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Purple Phoenix Games (2266 KP) rated Custom Heroes in Tabletop Games
Feb 7, 2022
You know that feeling when you play a game that FEELS familiar, but has really improved on certain aspects? Take, for example, the famed “Yahtzee mechanic” that has been extended and improved upon by so many games. Or the “I Cut, You Choose mechanic” that has shown up in several titles with slight variations to improve it? Well such was my feeling when cracking open Custom Heroes. I thought to myself, “Man, this feels natural in my hands, but it’s better.” I know I left myself open for tons of jokes here, but this is a PG(ish) forum, so keep it classy, everyone.
Custom Heroes is a fantasy/sci-fi-themed, customization, ladder-climbing, trick-taking card game for two to six players. In it players are using their hand of cards to win tricks (a la Tichu). The twist is that each card is able to be upgraded by using various Advancements that are added directly into the same sleeve as the base card. The winner of the game is they who amass 10 or more points and win a subsequent hand.
Before the first game after unboxing, all Character Cards will need to be sleeved. These Character Cards are numbered from 1-10 and come in six sets (one set of 10 cards for each player, at max player count). To setup the game, each player chooses a Player Screen to hide their resources and provide the scoring table. Shuffle the Character cards and deal each player a hand of 10 cards. For this review, I will be using the two-player rules. Players also begin with 1VP Token and 2 Power Tokens, along with an Ascended Form Advancement Card and Kodora Advancement Card. In a two-player game, players begin with three total Advancement Cards, as shown in the photo below. The rest of the VP Tokens and Power Tokens are placed (or thrown, in my case) on the table, and the remainder of the Advancement Cards are shuffled and placed in the bag to be drawn randomly throughout the game. The battle for tricks may now begin!
As with all (most?) trick-taking games, Custom Heroes is played over a series of rounds. However, Custom Heroes is played across three phases: Upkeep, Main, Scoring. During the Upkeep phase, the deck of Character Cards is shuffled and 10 cards are dealt to each player. On each player’s turn during the Main phase, they will decide if they would like to upgrade any card by sleeving Advancement Cards along with the Character Cards. These Advancement Cards are clear plastic and will alter the value of the card, provide special abilities, or provide modifiers to the card’s value. Sleeving new Advancements may be done at any time during the turn, before playing it, but the caveat is that ALL cards are shuffled and dealt to players after every round, so the chances of receiving that same card in future hands diminishes with each additional player at the table!
Once Advancements have been applied, or whilst applying, the players will determine the lead play. A lead could be a single card or several matching cards in a set. The following player will need to play a card, or cards, of the same number, but of higher value. For example, if a single 7 was led, only a single 8, 9, or 10 will beat it. However, if a pair of 5s was led, a pair of 6-10 will beat that lead. Players may pass if they cannot, or choose not to, beat the current trick, and can engage in play on a future trick. Once a player has run out of cards for the hand, or all players have passed. The first player to run out of cards, or the last player to play a card, wins the hand and receives the benefits listed on the scoring table shown below. Again, when a player earns 10 VP and wins a hand, they win!
A few notes about Advancement Cards. The Ascended Form card given to all players at setup will allow the player to win the trick for that round once played. It is essentially a wild insta-win card. That is, unless another player plays an Ascended Form on top of it and wins with the most recent Ascended Form. The Kodora card, however, can be played to the player’s tableau instead of as a card in a trick. When played this way, the player “bets” two VP Tokens that they will win the hand. If they do, they gain an additional two VP Tokens, but lose their bet if they do not finish in 1st Place. All other Advancement Cards may be added to the Character Card sleeve as long as the associated gem icon at the bottom is not already present in the sleeve. As there are four gem slots on Character Cards, each Character may be upgraded four total times.
Components. This one comes with a number of components of different types. The tokens are all small, but not too small, the bag is cool, but obviously the main attractions are the clear plastic cards and sleeves common to the Card Crafting System that AEG produced. I think I first saw this idea of layering plastic cards on top of one another in the Gloom series, though it may have existed even before that. I adore this idea and really fell in love with it when I was big into Mystic Vale, also from John D. Clair and AEG. So components for me get a big ol’ seal of approval. I love ’em.
Similarly, I think the gameplay gets a big seal of approval from me. Like I said, I was big into Mystic Vale for a while, but I think that Cusom Heroes, to me, trumps it in many ways. Though both boxes mention games approximately taking around 45 minutes, I found Mystic Vale to be much longer, mostly due to having to explain and re-explain rules and oddities to players at the table. It feels like Custom Heroes has cut down the complexity of gameplay, especially for newer gamers. I can bring out Custom Heroes and have it taught and played in under an hour – a feat I still haven’t mastered with Mystic Vale.
I think that I also prefer the trick-taking style of Custom Heroes a bit more. My family really enjoys playing Euchre at family reunions and other events, and while Custom Heroes isn’t a Euchre clone at all, the feel is very similar. There is still a led card, and cards that are more valuable to be played atop them in order to win tricks. While there isn’t necessarily any suits in Custom Heroes, the ability to trump an entire hand with an Ascended Form Advancement or other Advancements adds a layer (see what I did there) of strategy and tactics that is just so satisfying. I am a big fan of games that allow players to upgrade their starting resources, or level up their characters, and this one fits right inside a little 60 minute pocket and is relatively easy to teach and play.
All in all, I am so glad I found this one at my FLGS (well, not super local), and there was a big sale going on. I picked it up solely for the Card Crafting System logo and it was a big hit for me. This will completely replace Mystic Vale for me in my collection, and I couldn’t be happier with that. If you are looking for something quick, easy, but full of choices and modifications, this is certainly the game for you. It’s the game for me, and that’s why Purple Phoenix Games gives Custom Heroes a mostly-upgraded 5 / 6. Could this reach into my Top 10 someday, or earn a Golden Feather Award? It is entirely possible. We shall see with more and more plays. I am excited to give it many more plays and find out! Are you in?
Custom Heroes is a fantasy/sci-fi-themed, customization, ladder-climbing, trick-taking card game for two to six players. In it players are using their hand of cards to win tricks (a la Tichu). The twist is that each card is able to be upgraded by using various Advancements that are added directly into the same sleeve as the base card. The winner of the game is they who amass 10 or more points and win a subsequent hand.
Before the first game after unboxing, all Character Cards will need to be sleeved. These Character Cards are numbered from 1-10 and come in six sets (one set of 10 cards for each player, at max player count). To setup the game, each player chooses a Player Screen to hide their resources and provide the scoring table. Shuffle the Character cards and deal each player a hand of 10 cards. For this review, I will be using the two-player rules. Players also begin with 1VP Token and 2 Power Tokens, along with an Ascended Form Advancement Card and Kodora Advancement Card. In a two-player game, players begin with three total Advancement Cards, as shown in the photo below. The rest of the VP Tokens and Power Tokens are placed (or thrown, in my case) on the table, and the remainder of the Advancement Cards are shuffled and placed in the bag to be drawn randomly throughout the game. The battle for tricks may now begin!
As with all (most?) trick-taking games, Custom Heroes is played over a series of rounds. However, Custom Heroes is played across three phases: Upkeep, Main, Scoring. During the Upkeep phase, the deck of Character Cards is shuffled and 10 cards are dealt to each player. On each player’s turn during the Main phase, they will decide if they would like to upgrade any card by sleeving Advancement Cards along with the Character Cards. These Advancement Cards are clear plastic and will alter the value of the card, provide special abilities, or provide modifiers to the card’s value. Sleeving new Advancements may be done at any time during the turn, before playing it, but the caveat is that ALL cards are shuffled and dealt to players after every round, so the chances of receiving that same card in future hands diminishes with each additional player at the table!
Once Advancements have been applied, or whilst applying, the players will determine the lead play. A lead could be a single card or several matching cards in a set. The following player will need to play a card, or cards, of the same number, but of higher value. For example, if a single 7 was led, only a single 8, 9, or 10 will beat it. However, if a pair of 5s was led, a pair of 6-10 will beat that lead. Players may pass if they cannot, or choose not to, beat the current trick, and can engage in play on a future trick. Once a player has run out of cards for the hand, or all players have passed. The first player to run out of cards, or the last player to play a card, wins the hand and receives the benefits listed on the scoring table shown below. Again, when a player earns 10 VP and wins a hand, they win!
A few notes about Advancement Cards. The Ascended Form card given to all players at setup will allow the player to win the trick for that round once played. It is essentially a wild insta-win card. That is, unless another player plays an Ascended Form on top of it and wins with the most recent Ascended Form. The Kodora card, however, can be played to the player’s tableau instead of as a card in a trick. When played this way, the player “bets” two VP Tokens that they will win the hand. If they do, they gain an additional two VP Tokens, but lose their bet if they do not finish in 1st Place. All other Advancement Cards may be added to the Character Card sleeve as long as the associated gem icon at the bottom is not already present in the sleeve. As there are four gem slots on Character Cards, each Character may be upgraded four total times.
Components. This one comes with a number of components of different types. The tokens are all small, but not too small, the bag is cool, but obviously the main attractions are the clear plastic cards and sleeves common to the Card Crafting System that AEG produced. I think I first saw this idea of layering plastic cards on top of one another in the Gloom series, though it may have existed even before that. I adore this idea and really fell in love with it when I was big into Mystic Vale, also from John D. Clair and AEG. So components for me get a big ol’ seal of approval. I love ’em.
Similarly, I think the gameplay gets a big seal of approval from me. Like I said, I was big into Mystic Vale for a while, but I think that Cusom Heroes, to me, trumps it in many ways. Though both boxes mention games approximately taking around 45 minutes, I found Mystic Vale to be much longer, mostly due to having to explain and re-explain rules and oddities to players at the table. It feels like Custom Heroes has cut down the complexity of gameplay, especially for newer gamers. I can bring out Custom Heroes and have it taught and played in under an hour – a feat I still haven’t mastered with Mystic Vale.
I think that I also prefer the trick-taking style of Custom Heroes a bit more. My family really enjoys playing Euchre at family reunions and other events, and while Custom Heroes isn’t a Euchre clone at all, the feel is very similar. There is still a led card, and cards that are more valuable to be played atop them in order to win tricks. While there isn’t necessarily any suits in Custom Heroes, the ability to trump an entire hand with an Ascended Form Advancement or other Advancements adds a layer (see what I did there) of strategy and tactics that is just so satisfying. I am a big fan of games that allow players to upgrade their starting resources, or level up their characters, and this one fits right inside a little 60 minute pocket and is relatively easy to teach and play.
All in all, I am so glad I found this one at my FLGS (well, not super local), and there was a big sale going on. I picked it up solely for the Card Crafting System logo and it was a big hit for me. This will completely replace Mystic Vale for me in my collection, and I couldn’t be happier with that. If you are looking for something quick, easy, but full of choices and modifications, this is certainly the game for you. It’s the game for me, and that’s why Purple Phoenix Games gives Custom Heroes a mostly-upgraded 5 / 6. Could this reach into my Top 10 someday, or earn a Golden Feather Award? It is entirely possible. We shall see with more and more plays. I am excited to give it many more plays and find out! Are you in?
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Dec 24, 2017
funny (3 more)
heartbreaking
tender
beautiful
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
Jamie (131 KP) rated The Darkest Lies in Books
Jul 26, 2017
Believable plot regarding child abduction (1 more)
The mystery is compelling
Frustrating protagonist, (2 more)
Extremely predictable
Good case for why civilians shouldn’t go rogue and get in the way of police work
A frustrating abduction mystery
You know that age in every teenager’s life where they start to become a little bit rebellious? Telling little white lies, sneaking out, hanging out with crowds they know the family wouldn’t approve of? It can be a scary time for parents, who knows who’s out there? The Darkest Lies is every parent’s worst nightmare and follows a mother who finds her world shattered when her daughter goes missing.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
I’m going to come right out and say that this book was frustrating for me. The synopsis really caught my eye and the idea for the plot is intriguing. Unfortunately, issues with the protagonist as well as a shaky and highly predictable plot made for a mediocre experience.
The narration in this book was a little bit weird and I had a hard time getting used to it. It is primarily told using first person point of view though switches regularly to second person as Melanie speaks directly to Beth in her inner monologue. It was just uncomfortable to read.
What’s so bad about first person point of view? See the issue for me with first person narration is that it’s easy to end up alienating readers if it’s difficult to relate to the narrator, and boy did I dislike Melanie. To be blunt, she was really annoying. She was self-centered, mean-spirited, often blinded by her own hubris, and near the end has a bit of a messiah complex going which I found completely ridiculous. She was constantly complaining about the police’s incompetence, throwing herself in the way of the investigation despite being asked multiple times to back off before she could destroy their leads. “I couldn’t go home. I was too furious, too desperate to prove I was right and the police were wrong.”
I get it, she’s consumed with guilt and grief over what happened to her daughter, over not being able to protect her. Desperate people tend to lash out and do stupid things, but I just couldn’t believe anyone would be so foolish. Melanie’s antics do lead up to something important in the plot, but honestly she didn’t need any help making a fool of herself. Before all the crazy came out she was constantly breaking down every female character she encountered, often focusing in on their looks and finding ways to insult them. Neighbors, police officers working on the case, teenagers, it didn’t matter. There are numerous examples of Melanie exhibiting this jealous personality throughout the course of the book.
She spends more time going on drunken rampages pointing fingers at everyone in town, harassing the police, treating her husband like garbage while emotionally cheating with a friend, and avoiding actually seeing and being there for her daughter. While her awful actions over the course of the book is an important aspect of the plot, I just couldn’t justify it because she never learns and remains stubborn even after being told off multiple times. Add on top how stereotypically reckless she acts at the end instead of seeking help from the police because of course she doesn’t need them and I just couldn’t dig the story.
I liked the central idea around the dangers of teens sneaking out and trusting strangers, but the story meandered so much it kind of gets lost in Melanie’s mental collapse and crazed search for the culprit. The plot attempts to use some misdirection to keep the reader guessing but the construction was just sloppy, and the actual culprit isn’t even the character that Melanie cares about the most. Every “bad” character is so blatantly obvious that the advertised twist is really easy to see. I kept on reading because I wanted to know the how and the why. I think there was potential here, and if the author wanted to stick to the narrative that Mel is actually really nice and is just being manipulated then why does she remain every bit as petty and controlling? She is still unable to see past her own emotions and unable to learn from her mistakes. I wished that this could’ve ended with more character growth for the main character.
Haley Mathiot (9 KP) rated The Lovely Bones in Books
Apr 27, 2018
**Spoiler Alert!**
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
Acanthea Grimscythe (300 KP) rated Repo! The Genetic Opera (2008) in Movies
May 12, 2018
Contains spoilers, click to show
Repo! The Genetic Opera is perhaps one of the most underrated films I’ve ever watched. The first time I watched it was at the behest of the elder of my younger brothers during my senior year of high school. At that time, I thought it was alright. The characters were hauntingly beautiful and the costumes delightfully dark, but beyond its appeal to my horror loving heart, I had little interest in re-watching it. The other day, I was browsing Shudder and came across it and decided to watch it for the sake of nostalgia. It was then that I picked up on the parody that my seventeen-year-old self missed entirely: for-profit healthcare.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.
Acanthea Grimscythe (300 KP) rated The Girl with the Dragon Tattoo in Books
May 16, 2018
Several years ago, I watched both film adaptations of Stieg Larsson's book, The Girl with the Dragon Tattoo, and I loved them. It was only natural that at that point, I told myself I would read the book. As all bibliophiles like myself know our to-be-read piles are constantly growing, and sometimes we tend to add books to it faster than we'll ever read them. The result of that is, ultimately, we don't get around to the books we really want to read, because there are just too many of them. That was precisely the case with The Girl with the Dragon Tattoo until I found it at one of my local thrift stores. It might have been the library too, I really don't recall. I do know that I paid no more than a dollar for my copy, and it is undoubtedly the best dollar I have ever spent.
The Girl with the Dragon Tattoo is an utterly enthralling crime thriller, centered around Mikael Blomkvist, a journalist convicted of libel, Lisbeth Salander, a ward of the government with a penchant for hacking, and the age-old mystery of what happened to Harriet Vanger: a daughter of the prominent Vanger family that went missing in 1966 and is presumed to have been murdered. Filled to the brim with corporate corruption, misogynistic views, and sharp twists that could not be done justice by the films, Larsson has undoubtedly woven a masterpiece - one that I was unable to put down until the last page was read. I mean that quite literally, as I didn't go to bed until after five this morning.
It's not very often that a book snares me so strongly that I cannot stop myself from turning its pages, and the way in which this one sunk its claws into me has not happened in a very, very long time. The plot is complicated and filled with dead ends, but every single bit of information is also vital to the progression of the story. At first read, that might sound a bit contradictory, and in a way it truly is. When Blomkvist is hired by the aging Henrik Vanger to look into Harriet's disappearance, he is given a cold case with no open leads. Each and every time he finds something promising, it fails to work out. In many cases, this is not an easy style to pull off. Other books that have created this sense of hopelessness have largely succeeded in boring me half to death, and in some cases I've dropped them.
When it comes to the characters in a book, the way in which they are written can easily make or break the story. Extreme distaste, in some cases, can lead to difficulty in finishing a book for some readers, while others loath the so-called "Mary Sue" character. In The Girl with the Dragon Tattoo, Larsson's characters are part of relationships that are largely unconventional, especially to the mind of a girl raised in the conservative Southern United States and. The interaction that results from these relationships help to drive the story forward by not only introducing the reader to a wide range of characters, but by also providing those characters, some of which are deeply flawed, with an impressive amount of depth.
While some of the content is, without a doubt, sensitive material for some readers, Larsson also uses The Girl with the Dragon Tattoo as an opportunity to highlight statistics on sexual assault in Sweden, and for that I must give him props. Even in America, there is a lack of seriousness when it comes to allegations of rape and, more recently, things tend to get brushed under the rug, for lack of a better term, if the perpetrator of the crime has any reputation that could be deemed worthwhile. It is a disgusting, dehumanizing way of treating a very real issue, and Larsson hones in on this while simultaneously creating a very strong, independent heroine that readers like myself can relate to, sometimes unfortunately so.
The next book is definitely on my to-read list, but I don't know when I'll get around to it. Hopefully, I'll be fortunate enough to cross it on one of my thrift-shopping trips. It was most definitely worth my sleepless night.
The Girl with the Dragon Tattoo is an utterly enthralling crime thriller, centered around Mikael Blomkvist, a journalist convicted of libel, Lisbeth Salander, a ward of the government with a penchant for hacking, and the age-old mystery of what happened to Harriet Vanger: a daughter of the prominent Vanger family that went missing in 1966 and is presumed to have been murdered. Filled to the brim with corporate corruption, misogynistic views, and sharp twists that could not be done justice by the films, Larsson has undoubtedly woven a masterpiece - one that I was unable to put down until the last page was read. I mean that quite literally, as I didn't go to bed until after five this morning.
It's not very often that a book snares me so strongly that I cannot stop myself from turning its pages, and the way in which this one sunk its claws into me has not happened in a very, very long time. The plot is complicated and filled with dead ends, but every single bit of information is also vital to the progression of the story. At first read, that might sound a bit contradictory, and in a way it truly is. When Blomkvist is hired by the aging Henrik Vanger to look into Harriet's disappearance, he is given a cold case with no open leads. Each and every time he finds something promising, it fails to work out. In many cases, this is not an easy style to pull off. Other books that have created this sense of hopelessness have largely succeeded in boring me half to death, and in some cases I've dropped them.
When it comes to the characters in a book, the way in which they are written can easily make or break the story. Extreme distaste, in some cases, can lead to difficulty in finishing a book for some readers, while others loath the so-called "Mary Sue" character. In The Girl with the Dragon Tattoo, Larsson's characters are part of relationships that are largely unconventional, especially to the mind of a girl raised in the conservative Southern United States and. The interaction that results from these relationships help to drive the story forward by not only introducing the reader to a wide range of characters, but by also providing those characters, some of which are deeply flawed, with an impressive amount of depth.
While some of the content is, without a doubt, sensitive material for some readers, Larsson also uses The Girl with the Dragon Tattoo as an opportunity to highlight statistics on sexual assault in Sweden, and for that I must give him props. Even in America, there is a lack of seriousness when it comes to allegations of rape and, more recently, things tend to get brushed under the rug, for lack of a better term, if the perpetrator of the crime has any reputation that could be deemed worthwhile. It is a disgusting, dehumanizing way of treating a very real issue, and Larsson hones in on this while simultaneously creating a very strong, independent heroine that readers like myself can relate to, sometimes unfortunately so.
The next book is definitely on my to-read list, but I don't know when I'll get around to it. Hopefully, I'll be fortunate enough to cross it on one of my thrift-shopping trips. It was most definitely worth my sleepless night.
Mariafrancesca (30 KP) rated The Demon’s surrendee (Demon’s Lexicon #3) in Books
Apr 7, 2019
This is a review for the whole series
I read these books because a friend of mine suggested them and she enjoyed them very much. I really like Sarah Rees Brennan style, it is funny and engaging and I really couldn't put these books down. However the end of this trilogy makes me angry, there are so many problems with it that I don't know where to start. I apologise in advance for the mistakes in this review, I am not a native speaker so please be patient.
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????
Heather Cranmer (2721 KP) rated Prodigal in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Wow...just wow! The feels in this book were just wow! Prodigal by Rektok Ross has definitely become my favorite book this year. In fact, it may've become my favorite book ever, seriously. I had my reservations about this book being as it is Christian fiction. Although I am Christian, I don't like books that are too preachy because it's like they are preachy to the choir. However, this book was not preachy but helped get the message across. It is just amazing!
The title didn't really give me much to go on. In fact, if I'm being honest, when I first heard of the book, the title didn't catch my attention at all.
The cover is definitely original; I'll give it that that. However, like the title it's a bit plain. However, the sheep can be a symbolism in Christianity. Prodigal also touches on the story of the Prodigal Son which is another reason I believe the sheep is on the cover.
The world building was fantastically done! Ross does a great job of portraying a non-believing teen. Ross also portrays the high school relationship drama very well. I actually felt like I was back in high school while reading this book.
The pacing was set superbly! This was one of those books that I didn't want to put down because I had to know what would happen next. Unfortunately, life got in the way sometimes, and I did have to put the book down, but I would pick it up as soon as I got a chance.
The plot was so sweet! Lexy moves to a new state which means a new school her senior year, meets the uber hot quarterback, and they fall in love. However, there's some problems which means their relationship does suffer. Along the way, Lexy finds God. As I've said before, this book isn't over the top preachy. It's not subtle when it comes to God, but it's not in your face either. Oh, there weren't any plot twists that I noticed, but that didn't affect the book.
The characters all felt very realistic to me. I started out not liking Lexy because I didn't like the way she treated and spoke to her mother. However, Lexy began to grow on me, and I soon felt what Lexy felt when it came to what all was going on around her. I also liked Ash. I like how Ross portrayed him as a typical Christian teen and not one who was overly religious. Ash also had his demons so to speak. I even liked Blythe even though she was the resident mean girl. There's no excuse as to why Blythe behaved the way she did, but towards the ending of the book, it's easier to understand why she's the way she is.
I enjoyed the dialogue and the writing in this book. Again, I want to stress that this book doesn't just focus on God and Christianity. If anything, that's more of a minor subplot. There's no real violence in this book and only one swear word (the word ass).
If there's only one book you'll ever pick up, I'd highly suggest Prodigal by Rektok Ross. This book was so much more than I was expecting and left me with so many feels! If I had enough money, I'd buy this book for friends, family, strangers, readers of my blog, and well, everyone really! This book has it all - a great cast of characters, a world that pulls the reader right in, a fantastic story line, and a great message!
I'd recommend this book to those aged 14+ who are believers of God, non-believers, those struggling with their faith, those that are new believers, and just everyone in general.
(I received a free paperback copy from the author in exchange for a fair and honest review).
Wow...just wow! The feels in this book were just wow! Prodigal by Rektok Ross has definitely become my favorite book this year. In fact, it may've become my favorite book ever, seriously. I had my reservations about this book being as it is Christian fiction. Although I am Christian, I don't like books that are too preachy because it's like they are preachy to the choir. However, this book was not preachy but helped get the message across. It is just amazing!
The title didn't really give me much to go on. In fact, if I'm being honest, when I first heard of the book, the title didn't catch my attention at all.
The cover is definitely original; I'll give it that that. However, like the title it's a bit plain. However, the sheep can be a symbolism in Christianity. Prodigal also touches on the story of the Prodigal Son which is another reason I believe the sheep is on the cover.
The world building was fantastically done! Ross does a great job of portraying a non-believing teen. Ross also portrays the high school relationship drama very well. I actually felt like I was back in high school while reading this book.
The pacing was set superbly! This was one of those books that I didn't want to put down because I had to know what would happen next. Unfortunately, life got in the way sometimes, and I did have to put the book down, but I would pick it up as soon as I got a chance.
The plot was so sweet! Lexy moves to a new state which means a new school her senior year, meets the uber hot quarterback, and they fall in love. However, there's some problems which means their relationship does suffer. Along the way, Lexy finds God. As I've said before, this book isn't over the top preachy. It's not subtle when it comes to God, but it's not in your face either. Oh, there weren't any plot twists that I noticed, but that didn't affect the book.
The characters all felt very realistic to me. I started out not liking Lexy because I didn't like the way she treated and spoke to her mother. However, Lexy began to grow on me, and I soon felt what Lexy felt when it came to what all was going on around her. I also liked Ash. I like how Ross portrayed him as a typical Christian teen and not one who was overly religious. Ash also had his demons so to speak. I even liked Blythe even though she was the resident mean girl. There's no excuse as to why Blythe behaved the way she did, but towards the ending of the book, it's easier to understand why she's the way she is.
I enjoyed the dialogue and the writing in this book. Again, I want to stress that this book doesn't just focus on God and Christianity. If anything, that's more of a minor subplot. There's no real violence in this book and only one swear word (the word ass).
If there's only one book you'll ever pick up, I'd highly suggest Prodigal by Rektok Ross. This book was so much more than I was expecting and left me with so many feels! If I had enough money, I'd buy this book for friends, family, strangers, readers of my blog, and well, everyone really! This book has it all - a great cast of characters, a world that pulls the reader right in, a fantastic story line, and a great message!
I'd recommend this book to those aged 14+ who are believers of God, non-believers, those struggling with their faith, those that are new believers, and just everyone in general.
(I received a free paperback copy from the author in exchange for a fair and honest review).
Nadya R (9 KP) rated The Butterfly Garden in Books
Jul 2, 2018
Usually I don’t choice book by its cover. But in this case, when I saw the book’s cover I was almost sure that I wanna read this book. The cover with its dark tones and eye catching red details is so stunning.* Then there was a brainstorming review that made me 100% sure I am gonna read this book.
The story is told my Maya. 18 years old girl managed to escape from a sex-addicted serial killer. He ‘catches’ the girls and make them live in the Garden. From first sight this Garden is a piece of Heaven- all this green plants, cliffs with waterfalls and brooks, but actually its a Devil’s place and the Devil is The Gardener. Rich man, craving for attention sociopath, he keeps his Garden full with beautiful young girls with breathtaking tattoos on their back. The tattoos represent butterfly wings and that’s why these girls are called ‘Butterflies’. They are going to share the butterfly beauty but their short life as well.
The story goes in two directions- the one, where two FBI detectives are trying to solve the mystery of The Garden and meanwhile leading Maya’s interrogation and the second one brings us back the house throughout Maya’s memories.
Maya was the girl who helps the new ‘catch’ the get use with the new situation they came with. Also she tries to keep all girls united. Except from the Gardener, there is his eldest son who also is aware of what’s going on in his dad’s secret garden. There is Lorraine as well. She is an ex-Butterfly who takes care for the girls and plays the role of their doctor. She is free of going in and out of the house, whenever she wants to, but also she is the perfect example of Stockholm syndrome so she didn’t even think about exposing her beloved one.
The Gardener is pretty conflicting character, though. Although he keeps girls in captive, for the outside world he is intelligent man, and big appreciator of art. He takes care for the girls, acts gently, with respect, but he expect from them, they always to be ready to greet him in their beds and to satisfy his sexual desires. From other side is his biggest son. He, in difference with his father, is evil and rude. He is one sadistic son of a bitch, trying to take all the benefits from the girls, as he can. The thing that makes him horny and turns him up is to break girls limbs, to hurt and even to kill them while he is f*cking them.
The wind of change came with Des - the Gardener lil son. He is good and loving, just like his father, except the fact that he doesn’t ripe girls and doesn’t like what his father and brother are doing at all. But after all he is son of his father and prefers to keep their family name nice and clean, instead of helping the girls.
From the very first page, the book held my attention and this didn’t change throughout the hole book till the last page. A horrifying story narrated extremely well. The adrenaline of the action kept me awake in the night, made me turn over the pages till I reached the last one. Maya is the perfect narrator- a rebel with butting tongue, she brings so much life to the book and her story at all. The biggest fault of the book is its ending. Seriously who can finish an amazing book like this in this stupid, discouraged way? It’s like the author just ran out of ideas (or deadlines were knocking on the door) and rushed the end. In the last pages there is a person, showed up with all the answers I need, but I didn’t found their answers because the book came to its end. I was so frustrated that I wanted to throw the book away and never ever look at it once again.
Despite the miserable ending, I recommend the books as something that everyone, who likes psycho triller, has to read.
* I’m taking about Bulgarian edition of the book ?
The story is told my Maya. 18 years old girl managed to escape from a sex-addicted serial killer. He ‘catches’ the girls and make them live in the Garden. From first sight this Garden is a piece of Heaven- all this green plants, cliffs with waterfalls and brooks, but actually its a Devil’s place and the Devil is The Gardener. Rich man, craving for attention sociopath, he keeps his Garden full with beautiful young girls with breathtaking tattoos on their back. The tattoos represent butterfly wings and that’s why these girls are called ‘Butterflies’. They are going to share the butterfly beauty but their short life as well.
The story goes in two directions- the one, where two FBI detectives are trying to solve the mystery of The Garden and meanwhile leading Maya’s interrogation and the second one brings us back the house throughout Maya’s memories.
Maya was the girl who helps the new ‘catch’ the get use with the new situation they came with. Also she tries to keep all girls united. Except from the Gardener, there is his eldest son who also is aware of what’s going on in his dad’s secret garden. There is Lorraine as well. She is an ex-Butterfly who takes care for the girls and plays the role of their doctor. She is free of going in and out of the house, whenever she wants to, but also she is the perfect example of Stockholm syndrome so she didn’t even think about exposing her beloved one.
The Gardener is pretty conflicting character, though. Although he keeps girls in captive, for the outside world he is intelligent man, and big appreciator of art. He takes care for the girls, acts gently, with respect, but he expect from them, they always to be ready to greet him in their beds and to satisfy his sexual desires. From other side is his biggest son. He, in difference with his father, is evil and rude. He is one sadistic son of a bitch, trying to take all the benefits from the girls, as he can. The thing that makes him horny and turns him up is to break girls limbs, to hurt and even to kill them while he is f*cking them.
The wind of change came with Des - the Gardener lil son. He is good and loving, just like his father, except the fact that he doesn’t ripe girls and doesn’t like what his father and brother are doing at all. But after all he is son of his father and prefers to keep their family name nice and clean, instead of helping the girls.
From the very first page, the book held my attention and this didn’t change throughout the hole book till the last page. A horrifying story narrated extremely well. The adrenaline of the action kept me awake in the night, made me turn over the pages till I reached the last one. Maya is the perfect narrator- a rebel with butting tongue, she brings so much life to the book and her story at all. The biggest fault of the book is its ending. Seriously who can finish an amazing book like this in this stupid, discouraged way? It’s like the author just ran out of ideas (or deadlines were knocking on the door) and rushed the end. In the last pages there is a person, showed up with all the answers I need, but I didn’t found their answers because the book came to its end. I was so frustrated that I wanted to throw the book away and never ever look at it once again.
Despite the miserable ending, I recommend the books as something that everyone, who likes psycho triller, has to read.
* I’m taking about Bulgarian edition of the book ?
Louise (64 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jul 2, 2018
First I would like to say a massive thank you to Goodreads as I won myself a copy on one of their giveaways( Aren’t they great!)
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars