Search
Search results
Bohan Reviews (215 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
May 8, 2019
Frances McDormand is as close to perfect as she could get.
Full Review:
https://www.bohanreviews.com/post/three-billboards-outside-ebbing-missouri
Full Review:
https://www.bohanreviews.com/post/three-billboards-outside-ebbing-missouri
ames_morgan (8 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jun 19, 2018
Kevin Phillipson (10018 KP) rated Nomadland (2020) in Movies
May 2, 2021
Alton Brown recommended Blood Simple (1984) in Movies (curated)
Kevin Phillipson (10018 KP) rated Fargo (1996) in Movies
Jul 23, 2020
Francis mcdormand (2 more)
Steve buscemi
William h Macy
Finally got to watch this movie another of my never got to watch originally but none I have what can I say about its brilliant movie very dark movie and less said about the woodchipper. The cast is top notch but the standout for me is Frances mcdormand as the pregnant cop who is chasing the kidnappers not knowing that yet. anyway good script good direction from the choen brothers to make the perfect movie I should watch more often
Anthony Trombetta (3 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Mar 23, 2018
Worth every minute
Billboards plays out like a Chris Stapleton song, there's this raw and unforgiving grit to it throughout. The direction is precise as is the ensemble acting led by Frances Mcdormand. The layers and themes of this film play out beautifully and for me, it was a Top 5 film of 2017. Ending could've been better.
MsKris1031 (8 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jul 29, 2018
Frances McDormand (2 more)
Sam Rockwell
Intense
Shockingly good
I watched Three Billboards Outside Ebbing, Missouri after watching it receive a couple of awards. I was not disappointed.
This movie covers some hard topics - the pain a family goes through after the rape and murder of the daughter, the fact that the crime is unsolved, small-town interpersonal relationships, cancer, suicide, but still has the perfect script to make it a dark comedy. The actors all did fantastic jobs. I highly recommend this movie.
This movie covers some hard topics - the pain a family goes through after the rape and murder of the daughter, the fact that the crime is unsolved, small-town interpersonal relationships, cancer, suicide, but still has the perfect script to make it a dark comedy. The actors all did fantastic jobs. I highly recommend this movie.
MissCagey (2652 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Feb 7, 2019
Contains spoilers, click to show
I was a little behind the times with this one and was worried it would not live up to the hype. It did in some respects but Oscar worthy? I don't think so. Frances McDormand is brilliant as was Harrelson and their characters were so well developed that you completely connected with them.
What I didn't understand was why the man came to the shop and started abusing Mildred when, it turned out later, that he was nothing to do with it? It was a fly in the soup for me and has annoyed and bothered me ever since!
What I didn't understand was why the man came to the shop and started abusing Mildred when, it turned out later, that he was nothing to do with it? It was a fly in the soup for me and has annoyed and bothered me ever since!
BankofMarquis (1832 KP) rated Nomadland (2020) in Movies
Mar 2, 2021
Pseudo-Documentary
Frances McDormand is an interesting character actress to watch, one that uses her character actress looks to disguise the fact that she is, in fact, a strong leading actress that draws our attention to her in whatever project she is in. This facet of her on-screen personae is going full throttle in her new film NOMADLAND.
And, thank goodness it is, for without McDormand on the screen, this “slice-of-life” pseudo-documentary disguised as a feature film would be almost unwatchable as McDormand’s character floats through “slice of life” after “slice of life” in what is referred to as the “Nomad Lifestyle”.
Earnestly Directed by Chloe Zao, NOMADLAND tells the tale of Fern (McDormand) who loses her life, her job and her husband during the recession of the late 2000’s and starts to float through life - and experiences - as a “Nomad”, a person with no permanent address who goes from place to place, catching on to the random odd job and living her life in her van.
Zao and McDormand spent years filming in actual Nomad communities with the others in this film often times not realizing that McDormand was an actress playing a part. For McDormand, it had to be the ultimate acting challenge - living in the real world as a character - and she brings a watchable, lost Fern to the screen and she genuinely and earnestly interacts with the real-life characters she encounters. She is very watchable and is a pleasant character to spend the time with.
Most of these real life people she encounters open up about their lifestyle and the movie took on the feel of documentary with Fern as the interviewer/narrator of the story. This made for an intriguing glimpse into a heretofore unknown world (at least to me), but not a compelling film does it make.
Zao does try to drive a narrative as the only other notable actor in this film - David Straitharn - shows up as a fellow Nomad that develops a crush on Fern and is interested in leaving the Nomad life and invites Fern to join him.
This is the only real conflict in this story as we spend an hour-forty-five watching Fern flit from place to place and person to person not really trying to find herself, but letting the wind blow her to wherever the trail takes her next.
An intriguing (enough) slice of life, with a watchable central performance by McDormand, but not substantial enough to engage me as a feature film.
Letter Grade: B (I applaud the attempt)
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And, thank goodness it is, for without McDormand on the screen, this “slice-of-life” pseudo-documentary disguised as a feature film would be almost unwatchable as McDormand’s character floats through “slice of life” after “slice of life” in what is referred to as the “Nomad Lifestyle”.
Earnestly Directed by Chloe Zao, NOMADLAND tells the tale of Fern (McDormand) who loses her life, her job and her husband during the recession of the late 2000’s and starts to float through life - and experiences - as a “Nomad”, a person with no permanent address who goes from place to place, catching on to the random odd job and living her life in her van.
Zao and McDormand spent years filming in actual Nomad communities with the others in this film often times not realizing that McDormand was an actress playing a part. For McDormand, it had to be the ultimate acting challenge - living in the real world as a character - and she brings a watchable, lost Fern to the screen and she genuinely and earnestly interacts with the real-life characters she encounters. She is very watchable and is a pleasant character to spend the time with.
Most of these real life people she encounters open up about their lifestyle and the movie took on the feel of documentary with Fern as the interviewer/narrator of the story. This made for an intriguing glimpse into a heretofore unknown world (at least to me), but not a compelling film does it make.
Zao does try to drive a narrative as the only other notable actor in this film - David Straitharn - shows up as a fellow Nomad that develops a crush on Fern and is interested in leaving the Nomad life and invites Fern to join him.
This is the only real conflict in this story as we spend an hour-forty-five watching Fern flit from place to place and person to person not really trying to find herself, but letting the wind blow her to wherever the trail takes her next.
An intriguing (enough) slice of life, with a watchable central performance by McDormand, but not substantial enough to engage me as a feature film.
Letter Grade: B (I applaud the attempt)
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Sarah (7798 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Jan 18, 2018
Frances McDormand (2 more)
Sam Rockwell
Comedy
Darkly funny and depressing
I went into this film with a lot of preconceptions, having seen earlier reviews and loved Martin McDonagh’s previous films. I’m not entirely sure for me that it quite lived up to the hype.
Don’t get me wrong, it was a very good film. There are some fantastic performances in it from Frances McDormand and Sam Rockwell and they deserve every accolade that gets thrown at them. The rest of the supporting cast too are great, with the exception of Abbie Cornish who I really don’t rate. I know she’s Australian but her accent in this seems very changeable and atrocious.
The cinematography itself is beautiful and the plot takes some very good and unexpected twists and turns. The bits of dark humour throughout really help lift what would otherwise be a very depressing and sad film. My issue is that for me it seemed very slow paced. For me it felt like it had been on for far too long and dragged a little, but I was surprised when it finished that it had been on for less than 2 hours.
I’ll happily acknowledge that this will likely be one of the best films I’ll see in 2018, impressive as it’s only January. But I feel like I need to reserve a final judgement until after a second viewing (preferably in a nice peaceful environment - not a noisy cinema screen).
Don’t get me wrong, it was a very good film. There are some fantastic performances in it from Frances McDormand and Sam Rockwell and they deserve every accolade that gets thrown at them. The rest of the supporting cast too are great, with the exception of Abbie Cornish who I really don’t rate. I know she’s Australian but her accent in this seems very changeable and atrocious.
The cinematography itself is beautiful and the plot takes some very good and unexpected twists and turns. The bits of dark humour throughout really help lift what would otherwise be a very depressing and sad film. My issue is that for me it seemed very slow paced. For me it felt like it had been on for far too long and dragged a little, but I was surprised when it finished that it had been on for less than 2 hours.
I’ll happily acknowledge that this will likely be one of the best films I’ll see in 2018, impressive as it’s only January. But I feel like I need to reserve a final judgement until after a second viewing (preferably in a nice peaceful environment - not a noisy cinema screen).