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Merissa (12058 KP) created a post
Jan 11, 2021
Lucy Buglass (45 KP) rated Greta (2019) in Movies
Jun 20, 2019
Trust No One
It felt like I’d been waiting an eternity for Greta, and the suspense was killing me. I’d seen plenty of feedback from those who attended TIFF, and the trailer had played before so many films I’d seen in the cinema. The concept had intrigued me from day one, as I find myself very drawn to thrillers such as this one. Being stalked is a very real, very genuine fear, and it’s that sense of realism that makes it so terrifying.
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
The film follows widowed, lonely Greta (Isabelle Huppert) as she befriends Frances (Chloe Grace Moretz) when she returns her handbag that was left on the New York Subway. The two form a bond rather quickly, but things take a sinister turn when Frances realises Greta is harbouring a dark secret. As it happens, this handbag was planted by Greta, who lay in wait hoping someone would bring it back to her. Unfortunately for Frances, she did.
Despite the fact the trailer for Greta spoils some key moments, it was still an incredibly gripping watch. The lead characters are very well acted, and I have significant praise for Isabelle Huppert, whose performance absolutely blew me away. The way she shifts from a kind, friendly old lady into a cold, deceptive psychopath is incredible to witness. As the titular character and film’s antagonist, she absolutely steals the show and the audience starts to fear her just as much as Frances. No one knows what she’s going to do next.
Chloe Grace Moretz’ character Frances is bubbly and kind, which ultimately leads to her downfall in the hustle and bustle of Manhattan. She is originally from Boston, and moved in with her friend following the death of her mother. Frances is haunted by this incident, which Moretz portrays convincingly throughout the film. She is a very likeable character, which makes her encounter with Greta so much scarier. I was rooting for her throughout, not wanting any harm to come to such a kind-hearted person.
Unfortunately for Frances, her kindness makes her very naïve, which is why she is initially so trusting of Greta. Her flat mate Erica (Maika Monroe) is much more street smart, even if she is a little annoying, and Frances makes the mistake of not listening to her warnings. When Frances finds a bag she thinks of returning it, when Erica finds one, she calls the bomb squad. The two have very different attitudes when it comes to life in the Big Apple.
Despite having some slow moments, it’s the performances given by these three leading ladies that made the film so enjoyable for me. They have very different backgrounds and attitudes, constantly clashing with each other and creating some great tension throughout. Greta will stop at nothing to win the affections of Frances, causing her to do some truly disturbing and almost unspeakable things.
The film knows how to give you that sense of dread, even when you know Greta is elsewhere, you can’t help but anticipate her round every corner Frances turns. This is a testament to the film’s camerawork, which purposely hides certain areas from the viewer, keeping you on edge throughout. The use of shadows and darkness helps with this too. Once Greta’s intentions are revealed, you don’t feel safe. However exaggerated and unrealistic they may be, they definitely make for an entertaining thriller.
It’s a solid thriller with a runtime of 1 hr 38 minutes, enough to provide sufficient exposition and amp up the tension when it needs to. Whilst it isn’t the strongest thriller I’ve seen, it is entertaining throughout and doesn’t need to rely on excessive violence in order to make its point. The film is certainly elevated by the character of Greta, who has quickly gone up in my list of favourite female villains. The film’s plot is completely and utterly crazy, but an enjoyable day out at the cinema nonetheless. This is the first Neil Jordan film I’ve seen, and I must say, I’m impressed.
https://lucygoestohollywood.com/2019/04/23/trust-no-one-my-thoughts-on-thriller-greta/
ClareR (5726 KP) rated Bitter Orange in Books
Dec 21, 2018
A Fantastic Book!
Frances Jellico lies dying in a hospital bed in the present day. She has flash backs to 1969 when she was asked to go to a large, dilapidated country house to assess the gardens for its new owner. She leaves London just after her mother dies - a mother who she had taken care of on her own for a long time. Already there when she arrives are Cara and Peter. He is an antiques expert, and Cara is his wife.
There is such a lot going on in this book: Cara and Peter have a strained relationship, Cara is clearly unwell; the vicar in the local church is not happy in his work, and Frances seems completely incapable of understanding relationships - her upbringing seems to have been very sheltered.
This is such a good story. I enjoyed uncovering the layers and the last few chapters were stunning and completely unexpected.
There is such a lot going on in this book: Cara and Peter have a strained relationship, Cara is clearly unwell; the vicar in the local church is not happy in his work, and Frances seems completely incapable of understanding relationships - her upbringing seems to have been very sheltered.
This is such a good story. I enjoyed uncovering the layers and the last few chapters were stunning and completely unexpected.
Kristy H (1252 KP) rated Her Pretty Face in Books
Mar 10, 2019
Compulsively readable with some great twists & turns
Frances is struggling. She feels overweight and socially inept, struggling to keep up with the beautiful, wealthy mothers at the fancy private school, Forrester Academy, that her son Marcus attends. That struggle is made even harder by an incident with Marcus and a classmate, Abbey Dumas, that sets the other moms against her. Even worse, no one knows about a horrible event in Frances' past that haunts her: not even her husband, Jason, and Marcus. But she feels rescued when she forges a friendship with a beautiful mother, Kate Randolph. She's funny, irreverent, and almost seems to recognize a kind of darkness in Frances. Suddenly, life at Forrester--and life in general--seems bearable. Meanwhile Kate's teenage daughter Daisy feels as if her mother has stopped loving her. Every few years her parents uproot her and younger brother to move yet again. What is the purpose of trying at school--in life--she wonders? Then a startling discovery comes to light, changing everything for Frances, Kate, and Daisy.
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
ClareR (5726 KP) rated The Second Sight of a Zachary Cloudesley in Books
Nov 11, 2023
I don’t quite know how I can write anything about this book and still do it justice! It’s a wide sweeping novel, that takes the reader from a clockmakers in London to Constantinople.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Emma @ The Movies (1786 KP) rated Greta (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I sat down to write up my notes for the weekend's films and I had already forgotten this one. I quite enjoyed it and yet it hasn't really stuck with me at all.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Matthew Krueger (10051 KP) rated Joker (2019) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
The Killing Joke
I finally saw Joker yesterday with a full crowd of people in the theater. Which i was surpise of because it has been out for a month now. But the crowd and i loved Joker.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
This is my favorite movie so far of this year. It is psychological, horrorfying, and it takes the Joker charcter on a whole nother level. Joker takes place in the 80's and as a origin movie, Joker is dark, twisted, moody, and terrorfying movie.
Joaquin Phoenix, Frances Conroy and Robert De Niro are excellent in this movie. Both Joaquin Phoenix and Frances Conroy should get nomiated for the oscars.
Joaquin Phoenix takes elements from Cesar Ramero's Joker, Jack Nicolson's Joker and Heath Ledgar and make its it his own. His laugh is perfect. Its scary and so phenomal.
Lets talk about the plot: Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
The way their protray Gotham City in the 80's is perfect. Gotham City, this time is New York City and I think thats perfect.
Joker is the first live-action theatrical Batman film to receive an R-rating from the Motion Picture Association of America, due to its violent and disturbing content. It is also the best DC film since The Dark Knight Rises.
Joker is a memorizing movie, it is psychological, it is twisted, dark and gloomy.
Joker is a highly reccordmend movie, if you havent seen it yet, than i highly reccordmend you see it.
Lee (2222 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 3, 2018
Superbly acted, funny and emotional
Every so often I head into a movie knowing very little about it. I don't see the trailer, I don't read any detailed reviews. What I do see are a lot of positive headlines in my movie related news feeds and I decide to just go for it. Last year I did the exact same thing with 'Get Out', which turned out to be my favourite movie of 2017. This year, for my first cinema trip of 2018, it's the oddly titled 'Three Billboards Outside Ebbing, Missouri'. Not quite as wonderful as Get Out, but a very enjoyable movie all the same.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
The three billboards in question lie, unused since the 80s, on a barely used road leading to the home of Mildred Hayes (Frances McDormand). While driving past them one day, she stops to ponder for a while, before heading into town to the advertising company responsible for the boards and renting them out for a whole year. The message she spreads across the three boards is a simple one, set to shame the local police force who she feels have become a bit slack when it comes to investigating the brutal rape and murder of her daughter seven months earlier. Chief Willoughby (Woody Harrelson) is named on one of the boards, a respected man of the town, who we later discover is suffering from cancer. Officer Dixon (Sam Rockwell) on the other hand is a man with problems, totally inept at his job, living at home with his momma and recently in trouble for beating up a black suspect.
The billboards have the desired effect, bringing the murder case to everyones attention once again and causing uproar around town. But Mildred is a force to be reckoned with, foul mouthed and out for vengeance, and she's brilliant to watch. The movie effortlessly switches between laugh out loud sharp dialogue and gut wrenching emotional drama. Just when you think you've got the whole thing worked out, something major happens to shake things up again. It's a hugely enjoyable rollercoaster ride.
One of the few things I saw before seeing this movie said that if you like Fargo, then you'll enjoy this, and that's a pretty fair assumption. Interesting characters with interesting stories, beautifully told. I loved it.
Midge (525 KP) rated Nine Perfect Strangers in Books
Jan 5, 2019
Laugh-out-loud funny (2 more)
Engaging characters
Great plot
My Rating is 9/10! ⭐⭐⭐⭐⭐⭐⭐⭐⭐
I love this book. It's a funny, entertaining, and imaginative book about the issues that affect many people from all walks of life. It's also a definite must-read for all Liane Moriarty fans out there.
Nine people, of all ages, have booked into a health resort called Tranquillum House for a break. They are all going there for their own reasons. Located in Australia, Tranquillum House is a "boutique health and wellness resort" where a new you awaits. The resort is owned and run by Masha, a ruthlessly ambitious Russian. She is a former company executive who, ten years prior, experienced a near-death experience leading to her to choose a different life direction. However, Masha, assisted by her loyal staff members, Yao and Delilah, has a dark and sinister agenda for her nine new customers, although she is driven by good intentions.
The guests get a lot more than they bargained for with their ten-day cleansing programme of diet, light exercise, therapy and spa treatments. First, we are introduced to Frances, a romance novel writer whose career has taken a nosedive. Then Tony, who is divorced and has recently lost his much-loved dog has booked into Tranquillum House for weight loss. Lars, a divorce lawyer, is a regular guest of health resorts. Ben and his wife Jessica have won millions on the lottery, but their marriage is in jeopardy. The Marconi family, Napoleon, a teacher, his wife, Heather and their daughter Zoe have booked in for stress relief and appear to be weighed down by grief and guilt. Carmel, a divorced mum of four girls, has lost her husband to a younger woman and is troubled by her very low self-esteem.
All of the characters are wonderfully developed and are all so hopeful for their stay at the health resort. Their interactions with each other are fabulously entertaining, particularly those including my two favourites, Frances and Yao. Frances, for me, was hilarious and I loved the portrayal of the obsessive and infatuated Yao. Masha, exotic, charismatic and narcissistic, has plans for all of the guests that she truly believes will transform their lives and will reward her a glorious and promising future.
Humour and wit in are both in abundance in this novel where people with little in common with each other come together in circumstances where they form unexpected bonds with one another. There are, however, some terribly sad experiences for some of them, including Masha, that eventually became apparent by the end. I did find the pacing a little slow at times but it picked up during a very suspenseful second half of the novel. I couldn't really guess how this book would end but I absolutely loved the way the story was concluded.
Whilst "Nine Perfect Strangers" might not be everyone's favourite novel by Liane Moriarty, including mine, (I think "Big Little Lies" is a better book), it was still a hugely enjoyable read. Overall, I would say that Liane Moriarty has created a book with engaging characters, a surprising plot and some very insightful writing, which I am extremely pleased I have read!
Nine people, of all ages, have booked into a health resort called Tranquillum House for a break. They are all going there for their own reasons. Located in Australia, Tranquillum House is a "boutique health and wellness resort" where a new you awaits. The resort is owned and run by Masha, a ruthlessly ambitious Russian. She is a former company executive who, ten years prior, experienced a near-death experience leading to her to choose a different life direction. However, Masha, assisted by her loyal staff members, Yao and Delilah, has a dark and sinister agenda for her nine new customers, although she is driven by good intentions.
The guests get a lot more than they bargained for with their ten-day cleansing programme of diet, light exercise, therapy and spa treatments. First, we are introduced to Frances, a romance novel writer whose career has taken a nosedive. Then Tony, who is divorced and has recently lost his much-loved dog has booked into Tranquillum House for weight loss. Lars, a divorce lawyer, is a regular guest of health resorts. Ben and his wife Jessica have won millions on the lottery, but their marriage is in jeopardy. The Marconi family, Napoleon, a teacher, his wife, Heather and their daughter Zoe have booked in for stress relief and appear to be weighed down by grief and guilt. Carmel, a divorced mum of four girls, has lost her husband to a younger woman and is troubled by her very low self-esteem.
All of the characters are wonderfully developed and are all so hopeful for their stay at the health resort. Their interactions with each other are fabulously entertaining, particularly those including my two favourites, Frances and Yao. Frances, for me, was hilarious and I loved the portrayal of the obsessive and infatuated Yao. Masha, exotic, charismatic and narcissistic, has plans for all of the guests that she truly believes will transform their lives and will reward her a glorious and promising future.
Humour and wit in are both in abundance in this novel where people with little in common with each other come together in circumstances where they form unexpected bonds with one another. There are, however, some terribly sad experiences for some of them, including Masha, that eventually became apparent by the end. I did find the pacing a little slow at times but it picked up during a very suspenseful second half of the novel. I couldn't really guess how this book would end but I absolutely loved the way the story was concluded.
Whilst "Nine Perfect Strangers" might not be everyone's favourite novel by Liane Moriarty, including mine, (I think "Big Little Lies" is a better book), it was still a hugely enjoyable read. Overall, I would say that Liane Moriarty has created a book with engaging characters, a surprising plot and some very insightful writing, which I am extremely pleased I have read!
Bob Mann (459 KP) rated The United States vs. Billie Holiday (2021) in Movies
Apr 16, 2021
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
