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Debbiereadsbook (1757 KP) rated Death By C*ck (Fetish Alley #2) in Books
Jul 3, 2019
a lotta LURVE in this book, folks!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Fetish Alley series, but it's not necessary to have read book one, For Fox Sake. Not necessary, but I would recommend you do read it, if only to get a better picture of Tate and Clay, and of the other characters who pop up here again. And you know, since I'm recommending, you should also probably read Feat Of Clay, from the Men of London series, cos that will give you a FAR bigger picture of Tate and Clay and how they work as a couple.
When a young taxidermist is found dead in his place of work, the police call in Tate and Clay to help with the locals, since the police seem to be hitting a wall with the residents of Fetish Alley, and Tate and Clay are almost family to Relio, who runs the Alley. Can they figure out who killed the young man, and who is behind the spate of protection racket visits the Alley residents have had?
So, like I said, book two. And an excellent follow up it is too!
I think I enjoyed this one more than book one, as well. Here's why.
I got whodunnit very quickly, and why they-dunnit too, so it was fun watching that unravel and turn out just as I thought.
So, once that was established, I sorta glanced over those bits and settled on the more important parts of this book: that of Tate and Clay, and the way each of them, independently of each other, thought about things they wanted to change. It's gonna be kinda vague, cos spoilers and all that, but bear with me!
One of the two had asked the other, a long time ago, to marry him. And I expected THAT person to ask again, but its the OTHER that does, and in such a way, you felt it, deep in your heart! It's not a well thought out, planned long declaration of love, though. It's a rushed, heartfelt deeply emotional proposal, done in a way that is so very THEM, and I bloody loved it!
OH! And, I noticed, in both For Fox Sake, and Feat of Clay, that these guys are not ones for professing their love. Don't get me wrong, Tate and Clay adore the ground the other walks on and would KILL for the other, but they don't say those three little words. And they do here, and again, its just dropped in, as they do, with one of them nodding off. And bloody hell if it didn't make me cry!
Although this is set in Fetish Alley, there is very little actual kink, almost none, really. Tate and Clay do some shopping and that's about as kinky as it gets. Oh, there is heat, so much heat and sexy time between Tate and Clay, and some we get shut down on, but the KINK? not so much.
Relio and Tomas play a part, and we still have not very much idea with what's going on with those two, but clearly, something is. I can't wait to find out what!
A thoroughly enjoyable way to spend the afternoon!
5 stars
**same worded review will appear elsewhere**
This is book two in the Fetish Alley series, but it's not necessary to have read book one, For Fox Sake. Not necessary, but I would recommend you do read it, if only to get a better picture of Tate and Clay, and of the other characters who pop up here again. And you know, since I'm recommending, you should also probably read Feat Of Clay, from the Men of London series, cos that will give you a FAR bigger picture of Tate and Clay and how they work as a couple.
When a young taxidermist is found dead in his place of work, the police call in Tate and Clay to help with the locals, since the police seem to be hitting a wall with the residents of Fetish Alley, and Tate and Clay are almost family to Relio, who runs the Alley. Can they figure out who killed the young man, and who is behind the spate of protection racket visits the Alley residents have had?
So, like I said, book two. And an excellent follow up it is too!
I think I enjoyed this one more than book one, as well. Here's why.
I got whodunnit very quickly, and why they-dunnit too, so it was fun watching that unravel and turn out just as I thought.
So, once that was established, I sorta glanced over those bits and settled on the more important parts of this book: that of Tate and Clay, and the way each of them, independently of each other, thought about things they wanted to change. It's gonna be kinda vague, cos spoilers and all that, but bear with me!
One of the two had asked the other, a long time ago, to marry him. And I expected THAT person to ask again, but its the OTHER that does, and in such a way, you felt it, deep in your heart! It's not a well thought out, planned long declaration of love, though. It's a rushed, heartfelt deeply emotional proposal, done in a way that is so very THEM, and I bloody loved it!
OH! And, I noticed, in both For Fox Sake, and Feat of Clay, that these guys are not ones for professing their love. Don't get me wrong, Tate and Clay adore the ground the other walks on and would KILL for the other, but they don't say those three little words. And they do here, and again, its just dropped in, as they do, with one of them nodding off. And bloody hell if it didn't make me cry!
Although this is set in Fetish Alley, there is very little actual kink, almost none, really. Tate and Clay do some shopping and that's about as kinky as it gets. Oh, there is heat, so much heat and sexy time between Tate and Clay, and some we get shut down on, but the KINK? not so much.
Relio and Tomas play a part, and we still have not very much idea with what's going on with those two, but clearly, something is. I can't wait to find out what!
A thoroughly enjoyable way to spend the afternoon!
5 stars
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated The Rhythm Section (2019) in Movies
Mar 5, 2020
The Rhythm Section popped up almost out of nowhere when it hit screens. Seeing the cast line-up I was very interested in seeing what it had to offer.
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
Phillip McSween (751 KP) rated Knives Out (2019) in Movies
Mar 6, 2020
Consistent Blast
In the Whodunit drama, detective Benoit Blanc (Daniel Craig) has to uncover who killed famous author Harlan Thrombey (Christopher Plummer).
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Gareth von Kallenbach (980 KP) rated The Twilight Saga: Breaking Dawn Part 2 (2012) in Movies
Aug 7, 2019
Fans all around the world have been waiting for the fifth and final installment of the film adaption of Stephanie Meyer’s best selling book series, “The Twilight Saga: Breaking Dawn part 2” and without skipping a beat, part two begins right where its predecessor left off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
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Heather Cranmer (2721 KP) rated Paper Dolls (Dark Carousel #2) in Books
Nov 7, 2020
I really loved Dollhouse, the first book in the Dark Carousel series by Anya Allyn. I couldn't wait to dive into the next book in the series, Paper Dolls. I wanted to love Paper Dolls as much as Dollhouse, but it just wasn't as great.
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Bob Mann (459 KP) rated Judas and the Black Messiah (2021) in Movies
Apr 25, 2021
Kaluuya and Stanfield excel (1 more)
Great US history lesson on the Black Panther movement
"Politics is war without bloodshed"
The ‘Judas’ in “Judas and the Black Messiah” is Bill O’Neil (LaKeith Stanfield). He works as an informer for FBI man Mitchell (Jesse Plemons), who has him over a barrel for impersonating an FBI officer. Fred Hampton (Daniel Kaluuya) runs the Chicago chapter of the Black Panther party and O’Neil is a trusted comrade on the inside.
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
