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LeftSideCut (3778 KP) rated Resident Evil: The Final Chapter (2017) in Movies

Jan 6, 2021 (Updated Jan 6, 2021)  
Resident Evil: The Final Chapter (2017)
Resident Evil: The Final Chapter (2017)
2017 | Action, Horror, Sci-Fi
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.

Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.

You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.

I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
  
Iron Man 3 (2013)
Iron Man 3 (2013)
2013 | Action, Sci-Fi
Full disclosure - I hated Iron Man 3 upon release. As a kid, growing up and reading Marvel comics, I was so excited to finally see The Mandarin bought to life, with Ben Kingsley of all people in the role. So when the Mandarin twist hit just over halfway through the runtime, it annoyed me so much that I just couldn't enjoy the rest of the film.

Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.

An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.

Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.

Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
  
    X32-Mix

    X32-Mix

    Music

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    X32-Mix for BEHRINGER X32 Digital Mixing Console X32-Mix harnesses the power of BEHRINGER’s...

Anna and the Apocalypse (2018)
Anna and the Apocalypse (2018)
2018 | Comedy, Horror, Musical
Honestly struggled to get on board with this one.
I generally don't like musicals (with a couple of exceptions) and Anna and the Apocalypse certainly doesn't change my mind in that respect, but everything surrounding fell a bit flat for me as well.

For one, none of the characters are remotely likable, apart from Anna herself. By the time people start getting chowed on, it's hard to care. It takes its time building up, treating us all to four full forgettable songs before anything properly kicks off, and when it does it's all a bit meh.
In terms of zombie action, it's not the worst I've ever seen, but it's one of those films that likes to cut away instead of showing off any decent effects.

The music itself is just quite bland. It's certainly going for a Glee type feel with what it's doing, so for me personally it's just a huge miss. I'm sure there are plenty out there who enjoy Glee, and therefore will probably get something out of the music on show here which is fine, just not for me.
There's one scene to be fair, where Anna leaves her house with her headphones in, completely unaware of the carnage unfolding around her whilst singing. This bit was actually pretty entertaining and amusing, and I wouldn't be surprised if this is the scene that set off the whole idea process.
The film can't quite decide what genre it's going for however. Is it a musical, is it a zombie horror, is it a Christmas movie? I'm sure the advertising campaign would have you think it's all three, but it just doesn't do any of them justice. Most of the jokes fall flat - I will admit that I audibly laughed once during the whole thing...

Ultimately, Anna and the Apocalypse ultimately draws comparisons with its more superior peers, such as Shaun of the Dead, but the truth it's no where as witty or groundbreaking. Since SOTD, the zombie comedy sub genre has been done to death, and these days, it takes something special to really stand out. This film takes a punt, and genuinely tries something new, but it's not executed well enough to rise above the pack.
  
    Coach's Clock

    Coach's Clock

    Sports and Utilities

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    Keep track of your players' time on the field with Coach's Clock. Designed with input from a youth...