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Andy K (10823 KP) rated Dogville (2003) in Movies
Nov 23, 2019
Humanity sucks!
The town of Dogville is a simple one. Set up in the mountains, it only has one main thoroughfare dividing its rows of homes and businesses. Its simple folk mostly keep to themselves or occasionally adjourn together. Some have a craft or livelihood which passes their time, others mostly stay to themselves contemplating their thoughts or maybe waiting for something interesting to happen.
Enter mysterious stranger, Grace.
Grace arrives in Dogville on her own without much fanfare or explanation other than mysterious gun shots heard in the distance and the brief appearance of a vehicle with a mystery occupant. It appears she might be more interesting than initial reaction. A Dogville resident, Tom, meets Grace and talks with her. He says he will discuss her situation with the locals at their next meeting and assures her they will protect Grace and allow her to stay in Dogville if they deem her worthy of friendship. She has to gain their friendship and trust within two weeks in order to do so.
As Grace starts to move within the townspeople, she discovers their interesting, eccentric personalities and tries to figure out any "work" they have either around their houses or within their businesses she can assist them with to further show her devotion to being a good person. Although after making the rounds she does not acquire much work, the members of Dogville eventually open up and welcome Grace to assist them.
Grace starts to fall for Tom who is also smitten with her.
The police eventually arrive to post a sign of the missing Grace and to attempt to gain information on her. The town is unsure what to think and some folk start to question whether Grace is being truthful. A dark and winding road eventually develops and Grace is put through some difficult travails and her will tested. Emotions run high.
Writer/director Lars Von Trier produces another truly unique film. Not as shockingly, visually jarring as some of his other work, this time the screenplay is the ultimate star producing vast emotional turmoil and shocks with words and deeds instead. All the characters presented have quite the emotional arc during the 3 hour run time of this film and it is so interesting to endure the ride. Grace really disrupts this small, mountain community and helps the folk show their eventual true personalities in all their various forms.
The physical setting of the movie is an actual "sound stage" look of the main main street strip of Dogville shown only in building outlines with minimal props or decor within. When looking from above where extensive sections of the film are shown, the audience can view almost the entire township engaged in their daily activities either among one another or by themselves. A lot of the view from the street feels very real as the camera weaves through the conversations almost like another human being.
The slow erosion of the township to Grace, her situation and the way they treat her is the crux of the film. The way human beings can be so kind to each other and then the opposite is what struck and moved me while watching Dogville. Von Trier really took the time to use the right amount of words and craft them in a loving and vicious way made the film tough to watch at times, but also captivating.
I haven't always been the biggest Nicole Kidman fan; however, her performance in this film is amazing. She cautious vulnerability and warming personality have the town be initially enamored with her, then her willingness to please erodes her relationships down the hole of darkness and betrayal. Her quirky smile and subdued emotion suits the character perfectly as you are truly trying to unravel her character's mysteries.
Really enjoyed this one.
Enter mysterious stranger, Grace.
Grace arrives in Dogville on her own without much fanfare or explanation other than mysterious gun shots heard in the distance and the brief appearance of a vehicle with a mystery occupant. It appears she might be more interesting than initial reaction. A Dogville resident, Tom, meets Grace and talks with her. He says he will discuss her situation with the locals at their next meeting and assures her they will protect Grace and allow her to stay in Dogville if they deem her worthy of friendship. She has to gain their friendship and trust within two weeks in order to do so.
As Grace starts to move within the townspeople, she discovers their interesting, eccentric personalities and tries to figure out any "work" they have either around their houses or within their businesses she can assist them with to further show her devotion to being a good person. Although after making the rounds she does not acquire much work, the members of Dogville eventually open up and welcome Grace to assist them.
Grace starts to fall for Tom who is also smitten with her.
The police eventually arrive to post a sign of the missing Grace and to attempt to gain information on her. The town is unsure what to think and some folk start to question whether Grace is being truthful. A dark and winding road eventually develops and Grace is put through some difficult travails and her will tested. Emotions run high.
Writer/director Lars Von Trier produces another truly unique film. Not as shockingly, visually jarring as some of his other work, this time the screenplay is the ultimate star producing vast emotional turmoil and shocks with words and deeds instead. All the characters presented have quite the emotional arc during the 3 hour run time of this film and it is so interesting to endure the ride. Grace really disrupts this small, mountain community and helps the folk show their eventual true personalities in all their various forms.
The physical setting of the movie is an actual "sound stage" look of the main main street strip of Dogville shown only in building outlines with minimal props or decor within. When looking from above where extensive sections of the film are shown, the audience can view almost the entire township engaged in their daily activities either among one another or by themselves. A lot of the view from the street feels very real as the camera weaves through the conversations almost like another human being.
The slow erosion of the township to Grace, her situation and the way they treat her is the crux of the film. The way human beings can be so kind to each other and then the opposite is what struck and moved me while watching Dogville. Von Trier really took the time to use the right amount of words and craft them in a loving and vicious way made the film tough to watch at times, but also captivating.
I haven't always been the biggest Nicole Kidman fan; however, her performance in this film is amazing. She cautious vulnerability and warming personality have the town be initially enamored with her, then her willingness to please erodes her relationships down the hole of darkness and betrayal. Her quirky smile and subdued emotion suits the character perfectly as you are truly trying to unravel her character's mysteries.
Really enjoyed this one.
Vivekananda - Amar Chitra Katha Comics
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Grimms' Fairy Tales by Jacob & Wilhelm Grimm
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Talking animals, wicked stepmothers, valiant tailors, cruel witches! Sixty-two stories that feature...
BankofMarquis (1832 KP) rated Saltburn (2023) in Movies
Dec 29, 2023
Interesting...Intriguing...and Dark
Actress/Writer/Director Emerald Fennell is turning into an artistic voice that bears noticing and with SALTBURN - her follow-up to PROMISING YOUNG WOMAN (the film that won her the Academy Award for Best Original Screenplay) - Fennell’s artistic voice is in full bloom.
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Scott Tostik (389 KP) rated A Nightmare on Elm Street (2010) in Movies
Sep 5, 2017
Most of the cast (1 more)
Jackie Earl Haley
Reimaging folk, not remake
I know I'm probably going to catch heat for this from self proclaimed horror movie God's. But, I enjoyed this movie.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
With a few exceptions. ROONEY MARA WHAT THE HELL ARE YOU EVEN DOING IN THIS FILM!!!! Her dry and unimpressive portrayal of Nancy, a role made iconic by Heather Langenkamp, nearly destroyed this movie for me.
But along came Jackie Earl Haley. An amazing character actor who attacked the role of Freddy Krueger and honestly made him dark, destructive and truly demonic again. While he may not be Robert Englund, Haley made Freddy scary again. No more with the cracking jokes, no more fun. Just rage, destruction and murder.
And that's what you want in an iconic horror character.
Who cares if he's not 6ft 4.
Who cares if he's not funny.
That's the point of a reimagining.
Platinum Dunes did it well with Texas Chainsaw Massacre. As far as I'm concerned they did it fairly well with Friday the 13th.
And IMHO, they did it well with this movie.
Everything needs an update to evolve these days. And that includes even the most iconic horror movie characters.
Awix (3310 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2018 (Updated Feb 18, 2018)
British folk-horror film is part of the mini-boom in 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's remote island in search of missing girl, discovers Britt Ekland waiting for him' movies that happened in 1973-4. Devout Christian copper (Woodward) visits Summerisle (off the Scottish coast) after receiving a tip-off about a vanishing schoolgirl, is appalled by what he sees as the immorality of the islanders. The lord of the place (Lee) assures him that there's nothing to be worried about, they just have different ethical standards (they're all Pagans), but Woodward is not convinced. Is something nasty lined up for May Day?
Books have been written about the tortuous distribution endured by The Wicker Man and its producers; rumours persist that the original much longer version is buried under a motorway somewhere in England. But all the available cuts are excellent, if not superb: the film is not particularly scary per se, more a queasy examination of how society, morality and religion intersect with one another; manages to make moral relativism seem more disturbing than devil-worship, somehow. Has one of the greatest non-endings in cinema history. Great performances, banging tunes, thoughtful and playful script; a film for all seasons, but goes especially well with a barbecue.
Books have been written about the tortuous distribution endured by The Wicker Man and its producers; rumours persist that the original much longer version is buried under a motorway somewhere in England. But all the available cuts are excellent, if not superb: the film is not particularly scary per se, more a queasy examination of how society, morality and religion intersect with one another; manages to make moral relativism seem more disturbing than devil-worship, somehow. Has one of the greatest non-endings in cinema history. Great performances, banging tunes, thoughtful and playful script; a film for all seasons, but goes especially well with a barbecue.
A World Full of Animal Stories: 50 favourite animal folk tales, myths and legends by Angela McAllister is a beautiful and interesting book of folktales and legends that celebrate animals and culture. These stories are brought to life as the reader travels the globe to Africa, Asia, North and South America, Europe, Australia and Oceania.
It is a book full of cultural stories, with strong messages and wonderful illustrations. Familiar stories such as The Billy Goats Gruff, The Nightingale, and The Ugly Duckling are in the book so the reader will learn where those stories came from. In the contents guide it has each of the stories listed under the continent they belong to, with the country that relates to the story in brackets next to its title, which is useful for finding a specific story or learning about a certain region.
The stories are not long, which makes it perfect for bedtime stories. One story a night will give your child something to think and talk about. This would also would be great for the classroom, particularly when learning about different cultural stories and traditions.
I received an ARC of A World Full of Animal Stories from NetGalley via Quarto Publishing Group and Frances Lincoln Childrens.
It is a book full of cultural stories, with strong messages and wonderful illustrations. Familiar stories such as The Billy Goats Gruff, The Nightingale, and The Ugly Duckling are in the book so the reader will learn where those stories came from. In the contents guide it has each of the stories listed under the continent they belong to, with the country that relates to the story in brackets next to its title, which is useful for finding a specific story or learning about a certain region.
The stories are not long, which makes it perfect for bedtime stories. One story a night will give your child something to think and talk about. This would also would be great for the classroom, particularly when learning about different cultural stories and traditions.
I received an ARC of A World Full of Animal Stories from NetGalley via Quarto Publishing Group and Frances Lincoln Childrens.
Manda (5 KP) rated Dead Until Dark (Sookie Stackhouse, #1) in Books
Jul 11, 2018 (Updated Jul 11, 2018)
Omg omg omg
Ok ok, so it’s been a few years since I devoured this series, yes I said devoured. Charlaine Harris became one of my favorite authors upon reading this book and the next thing I knew the series had been read and my life was never the same.
Say hello to Sookie, a good hearted, beautiful blonde belle that can hear the thoughts of others. The world she lives in is one where vampires are real and omg walk amount us “normal” folk! This first novel introduces us to Sookie and her family, her grandmother who we all end up loving and her brother who is a dumbass but a cute one, so I guess that equals out. Things get crazy for Sookie and her life and friends when their small little town gets their first vampire. Bill. Ahh Bill. Bill frustrated me but whatever. In attempts to not contain spoilers I’m just going say, if you enjoy crazy supernatural reads with gore and lust and magic with a dash of murder mystery and crazy turns this book (this series) is for you.
Say hello to Sookie, a good hearted, beautiful blonde belle that can hear the thoughts of others. The world she lives in is one where vampires are real and omg walk amount us “normal” folk! This first novel introduces us to Sookie and her family, her grandmother who we all end up loving and her brother who is a dumbass but a cute one, so I guess that equals out. Things get crazy for Sookie and her life and friends when their small little town gets their first vampire. Bill. Ahh Bill. Bill frustrated me but whatever. In attempts to not contain spoilers I’m just going say, if you enjoy crazy supernatural reads with gore and lust and magic with a dash of murder mystery and crazy turns this book (this series) is for you.
Bong Mines Entertainment (15 KP) rated Sissala Goddess by Wiyaala in Music
Jun 18, 2019
Wiyaala is a charismatic singer-songwriter from Funsi, Upper West, Ghana. Not too long ago, she released a music video for her “Village Sex” single, featured on her second studio album, entitled, “Sissala Goddess”.
Wiyaala’s name means ‘the doer’ in her Sissala dialect.
Thanks to a musical mother, The Young Lioness of Africa dodged FGM and child marriage. Also, the patriarchal society which she grew up in made it very difficult for her to become an entertainer.
Since then, she has won over fans across the world. Also, the most remarkable thing is she’s from Ghana, a country with a notoriously conservative music industry, where any challenge to the norm is frowned upon.
Wiyaala’s “Village Sex” single contains a relatable storyline and ear-welcoming vocal. Also, the song possesses energetic instrumentation flavored with West African folk, Afro-pop, and world elements.
‘Sissala Goddess’ is a fascinating, often moving glimpse at Africa old and new through the Young Lioness of Africa’s eyes.
Wiyaala sings part of the album in Sissala—one of the world’s most endangered languages.
Also, she celebrates the love of those who have supported her as well as challenging traits of bigotry, jealousy, and greed.
https://www.bongminesentertainment.com/wiyaala-village-sex/
Wiyaala’s name means ‘the doer’ in her Sissala dialect.
Thanks to a musical mother, The Young Lioness of Africa dodged FGM and child marriage. Also, the patriarchal society which she grew up in made it very difficult for her to become an entertainer.
Since then, she has won over fans across the world. Also, the most remarkable thing is she’s from Ghana, a country with a notoriously conservative music industry, where any challenge to the norm is frowned upon.
Wiyaala’s “Village Sex” single contains a relatable storyline and ear-welcoming vocal. Also, the song possesses energetic instrumentation flavored with West African folk, Afro-pop, and world elements.
‘Sissala Goddess’ is a fascinating, often moving glimpse at Africa old and new through the Young Lioness of Africa’s eyes.
Wiyaala sings part of the album in Sissala—one of the world’s most endangered languages.
Also, she celebrates the love of those who have supported her as well as challenging traits of bigotry, jealousy, and greed.
https://www.bongminesentertainment.com/wiyaala-village-sex/
Cowboy Song: The Authorised Biography of Philip Lynott
Book
'The truest measure of the man we have thus far' - Mojo 'Affectionate, impeccably researched...