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Darren (1599 KP) rated Jellyfish (2018) in Movies
Dec 8, 2019
Verdict: Tragic & Heart Breaking
Story: Jellyfish starts as we meet school student Sarah Taylor (Hill) who is in struggling through her drama classes, taking care of her young siblings, while trying to work to give them any sort of extra money, her mother Karen (Matthews) is unemployed suffering from a mental illness.
When Sarah’s teacher Adam Hale (Nri) sees her talent for comedy, he pushes her into trying stand up comedy for a show, just when Sarah’s life starts to fall apart, with her losing her job and the family losing their benefits because of her mother not attending her meetings. Sarah is left needing to turn to darker sides of her life, to make sure her siblings stay with her and don’t get put into the foster system.
Thoughts on Jellyfish
Characters – Sarah is a 15-year-old girl that must look after her younger siblings, while her mother is struggling with her own mental illnesses, Sarah is trying to get through her GCSEs, working part time and being the only adult in her house, she is facing a future that isn’t going to happen unless things change quickly, everything is slowly piling up on her, with life situations she shouldn’t have put on her. Karen in the mother who has been suffering through depression making it difficult for her to even get out of the house to keep the benefits coming in. Adam Hale is the drama teacher that does see some potential in Sarah, he encourages her to find her talent for comedy, being supportive, where nobody else is. Vince is the boss that is trying to be strict, he gives Sarah chances unaware of her problems at home, even if he ends up being like any boss who hasn’t gotten more out of their own life.
Performances – Liv Hill gives us one of the strongest performances you will ever see, from every expression of pain she is going through, to just holding in the explosion of emotion that wants to come out of her. Sinead Matthews does make her character look like she is struggling with life. The rest of the supporting cast are strong, they all let Liv take the centre stage.
Story – The story here shows a 15-year-old that must take care of her younger siblings, manager school life and work life just to keep a roof over their heads. This is a story that will put a startling light on how some children will be living and just what they will need to do to get through each day, it shows the poverty line in England and how people will often not even give you the time of day to see what is wrong with somebody’s life, with only one person trying to offer support to Sarah. We see just how desperate she has become to make sure the family stays together even going against the law in her attempts. You will find yourself being incredibly moved by the struggles of Sarah and watching her slowly see her life unravel makes you want to help her.
Settings – The film is set in Margate a small coast town that doesn’t have the luxury life many people living there would have, it shows that small towns don’t offer big futures for people.
Scene of the Movie – The routine.
That Moment That Annoyed Me – Is drama the only class Sarah takes?
Final Thoughts – This is one of the most emotionally charged movies you will see, we have a truly brilliant performance that will leave you feeling heart broken by what Sarah goes through, a must watch.
Overall: Brilliant.
Story: Jellyfish starts as we meet school student Sarah Taylor (Hill) who is in struggling through her drama classes, taking care of her young siblings, while trying to work to give them any sort of extra money, her mother Karen (Matthews) is unemployed suffering from a mental illness.
When Sarah’s teacher Adam Hale (Nri) sees her talent for comedy, he pushes her into trying stand up comedy for a show, just when Sarah’s life starts to fall apart, with her losing her job and the family losing their benefits because of her mother not attending her meetings. Sarah is left needing to turn to darker sides of her life, to make sure her siblings stay with her and don’t get put into the foster system.
Thoughts on Jellyfish
Characters – Sarah is a 15-year-old girl that must look after her younger siblings, while her mother is struggling with her own mental illnesses, Sarah is trying to get through her GCSEs, working part time and being the only adult in her house, she is facing a future that isn’t going to happen unless things change quickly, everything is slowly piling up on her, with life situations she shouldn’t have put on her. Karen in the mother who has been suffering through depression making it difficult for her to even get out of the house to keep the benefits coming in. Adam Hale is the drama teacher that does see some potential in Sarah, he encourages her to find her talent for comedy, being supportive, where nobody else is. Vince is the boss that is trying to be strict, he gives Sarah chances unaware of her problems at home, even if he ends up being like any boss who hasn’t gotten more out of their own life.
Performances – Liv Hill gives us one of the strongest performances you will ever see, from every expression of pain she is going through, to just holding in the explosion of emotion that wants to come out of her. Sinead Matthews does make her character look like she is struggling with life. The rest of the supporting cast are strong, they all let Liv take the centre stage.
Story – The story here shows a 15-year-old that must take care of her younger siblings, manager school life and work life just to keep a roof over their heads. This is a story that will put a startling light on how some children will be living and just what they will need to do to get through each day, it shows the poverty line in England and how people will often not even give you the time of day to see what is wrong with somebody’s life, with only one person trying to offer support to Sarah. We see just how desperate she has become to make sure the family stays together even going against the law in her attempts. You will find yourself being incredibly moved by the struggles of Sarah and watching her slowly see her life unravel makes you want to help her.
Settings – The film is set in Margate a small coast town that doesn’t have the luxury life many people living there would have, it shows that small towns don’t offer big futures for people.
Scene of the Movie – The routine.
That Moment That Annoyed Me – Is drama the only class Sarah takes?
Final Thoughts – This is one of the most emotionally charged movies you will see, we have a truly brilliant performance that will leave you feeling heart broken by what Sarah goes through, a must watch.
Overall: Brilliant.
Whatchareadin (174 KP) rated Those Girls in Books
May 10, 2018
So the third time is the charm. I have really been in a book funk lately and haven't picked up a book in a very long time. I checked this book out three times from the library before I was able to finish it. <B>BUT THAT HAS NOTHING TO DO WITH THIS BOOK!</B>
My mother introduced me to Chevy Stevens a few years ago and ever since, I try to read whatever she has put out. So far I think I am missing one maybe two. This book was so exciting and a thrill to read, I was made that my mood made it hard for me to pick up a book.
Jess, Courtney and Dani live with their father in Canada. Their father is usually gone for weeks at a time working and the girls are left to fend for themselves and work the ranch they live on to survive. When their father returns home late one night after drinking and finding out some disturbing news about his middle daughter Courtney, he is quite upset and hurls all of his anger on the girls. When the unthinkable happens, the girls know they must escape before they are thrust back into the foster care system. On the run from their father and their past, they make a stop in a small town when their truck breaks down. Only things here only get worse for the girls. Trapped for days with no one knowing where they are, they manage to escape again, running for their lives.
Now almost 18 years later, life is very different for the girls who are now women. They have changed their names and tried to move on from the horrific events that have plagued their past. When one of the sisters is gone for a few days, they don't think much of it, but when her niece goes missing too, there are many questions in the search for these women. Haunted by their past the remaining sisters travel back to the small town that changed their lives to try and find their sister and niece, but will they be able to find them before it is too late?
Chevy Stevens knows how to write a book that will keep you on the edge of your seat. She draws you into the story and keeps you captivated from the start. Whenever I did pick up this book I would read until I could no longer keep my eyes open. I will let you know, not as a spoiler, but the end of this book had me in tears. I mean full out running down the face tears. I hope it will release the same emotions in you. Highly recommended.
My mother introduced me to Chevy Stevens a few years ago and ever since, I try to read whatever she has put out. So far I think I am missing one maybe two. This book was so exciting and a thrill to read, I was made that my mood made it hard for me to pick up a book.
Jess, Courtney and Dani live with their father in Canada. Their father is usually gone for weeks at a time working and the girls are left to fend for themselves and work the ranch they live on to survive. When their father returns home late one night after drinking and finding out some disturbing news about his middle daughter Courtney, he is quite upset and hurls all of his anger on the girls. When the unthinkable happens, the girls know they must escape before they are thrust back into the foster care system. On the run from their father and their past, they make a stop in a small town when their truck breaks down. Only things here only get worse for the girls. Trapped for days with no one knowing where they are, they manage to escape again, running for their lives.
Now almost 18 years later, life is very different for the girls who are now women. They have changed their names and tried to move on from the horrific events that have plagued their past. When one of the sisters is gone for a few days, they don't think much of it, but when her niece goes missing too, there are many questions in the search for these women. Haunted by their past the remaining sisters travel back to the small town that changed their lives to try and find their sister and niece, but will they be able to find them before it is too late?
Chevy Stevens knows how to write a book that will keep you on the edge of your seat. She draws you into the story and keeps you captivated from the start. Whenever I did pick up this book I would read until I could no longer keep my eyes open. I will let you know, not as a spoiler, but the end of this book had me in tears. I mean full out running down the face tears. I hope it will release the same emotions in you. Highly recommended.
Bob Mann (459 KP) rated Instant Family (2019) in Movies
Sep 28, 2021
Enjoyable and harmless comedy laced with a degree of sentimentality.
The Plot
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Hazel (1853 KP) rated Runaway Girl: A beautiful girl. Trafficked for sex. Is there nowhere to hide? in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Casey Watson is a specialist foster carer who temporarily houses vulnerable children in emergency situations. Since working in this field for decades, she has been documenting her experiences in a series of books, each one focusing on a different child. Her thirteenth, and most recent book is <i>Runaway Girl</i>, aptly named about a (supposedly) fourteen-year-old girl, running away from several distressing situations.
Adrianna arrives on Casey’s doorstep with no possessions, no English and no passport. Apart from knowing she is Polish, Adrianna is a complete mystery to the Watson family and the services involved. With her sixth sense tingling, Casey is certain there is something important that Adrianna is hiding and, despite all her attempts, it is not until an emergency hospitalization that the frightened Polish girl starts telling the truth.
With a background of abuse, homelessness and sex trafficking, Adrianna’s story will open readers’ eyes to the shocking situations many foreign children find themselves. Unfortunately, Adrianna is only one out of 5,000 girls in the last decade and a half to be brought to England illegally and forced into prostitution.
Fortunately, Adrianna is lucky to have escaped and found a safe place to stay in the Watson household. Without Casey’s care and determination to provide a future for her, Adrianna would have remained one of the “hidden children” that arrive in England every year.
Casey writes in a novel-like format, describing Adrianna’s circumstances from a carer’s point of view. Slowly revealing the secrets of Adrianna’s past, Casey keeps the reader interested in the same way a fiction author would with a clever plot line. Emphasising the difficulties Adrianna has, not only coming to terms with the abuse she has faced, but also worrying about whether authorities will allow her to remain in England, Casey appeals to the readers’ emotions, making it clear that, although here illegally, trafficked children have every right to be protected and looked after by British authorities.
Although Casey writes under a pseudonym, and assumedly alters all names within the book, it is not certain how much of the storyline is true, or whether the situation has been accentuated in order to capture the reader’s attention. This, however, is not important – people will read this for entertainment, therefore the accuracy of the content is not as significant as the way in which it is told. <i>Runaway Girl</i>, whilst shocking, is engaging and easy to read, with a satisfying ending.
<i>Runaway Girl</i> is the only book I have read from Casey Watson, yet I can tell she is a worthy and successful author. Her stories – at least the blurbs – seem similar to other authors, such as Torey Hayden, who also write about their experiences helping vulnerable children. Casey Watson’s book need not be read in any particular order; therefore <i>Runaway Girl</i> is as good a place as any to begin.
Casey Watson is a specialist foster carer who temporarily houses vulnerable children in emergency situations. Since working in this field for decades, she has been documenting her experiences in a series of books, each one focusing on a different child. Her thirteenth, and most recent book is <i>Runaway Girl</i>, aptly named about a (supposedly) fourteen-year-old girl, running away from several distressing situations.
Adrianna arrives on Casey’s doorstep with no possessions, no English and no passport. Apart from knowing she is Polish, Adrianna is a complete mystery to the Watson family and the services involved. With her sixth sense tingling, Casey is certain there is something important that Adrianna is hiding and, despite all her attempts, it is not until an emergency hospitalization that the frightened Polish girl starts telling the truth.
With a background of abuse, homelessness and sex trafficking, Adrianna’s story will open readers’ eyes to the shocking situations many foreign children find themselves. Unfortunately, Adrianna is only one out of 5,000 girls in the last decade and a half to be brought to England illegally and forced into prostitution.
Fortunately, Adrianna is lucky to have escaped and found a safe place to stay in the Watson household. Without Casey’s care and determination to provide a future for her, Adrianna would have remained one of the “hidden children” that arrive in England every year.
Casey writes in a novel-like format, describing Adrianna’s circumstances from a carer’s point of view. Slowly revealing the secrets of Adrianna’s past, Casey keeps the reader interested in the same way a fiction author would with a clever plot line. Emphasising the difficulties Adrianna has, not only coming to terms with the abuse she has faced, but also worrying about whether authorities will allow her to remain in England, Casey appeals to the readers’ emotions, making it clear that, although here illegally, trafficked children have every right to be protected and looked after by British authorities.
Although Casey writes under a pseudonym, and assumedly alters all names within the book, it is not certain how much of the storyline is true, or whether the situation has been accentuated in order to capture the reader’s attention. This, however, is not important – people will read this for entertainment, therefore the accuracy of the content is not as significant as the way in which it is told. <i>Runaway Girl</i>, whilst shocking, is engaging and easy to read, with a satisfying ending.
<i>Runaway Girl</i> is the only book I have read from Casey Watson, yet I can tell she is a worthy and successful author. Her stories – at least the blurbs – seem similar to other authors, such as Torey Hayden, who also write about their experiences helping vulnerable children. Casey Watson’s book need not be read in any particular order; therefore <i>Runaway Girl</i> is as good a place as any to begin.
156Reviews (7 KP) rated I Lost My Body (2019) in Movies
May 1, 2020
It wasn't surprising that I Lost My Body, a story about a severed hand that is trying to find its way back to its owner, didn't win “Best Animated feature” at this years Oscars. Originality seems to be quite low on the Academy's criteria. But it was more telling that it lost to Toy Story 4, a fourth instalment of a franchise that began in 1995. Sadly for director Jeremy Clapin, the decision was the right one.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
'I Lost My Body' follows Naoufel (Hakim Faris), a young Parisian child with overflowing potential, whose objective in life is to grow up to be “An Astronaut and a Concert Pianist”. Naoufel's life changes direction dramatically when his parents are killed in a car accident and he is placed into foster care. As he grows up, his goals change from playing in concert halls to delivering pizzas in time so his boss won't dock his pay. It's during this endeavour that he “meets” Gabrielle (Victoire Du Bois), who is introduced as just a voice on her buildings intercom but instantly captivates Naoufel and sets him on a mission to meet her in person. After lightly stalking her, he takes a job in her uncle's carpentry business begins courting her with some success. Most of this happens before the half way mark.
All of this is enough for any film, for an animation it's a lot to do, for a viewer it's a lot to take in, but there is even more going on, there is a hand on the loose.
Surprisingly, this is where the film falls short, where it tells the story about the hand. After escaping a medical freezer the hand sets out on a journey to find its body, bit by bit covering the ground that the Naoufel timeline has already gone through and, if anything, distracting from the interesting aspects of the plot. Whether it's through writing (Clapin also wrote the screenplay alongside Guillaume Laurant) or the animation, these scenes lack any stakes. The hand falls off buildings, survives being crushed in a garbage truck, is attacked by rats, and so on, but still remains whole. As gruesome as it sounds, if the hand lost a piece here, a fingertip there, it would truly make it seem like a journey with consequence. Instead the hand seems invincible, it doesn't overcome any of its trials because it was always going to survive, and sadly, makes this side of plot the more redundant the more it progresses.
Given the amount of time it takes to make an animation, it's a shame to leave any of it on the cutting room floor, but by the end of this film you'll be wishing there was a bit more down there, mostly containing images of a severed hand. I believe there is half a great film here, the reviews it's received from around the world show us that. Unfortunately I also believe there is a very average half a film here, that doesn't do enough to justify its existence, and definitely isn't better than Toy Story 4.
BankofMarquis (1832 KP) rated Shazam! (2019) in Movies
Sep 1, 2019
Entertaining Enough
In the battle of DC vs Marvel in the Cinematic world, the prevailing theory is that DC is "righting the ship" with back-to-back decent films - AQUAMAN and SHAZAM. And...after viewing both of these films, I will agree that they are moving the ship in the correct direction, but they have a long, long way to go before they can say they have "righted" this ship.
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Dianne Robbins (1738 KP) created a post in Pets!
Dec 4, 2018 (Updated Dec 4, 2018)
Sophia (Bookwyrming Thoughts) (530 KP) rated The Photo Traveler in Books
Jan 23, 2020
Originally posted on <a title="'The Photo Traveler by Arthur J. Gonzalez"' href="http://bookwyrming-thoughts.blogspot.com/2013/05/blog-tour-the-photo-traveler-by-arthur-j-gonzalez-review-and-giveaway.html">Bookwyrming Thoughts</a>
Original Rating: 4.5 out of 5
Note: Formatting is lost due to copy and paste (includes picture lost as well)
<i><b>Disclaimer:</b> I received this book from the author for free to review for the blog tour. My review is not influenced in any way.</i>
Seventeen-year-old Gavin Hillstone has been in foster care with an abusive father since his parents died in a fire at a young age. The only thing that lets him escape the torturous life is taking photos. Just when he thinks that he's going to be miserable for the rest of his life, he finds out that his dad's parents are still alive and enters the dangerous world of a small group of people called Photo Travelers.
I honest to goodness hate his adoptive family, except for maybe Dina and Leyla. What a nasty temper his adoptive father has. I'm so glad Gavin found his grandparents, because if I could, I would probably say good riddance to Jet (of course, if I actually said it... it would probably get pretty... ugly). Then there's Gavin's adoptive sister. Mel. I was thinking she at least changed a bit when she went after him after he left. I mean, I can see why she would act like that, but still... I'm sad to say I'm disappointed in her. :(
I guess that shows manipulative the villain is. 2 simple words with very simple (and good, if you look in the dictionary...) meanings... yet totally against what the other Photo Travelers are thinking of. It's kind of ironic what they mean to do for the good of mankind in the future, yet they can still break rules of all kinds.
Gavin is a pretty likable character in broad terms. He's loyal and protective when his family and friends are threatened by others. Though when it comes to some of his actions, I sometimes just want to give him a facepalm and ask, Why, Gavin, whyyy?
I love how The Photo Traveler started. My very first thought after reading the prologue was, Oh boy, this is going to a great 'ride!' I also love how Gonzalez was very accurate (at least in historical facts) when it came to Gavin's trips to places such as the Salem Witch Trials and the Great Depression. What's a bit aggravating about the book, however, is the dialogue. The characters, including Gavin himself, just seem so... happy, excited or yelling all the time. There just seems to be a bit of overuse in exclamation marks. :/
Then there's the ending. There's always that dreadful last few sentences at the end of the book where you hit the end and it seems to say right back, The End. With a lovely little cliffhanger. Somehow, you just want to say, But... but... it was just beginning to get really interesting! Despite the little mini protests, no one's going to hear me, so I'll hide in a cozy little corner, sip something nice and cold, and read on (after all, it's summer and time to... chillax). *unhappy face* I'm so glad cliffhangers don't have the ability to laugh at me... otherwise I'll be laughed at often. >_<
Original Rating: 4.5 out of 5
Note: Formatting is lost due to copy and paste (includes picture lost as well)
<i><b>Disclaimer:</b> I received this book from the author for free to review for the blog tour. My review is not influenced in any way.</i>
Seventeen-year-old Gavin Hillstone has been in foster care with an abusive father since his parents died in a fire at a young age. The only thing that lets him escape the torturous life is taking photos. Just when he thinks that he's going to be miserable for the rest of his life, he finds out that his dad's parents are still alive and enters the dangerous world of a small group of people called Photo Travelers.
I honest to goodness hate his adoptive family, except for maybe Dina and Leyla. What a nasty temper his adoptive father has. I'm so glad Gavin found his grandparents, because if I could, I would probably say good riddance to Jet (of course, if I actually said it... it would probably get pretty... ugly). Then there's Gavin's adoptive sister. Mel. I was thinking she at least changed a bit when she went after him after he left. I mean, I can see why she would act like that, but still... I'm sad to say I'm disappointed in her. :(
I guess that shows manipulative the villain is. 2 simple words with very simple (and good, if you look in the dictionary...) meanings... yet totally against what the other Photo Travelers are thinking of. It's kind of ironic what they mean to do for the good of mankind in the future, yet they can still break rules of all kinds.
Gavin is a pretty likable character in broad terms. He's loyal and protective when his family and friends are threatened by others. Though when it comes to some of his actions, I sometimes just want to give him a facepalm and ask, Why, Gavin, whyyy?
I love how The Photo Traveler started. My very first thought after reading the prologue was, Oh boy, this is going to a great 'ride!' I also love how Gonzalez was very accurate (at least in historical facts) when it came to Gavin's trips to places such as the Salem Witch Trials and the Great Depression. What's a bit aggravating about the book, however, is the dialogue. The characters, including Gavin himself, just seem so... happy, excited or yelling all the time. There just seems to be a bit of overuse in exclamation marks. :/
Then there's the ending. There's always that dreadful last few sentences at the end of the book where you hit the end and it seems to say right back, The End. With a lovely little cliffhanger. Somehow, you just want to say, But... but... it was just beginning to get really interesting! Despite the little mini protests, no one's going to hear me, so I'll hide in a cozy little corner, sip something nice and cold, and read on (after all, it's summer and time to... chillax). *unhappy face* I'm so glad cliffhangers don't have the ability to laugh at me... otherwise I'll be laughed at often. >_<
BookInspector (124 KP) rated The Chestnut Man in Books
Sep 24, 2020
I can’t decide one thing with this book, to put it in the “One of the best thrillers of 2018” because I read it this year, or to say that is “One of the best thrillers of 2019” because it is published next year. One thing for sure, it is an absolute treat!
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
The first thing that I really loved, was the cover. It looks quite simple, but the way that the chestnut man is portrayed gave me the feeling that it is going to be a great thriller, and it definitely didn’t disappoint me. I think, that in this book there are multiple protagonists- Thulin and Hess. They both play quite equal roles during the investigation, even though it might not feel so. There is a wide variety of characters in this novel, and all of them are very well nurtured and thought through. Their qualities are delivered slowly, and I loved how they opened up throughout the book. I really liked Thulin and Hess, they both are very complex individuals. They are quite different people, and when they work together, all the process feels messy, chaotic, but in the end, it provides results.
I don’t even know from where to begin with the praise for the plot. The whole narrative has multiple layers, and there are several cases combined in this book. We have the disappearance of a Minister’s daughter, which happened a while ago and shook the whole country, and at present, we have these new murders with the chestnut dolls at the crime scenes. These two things entwined with each other created more richness and action for the whole story. I loved that it was told from multiple perspectives, it not only allowed to get to know the characters better but also gave an insight into different minds. The author chose very intriguing topics for this novel, such as foster care; child abuse; social services and their work; politicians and their lives; different family relationships; discrimination at work and many more.
The writing style of this book is impeccable! Sveistrup is a very talented storyteller with a great eye for detail, and after reading this book, I am definitely his fan. I really loved the setting of this novel, it is set mainly in Copenhagen, during the autumn/winter season, which created a very gloomy and mysterious atmosphere to the whole novel. The author is not afraid to show disturbing (to some) killings with amputations or disgusting acts of humankind, so this book is not suitable for sensitive people. It might feel like a big book, but the chapters are really short and the whole plot and characters really absorbed me so, I just couldn’t put it down. I really liked the ending of this thriller, it is unexpected, unusual, but rounded this novel very beautifully!
So, to conclude, this book has everything what a great thriller needs. The characters are complex and intriguing, the mood, suspense and twists are very well developed, it is dark and can be disgusting at times, but overall it is a gripping novel and I can’t wait to read more from this author! I do strongly recommend it, and I hope you will enjoy it as much as I did.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Oct 20, 2017
For Victoria Hislop fans
I received this book for free through Goodreads First Reads.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.