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Emma @ The Movies (1786 KP) rated Wolfwalkers (2020) in Movies
Oct 11, 2020
Coming into this I wasn't sure what to expect, an animated Apple TV film... hmm.
Robyn comes to Ireland with her father, e's been given the job of ridding the area of a pack of wolves that are venturing closer and closer to the town. Keen to hunt just like her father, Robyn sneaks out of the safety of their walled town and into the forest after him. Once there she comes face to face with a wolf, but the encounter isn't what she expected. When she eventually meets Mebh, a wild spirit who lives out in the woods, she discovers what the legend of the wolkwalkers truly means and must find a way to save the pack, and her new friend, from the wrath of the Lord Protector and her father.
The phrase "don't judge a book by its cover" hasn't felt quite so accurate as it does now. When the film starts it has the delicacy of an illustrated picture book (with a hint of Gravity Falls), the colour palette is muted and the strokes look haphazard while being in exactly the right place... and I haven't liked this style of illustration... ever... in the 19 years I was in the book industry. It feels old fashioned (yes, I know that fits with its story) and I immediately felt myself grumble at the fact I was about to sit through a whole film of it.
Wolfwalkers' story is a nice mix of folk story and themes of family and friendship. We follow Robyn as she tries desperately to break free of societies rules and those of her overprotective father, and the overall effect is a surprisingly motivational film about protecting people and doing the right thing.
The only names I recognised off the cast list were Sean Bean and Simon McBurney, and both had the right tone for this film... though Bean ever so slightly like he wasn't always acting to the best of his abilities... but that's not really noticeable when you get swept up in everything.
Our two young ladies in the cast, Honor Kneafsey as Robyn and Eva Whittaker as Mebh, were a delightful match, and when the pair were together on screen they have an amazing chemistry together.
But I want to talk about my favourite thing, and that is very specifically, Mebh. Casting, animation, script, she gets the best of everything that was thrown at this film. Her style is so amazingly accurate for the tale and her story and you can see it in every scene. Her wild characteristics, her playful nature, had all been carefully added to every moment we see her. Whittaker's enthusiastic and emotional vocals bring it all to life in such a wonderful way. Mebh is a delightful creation and full of comedic moments that really made me smile... and that hair... brilliant.
Wolfwalkers' animation (by Cartoon Saloon) might not have been to my taste in the beginning but, with the story and the amazing characters, I soon started to forget about my initial peeves. The design of everything really helps to explain the surroundings, the light and dark of the forest when we first encounter it and then evolves as we progress. The visuals when the townies start encroaching are sad but have a stunning reality to them and in the run-up to the end of the film the way they portray those events is a massive change to the style and makes for a harrowing watch. They've also come up with an ingenious way of showing the wolves and the magic that they're regarded within the story, it's an impressive visual.
All of these wonderful things were topped off with a beautiful soundtrack. Everything fits perfectly, particularly the song "Running With The Wolves" by Aurora, which gave me chills to hear.
Starting this film with such a negative feeling I really didn't think I'd be able to turn it around, but as I watched on and got pulled deeper into the tale and the characters, well, you can tell by my rating that my mind was quickly changed. Wolfwalkers was a beautiful and emotional ride that I would not hesitate to recommend to anyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/wolfwalkers-movie-review.html
Robyn comes to Ireland with her father, e's been given the job of ridding the area of a pack of wolves that are venturing closer and closer to the town. Keen to hunt just like her father, Robyn sneaks out of the safety of their walled town and into the forest after him. Once there she comes face to face with a wolf, but the encounter isn't what she expected. When she eventually meets Mebh, a wild spirit who lives out in the woods, she discovers what the legend of the wolkwalkers truly means and must find a way to save the pack, and her new friend, from the wrath of the Lord Protector and her father.
The phrase "don't judge a book by its cover" hasn't felt quite so accurate as it does now. When the film starts it has the delicacy of an illustrated picture book (with a hint of Gravity Falls), the colour palette is muted and the strokes look haphazard while being in exactly the right place... and I haven't liked this style of illustration... ever... in the 19 years I was in the book industry. It feels old fashioned (yes, I know that fits with its story) and I immediately felt myself grumble at the fact I was about to sit through a whole film of it.
Wolfwalkers' story is a nice mix of folk story and themes of family and friendship. We follow Robyn as she tries desperately to break free of societies rules and those of her overprotective father, and the overall effect is a surprisingly motivational film about protecting people and doing the right thing.
The only names I recognised off the cast list were Sean Bean and Simon McBurney, and both had the right tone for this film... though Bean ever so slightly like he wasn't always acting to the best of his abilities... but that's not really noticeable when you get swept up in everything.
Our two young ladies in the cast, Honor Kneafsey as Robyn and Eva Whittaker as Mebh, were a delightful match, and when the pair were together on screen they have an amazing chemistry together.
But I want to talk about my favourite thing, and that is very specifically, Mebh. Casting, animation, script, she gets the best of everything that was thrown at this film. Her style is so amazingly accurate for the tale and her story and you can see it in every scene. Her wild characteristics, her playful nature, had all been carefully added to every moment we see her. Whittaker's enthusiastic and emotional vocals bring it all to life in such a wonderful way. Mebh is a delightful creation and full of comedic moments that really made me smile... and that hair... brilliant.
Wolfwalkers' animation (by Cartoon Saloon) might not have been to my taste in the beginning but, with the story and the amazing characters, I soon started to forget about my initial peeves. The design of everything really helps to explain the surroundings, the light and dark of the forest when we first encounter it and then evolves as we progress. The visuals when the townies start encroaching are sad but have a stunning reality to them and in the run-up to the end of the film the way they portray those events is a massive change to the style and makes for a harrowing watch. They've also come up with an ingenious way of showing the wolves and the magic that they're regarded within the story, it's an impressive visual.
All of these wonderful things were topped off with a beautiful soundtrack. Everything fits perfectly, particularly the song "Running With The Wolves" by Aurora, which gave me chills to hear.
Starting this film with such a negative feeling I really didn't think I'd be able to turn it around, but as I watched on and got pulled deeper into the tale and the characters, well, you can tell by my rating that my mind was quickly changed. Wolfwalkers was a beautiful and emotional ride that I would not hesitate to recommend to anyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/wolfwalkers-movie-review.html
Sarah (7798 KP) rated Sonic the Hedgehog (2020) in Movies
Dec 22, 2020
Not as bad as expected
Sonic the Hedgehog is a legend, a gaming institution, and adapting him for the big screen was always going to be a tall order. This was proved when the trailer for this 2020 release first dropped in 2019 - the original appearance of Sonic faced such outcry and derision that studio Paramount did the unexpected and completely overhauled Sonic's looks. The result in the final film released in February of this year is a character that looks very much like the Sonic we know and love, but in a storyline and film that is sadly rather lacking.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Lottie disney bookworm (1056 KP) rated Poor Unfortunate Soul: A Tale of the Sea Witch (Villains #3) in Books
Sep 7, 2019
Contains spoilers, click to show
A review by The Disney Bookworm:
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
Lottie disney bookworm (1056 KP) rated Let It Go: A Frozen Twisted Tale in Books
Aug 20, 2019
“What if Anna and Elsa never knew each other?”
I did it again! A new shiny twisted tale came out and I let it jump to the top of my TBR pile! I’m weak!
Let It Go is the latest instalment in the twisted tale’s series and explores how Anna and Elsa’s story would play out if a magical accident caused the two sisters to be cursed.
As always, Jen Calonita writes this very well: drip feeding us information by opening the novel on eighteen-year-old Elsa shadowing her parents’ royal duties and preparing to become a leader when she comes of age.
It is quite refreshing for the reader to meet the King and Queen of Arendelle: they didn’t have much depth in the movie but Jen Calonita presents an intimidating yet loving King with his kind and gentle Queen. They are both, however, marred by a melancholy which even Elsa cannot fathom; the Queen in particular has an air of sadness around her and has a habit of taking mysterious day trips, always alone.
Elsa is an adoring daughter and will clearly be a benevolent Queen as she follows in her father’s footsteps. She is, however, lonely and has always pined for someone of her own age for company: she has always wished for a sister. It isn’t until Elsa overhears an argument between her parents that she begins to question the life around her.
Unlike other books in the twisted tale’s franchise we aren’t introduced to any new characters apart from the King and Queen. There are a few servants who have minor roles but no one who has a real impact upon the story. Instead, Let It Go focuses on all the characters we already love: I really liked how Jen Calonita included everybody, even the irritating Duke of Weselton. True to form though, the characters don’t meet quite as they did in the movie. Hans and Olaf meet Elsa first whereas Anna and Kristoff are acquaintances in Anna’s “cursed” life. In truth I preferred Anna and Kristoff’s relationship in this novel as it seemed more realistic, with Kristoff being irritated by Anna’s stubbornness and incessant chatter.
Like I mentioned, Calonita isn’t forthcoming with information regarding the curse and it is only with the help of a certain troll that we learn the details of how Elsa and Anna were parted as well as the severity of the curse that has been placed upon them: if they come too close to each other Elsa’s powers will freeze Anna.
I did appreciate how Calonita didn’t just settle for a storyline that the girls had to be kept apart to avoid further accidents and the impossible, heat-wrenching decision for their parents is beautifully written. I also liked how the curse came about due to the sheer love between the sisters and specifically, Elsa’s defiance to lose their special bond and friendship.
In fact, I loved how the twist is all about the sister’s love for each other: the red herring of true love’s kiss is not even considered.
Unfortunately, my enthusiasm for the book didn’t continue all the way through to the conclusion as the second half seemed to mirror the film a lot. Don’t get me wrong I absolutely loved the little references to the film all the way through the book, as I do with all the twisted tales. However, towards the end Let It Go felt like it was just writing out the movie, with a few characters in different locations. For this reason, I did feel the ending was a little lacklustre.
Overall Let It Go is an enjoyable, easy read. Anna’s flashbacks provide an insight into the childhood of the princesses that we don’t get in the film and my favourite, Olaf, plays a more important role than that of dismembered tour guide. For me, the second half of the book was not as gripping and more of a retelling of the film but it is still a good addition to the twisted tale franchise.
I did it again! A new shiny twisted tale came out and I let it jump to the top of my TBR pile! I’m weak!
Let It Go is the latest instalment in the twisted tale’s series and explores how Anna and Elsa’s story would play out if a magical accident caused the two sisters to be cursed.
As always, Jen Calonita writes this very well: drip feeding us information by opening the novel on eighteen-year-old Elsa shadowing her parents’ royal duties and preparing to become a leader when she comes of age.
It is quite refreshing for the reader to meet the King and Queen of Arendelle: they didn’t have much depth in the movie but Jen Calonita presents an intimidating yet loving King with his kind and gentle Queen. They are both, however, marred by a melancholy which even Elsa cannot fathom; the Queen in particular has an air of sadness around her and has a habit of taking mysterious day trips, always alone.
Elsa is an adoring daughter and will clearly be a benevolent Queen as she follows in her father’s footsteps. She is, however, lonely and has always pined for someone of her own age for company: she has always wished for a sister. It isn’t until Elsa overhears an argument between her parents that she begins to question the life around her.
Unlike other books in the twisted tale’s franchise we aren’t introduced to any new characters apart from the King and Queen. There are a few servants who have minor roles but no one who has a real impact upon the story. Instead, Let It Go focuses on all the characters we already love: I really liked how Jen Calonita included everybody, even the irritating Duke of Weselton. True to form though, the characters don’t meet quite as they did in the movie. Hans and Olaf meet Elsa first whereas Anna and Kristoff are acquaintances in Anna’s “cursed” life. In truth I preferred Anna and Kristoff’s relationship in this novel as it seemed more realistic, with Kristoff being irritated by Anna’s stubbornness and incessant chatter.
Like I mentioned, Calonita isn’t forthcoming with information regarding the curse and it is only with the help of a certain troll that we learn the details of how Elsa and Anna were parted as well as the severity of the curse that has been placed upon them: if they come too close to each other Elsa’s powers will freeze Anna.
I did appreciate how Calonita didn’t just settle for a storyline that the girls had to be kept apart to avoid further accidents and the impossible, heat-wrenching decision for their parents is beautifully written. I also liked how the curse came about due to the sheer love between the sisters and specifically, Elsa’s defiance to lose their special bond and friendship.
In fact, I loved how the twist is all about the sister’s love for each other: the red herring of true love’s kiss is not even considered.
Unfortunately, my enthusiasm for the book didn’t continue all the way through to the conclusion as the second half seemed to mirror the film a lot. Don’t get me wrong I absolutely loved the little references to the film all the way through the book, as I do with all the twisted tales. However, towards the end Let It Go felt like it was just writing out the movie, with a few characters in different locations. For this reason, I did feel the ending was a little lacklustre.
Overall Let It Go is an enjoyable, easy read. Anna’s flashbacks provide an insight into the childhood of the princesses that we don’t get in the film and my favourite, Olaf, plays a more important role than that of dismembered tour guide. For me, the second half of the book was not as gripping and more of a retelling of the film but it is still a good addition to the twisted tale franchise.
Ivana A. | Diary of Difference (1171 KP) rated Harry Potter and the Chamber of Secrets in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
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Harry Potter and the Chamber of Secrets is probably my favorite book in the Harry Potter series. It's the second year in Hogwarts for Harry Potter and his friends Ron and Hermione. The year we discover many new things in the Harry Potter world.
This is the book where we meet Dobby. Also the book where we find out about Voldemort's true identity. The book in which we find out what really happened to Moaning Myrtle.
I have truly forgotten how good the beginning of the book is. Firstly, I cannot understand why Harry has to go back and stay with that awful family during the summer. I know they are his legal guardians, but they don't want him staying with them either! Then, there is Dobby, who wants Harry to not go back to Hogwarts and creates a huge mess. The best moment though, is when Ron comes to the rescue with the flying car! Because Ron knows Harry might be in trouble. And Harry's owl secret endeavours are revealed too. And I cannot help but share this moment of Hermione worrying about Harry, as well as Ron's family owl.
<b><i>"I've been really worried and if Harry is all right, will you please let me know at once, but perhaps it would be better if you used a different owl, because I think another delivery might finish your one off."</i></b>
There is something about the Harry Potter books that I have always loved. The feeling of acceptance they give you. The inclusivity. The ability to be part of the magical world too!
<b><i>"You will find that I will only truly have left this school when none here are loyal to me. You will also find that help will always be given at Hogwarts to those who ask for it."</i></b>
Harry's curiosity is something I loved since day one.
I love the powerful friendship he has with Hermione & Ron. His bravery and his eagerness to always make things right. I love that danger doesn't scare him. And I have to admit - I also love Harry's rivalry with Malfoy! Their encounters are always a treat!
<b><i>"Honestly, if you were any slower, you'd be going backwards."</i></b>
What I loved the most about this book were the conversations between Harry and You Know Who. The moment Harry acknowledged why he is alive and why he is better.
<b><i>"How is it that a baby with no extraordinary magical talent managed to defeat the greatest wizard of all time?"
"No one knows why you lost your powers when you attacked me. I don't know myself. But I know why you couldn't kill me. Because my mother died to save me."</i></b>
And on top o all this - the moment Harry finds out why he truly belongs to Gryffindor!
<b><i>"It is out choices, Harry, that show us what we truly are, far more than our abilities."</i></b>
Truly a favorite of mine and a series I will be forever recommending.<b><i>Always!</i></b>
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
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Harry Potter and the Chamber of Secrets is probably my favorite book in the Harry Potter series. It's the second year in Hogwarts for Harry Potter and his friends Ron and Hermione. The year we discover many new things in the Harry Potter world.
This is the book where we meet Dobby. Also the book where we find out about Voldemort's true identity. The book in which we find out what really happened to Moaning Myrtle.
I have truly forgotten how good the beginning of the book is. Firstly, I cannot understand why Harry has to go back and stay with that awful family during the summer. I know they are his legal guardians, but they don't want him staying with them either! Then, there is Dobby, who wants Harry to not go back to Hogwarts and creates a huge mess. The best moment though, is when Ron comes to the rescue with the flying car! Because Ron knows Harry might be in trouble. And Harry's owl secret endeavours are revealed too. And I cannot help but share this moment of Hermione worrying about Harry, as well as Ron's family owl.
<b><i>"I've been really worried and if Harry is all right, will you please let me know at once, but perhaps it would be better if you used a different owl, because I think another delivery might finish your one off."</i></b>
There is something about the Harry Potter books that I have always loved. The feeling of acceptance they give you. The inclusivity. The ability to be part of the magical world too!
<b><i>"You will find that I will only truly have left this school when none here are loyal to me. You will also find that help will always be given at Hogwarts to those who ask for it."</i></b>
Harry's curiosity is something I loved since day one.
I love the powerful friendship he has with Hermione & Ron. His bravery and his eagerness to always make things right. I love that danger doesn't scare him. And I have to admit - I also love Harry's rivalry with Malfoy! Their encounters are always a treat!
<b><i>"Honestly, if you were any slower, you'd be going backwards."</i></b>
What I loved the most about this book were the conversations between Harry and You Know Who. The moment Harry acknowledged why he is alive and why he is better.
<b><i>"How is it that a baby with no extraordinary magical talent managed to defeat the greatest wizard of all time?"
"No one knows why you lost your powers when you attacked me. I don't know myself. But I know why you couldn't kill me. Because my mother died to save me."</i></b>
And on top o all this - the moment Harry finds out why he truly belongs to Gryffindor!
<b><i>"It is out choices, Harry, that show us what we truly are, far more than our abilities."</i></b>
Truly a favorite of mine and a series I will be forever recommending.<b><i>Always!</i></b>
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Kaysee Hood (83 KP) rated Attachments in Books
Nov 16, 2017
Unconventional Romance (3 more)
Read Life Issues
Movie/Book References
Friendships
Love at First...E-mail?
I've seen some low scored reviews for this book on GR and I realized it may keep some people from reading it, but here are some points I think some should consider before not giving Attachments a chance:
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
1. This is Rainbow Rowell's first published novel, so of course for some it doesn't hold the magic like Eleanor & Park. Keep in mind many first books never hold against later published works, but are still good or why would the author be allowed to continue?
2. Even though it was published in 2011, it is based in 1999/2000 for plot reasons as to why Lincoln would have his job. This may offset some readers who might not realize how different 1999 is to 2017 Internet use wise for jobs.
3. The lack of reading into who and why the characters are as they are. In a way, it is the adult version of Fangirl, expect the roles are flipped a tad bit.
Anyway, I loved Attachments because it stayed true to Rowell's style, yet it felt raw compared to how she writes now. There is the unconventional love story of a man falling in love with a woman through the e-mails he reads as part of his job to ensure people are working and not nonsense while on the job. There's characters of all sorts with real world problems and real life flaws. There are topics covered of overbearing mothers and mothers who are too cruel both because of their own life. There is men who never want to be tied down, yet one does due to advice and the right woman. The book covers pieces life without taking from the plot whatsoever.
Lincoln O'Neil is a 28-year-old who could have been a successful man with a normal day shift job if a break up had not left him shattered nine years before. Maybe also if his mother had not coddled him, even though she clearly meant well as it is clear him and his sister, Eve, might have been her whole life. Yet we would not have the awkward, shy man working a the swing shift in the IT office as a "security officer" fixing computers in his spare time when he isn't reading through e-mails that come up flagged in the Webfence program. Apparently the security part was ensuring no one at the newspaper office was using the Internet to look at porn, gamble, or idle chit chat instead of working. Not quite was Lincoln had pictured and he doesn't enjoy reading people's exchanges, but the money is good and will grant him the chance to move out his mom's sooner rather than later.
His mundane routine and nothingness during his shift is filled with some enjoyment as Lincoln reads the e-mails flagged from Beth Fremont and Jennifer Scribner-Snyder. There is nothing harmful. Innocent discussions of water cooler talk, life, relationships, and gossip. As much as he knows it is wrong to continue to read their messages about their lives without flagging them as he would anyone else Lincoln cannot help but to get a kick out of the e-mails.
However it soon becomes apparent Lincoln has fallen for Beth despite the fact he has no idea what she looks like or who is she outside of work. Not to mention she has a boyfriend, Chris, who even though she may rant about to Jennifer, she obviously has not intent on breaking ties with. Not for someone like Lincoln anyway. So he spends his time in turmoil trying to decide if a new job is in order, going back to college, or finding a woman to focus his attention on (which are the very things he tries to do). He even tries to ignore the e-mails, yet can't. He cannot help, but feel for Jennifer's worry over having a baby even though her husband wants one. He cannot help, but captivated by their friendship. He cannot help his feelings for Beth for who she is.
It doesn't help Beth has spotted him labeling him as "A Cute Guy" when he never realized she was around. It is like a game of cat and mouse between them then. Beth still unaware he is reading her e-mails. Lincoln unaware of how often she is close to him even when she is going out of her way to find him.
Thus a budding romance is born. But how much of a romance can it be when Beth has Chris and Lincoln can barely look a woman in the eyes?
RəX Regent (349 KP) rated Ben-Hur (2016) in Movies
Feb 20, 2019
Who thought it was a good idea to remake Ben-Hur? Well, on paper, it would seem to be a possibility. Ben-Hur has been hitting our cinema screens since 1907, with three other theatrical versions before this one; a short silent effort in 1907, the 1925 silent epic and the blockbusting MGM epic from 1959.
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
Heather Cranmer (2721 KP) rated The Little Teashop on Main in Books
May 6, 2019
An Emotional Read
I'd been wanting to read The Little Teashop on Main by Jodi Thomas for awhile. When the opportunity presented itself, I jumped at the chance. I must say this book really packs a punch when it comes to emotions!
The plot for The Little Teashop on Main was done brilliantly! Jodi Thomas has written a beautiful story that really sucks you in and makes you feel every single written word. Zoe, Shannon, and Emily meet for a tea party whenever they can starting from when they were little. As the story progresses, the reader gets to watch each of the girls grow into strong women. The reader gets to grow up with all of the girls through all of the ups and downs of life. Each chapter in the book is focused on a certain character so the reader gets to gain that character's perspective on things. While there are similar story lines to The Little Teashop on Main, Jodi Thomas does such an excellent job of making this one feel unique. I felt like I was instantly transported to the small town of Laurel Springs whenever I was reading The Little Teashop on Main. While there weren't any major plot twists, I felt as if this was the type of book that doesn't need to rely on plot twists to keep it interesting. The emotional pull is all it needs. I loved how there were no cliffhangers and all of my questions were answered by the end of the book.
The characters in The Little Teashop on Main were so well written and such a delight to read about! I loved every one of them. Usually I have a favorite, but I would hate to be forced to choose just one favorite. I loved Zoe's zest for life. Her larger than life presence was such a joy to read about. I would have loved to have a friendship like Zoe's and Jack's. Shannon had such a great work ethic that was admirable. Just how focused she was was an inspiration. I kept on wanting things between her and Jack to work out. I don't think I've ever wanted to a couple to be together more than Jack and Shannon. Shannon was such a planner and so focused. Sometimes I wanted to just grab her by the shoulders until she realized how great she'd be with Jack! I just wanted to hug Emily. She had struggled with depression for so long. I could relate to her the most. Emily was such a sweet girl that blossomed into a sweet woman. I was always cheering Emily on when I would read about her. I loved how much Jack cared about all three girls and how much he loved them all. He was such a loyal friend. I'm glad I got to read and get to know Fuller. What a sweet boy/man he turned out to be! Alex and Mack were also great characters and great parents. The love for their daughters was so obvious. The way the townspeople of Laurel Springs came together was so heartwarming to read about.
I will admit that the first 45 percent or so of The Little Teashop on Main was a little slow. I did wonder if I had made a mistake with this book. However, I'm glad I persevered. The pacing quickly picked up after that, and I could not put this novel down. I hungered for more, yet I would become sad because I realized that this story would be over soon. When I did finish The Little Teashop on Main, I was disappointed only because I wished it didn't have to end!
Trigger warnings for The Little Teashop on Main include depression, suicide attempts, cancer, a car accident (wounds aren't described too graphically), and sex (although not graphic).
All in all, The Little Teashop on Main is such a heartwarming read. This book makes you feel as if you are one of the characters. It is written so beautifully, and I can't gush enough about how great it is! I would definitely recommend The Little Teashop on Main by Jodi Thomas to those aged 16+. This book gets a 4.5 out of 5 stars from me.
--
(Thanks to HQN for providing me with a paperback of The Little Teashop on Main by Jodi Thomas in exchange for an honest and unbiased review.)
The plot for The Little Teashop on Main was done brilliantly! Jodi Thomas has written a beautiful story that really sucks you in and makes you feel every single written word. Zoe, Shannon, and Emily meet for a tea party whenever they can starting from when they were little. As the story progresses, the reader gets to watch each of the girls grow into strong women. The reader gets to grow up with all of the girls through all of the ups and downs of life. Each chapter in the book is focused on a certain character so the reader gets to gain that character's perspective on things. While there are similar story lines to The Little Teashop on Main, Jodi Thomas does such an excellent job of making this one feel unique. I felt like I was instantly transported to the small town of Laurel Springs whenever I was reading The Little Teashop on Main. While there weren't any major plot twists, I felt as if this was the type of book that doesn't need to rely on plot twists to keep it interesting. The emotional pull is all it needs. I loved how there were no cliffhangers and all of my questions were answered by the end of the book.
The characters in The Little Teashop on Main were so well written and such a delight to read about! I loved every one of them. Usually I have a favorite, but I would hate to be forced to choose just one favorite. I loved Zoe's zest for life. Her larger than life presence was such a joy to read about. I would have loved to have a friendship like Zoe's and Jack's. Shannon had such a great work ethic that was admirable. Just how focused she was was an inspiration. I kept on wanting things between her and Jack to work out. I don't think I've ever wanted to a couple to be together more than Jack and Shannon. Shannon was such a planner and so focused. Sometimes I wanted to just grab her by the shoulders until she realized how great she'd be with Jack! I just wanted to hug Emily. She had struggled with depression for so long. I could relate to her the most. Emily was such a sweet girl that blossomed into a sweet woman. I was always cheering Emily on when I would read about her. I loved how much Jack cared about all three girls and how much he loved them all. He was such a loyal friend. I'm glad I got to read and get to know Fuller. What a sweet boy/man he turned out to be! Alex and Mack were also great characters and great parents. The love for their daughters was so obvious. The way the townspeople of Laurel Springs came together was so heartwarming to read about.
I will admit that the first 45 percent or so of The Little Teashop on Main was a little slow. I did wonder if I had made a mistake with this book. However, I'm glad I persevered. The pacing quickly picked up after that, and I could not put this novel down. I hungered for more, yet I would become sad because I realized that this story would be over soon. When I did finish The Little Teashop on Main, I was disappointed only because I wished it didn't have to end!
Trigger warnings for The Little Teashop on Main include depression, suicide attempts, cancer, a car accident (wounds aren't described too graphically), and sex (although not graphic).
All in all, The Little Teashop on Main is such a heartwarming read. This book makes you feel as if you are one of the characters. It is written so beautifully, and I can't gush enough about how great it is! I would definitely recommend The Little Teashop on Main by Jodi Thomas to those aged 16+. This book gets a 4.5 out of 5 stars from me.
--
(Thanks to HQN for providing me with a paperback of The Little Teashop on Main by Jodi Thomas in exchange for an honest and unbiased review.)
KittyMiku (138 KP) rated Spiral Of Needs in Books
May 23, 2019
This book over all was fairly good to read. It is definitely a romance novel with a bit of action and all of the drama. It is centered around a werewolf pack and mostly around Ally and Derren. I think what I enjoyed the most about it is how it portrayed how jealous and vengeful people can be when getting into relationships or when their significant other is threatened or hurt. Everyone likes to feel that their lover cares deeply enough to do anything for them when the time calls for it. However, that isn't always the case and in this particular book, you are able to see how possessive and protective people can be, even if their past creates obstacles they have to overcome to find they truly love and accept another.
The past haunts everyone in one way or another and creates a defense mechanism to help us cope. So in Derren's case of not wanting to trust anyone and being loyal to a fault when you earn his trust didn't come as a surprised. After all, trust is a valuable quality that is easily broken. But to watch him struggle at first with trusting Ally due to something one her kind had done to him in the past, was quite splendid. It allowed the reader to see how its not a group of people sharing a trait but the individuals that can hurt how the outlook on a particular group of people can negatively affect us. Even though in this case it was all paranormal traits, it is easy to see and understand where this comes from. People are always judging others by their skin color or position or whatever because of someone else sharing that quality had done something to them personally. This is a huge problem and some people never fully get over the fact it was the individual who was a complete jerk of whatever (for the lack of better words) and not the group of people who share that quality. An example would be gamers. They are often considered lazy, lacking social qualities and short tempered. While most games have some of these qualities, it should be noted that those aren't to define every gamer and those who have these issues also have redeeming qualities as well. So to say anyone who plays games for massive amount of time to have all those qualities and are bad fits because one gamer may have yelled, hurt, ignored, or whatever the case is towards you, is a terrible be thing. In Spiral of Need, it was pleasant to see and watch how one person can change someone's mind on a particular problem a certain category of people fall into, is amazing and makes you wonder if this will happen in your life. Will you be the one to help people see that your category of people aren't all bad? I know my husband, who is a gamer, did that for me, just as Ally, a Seer, did for Derren.
I, also, enjoyed how even though the book had some XXX Rated scenes, it was also very much about building relationships with unlikely characters who was thought to be a problem and coming together to protect one another. Not many of our communities and societies can say that these days. It was amazing to see someone considered to be an outsider at the beginning develop a lasting friendship and place in a pack or community because of her own moral compass making her due things that she felt was only the right thing to do. I personally feel, this book addressed problems we face everyday in our world while keeping it from hitting to close to home to make it uncomfortable. It showed some of the most important qualities that all relationships, no matter the kind (examples being friendships, partnerships, etc.) needed to keep them healthy and how it can be harmful when others view someone as a threat of a problem to be eliminated. With every addressed in this book, I would say I was pleased at how smoothly is ran.
I would rate this book 4 stars out of 5 stars simply because I longed for a little more conflict but loved how it addressed issues and solved the problems it did have residing in the pages. I would recommend this book to anyone who loves a good werewolf love story.
The past haunts everyone in one way or another and creates a defense mechanism to help us cope. So in Derren's case of not wanting to trust anyone and being loyal to a fault when you earn his trust didn't come as a surprised. After all, trust is a valuable quality that is easily broken. But to watch him struggle at first with trusting Ally due to something one her kind had done to him in the past, was quite splendid. It allowed the reader to see how its not a group of people sharing a trait but the individuals that can hurt how the outlook on a particular group of people can negatively affect us. Even though in this case it was all paranormal traits, it is easy to see and understand where this comes from. People are always judging others by their skin color or position or whatever because of someone else sharing that quality had done something to them personally. This is a huge problem and some people never fully get over the fact it was the individual who was a complete jerk of whatever (for the lack of better words) and not the group of people who share that quality. An example would be gamers. They are often considered lazy, lacking social qualities and short tempered. While most games have some of these qualities, it should be noted that those aren't to define every gamer and those who have these issues also have redeeming qualities as well. So to say anyone who plays games for massive amount of time to have all those qualities and are bad fits because one gamer may have yelled, hurt, ignored, or whatever the case is towards you, is a terrible be thing. In Spiral of Need, it was pleasant to see and watch how one person can change someone's mind on a particular problem a certain category of people fall into, is amazing and makes you wonder if this will happen in your life. Will you be the one to help people see that your category of people aren't all bad? I know my husband, who is a gamer, did that for me, just as Ally, a Seer, did for Derren.
I, also, enjoyed how even though the book had some XXX Rated scenes, it was also very much about building relationships with unlikely characters who was thought to be a problem and coming together to protect one another. Not many of our communities and societies can say that these days. It was amazing to see someone considered to be an outsider at the beginning develop a lasting friendship and place in a pack or community because of her own moral compass making her due things that she felt was only the right thing to do. I personally feel, this book addressed problems we face everyday in our world while keeping it from hitting to close to home to make it uncomfortable. It showed some of the most important qualities that all relationships, no matter the kind (examples being friendships, partnerships, etc.) needed to keep them healthy and how it can be harmful when others view someone as a threat of a problem to be eliminated. With every addressed in this book, I would say I was pleased at how smoothly is ran.
I would rate this book 4 stars out of 5 stars simply because I longed for a little more conflict but loved how it addressed issues and solved the problems it did have residing in the pages. I would recommend this book to anyone who loves a good werewolf love story.
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Feb 13, 2018
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
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This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
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