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Not Thomas
Not Thomas
Sara Gethin | 2017 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
This is such a sad story I often struggled to bring myself to read it. The novel is written as if it were a true story told by the central character, 5-year-old Tomos. Tomos has just moved in with his birth mother, following a long period of foster care which came to an end when the foster parent died.

The language with which it’s written, is very much like that of its protagonist, with common wording, present tense, short sentences, and childlike enthusiasm clearly conveyed. In spite of this, you may argue it’s not necessarily easy to read, as I shall explain.

In the beginning of the book, the neglect endured by Tomos is more commonplace, such as: occasionally having crisps instead of a cooked meal, making do with a removable ladder to on and off his bed, and his mum missing his nativity play. Later a teacher spots there’s an issue and starts bringing food and uniform for him to school.

However, after each let-down, the author must have thought “Right, what’s the worst thing that can happen next?” By the end of the book, there’s a rape, an arrest, and a murder. Eventually the teacher forges a rescue of sorts for Tomos, but things may never be the same again for poor Tomos.

Reading a book where the dialogue is in my own Welsh valley dialect made the story feel all the more real to me. In the first half of the book, the dialogue amongst the adults provides more depth, context and complexity to the story, which would otherwise only be hinted at.

In the end, it’s the realism of the story that makes it such a hard read.

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Hunger and Thirst
Hunger and Thirst
Claire Fuller | 2026 | Contemporary, Fiction & Poetry, Horror
10
10.0 (1 Ratings)
Book Rating
It’s no lie when I say that Claire Fuller is a writing chameleon - every book I’ve read has been a different genre. I’ve loved them all, as well.
Ursula has been in the care system, moving from one foster home and children’s home to another since she was 8 years old. We meet her as she starts her independent life in a halfway house, and a new job in an art school post room. She moves from the halfway house to a squat with a work colleague, and this is where it starts to get really uncomfortable. There’s a really menacing air to The Underwood, and that, along with Ursula’s traumatic childhood, really ramps up the tension.
In the present day, a documentary maker uncovers what she believes is the truth about that summer, and the adult Ursula, known as Uschi, realises that the past can never stay hidden.
I love a slow burn, and it really added to the menace and tension. There were some seriously scary elements, made worse by the fact that you never really see what you’re scared of (my favourite!). The contrast of Ursula’s friends home and The Underwood exacerbated the looming threat.
  
TT
The Tycoon's Make-Believe Fiancée
6
5.3 (3 Ratings)
Book Rating
Oh yeah. I forgot that this book follows [b:The Prince's Resistant Lover|19004327|The Prince's Resistant Lover|Elizabeth Lennox|https://d.gr-assets.com/books/1387898260s/19004327.jpg|27026471].

Hello again, Tamar.

I'd ask if you'd kidnapped any other naked women, but this book takes place directly after your story, so you wouldn't have had any time.

Wyndi finally gets to meet up with her long-lost brother, Royston, who had been told by the foster care system that Wyndi was dead, because he wouldn't stop running away to try to find her to take care of her. He doesn't believe her at first, until she tells him things that only she would know.

Royston is overjoyed to have her back, but Wyndi is worried that he isn't happy, because in the few pictures of him that Tamar managed to find, he was never smiling. To convince her that he's fine, he makes up a story about being engaged, and is stuck having to find someone to pretend to be his fiancee until Wyndi leaves.

I'm still not sure how he was expecting that plan to work. Wyndi would expect there to be a wedding at some point, because they're going to stay in touch. I mean, it all works out in the end, but still. I thought you were supposed to be this master planner, Royston!

After Royston decides to implement his ridiculous plan, we cut to Miranda, who works for Royston's company. She is offered up as a sacrifice to turn in some reports late, which Royston is notorious for despising. Her boss needs a scapegoat, because the reports were all of FIVE MINUTES LATE.

Anyway, rather than killing Miranda on sight, Royston asks her to lunch, and pitches his plan to her, because he likes the way she looks. Miranda refuses on principal, laughing at his offers to pay her to lie to his sister. Royston is even more impressed by the fact that Miranda won't let him tell her what to do, or take money from him.

He manages to sway her by playing on her emotions, telling her how he lost Wyndi through the foster care system, and she agrees to pretend to be his fiancee for a weekend, but only on the condition that if she thinks Wyndi will be hurt, she can shut the operation down.

He even respects her wishes to not act like they're in a relationship around the office, in case someone thinks that she's trying to sleep her way to a promotion.

Of course, pretend love gives way to real love, and the two end up actually engaged, after a passion-filled weekend and several whacky misunderstandings.

I liked this story better than The Prince's Resistant Lover. Mostly because Royston actually bothered to get consent from Miranda at every stage of their relationship. And while he was a demanding man, he wasn't overbearing or creepy, the way Tamar came across as.