Smashbomb

"It was on the radio, I was just getting it, I was thinking, 'Fuck, what is that? Who is that?', it was so different. I would say 'Black, Brown and White' is my favourite song. It was played on BBC radio, and at the time - he said it himself - that he couldn't record it in America, so I think he recorded it in France, because they said it's too controversial. Even black friends of his said, 'Don't you stir up the shit here! We could get repercussions.' But I thought he put it... He was just stating a fact. He wasn't saying 'you white bastards' or 'the whites won't let us', he wasn't saying anything like that. It's just 'me and a man was working side by side, this is what it meant, they were paying him a dollar an hour and they were paying him 50 cents'. You know, he said, 'If you're white, you're alright, if you're brown stick around, but if you're black, get back.' Which I thought was tremendous."

Source

Kudos

Emma @ The Movies (1786 KP) rated The 15:17 To Paris (2018) in Movies

Sep 25, 2019

The 15:17 To Paris (2018)

2018 | Drama, History, Thriller

6.2

(18 Ratings)

Movie Rating Watch

Three Americans discover a terrorist plot aboard a train while in France.

This was an interesting movie. I liked the fact that the actual people involved played their parts, it made it feel a little rough but also made it seem a lot more real. I can't really pick it apart too much, I enjoyed the progression and you engage well with the main players... but I do have one point to raise that ruined the end of the film for me, and lost it a star...

The last thing we see is the reenactment of the Legion Of Honour ceremony where they were presented with medals by French president François Hollande. They spliced in original file footage of the event with the film, which had it just been added at the end would have made a lovely ending. What they did was mix it with "re-shot" footage so that they could get the actor family reaction shots in, which meant a different quality of film and a very dodgy stand in for Hollande.