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Kristy H (1252 KP) rated The Furies in Books
Sep 26, 2019
Violet joins Elm Hollow after the death of her little sister and father. It's a private girls school that has a history of magic and witchcraft thanks to an association with the 17th century witch trials. Violet finds herself drawn to three girls--Robin, Grace, and Alex. She becomes close with them, particularly Robin, and finds herself invited to an advanced study group led by their art teacher, Annabel, which goes into more depth about the witchcraft practiced at the school so long ago. The girls seem to think the magic is real, and that they can harness it. Always lurking in the background is Emily Frost--Robin's former best friend--who died before Violet came to Elm Hollow. She and Violet look very similar. As time passes, Violet starts to wonder if the witchcraft is real. And what really happened to Emily?
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
The girl is found dead on a swing on a playground on Elm Hollow Academy property--no known cause of death. That's how this novel opens, and then we have Violet, who tells us the story looking back, recounting her time at Elm Hollow. So the story opens dramatically and we know something has terrible happened. And that Violet makes it out okay.
"Inconclusive, they said, as though that changed the fact of it, which was this: a sixteen-year-old girl, dead on school property, without a single clue to suggest why or how."
This book should be been really good--I'm a sucker for private school tales (I thought it was a boarding school one, as well, but it wasn't)--but it just didn't work for me. I thought about putting it aside several times, but I just couldn't. I need to work on my DNF skills.
There is a lot here: two dead girls; witchcraft and the occult; mythology; friendship and coming of age--and none of it feels fully explored. A lot of the book focuses on mythology as Annabel teaches some of it to the girls (I felt myself skimming over that, and I like mythology). There's the focus on witchcraft, but it never seems fully embraced. There's a lot of violence (won't go too far for spoilers) but there are never really any consequences. It's very strange, and honestly, not the sort of YA book I'd encourage for teens.
And, then, I just didn't care for these characters. Robin is hateful, and I couldn't form a bond with Violet, our narrator. That would be all well and good if the action was enough to keep my interest, but it wasn't. The book just felt jumbled, and I wasn't interested in picking it up. Even a few late twists didn't really redeem things for me.
Lots of others have found the story powerful, however, so if you like mean girls with a side of possible witchcraft, you may enjoy this more. 2 stars.
Kara Skinner (332 KP) rated Love Fortunes and Other Disasters (Grimbaud, #1) in Books
Sep 10, 2019
In Grimbaud, love is on everyone’s mind. From the annual ritual of getting a completely true love fortune from Zita’s charm shop to the statue of Love in the square, that is just about the only thing that matters in the town. This is great for those who have found their matches and live happily ever after. For those who are fated to be single forever, not so much. They quickly become the social outcasts in the town and join the Spinster and Bachelor villas.
For Fallon Dupree, a spinster fortune is just another reason that she’s an outcast in Grimbaud High School. With her parents and brother all strict inspectors in the clothing and restaurant department, Fallon leads a high quality life that quickly gets her branded as a snob. Not ready to give up on love quite yet, Fallon joins a rebellion to overthrow Zita’s charm shop and take back their own fortunes. Much to her surprise, so does her next door neighbor, Sebastion, who is also the high school’s heartbreaker.
Okay, if you’re following me on Twitter, then you already know I like this book. It’s adorable and sweet. I am a bit of a sucker for modern fairy tale towns like Grimbaud is. Fallon is a really good character, even though I don’t really like her parents. I mean really, controlling much? Her brother is pretty cool, though.
I actually like Sebastion’s character. Player love interests can either be complete jerks or be really hot, and Sebastion is definitely hot. Unlike the love interest in The Boy Next Door, the teen romance I’m reading now, Sebastion isn’t a complete douche to girls, even though he does date around. He is really funny and I like the chemistry between him and Fallon a lot.
What I didn’t like about this book was how a lot of them just gave up. I mean, if I was in the Spinster Villa, I would be over at the Bachelor Villa all the time. Even if it wasn’t true love, it would be nice to have a fling, right? They are all lonely. I can’t see the villas staying segregated because of a piece of ticker tape they got a few decades ago, even if the fortunes always come true. Worst case scenario there’s always friendship, right? And some of those love fortunes definitely didn’t have a life sentence. You will get a terrible rejection in the near future? That could have been my fortune in the sixth grade. Now I’m dating an incredibly sweet guy who loves me and is adorable and sexy. Too much of this town gave up way too quickly. At least Ms. Ward tried.
I still give this book four out of five stars. Romantics out there will definitely enjoy it, and every teenaged girl feeling unlucky in love should read it.
For Fallon Dupree, a spinster fortune is just another reason that she’s an outcast in Grimbaud High School. With her parents and brother all strict inspectors in the clothing and restaurant department, Fallon leads a high quality life that quickly gets her branded as a snob. Not ready to give up on love quite yet, Fallon joins a rebellion to overthrow Zita’s charm shop and take back their own fortunes. Much to her surprise, so does her next door neighbor, Sebastion, who is also the high school’s heartbreaker.
Okay, if you’re following me on Twitter, then you already know I like this book. It’s adorable and sweet. I am a bit of a sucker for modern fairy tale towns like Grimbaud is. Fallon is a really good character, even though I don’t really like her parents. I mean really, controlling much? Her brother is pretty cool, though.
I actually like Sebastion’s character. Player love interests can either be complete jerks or be really hot, and Sebastion is definitely hot. Unlike the love interest in The Boy Next Door, the teen romance I’m reading now, Sebastion isn’t a complete douche to girls, even though he does date around. He is really funny and I like the chemistry between him and Fallon a lot.
What I didn’t like about this book was how a lot of them just gave up. I mean, if I was in the Spinster Villa, I would be over at the Bachelor Villa all the time. Even if it wasn’t true love, it would be nice to have a fling, right? They are all lonely. I can’t see the villas staying segregated because of a piece of ticker tape they got a few decades ago, even if the fortunes always come true. Worst case scenario there’s always friendship, right? And some of those love fortunes definitely didn’t have a life sentence. You will get a terrible rejection in the near future? That could have been my fortune in the sixth grade. Now I’m dating an incredibly sweet guy who loves me and is adorable and sexy. Too much of this town gave up way too quickly. At least Ms. Ward tried.
I still give this book four out of five stars. Romantics out there will definitely enjoy it, and every teenaged girl feeling unlucky in love should read it.
Darren (1599 KP) rated Let Her Out (2016) in Movies
Oct 14, 2019
Story: Let Her Out starts as we follow Helen (LeVierge) a bike messenger whose only knowledge of her mother is that she died, when Helen is involved in an accident her life is turned upside down, when she starts to see visions and loses time.
After going through scans, Helen learns that she is suffering from vanishing twin syndrome which is leading to the dark space in her mind growing causing all the side effects but just how long can she remain calm before being taken over by her former twin.
Thoughts on Let Her Out
Characters – Helen is a biker messenger that after being involved in an accident starts to lose her mind only to learn that she was one of a twin but now the former one is starting to take over her body and mind. This is a strong character that you can feel is losing her mind through the actions of the movie. Molly is the best friend and roommate that is trying her best to support her through the problems she facing. Ed is Molly’s boyfriend and an extra wedge between the friendship as the descent into madness continues.
Performances – Alanna LeVierge gives us a real mixed bag of a performance, while her descent into the madness comes off good her interactions feel weak for the most part. Nina Kiri is good but doesn’t get enough time to shine. The rest of the cast are fine but don’t get much time either.
Story – The story follows one woman who is about to lose her mind thanks to vanishing twin syndrome. The first half follows the simple idea that things could be going wrong, but the second half goes full blown into that idea where the transformation in character becomes clear. This is a solid idea for a story, while it has been done before this takes things to a bloodier level than before.
Horror – The horror tries to be a mix between a couple of sub-genres, we have the moments of suspense which don’t get used very well at all, but the blood and gore side hits the marks with the final act being the highlight of the film.
Settings – We do have a mix of settings for the film with the one target setting being the motel which is meant to symbolise something to the characters.
Special Effects – The effects are mostly practical, with the final act giving us a wonderful pay off.
Scene of the Movie – The final act.
That Moment That Annoyed Me – Some of the dialogue was poor.
Final Thoughts – This is a horror film that gets saved by the final act which will shock, it is a slow burner but does have a strong pay off in the end, even if moments are weak in places.
Overall: Good shock saving horror.
After going through scans, Helen learns that she is suffering from vanishing twin syndrome which is leading to the dark space in her mind growing causing all the side effects but just how long can she remain calm before being taken over by her former twin.
Thoughts on Let Her Out
Characters – Helen is a biker messenger that after being involved in an accident starts to lose her mind only to learn that she was one of a twin but now the former one is starting to take over her body and mind. This is a strong character that you can feel is losing her mind through the actions of the movie. Molly is the best friend and roommate that is trying her best to support her through the problems she facing. Ed is Molly’s boyfriend and an extra wedge between the friendship as the descent into madness continues.
Performances – Alanna LeVierge gives us a real mixed bag of a performance, while her descent into the madness comes off good her interactions feel weak for the most part. Nina Kiri is good but doesn’t get enough time to shine. The rest of the cast are fine but don’t get much time either.
Story – The story follows one woman who is about to lose her mind thanks to vanishing twin syndrome. The first half follows the simple idea that things could be going wrong, but the second half goes full blown into that idea where the transformation in character becomes clear. This is a solid idea for a story, while it has been done before this takes things to a bloodier level than before.
Horror – The horror tries to be a mix between a couple of sub-genres, we have the moments of suspense which don’t get used very well at all, but the blood and gore side hits the marks with the final act being the highlight of the film.
Settings – We do have a mix of settings for the film with the one target setting being the motel which is meant to symbolise something to the characters.
Special Effects – The effects are mostly practical, with the final act giving us a wonderful pay off.
Scene of the Movie – The final act.
That Moment That Annoyed Me – Some of the dialogue was poor.
Final Thoughts – This is a horror film that gets saved by the final act which will shock, it is a slow burner but does have a strong pay off in the end, even if moments are weak in places.
Overall: Good shock saving horror.
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Ivana A. | Diary of Difference (1171 KP) rated Ignite (Midnight Fire, #1) in Books
Oct 2, 2020
Kira Dawson has the power to burn vampires to a crisp. The problem is, she doesn't know it yet. The even bigger problem is, she's dating one.
When Kira Dawson moves to South Carolina, she meets Luke, a blond goofball who quickly becomes her best friend, and Tristan, a mysterious bad boy who sends shivers down her spine. Kira knows they're keeping secrets, but when she discovers Tristan's lust for blood and her own dormant mystical powers, Kira is forced to fight for her life and make the heart-breaking decision between the familiar comfort of friendship and the fiery passion of love.
Ignite was another book from Tea's Wishlist challenge. I did enjoy this book, even though I found it slow at first. We have a familiar setting of a girl that moves to a new place, makes friends and enemies right away, and discovers secrets. And, it turns out the boy she loves is a vampire.
The first though I have in the first chapters, and I believe you did too, was - Twilight much? But, no. Once you get to read further into the book, you realise that Kira is nothing like Bella. And Tristan is nothing like Edward either...
This book is so different, and somewhat refreshing from all vampire books I have read so far. It isn't even a book about vampires. It's a book about this girl that can mirror the sun's light and heat from her hands, and is able to hurt only vampires. With her friend, Luke, Kira will discover that she has this ability, and so much more, she will discover secrets about her past that will change her life forever, and she will have to choose between her best friend or the love of her life.
I thought that this book might have used more action, as I felt a bit bored, especially at the beginning, and sometimes during some parts of the book.
I loved Kira's character - she is the typical girl that moves and tries her best to fit in.
I loved Tristan - he proves that you shouldn't judge a book by its cover, and sometimes people aren't what everyone thinks they are, and your environment doesn't define you as a person.
I didn't like Luke - I know he was there with a mission to tell Kira her secrets and protect her - but what friend would make you feel guilty about every single choice you have to make in your life. He is like, the very attached and overprotective boyfriend, that isn't her boyfriend.
Overall, it was a great refreshing read, and I look forward to reading the rest of the series. If you love vampire high-school stories, women that discover they have powers, a lot of forbidden love and paranormal fantasy - you will really enjoy this book. Solid 4 stars from me!
When Kira Dawson moves to South Carolina, she meets Luke, a blond goofball who quickly becomes her best friend, and Tristan, a mysterious bad boy who sends shivers down her spine. Kira knows they're keeping secrets, but when she discovers Tristan's lust for blood and her own dormant mystical powers, Kira is forced to fight for her life and make the heart-breaking decision between the familiar comfort of friendship and the fiery passion of love.
Ignite was another book from Tea's Wishlist challenge. I did enjoy this book, even though I found it slow at first. We have a familiar setting of a girl that moves to a new place, makes friends and enemies right away, and discovers secrets. And, it turns out the boy she loves is a vampire.
The first though I have in the first chapters, and I believe you did too, was - Twilight much? But, no. Once you get to read further into the book, you realise that Kira is nothing like Bella. And Tristan is nothing like Edward either...
This book is so different, and somewhat refreshing from all vampire books I have read so far. It isn't even a book about vampires. It's a book about this girl that can mirror the sun's light and heat from her hands, and is able to hurt only vampires. With her friend, Luke, Kira will discover that she has this ability, and so much more, she will discover secrets about her past that will change her life forever, and she will have to choose between her best friend or the love of her life.
I thought that this book might have used more action, as I felt a bit bored, especially at the beginning, and sometimes during some parts of the book.
I loved Kira's character - she is the typical girl that moves and tries her best to fit in.
I loved Tristan - he proves that you shouldn't judge a book by its cover, and sometimes people aren't what everyone thinks they are, and your environment doesn't define you as a person.
I didn't like Luke - I know he was there with a mission to tell Kira her secrets and protect her - but what friend would make you feel guilty about every single choice you have to make in your life. He is like, the very attached and overprotective boyfriend, that isn't her boyfriend.
Overall, it was a great refreshing read, and I look forward to reading the rest of the series. If you love vampire high-school stories, women that discover they have powers, a lot of forbidden love and paranormal fantasy - you will really enjoy this book. Solid 4 stars from me!
Emma @ The Movies (1786 KP) rated The King of Comedy (1983) in Movies
Jun 2, 2020
While I vaguely knew the name of the film I'd never seen it and didn't really get the vibe that I wanted to, after seeing the Joker though I was hit by so many comments on it in reviews that I really needed to see it.
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Debbiereadsbook (1656 KP) rated Luke (Learning to Love #3) in Books
Feb 24, 2022
Whatever happens, no matter how bad it gets, the sun ALWAYS rises.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Learning To Love series and can be read as a stand alone. I have read book 1, Charles but somehow missed book 2, Sol and now I want to go back and read it! Because I loved Charles, and I'm gutted to missed Sol, not because I NEED to, just because I want to.
Luke is the head master at Glynn Harber and is doing his best to save the school. His friends-with-benefits comes to school to talk about his career path. But Luke needs to end it, and tells Nathan no more casual. Nathan agrees. But Nathan is hiding a lot of pain, and it takes a glance at a business card for everything to come tumbling down around his ears.
I loved Charles, I really did but Luke?? oh my days! Luke broke my heart, he really did. But equally, so did Nathan.
Luke loves Nathan, but he can't do the no strings anymore. Its clear from the start that it was never gonna happen, a clean break, hell, ANY sort of break was not happening, but Luke tries. Its also clear that even though he agrees to the no casual with Luke, that Nathan loves him too, HAS loved him for a long time.
And it's this that broke me. Both men loved each other, even if they didn't admit it to themselves, and were perfect for each other. But neither had been fully truthful with the other, even after their very long friendship/relationship. And when it all comes out, from both Luke and Nathan? Oh I cried, I really did.
And I gotta say, had Nathan been given a voice, I think that would have been too much pain in a single book, I really do. Because, as with Charles, only Luke is given a voice. Ordinarily, I would have said I wanted to hear from Nathan, and at points, I really did. Ordinarily, I would have possibly knocked a mark off for the single point of view. But Nathan delivers some serious romance to Luke in this book, when he talks about what he likes about Luke and I can't take that star off, I really can't.
And then Riley delivers the most devastatingly emotional line, when Luke takes to kids leaving school to the top of the tor. (I'm paraphrasing, cos I didn't highlight it! and I'm getting emotional writing the damn review!)
Whatever happens, no matter how bad it gets, the sun ALWAYS rises.
And THEN?? That bloody epilogue!! OH!!
So now I need Sol, and Riley with have systematically destroyed me, in 3 books. But then, Austin is next and you get glimspes of him here, and he gonna break me too, I just know it!
I can't give it any less than:
5 full and shiny stars
This is book 2 in the Learning To Love series and can be read as a stand alone. I have read book 1, Charles but somehow missed book 2, Sol and now I want to go back and read it! Because I loved Charles, and I'm gutted to missed Sol, not because I NEED to, just because I want to.
Luke is the head master at Glynn Harber and is doing his best to save the school. His friends-with-benefits comes to school to talk about his career path. But Luke needs to end it, and tells Nathan no more casual. Nathan agrees. But Nathan is hiding a lot of pain, and it takes a glance at a business card for everything to come tumbling down around his ears.
I loved Charles, I really did but Luke?? oh my days! Luke broke my heart, he really did. But equally, so did Nathan.
Luke loves Nathan, but he can't do the no strings anymore. Its clear from the start that it was never gonna happen, a clean break, hell, ANY sort of break was not happening, but Luke tries. Its also clear that even though he agrees to the no casual with Luke, that Nathan loves him too, HAS loved him for a long time.
And it's this that broke me. Both men loved each other, even if they didn't admit it to themselves, and were perfect for each other. But neither had been fully truthful with the other, even after their very long friendship/relationship. And when it all comes out, from both Luke and Nathan? Oh I cried, I really did.
And I gotta say, had Nathan been given a voice, I think that would have been too much pain in a single book, I really do. Because, as with Charles, only Luke is given a voice. Ordinarily, I would have said I wanted to hear from Nathan, and at points, I really did. Ordinarily, I would have possibly knocked a mark off for the single point of view. But Nathan delivers some serious romance to Luke in this book, when he talks about what he likes about Luke and I can't take that star off, I really can't.
And then Riley delivers the most devastatingly emotional line, when Luke takes to kids leaving school to the top of the tor. (I'm paraphrasing, cos I didn't highlight it! and I'm getting emotional writing the damn review!)
Whatever happens, no matter how bad it gets, the sun ALWAYS rises.
And THEN?? That bloody epilogue!! OH!!
So now I need Sol, and Riley with have systematically destroyed me, in 3 books. But then, Austin is next and you get glimspes of him here, and he gonna break me too, I just know it!
I can't give it any less than:
5 full and shiny stars
Ali A (82 KP) rated We Deserve Monuments in Books
Dec 8, 2022
Trigger Warnings: Generational trauma, racism, mentions of alcoholism and verbal abuse, homophobia, character death
Avery Anderson’s life is uprooted when her family moves from Washington DC to Bardell, Georgia her senior year of high school to look after her maternal grandmother, Mama Letty, who’s in her final stages of cancer. Avery only remembers one visit with her grandmother, cut short by an argument, when she was very young. Bardell is a small town with only two high schools - one public, and one private, the latter being founded by one of the town’s many racist forefathers. Avery quickly gets adopted into the friendship of two girls: Simone Cole, Mama Letty’s next door neighbor, and Jade Oliver, a descendent of one of Bardell’s oldest families.
Avery’s relationship with her grandmother is far from easy. Mama Letty isn’t easy to get to know, especially when she only answers questions in grunts and gruffs. It also doesn’t help that the tension between her mother and grandmother is so thick you can cut it with a knife, but both of them are refusing to address it.
Avery sets out on trying to mend the broken and split relationship but there are events many are refusing to talk about. It isn’t until Mama Letty begins to open up to Avery about her past, that Avery is able to piece together her family history that was shaped by the town’s racist history. As more events come out of the shadows, Avery must decide if finding out the truth is worth damaging the relationships she’s built in Bardell, or if some things are better left buried.
I absolutely loved and adored this book very much. Jas Hammonds masterfully tells this layered story of a young woman finding out about her family’s past within a novel that’s about generational trauma and racism. The amount of trauma the three generations of women must peel back is constantly met with tension. The story is hard to read at times, especially when you’re reading about Mama Letty’s past and the town’s racism, but this book wrapped its arms around me and refused to let go until the Harding family’s story is told.
Alongside Avery finding out about her family’s past, the relationship between Simone and Avery grows deeper and the way the two of them find their footing to their sexuality was well written. I wish I had grown up with a place like The Renaissance where you were accepted no matter what.
Overall, this novel is going to be one I’m going to talk about for months to come. It was beautiful, heartbreaking, hopeful, and captivating. Any readers who love reading about family and their dynamics, relationships, and hope will really enjoy this book.
*Thank you Roaring Brook Press and NetGalley for an electronic version of this book in exchange for an honest review
Avery Anderson’s life is uprooted when her family moves from Washington DC to Bardell, Georgia her senior year of high school to look after her maternal grandmother, Mama Letty, who’s in her final stages of cancer. Avery only remembers one visit with her grandmother, cut short by an argument, when she was very young. Bardell is a small town with only two high schools - one public, and one private, the latter being founded by one of the town’s many racist forefathers. Avery quickly gets adopted into the friendship of two girls: Simone Cole, Mama Letty’s next door neighbor, and Jade Oliver, a descendent of one of Bardell’s oldest families.
Avery’s relationship with her grandmother is far from easy. Mama Letty isn’t easy to get to know, especially when she only answers questions in grunts and gruffs. It also doesn’t help that the tension between her mother and grandmother is so thick you can cut it with a knife, but both of them are refusing to address it.
Avery sets out on trying to mend the broken and split relationship but there are events many are refusing to talk about. It isn’t until Mama Letty begins to open up to Avery about her past, that Avery is able to piece together her family history that was shaped by the town’s racist history. As more events come out of the shadows, Avery must decide if finding out the truth is worth damaging the relationships she’s built in Bardell, or if some things are better left buried.
I absolutely loved and adored this book very much. Jas Hammonds masterfully tells this layered story of a young woman finding out about her family’s past within a novel that’s about generational trauma and racism. The amount of trauma the three generations of women must peel back is constantly met with tension. The story is hard to read at times, especially when you’re reading about Mama Letty’s past and the town’s racism, but this book wrapped its arms around me and refused to let go until the Harding family’s story is told.
Alongside Avery finding out about her family’s past, the relationship between Simone and Avery grows deeper and the way the two of them find their footing to their sexuality was well written. I wish I had grown up with a place like The Renaissance where you were accepted no matter what.
Overall, this novel is going to be one I’m going to talk about for months to come. It was beautiful, heartbreaking, hopeful, and captivating. Any readers who love reading about family and their dynamics, relationships, and hope will really enjoy this book.
*Thank you Roaring Brook Press and NetGalley for an electronic version of this book in exchange for an honest review
Kristy H (1252 KP) rated Truly Madly Guilty in Books
Feb 13, 2018
Erika has the whole event planned: an afternoon tea with her friend, Clementine, Clementine's husband, Sam, and the couple's two young daughters, Holly and Ruby. She even has a glittery art table set up for the youngsters. But the day is derailed when Erika runs into her next-door neighbor, Vid, who invites both couples over for a last minute barbecue. Erika and her husband, Oliver, aren't the last minute types; besides, they had something they needed to talk about with Clementine and Sam. But, Erika feels like obligated to say yes. Clementine and Sam are secretly relieved, as Vid and his beautiful wife Tiffany are far more personable than Erika and Oliver. The afternoon starts off well enough; Tiffany and Vid's daughter, Dakota, is even happy enough to hang out with Holly and Ruby. But by the time the night is over, lives will be changed, and all the adults--Sam and Clementine in particular--will find themselves wishing they never attended this impromptu event.
So we all know the drill by now. Liane Moriarty is a well-known master of dramatic suspense, especially at capturing the tension that hides behind ordinary lives. I went through a period where I read all of Moriarty's books; [b:What Alice Forgot|6469165|What Alice Forgot|Liane Moriarty|https://d.gr-assets.com/books/1377159022s/6469165.jpg|6659752] and her last novel, [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886], rank as two of my particular favorites. Anyway, Moriarty has become rather famous in the book world, with [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886] being made into a 7-episode HBO TV series, starring Reese Witherspoon and Nicole Kidman.
Of course, with such fame comes great responsibility. And pressure. Can a new work live up to the hype and excitement of the previous? This one will divide readers. It certainly has all the hallmarks of a typical Moriarty novel: a cast of women (and men) living ordinary lives on the surface, with a hidden veneer beneath. There's a secret layer to all of Moriarty's characters, though the drama associated with those in [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://d.gr-assets.com/books/1467061262s/26247008.jpg|49997474] may not live up to some of her other novels.
First of all, this book will frustrate you. The beginning is incredibly maddening, as Moriarty starts leading up to the events that happened at the barbecue... in slow, excruciating detail. As she does so, we alternate chapters with the present, with the point-of-view told from our various characters. We have Erika, a slightly repressed accountant whose life has been formed around her stressful childhood as the only daughter of her hoarder mother, and Erika's husband, Oliver, her equally steady mate, who grew up with alcoholic parents and longs for the same order in life as Erika. Clementine and Erika have been friends since childhood, when Clementine basically felt Erika's friendship was forced upon her by Clementine's social worker mother, who felt bad for Erika and her flea-infested home. Clementine is a cellist and a bit of a free spirit, but she's balanced by her more grounded husband Sam, who works in business at an energy drink company. They are parents to five-year-old Holly and two-year-old, Ruby. And then, finally, we have Erika and Oliver's neighbors, Vid and Tiffany. Swarthy, wealthy Vid is a joyous, open man who loves sharing his home (and his food) with friends and family. His gorgeous wife Tiffany is his pride and joy. Their quiet 10-year-old daughter, Dakota, just loves to read.
See how I just distracted you from the events of the barbecue by a description of the characters? Imagine that, for pages and pages! It's a great technique, don't get me wrong, but there was one point where I truly wanted to fling the book across the room. "JUST TELL ME WHAT HAPPENS!" I actually shouted in my (thankfully empty) bedroom. I've read some reviews that state that the big reveal, when it happens, isn't shocking enough, but I disagree: I think that event would certainly change my life and haunt my dreams (no more than that; a spoiler will truly ruin this book).
So while this novel can be a bit frustrating, it really is a Liane Moriarty book. It's compulsively readable. At first, I thought it was a very detailed look at three self-involved couples, but over time, I realized I had really fallen for Erika and Oliver and eventually, Tiffany and Vid, too (and Dakota, I loved Dakota!). Moriarty has a way of humanizing her characters and differentiating each from another: they all stand as individuals. Even Sam and Clementine, who were my least favorites, were their own people. It's the tiny details and pieces about each that she sticks in that really build your picture of each character in your mind. Much of the book takes place in the rain, and I could truly visualize each character and every event, unspooling, in this torrential Sydney downpour.
Overall, this book connected with me less on a dramatic, "oh my gosh" level (though that exists) but more on an emotional one. It speaks to the guilt we can all feel about life events--adults and kids alike--and potentially carry with us all of our days. Not a lot may happen in the book, per se, yet it's really a strong story of friendship, marriage, life, and loss. When I framed it in that perspective, versus looking purely for moments of dramatic tension, I realized I'd really enjoyed it. A strong 3.5 stars and definitely worth picking up. Just keep an open mind.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
So we all know the drill by now. Liane Moriarty is a well-known master of dramatic suspense, especially at capturing the tension that hides behind ordinary lives. I went through a period where I read all of Moriarty's books; [b:What Alice Forgot|6469165|What Alice Forgot|Liane Moriarty|https://d.gr-assets.com/books/1377159022s/6469165.jpg|6659752] and her last novel, [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886], rank as two of my particular favorites. Anyway, Moriarty has become rather famous in the book world, with [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886] being made into a 7-episode HBO TV series, starring Reese Witherspoon and Nicole Kidman.
Of course, with such fame comes great responsibility. And pressure. Can a new work live up to the hype and excitement of the previous? This one will divide readers. It certainly has all the hallmarks of a typical Moriarty novel: a cast of women (and men) living ordinary lives on the surface, with a hidden veneer beneath. There's a secret layer to all of Moriarty's characters, though the drama associated with those in [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://d.gr-assets.com/books/1467061262s/26247008.jpg|49997474] may not live up to some of her other novels.
First of all, this book will frustrate you. The beginning is incredibly maddening, as Moriarty starts leading up to the events that happened at the barbecue... in slow, excruciating detail. As she does so, we alternate chapters with the present, with the point-of-view told from our various characters. We have Erika, a slightly repressed accountant whose life has been formed around her stressful childhood as the only daughter of her hoarder mother, and Erika's husband, Oliver, her equally steady mate, who grew up with alcoholic parents and longs for the same order in life as Erika. Clementine and Erika have been friends since childhood, when Clementine basically felt Erika's friendship was forced upon her by Clementine's social worker mother, who felt bad for Erika and her flea-infested home. Clementine is a cellist and a bit of a free spirit, but she's balanced by her more grounded husband Sam, who works in business at an energy drink company. They are parents to five-year-old Holly and two-year-old, Ruby. And then, finally, we have Erika and Oliver's neighbors, Vid and Tiffany. Swarthy, wealthy Vid is a joyous, open man who loves sharing his home (and his food) with friends and family. His gorgeous wife Tiffany is his pride and joy. Their quiet 10-year-old daughter, Dakota, just loves to read.
See how I just distracted you from the events of the barbecue by a description of the characters? Imagine that, for pages and pages! It's a great technique, don't get me wrong, but there was one point where I truly wanted to fling the book across the room. "JUST TELL ME WHAT HAPPENS!" I actually shouted in my (thankfully empty) bedroom. I've read some reviews that state that the big reveal, when it happens, isn't shocking enough, but I disagree: I think that event would certainly change my life and haunt my dreams (no more than that; a spoiler will truly ruin this book).
So while this novel can be a bit frustrating, it really is a Liane Moriarty book. It's compulsively readable. At first, I thought it was a very detailed look at three self-involved couples, but over time, I realized I had really fallen for Erika and Oliver and eventually, Tiffany and Vid, too (and Dakota, I loved Dakota!). Moriarty has a way of humanizing her characters and differentiating each from another: they all stand as individuals. Even Sam and Clementine, who were my least favorites, were their own people. It's the tiny details and pieces about each that she sticks in that really build your picture of each character in your mind. Much of the book takes place in the rain, and I could truly visualize each character and every event, unspooling, in this torrential Sydney downpour.
Overall, this book connected with me less on a dramatic, "oh my gosh" level (though that exists) but more on an emotional one. It speaks to the guilt we can all feel about life events--adults and kids alike--and potentially carry with us all of our days. Not a lot may happen in the book, per se, yet it's really a strong story of friendship, marriage, life, and loss. When I framed it in that perspective, versus looking purely for moments of dramatic tension, I realized I'd really enjoyed it. A strong 3.5 stars and definitely worth picking up. Just keep an open mind.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
Jamie (131 KP) rated The Handmaid's Tale - Season 1 in TV
Jul 15, 2017
Phenomenal casting (4 more)
Changes to the plot add more to the characters and world of Gilead
Gorgeous technicolor visuals
Retains the dark tone of it's source material
Wonderful original soundtrack
June's character is changed in a way that goes against one of the original messages of the book (1 more)
Soundtrack sometimes included pop songs that were jarring and obnoxiously loud
Adds new depth to an already incredible story
I LOVE The Handmaid's Tale. Both the book and now the television show. The show is stunningly beautiful in terms of it's visuals and soundtrack. The casting was outstanding, it is everything I ever wanted from an adaptation of this marvelous book.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.