokey in tone as King Kong Vs Godzilla, but still notably lighter than most of the previous films in the series - the various monsters are treated more as characters than before, too (there's a fairly lengthy conversation between Mothra, Rodan and Godzilla). Calling this the mid-60s Japanese version of The Avengers is probably stretching a point, but it's certainly one of the better early Godzilla movies; hopefully the forthcoming American take on these characters will be as much fun.
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Awix (3310 KP) rated Hangar 18 (1980) in Movies
May 20, 2018 (Updated May 20, 2018)
Heroically low-budget, almost entirely inept pseudo-sci-fi from the makers of In Search of Noah's Ark and The Mysterious Monsters. There's less of a docu-drama vibe to this one but a definite proto-X-Files flavour as sinister government types cover up the crash-landing of a flying saucer, while fitting up two heroic, improbably-cast NASA astronauts for the death of a colleague in orbit. The cover-up is stupid and unconvincing; so are the astronaut characters; both are better than the special effects and props, which score highly on the crud-o-meter.
Main points of interest are as follows: Robert Vaughn as the slimy White House operator, who doesn't meet the rest of the main cast while giving a performance best-described as very Robert Vaughny. Darren McGavin comes as close as anyone to rescuing the movie as a sympathetic NASA director leading the investigation of the plastic UFO. (This is one of those movies with an almost wholly white male cast, so I expect it will be burnt at the stake in the not too distant future.)
The original ending, in which nearly everyone dies and the world is (probably) doomed by self-serving politicians, seems to have been lost to history, replaced by the one from the TV version, which is less downbeat but thoroughly pointless (so perhaps more appropriate for the movie). This isn't even fun junk, it's just witless stodge. Possibly of some value to cultural historians as a time capsule of fringe late-70s concerns, a waste of time for everyone else.
Main points of interest are as follows: Robert Vaughn as the slimy White House operator, who doesn't meet the rest of the main cast while giving a performance best-described as very Robert Vaughny. Darren McGavin comes as close as anyone to rescuing the movie as a sympathetic NASA director leading the investigation of the plastic UFO. (This is one of those movies with an almost wholly white male cast, so I expect it will be burnt at the stake in the not too distant future.)
The original ending, in which nearly everyone dies and the world is (probably) doomed by self-serving politicians, seems to have been lost to history, replaced by the one from the TV version, which is less downbeat but thoroughly pointless (so perhaps more appropriate for the movie). This isn't even fun junk, it's just witless stodge. Possibly of some value to cultural historians as a time capsule of fringe late-70s concerns, a waste of time for everyone else.
Jesters_folly (230 KP) rated This Island Earth (1955) in Movies
Sep 28, 2019
Contains spoilers, click to show
A scientist working on a new form of atomic energy is recruited by the mysterious Exeter to work with other scientists on secret project, but all is not what it seems.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
Lee (2222 KP) rated Men in Black International (2019) in Movies
Jun 16, 2019
A complete waste of time
Aside from Avengers Endgame, 2019 is shaping up to be pretty disappointing when it comes to blockbuster movies. Godzilla received a bit of a panning from the critics (although I personally quite liked it), then Dark Phoenix took an even bigger hit in the reviews, which I completely agree with. And now we have a sequel that nobody asked for, to a movie which has already had a couple of fairly average sequels, which has also received a wave of early bad reviews this week. To be honest, the trailer for Men In Black International certainly looked a bit....meh. A bunch of random stuff happening, no real indication of any plot, some annoying looking CGI aliens and an attempt to just coast off the back of having Thor and Valkyrie reunited on screen. I still remember how memorable the original trailer for the 1997 MIB movie was when it featured in cinemas - the shades, the guns, the aliens, the massive flying saucer crash landing in front of a cool looking Will Smith and Tommy Lee Jones. This trailer had none of that wow factor, but I went in, hopeful as always that the reviews were wrong.
The movie begins in 2016, with Agent H (Chris Hemsworth) and High T (Liam Neeson) as they ascend the Eiffel Tower, interrupting a man who is about to propose to his partner, before saving the world from an incoming alien race called The Hive. Then we jump back 20 years into the past to a family who are disturbed one night by a cute little alien in their back garden. As the young daughter, Molly, hides the alien in her bedroom, she looks out of her window to see her parents as they are neuralysed by a couple of Men in Black.
Back in present day, Molly (Tessa Thompson) is now all grown up, but hasn't forgotten that eventful night. While working in a call centre, she uses her computer to connect to satellite equipment in order to track alien landings and therefore try and gain access to the Men in Black, and hopefully get a job with them. Eventually finding her way into their headquarters, she is recruited by Agent O (Emma Thompson) and sent on her first mission, where she partners up with Agent H. The pair get caught up in a mission involving an assassinated alien VIP and some kind of super weapon. And, as the title of the movie suggests, plenty of international travel, as we switch between New York, London, Paris and Marrakesh.
The problem is, whereas the original Men in Black boasted a lot of humour, along with some great visual gags and action and a great double act, in the form of Will Smith and Tommy Lee Jones, this movie does nothing to successfully recapture any of that. As much as I love Chris Hemsworth, I felt that he was the worst thing about this movie. Somebody simply thought they'd take the character of Thor and try to have that for the entire movie, but without making him funny, heroic or even that likeable in the process. As with Dark Phoenix recently, a great cast is let down by an awful script, with any attempts at humour or entertainment falling completely flat.
Elsewhere, the fun and wacky inventiveness behind the different alien species in the original movie is completely absent here. Apart from some interesting and formidable twin villains, there's a fairly wasted role for Rebecca Ferguson as a three armed ex lover of Agent H. Otherwise, the main alien throughout the movie is just an annoying little CGI character.
To be fair, there are a couple of fun action sequences and some nice visuals, but overall this is just a completely forgettable and unnecessary movie. Here's hoping that Toy Story 4 will finally bring us a worthy blockbuster when it opens later this week.
The movie begins in 2016, with Agent H (Chris Hemsworth) and High T (Liam Neeson) as they ascend the Eiffel Tower, interrupting a man who is about to propose to his partner, before saving the world from an incoming alien race called The Hive. Then we jump back 20 years into the past to a family who are disturbed one night by a cute little alien in their back garden. As the young daughter, Molly, hides the alien in her bedroom, she looks out of her window to see her parents as they are neuralysed by a couple of Men in Black.
Back in present day, Molly (Tessa Thompson) is now all grown up, but hasn't forgotten that eventful night. While working in a call centre, she uses her computer to connect to satellite equipment in order to track alien landings and therefore try and gain access to the Men in Black, and hopefully get a job with them. Eventually finding her way into their headquarters, she is recruited by Agent O (Emma Thompson) and sent on her first mission, where she partners up with Agent H. The pair get caught up in a mission involving an assassinated alien VIP and some kind of super weapon. And, as the title of the movie suggests, plenty of international travel, as we switch between New York, London, Paris and Marrakesh.
The problem is, whereas the original Men in Black boasted a lot of humour, along with some great visual gags and action and a great double act, in the form of Will Smith and Tommy Lee Jones, this movie does nothing to successfully recapture any of that. As much as I love Chris Hemsworth, I felt that he was the worst thing about this movie. Somebody simply thought they'd take the character of Thor and try to have that for the entire movie, but without making him funny, heroic or even that likeable in the process. As with Dark Phoenix recently, a great cast is let down by an awful script, with any attempts at humour or entertainment falling completely flat.
Elsewhere, the fun and wacky inventiveness behind the different alien species in the original movie is completely absent here. Apart from some interesting and formidable twin villains, there's a fairly wasted role for Rebecca Ferguson as a three armed ex lover of Agent H. Otherwise, the main alien throughout the movie is just an annoying little CGI character.
To be fair, there are a couple of fun action sequences and some nice visuals, but overall this is just a completely forgettable and unnecessary movie. Here's hoping that Toy Story 4 will finally bring us a worthy blockbuster when it opens later this week.