"Because that’s what I’ve got on my mind, at the top of the list is an Oscar Micheaux film. Oscar Micheaux was just a legendary figure, especially among African-Americans. And fortunately, because we’ve been able to recover his silent films, he now has a place in general film history. Within Our Gates, like many of his films, really deliberately and explicitly takes up questions of racial politics in America. The film is about a woman named Sylvia Landry (Evelyn Preer) who is a teacher and she goes up north to try to raise money for this small black school, the Piney Woods School, which was an actual full black school that still exists. We experience what she does in terms of the feeling of isolation that many people who moved from the south to the north felt. She’s escaping a really traumatic family history of violence in the south. The film represents lynching and the attempted rape of black women. Micheaux was just really out there in terms of showing the ugliest aspects of racism in America. He had very clear ideas about the way forward and how education uplifts the right living. These are the things that he felt were keys to black success. He’s a filmmaker whose films still spark really powerful debates today. Amazingly, this film had been lost for decades, and it was found in an archive in Spain. It had been there for decades. It was a title that just wasn’t recognizable to scholars who know Micheaux’s work. In the 1990s, the film was repatriated to the United States and restored. The inner titles had to be translated back from Spanish into English. In addition, it’s just the visual and the narrative power of film itself. It’s a real lesson for us to work hard to try to recover these lost works."

"I discovered this album relatively late. I liked funk, and disco was an earlier discovery for me when I was in my late teens. But, around 1985, I found Sly And The Family Stone. I was about 23 at the time and – wow – was that a discovery, not knowing that that particular album was out there before then. I played it from morning until night before we were doing the Notorious album, which was very influenced by Fresh. For me, it is the greatest funk album. I could have picked a James Brown album – I love Live At The Apollo, which was such a terrific record – but the songs on Fresh like ‘If You Want Me To Stay’ and ‘In Time’ are just masterpieces. Fresh has got such a mood to it. It is very difficult in the studio to capture a mood. In a live show it is easier because there is an atmosphere there already – you’ve got the audience, you are playing together, there is a danger something can go wrong any minute and you will take a song off somewhere and you cannot get yourselves back. But, doing it in a studio and capturing a real vibe is the apex of music. If you can do that and you can get that – then you have something great. The Stones were always very good at that, as were The Who early on. But, this album, Fresh, is just pure vibe and every time I listen to the organ swells in the songs I can almost feel the guy playing them. You don’t get that so much in modern records. That’s what we’ve lost. Andy Newmark played drums on the album and they are some of the greatest drum tracks ever recorded. It’s not just feel – it is vibe. Love it."