Search
Search results
Debbiereadsbook (1424 KP) rated Divided Road (The Road to Rocktoberfest 2024) in Books
Nov 1, 2024
I liked that I was able to get into their minds a good deal
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This book is part of the Road to Rockoberfest 2024, but can be read as a stand alone to the other books in the series.
Owen is the fiddler in Flightless, an up and coming rock band. Jared joins as a stand in when the keyboard player takes some family time. But time is short for Owen and Jared.
For the most part, I liked this book.
Both Jared and Owen have a say, and they say a great deal. I liked that I was able to get into their minds a good deal.
It's not overly explicit but there are smexy times. No real angst or drama, I didn't think.
I did like the way it all played out.
It's an easy read, a Nice book.
*insert sigh*
I just felt I was missing MUCH information. About both men, and their history. Case in point: these guys met before, The Beer Guy incident. I needed that explained. I don't fully get that and I wanted it. I also found it was a little . . . flat . . .on the romance. They meet, they kiss, and they are in love. I wanted more build up.
BUT like I said, I did enjoy it, I'm just saying what I wanted that I didn't get.
3.5 stars, but rounded UP for the blog.
*same worded review will appear elsewhere
This book is part of the Road to Rockoberfest 2024, but can be read as a stand alone to the other books in the series.
Owen is the fiddler in Flightless, an up and coming rock band. Jared joins as a stand in when the keyboard player takes some family time. But time is short for Owen and Jared.
For the most part, I liked this book.
Both Jared and Owen have a say, and they say a great deal. I liked that I was able to get into their minds a good deal.
It's not overly explicit but there are smexy times. No real angst or drama, I didn't think.
I did like the way it all played out.
It's an easy read, a Nice book.
*insert sigh*
I just felt I was missing MUCH information. About both men, and their history. Case in point: these guys met before, The Beer Guy incident. I needed that explained. I don't fully get that and I wanted it. I also found it was a little . . . flat . . .on the romance. They meet, they kiss, and they are in love. I wanted more build up.
BUT like I said, I did enjoy it, I'm just saying what I wanted that I didn't get.
3.5 stars, but rounded UP for the blog.
*same worded review will appear elsewhere
Threads of Fate (Fated in the Stars #1)
9.0
Rate It
Book
Destiny weaves a tale of unbreakable bonds. Nix’s life has been one quiet struggle after...
Mutli-partner Omegaverse MM Romance
Haley Mathiot (9 KP) rated Gateway to Dreamworld in Books
Apr 27, 2018
Gateway to Dreamworld
by Brenda Estacio
Rating: 3.5/5
My Summary: Jean and Brad have a wonderful life with wonderful kids. But through several awful things that happen to them, like the car accident that put Pete in a wheelchair for his life and the depression that Brad experienced from it, the family has slipped apart. Jason, the oldest son, goes up into his hideout in the Lighthouse to try to escape the stress of his family falling apart. While up there, a stroke of lightning hits the lighthouse and creates a magical Gateway from the real world to Dreamworld, a place that only the pure of heart can access in their dreams. Jason has to decide whether or not he wants to stay in Dreamworld for the rest of his life, where everything is perfect and nobody gets sick or dies, or whether he wants to stay in the real world with his family. When Jason finds out that his mom is pregnant and ill, he is sure she is going to die. Then Jason finds out that he can save his mom and heal his brother by taking his family to Dreamworld—but he has to do it before the Gateway closes up forever…
My thoughts: Gateway to Dreamworld is an interesting yet odd read. It’s fast paced, covering a whole beginning of a relationship, two births, a death and a few other major events in the first few chapters and moving through important story lines very quickly—almost too quickly. I wished the author had slowed down and taken more time developing the story line in the first 100 pages, rather than just telling it all so fast—the first ten chapters or so felt rushed, as if she was in a hurry to get it over with and explain it so she could move on to what she wanted to write about. The pdf that I read from was 358 pages, and it got really interesting on chapter 13, page 118. That being said, it wasn’t that I didn’t enjoy the first 100 pages, they were very interesting and showed the life of a realistic family.
The only thing about this book that I didn’t like was that it had what I call “happy-land” syndrome—everything is working out perfectly, or is resolved too quickly. The father slipped into depression, and it was totally expected and realistic, however he was jerked out of it too fast (Maybe only people who have experienced depression can testify, but it doesn’t go away that quickly—it takes months of talking, treatment, and sometimes medication, not one talk with a pastor and a few tears.). When the grandma died, the character’s reactions were realistic—but family members “got over it” so fast that it left me frowning. This was all in the earliest part of the book, again I felt that the author just wanted to be done with the explaining part so she could move onto the interesting part.
Plot: this was a science fiction book, and it’s been a long time since I’ve read a sci fi. I loved getting lost in the idea of Dreamworld and The Gateway and the fear of the Unknown was horrific. During one of the crucial moments at the end of the book I could feel my blood speed up as I read it. The end of this book was a bit of a shock, not at all what I expected. I’m not sure if I was disappointed or satisfied, but it was certainly intriguing.
Characters: I personally didn’t connect with the characters very well because they were two adults and two young children, however my favorite character would have to be Pete, the little brother who gets paralyzed. He’s such a brave kid, trusting of his brother, and loving to his parents.
The Writing: The writing seemed very formal—I don’t think there was a single contraction in the whole book, and the character’s lines were detailed, specific, honest, and humble— they almost felt like robots the way they were never greedy, never mean. The word that came to mind as I read it was “quaint,” because it was told from third person omniscient perspective, and there wasn’t a lot of dialogue.
Recommendation: I think ages 9-14 would enjoy this book a lot more than I did (not to say I didn’t) because of the young characters and the science fiction aspect. However, there were a few scenes of husband and wife relationship that were not detailed, but were not suitable for an eleven or twelve-year-old either. It’s hard to place a specific age on this book, but I will say that anyone who read and enjoyed Madeleine L'Engle’s Many Waters (A Wrinkle In Time series) will enjoy this book as well.
All in all, I immensely enjoyed this book and found myself needing to finish it, I couldn’t stop in the middle. It was highly addicting and exciting, and I look forward to more from this author.
Thank You to Brenda Estacio for the e-book to review!
~Haleyknitz
by Brenda Estacio
Rating: 3.5/5
My Summary: Jean and Brad have a wonderful life with wonderful kids. But through several awful things that happen to them, like the car accident that put Pete in a wheelchair for his life and the depression that Brad experienced from it, the family has slipped apart. Jason, the oldest son, goes up into his hideout in the Lighthouse to try to escape the stress of his family falling apart. While up there, a stroke of lightning hits the lighthouse and creates a magical Gateway from the real world to Dreamworld, a place that only the pure of heart can access in their dreams. Jason has to decide whether or not he wants to stay in Dreamworld for the rest of his life, where everything is perfect and nobody gets sick or dies, or whether he wants to stay in the real world with his family. When Jason finds out that his mom is pregnant and ill, he is sure she is going to die. Then Jason finds out that he can save his mom and heal his brother by taking his family to Dreamworld—but he has to do it before the Gateway closes up forever…
My thoughts: Gateway to Dreamworld is an interesting yet odd read. It’s fast paced, covering a whole beginning of a relationship, two births, a death and a few other major events in the first few chapters and moving through important story lines very quickly—almost too quickly. I wished the author had slowed down and taken more time developing the story line in the first 100 pages, rather than just telling it all so fast—the first ten chapters or so felt rushed, as if she was in a hurry to get it over with and explain it so she could move on to what she wanted to write about. The pdf that I read from was 358 pages, and it got really interesting on chapter 13, page 118. That being said, it wasn’t that I didn’t enjoy the first 100 pages, they were very interesting and showed the life of a realistic family.
The only thing about this book that I didn’t like was that it had what I call “happy-land” syndrome—everything is working out perfectly, or is resolved too quickly. The father slipped into depression, and it was totally expected and realistic, however he was jerked out of it too fast (Maybe only people who have experienced depression can testify, but it doesn’t go away that quickly—it takes months of talking, treatment, and sometimes medication, not one talk with a pastor and a few tears.). When the grandma died, the character’s reactions were realistic—but family members “got over it” so fast that it left me frowning. This was all in the earliest part of the book, again I felt that the author just wanted to be done with the explaining part so she could move onto the interesting part.
Plot: this was a science fiction book, and it’s been a long time since I’ve read a sci fi. I loved getting lost in the idea of Dreamworld and The Gateway and the fear of the Unknown was horrific. During one of the crucial moments at the end of the book I could feel my blood speed up as I read it. The end of this book was a bit of a shock, not at all what I expected. I’m not sure if I was disappointed or satisfied, but it was certainly intriguing.
Characters: I personally didn’t connect with the characters very well because they were two adults and two young children, however my favorite character would have to be Pete, the little brother who gets paralyzed. He’s such a brave kid, trusting of his brother, and loving to his parents.
The Writing: The writing seemed very formal—I don’t think there was a single contraction in the whole book, and the character’s lines were detailed, specific, honest, and humble— they almost felt like robots the way they were never greedy, never mean. The word that came to mind as I read it was “quaint,” because it was told from third person omniscient perspective, and there wasn’t a lot of dialogue.
Recommendation: I think ages 9-14 would enjoy this book a lot more than I did (not to say I didn’t) because of the young characters and the science fiction aspect. However, there were a few scenes of husband and wife relationship that were not detailed, but were not suitable for an eleven or twelve-year-old either. It’s hard to place a specific age on this book, but I will say that anyone who read and enjoyed Madeleine L'Engle’s Many Waters (A Wrinkle In Time series) will enjoy this book as well.
All in all, I immensely enjoyed this book and found myself needing to finish it, I couldn’t stop in the middle. It was highly addicting and exciting, and I look forward to more from this author.
Thank You to Brenda Estacio for the e-book to review!
~Haleyknitz
The Bandersnatch (199 KP) rated A Little Princess in Books
Nov 7, 2019
A little Princess was published in full by Charles Scribner's sons in September of 1905 after being a serialisation in St. Nicholas Magazine in 1887 and being a novella in 1888. The book was named one of the Teachers top books for children in 2007 and in 2012 was ranked 56th in the School Library Journal survey. The story follows Sara Crewe a wealthy heiress being sent off to boarding school in England. Despite being wealthy Sara isn't snobbish and rude but polite, clever and generous befriending several other students and the scullery maid Becky. Sara goes from privilege to a pauper after her fathers scheme with is friend over a diamond mine supposedly fails. After spending a few years working hard at the school she once attended Sara is found by her fathers friend and returned to privilege after finding out the diamond mines actually worked.
There are six film adaptions having been released in 1917, 1939, two in 1995 (One version being Filipino) with the most recent being a Russian film released in 1997. the most well known being the 1995 version being directed by Alfonso Cuaron. There have been seven TV shows based on A Little Princess with the 1973 and 1986 (Maureen Lipton was Miss Minchin) versions being particularly faithful to the books, the 1985, 2006 and 2009 versions were various Japanese anime and another Filipino remake happened in 2007. an episode of Veggietales in 2012 was another version of A little Princess. From 2002 to 2014 there have been several musical adaptions of a little princess as well.
Francis Eliza Hodgson Burnett was born in England on the 24th November 1849 in Cheetham, Manchester, England. When her father died in 1852 her family fell on hard times and Francis was looked after by her grandmother who fuelled her love of reading whilst her mother dealt with the family finances. The family eventually emigrated to the states in 1865 but remained somewhat poor thanks to the end of the American Civil war. Francis started writing in fever trying to help her family get out of the financial hole they were in and did so with her first story being published in the Godey's Lady's book in 1868 eventually being published regularly in its pages alongside Scribner's Monthly, Peterson's Magazine and Harper's Bazaar.
In 1872 Francis agreed to and married family friend Swan Burnett. She continued to write which supported them as they moved to Paris to allow Swan to train as an eye and ear doctor. Francis economised by making clothes for both their sons and for herself. The family returned to the US a few years later where swan managed to set up a doctoring business despite being in debt. For several years afterwards Francis wrote several short stories which were continuously published, Francis eventually turned to children's novels after a meeting with Mary Mapes Dodge the editor of children's magazine St Nicholas. In 1884 Francis set to work on Little Lord Fauntleroy which was serialised in 1885 and published in book form in 1886.
In 1887 Francis returned to England for Queen Victoria's golden jubilee which triggered yearly transatlantic trips between the US and England with her sons. She had fallen ill during this time and had spent time confined to bed, she did however managed to write both The Fortunes of Phillipa Fairfax (only published in the UK) and Sara Crewe or what happened at Miss Minchin's which was rewritten as A Little Princess. In December 1890 Francis and Swans eldest son Lionel died of consumption which spurred his mother into a depression and turn away form the Protestant faith and embrace spiritualism.
In 1898 After their youngest son Vivian finished school, Francis and Swan had divorced (though they had begun to drift apart and were living separate lives several years earlier) and two years later Francis had moved back to England and lived at Great Maytham Hall and married Stephan Townsend, which proved to be a terrible marriage and it ended in 1902. In 1907 Francis returned to the states and spent the next seventeen years in Plandome manor writing several more stories and editing for the Children's Magazine upon the insistence of her Son Vivian. Francis died on October 29th 1924 at the age of 72, she's buried in Roslyn Cemetery and her son Vivian is burred nearby having died in 1937.
I knew of the book as a child but didn't read it until I was a teenager, by then I did know of and had seen the 1995 movie directed by Alfonso Cuaron. The books theme of rising above and succeeding in the face of terrible times is a good thing to reed about. I definitely recommend the book to children and teenagers alike and I give it 9/10.
There are six film adaptions having been released in 1917, 1939, two in 1995 (One version being Filipino) with the most recent being a Russian film released in 1997. the most well known being the 1995 version being directed by Alfonso Cuaron. There have been seven TV shows based on A Little Princess with the 1973 and 1986 (Maureen Lipton was Miss Minchin) versions being particularly faithful to the books, the 1985, 2006 and 2009 versions were various Japanese anime and another Filipino remake happened in 2007. an episode of Veggietales in 2012 was another version of A little Princess. From 2002 to 2014 there have been several musical adaptions of a little princess as well.
Francis Eliza Hodgson Burnett was born in England on the 24th November 1849 in Cheetham, Manchester, England. When her father died in 1852 her family fell on hard times and Francis was looked after by her grandmother who fuelled her love of reading whilst her mother dealt with the family finances. The family eventually emigrated to the states in 1865 but remained somewhat poor thanks to the end of the American Civil war. Francis started writing in fever trying to help her family get out of the financial hole they were in and did so with her first story being published in the Godey's Lady's book in 1868 eventually being published regularly in its pages alongside Scribner's Monthly, Peterson's Magazine and Harper's Bazaar.
In 1872 Francis agreed to and married family friend Swan Burnett. She continued to write which supported them as they moved to Paris to allow Swan to train as an eye and ear doctor. Francis economised by making clothes for both their sons and for herself. The family returned to the US a few years later where swan managed to set up a doctoring business despite being in debt. For several years afterwards Francis wrote several short stories which were continuously published, Francis eventually turned to children's novels after a meeting with Mary Mapes Dodge the editor of children's magazine St Nicholas. In 1884 Francis set to work on Little Lord Fauntleroy which was serialised in 1885 and published in book form in 1886.
In 1887 Francis returned to England for Queen Victoria's golden jubilee which triggered yearly transatlantic trips between the US and England with her sons. She had fallen ill during this time and had spent time confined to bed, she did however managed to write both The Fortunes of Phillipa Fairfax (only published in the UK) and Sara Crewe or what happened at Miss Minchin's which was rewritten as A Little Princess. In December 1890 Francis and Swans eldest son Lionel died of consumption which spurred his mother into a depression and turn away form the Protestant faith and embrace spiritualism.
In 1898 After their youngest son Vivian finished school, Francis and Swan had divorced (though they had begun to drift apart and were living separate lives several years earlier) and two years later Francis had moved back to England and lived at Great Maytham Hall and married Stephan Townsend, which proved to be a terrible marriage and it ended in 1902. In 1907 Francis returned to the states and spent the next seventeen years in Plandome manor writing several more stories and editing for the Children's Magazine upon the insistence of her Son Vivian. Francis died on October 29th 1924 at the age of 72, she's buried in Roslyn Cemetery and her son Vivian is burred nearby having died in 1937.
I knew of the book as a child but didn't read it until I was a teenager, by then I did know of and had seen the 1995 movie directed by Alfonso Cuaron. The books theme of rising above and succeeding in the face of terrible times is a good thing to reed about. I definitely recommend the book to children and teenagers alike and I give it 9/10.
Bob Mann (459 KP) rated The Farewell (2019) in Movies
Sep 28, 2021
Simply brilliant. Go see it!
The Long Goodbye.
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
Lucy Buglass (45 KP) rated Shazam! (2019) in Movies
Jun 20, 2019
Not as bad as I was expecting
I have to admit, when I first saw the trailer for Shazam!, I felt pretty underwhelmed. It didn’t seem like the kind of film I’d enjoy. I often get tired of cringey, over the top humour, which is basically what the trailer was packed full of. Having said all of this, I ended up being pleasantly surprised by the film after agreeing to go to a Limitless screening. I actually don’t think the trailer did it justice, if I’m perfectly honest.
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
Safe Lagoon Parental Control & Screen Time Manager
Lifestyle
App
Safe Lagoon helps you save time providing healthy mobile device experiences for your kids. Our pact...
Billie Wichkan (118 KP) rated Heartlands (Detective Jessie Blake #1) in Books
May 22, 2019
Call it mothers intuition, but I knew she was dead the moment she was late home. As I listened to her phone ring and ring, thats when I knew for sure. My little girl was gone.
Fifteen-year-old Shannon Ross is missing and her parents are distraught. With her long blonde hair, easy laugh and perfect grades, shes the girl everyone at school wants to be.
Detective Jessie Blake is called to Inverlochty, the missing girls home town in the Scottish Highlands, and finds Shannon was keeping a diary full of friends and neighbors secrets. She knows the kind, outgoing boy whos sleeping with his teacher and the quiet woman whos been having an affair with her best friends husband.
Just as Jessie and her team are beginning to understand Shannons complicated world, her lifeless body is found on an ice-cold river bank on the outskirts of town. And when Jessie tells Shannons family the heart-breaking news, she senses something isnt right. The loving family is beginning to show cracks. Did Shannon know about her fathers alcohol problems and violent past? Why does Shannons mother keep finding excuses to leave the room, when Jessie wants to ask her questions?
As Jessie begins to piece together the final days of Shannons life, her own history comes back to haunt her. Putting aside her personal demons, Jessie vows to do whatever it takes to catch Shannons killer. But what if the killer is ready to strike first?
Totally captivating and addictive read. I loved this book! There are two storylines. One routed in the past about a brutally raped and murdered school girl and her young killers as they face trial and juvenile detention. One in the present, a missing school girl, Shannon, baring all the similarities of the case from the past - or so it seems.
There are a lot of characters introduced and it ca be a bit overwhelming but persevere as the novel is one worth reading.
The plot is very well written in my opinion and it does flow well. The main characters are well written and enjoy them.
Very compelling and suspenseful read.
I look forward to more in the series as it develops and hope to get more backstory on the detective.
Highly recommend!
My thanks to Bookouture and Netgalley for the ARC.
Fifteen-year-old Shannon Ross is missing and her parents are distraught. With her long blonde hair, easy laugh and perfect grades, shes the girl everyone at school wants to be.
Detective Jessie Blake is called to Inverlochty, the missing girls home town in the Scottish Highlands, and finds Shannon was keeping a diary full of friends and neighbors secrets. She knows the kind, outgoing boy whos sleeping with his teacher and the quiet woman whos been having an affair with her best friends husband.
Just as Jessie and her team are beginning to understand Shannons complicated world, her lifeless body is found on an ice-cold river bank on the outskirts of town. And when Jessie tells Shannons family the heart-breaking news, she senses something isnt right. The loving family is beginning to show cracks. Did Shannon know about her fathers alcohol problems and violent past? Why does Shannons mother keep finding excuses to leave the room, when Jessie wants to ask her questions?
As Jessie begins to piece together the final days of Shannons life, her own history comes back to haunt her. Putting aside her personal demons, Jessie vows to do whatever it takes to catch Shannons killer. But what if the killer is ready to strike first?
Totally captivating and addictive read. I loved this book! There are two storylines. One routed in the past about a brutally raped and murdered school girl and her young killers as they face trial and juvenile detention. One in the present, a missing school girl, Shannon, baring all the similarities of the case from the past - or so it seems.
There are a lot of characters introduced and it ca be a bit overwhelming but persevere as the novel is one worth reading.
The plot is very well written in my opinion and it does flow well. The main characters are well written and enjoy them.
Very compelling and suspenseful read.
I look forward to more in the series as it develops and hope to get more backstory on the detective.
Highly recommend!
My thanks to Bookouture and Netgalley for the ARC.
Hannah May (3 KP) rated Eleanor & Park in Books
Mar 8, 2018
Contains spoilers, click to show
It was a strange kind of wonderful, reading this book. It is a romance in its purest form and has been written with so much care and tenderness. Eleanor & Park is unlike any book I have ever read - so far at least. The romantic build is slow, dramatic and captiviting, and it defies the stereotypes of everyday life. Eleanor is not your average teenage girl. She's not popular. She's not blonde. She's not stick thin. Her family is not rich. She is different and Rainbow Rowell reaffirms that idea again and again. She has a big mess of red hair. She's a social outcast. She's bullied. She comes from a broken family. She's anxious and self-conscious. She is so different and so far off the spectrum, that it was a never ending thrill hearing her side of the story, hearing of her struggles and passions. Reading from Eleanor's point of view really brought the whole world into perspective, and made me think in ways I have never done so before. Now. What can I say about Park without repeating myself? What I like most about him is his characterisation. Why? Because it sets him apart from the typical male protagonist you find in most Teen Fiction novels. He's quirky. He's sarcastic. He's a closet romantic. He's Asian. He wears make up. He too is an outcast. This alone makes him different, but no less intriguing or entertaining to read. I truly admire his devotion to Eleanor. Even when she tries to push him away, he's always there for her and he always loves her, despite her taciturn moods and snappy comments. He loves her so deeply and without shame. Needless to say, I wish there were more boys like him. Now, the ending was ambiguous and rather bittersweet. I'd be lying if I said I wasn't disappointed, but somehow I found it quite fitting; considering what happened and how far both Eleanor and Park had come, since their first meeting on the school bus. It's not the perfect happily-ever-after, but it was full of potential and hope that it was, in its own little way. It left a smile on my face, at least. Needless to say, I would recommend Eleanor and Park to anyone. From the setting to the characters to the little hidden messages, it is a real story. It is a real romance and it will move you; body and soul.
Kristy H (1252 KP) rated Carefully Everywhere Descending in Books
Feb 13, 2018
Audrey Anderson is a bright student from a low income family. Audrey spends most of her time focused on school, with college as her ultimate goal. While she's close to her best friend, she isn't that involved with other kids at her school. However, when one of the most popular (and beautiful) girls in school, Scarlett, asks Audrey to tutor her in English, Audrey finds herself caught up in the typical drama of high school - friendship, prom, etc.
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)
Okay, first of all, I probably bumped up this rating a bit because it was just so refreshing to read a YA LGBT novel with a nice, normal protagonist who seemed real. Most of Audrey's friends and family seem fine with her sexuality and other girls at her school go to prom together. It's wonderful to see a LGBT book where the character's sexuality is just part of her life, versus what drives the entire plot.
The book also does a good job of portraying Audrey and Scarlett's romance - Audrey's unrequited love for Scarlett seemed a bit much at first, but remembering back to the angst of teen love, it seemed right on point.
My problem with this book was some of its odd plot twists, which really didn't seem necessary. I won't spoil the book here, but I think Bedford could have stuck with Audrey and Scarlett's love story and been just fine. That being said, I didn't think they were that crazy or out of left field. I found Audrey to be a compelling and realistic character and it was great to see an author use a YA protagonist from a low income background, even if it did seem a bit overused at times. Too often these books focus on the popular kids, driving their parents' cars and living life without a care in the world. Audrey's life is probably far more realistic for many.
Frankly, the book had some holes and issues, but it was still worth the read for its portrayal of a real YA lesbian relationship and Audrey's overall situation. I enjoyed her character and read the entire book in one day - I'll certainly be recommending it to several of my friends.
(I received an ARC of this novel from Netgalley in return for an unbiased review.)