Search
Search results
Despite running in very different circles in school, Sam Jones and Zoe Miller have more in common than they think: they both want to escape the difficulty that is their home lives. Sam is a quiet loner, content to spend Sundays with her best friend, Will. She loves the stars, but isn't sure she'll ever be able to study them, thanks to her mom, whose life is ruled by obsessive compulsive disorder. Ever since her Dad moved overseas, the burden of caring for her Mom falls squarely on Sam. Meanwhile, at school, Zoe seems carefree and popular. But her charisma hides her secrets: she struggles with the fact that she's adopted. She also has a mom in remission from cancer and a disabled younger brother who is the main focus of her parents. When the girls have a chance meeting at school, they exchange phone numbers, and suddenly find themselves bonding over text messages and a land they've created together: Starworld. Starworld gives Zoe and Sam the escape from reality they both so desperately need. But can it survive all the outside influences and stress each are facing?
"If I have a superpower, it's invisibility. Like the perpetually overcast skies of Portland in winter, I'm part of the background -- a robot with a disappearance drive, the dullness against which everyone else shines."
~Sam
This was an interesting and somewhat different YA novel. I enjoyed the story of two brave girls battling tough circumstances. Boy, poor Zoe and Sam certainly had the weight of the world on their shoulders. I really liked both of our main characters. The book tells the story from each of their perspectives, making it easy to know each girl. I found myself a bit more aligned to Sam--probably because she was queer and shy (like drawn to like, right?). As other reviews have mentioned, some of the book is in texting format, as Sam and Zoe fall into Starworld. Being far removed from teenagehood myself (sigh), I will admit that I did sometimes sort of "fast read" or skim those sections. I appreciated them--because Starworld meant so much to these girls and their friendship--but the text-speak wasn't always the easiest to read and digest.
I had picked this up thinking it was a love story, but it's not a true romance, though there's love in other forms. There's some great representation in this book: a queer character in Sam, plus discussion of adoption, mental illness (OCD and anxiety), disabilities, and more. All were very well treated too, I felt.
The book felt a little slow at times. It felt a little repetitive in its insistence on Zoe feeling different due to being adopted. Still, I was very drawn to Sam and Zoe's story. There was a strength in each of them, and I was intrigued to see what was going to happen. Sam's arc as she struggled with her romantic feelings was especially strong and wonderfully done.
Even though much of the book is serious, it's also very funny at times, with some excellent quotes and zingers. (I really did love Sam and her sense of humor; she was right up my alley.)
"I hate using phones for their original intended purpose. It's like Alexander Graham Bell wondered, Hey, what could maximize the awkwardeness of human-to-human communication? And then answered himself by giving us the ability to speak to one another through stupid disembodied little boxes."
I mean, right? One of the best quotes ever.
So, overall, this book is really a love story of friendship and triumph. It's very easy to root for the characters and get caught up in their lives. I was often just aghast at how much these poor girls had to go through. If you're not necessarily used to text-speak, it may give you a pause, but Starworld is a big part of the book (obviously!) and it's woven well into the story. This was a different and intriguing read, and I'm glad I picked it up. 3.5+ stars (rounded up to 4 here).
"If I have a superpower, it's invisibility. Like the perpetually overcast skies of Portland in winter, I'm part of the background -- a robot with a disappearance drive, the dullness against which everyone else shines."
~Sam
This was an interesting and somewhat different YA novel. I enjoyed the story of two brave girls battling tough circumstances. Boy, poor Zoe and Sam certainly had the weight of the world on their shoulders. I really liked both of our main characters. The book tells the story from each of their perspectives, making it easy to know each girl. I found myself a bit more aligned to Sam--probably because she was queer and shy (like drawn to like, right?). As other reviews have mentioned, some of the book is in texting format, as Sam and Zoe fall into Starworld. Being far removed from teenagehood myself (sigh), I will admit that I did sometimes sort of "fast read" or skim those sections. I appreciated them--because Starworld meant so much to these girls and their friendship--but the text-speak wasn't always the easiest to read and digest.
I had picked this up thinking it was a love story, but it's not a true romance, though there's love in other forms. There's some great representation in this book: a queer character in Sam, plus discussion of adoption, mental illness (OCD and anxiety), disabilities, and more. All were very well treated too, I felt.
The book felt a little slow at times. It felt a little repetitive in its insistence on Zoe feeling different due to being adopted. Still, I was very drawn to Sam and Zoe's story. There was a strength in each of them, and I was intrigued to see what was going to happen. Sam's arc as she struggled with her romantic feelings was especially strong and wonderfully done.
Even though much of the book is serious, it's also very funny at times, with some excellent quotes and zingers. (I really did love Sam and her sense of humor; she was right up my alley.)
"I hate using phones for their original intended purpose. It's like Alexander Graham Bell wondered, Hey, what could maximize the awkwardeness of human-to-human communication? And then answered himself by giving us the ability to speak to one another through stupid disembodied little boxes."
I mean, right? One of the best quotes ever.
So, overall, this book is really a love story of friendship and triumph. It's very easy to root for the characters and get caught up in their lives. I was often just aghast at how much these poor girls had to go through. If you're not necessarily used to text-speak, it may give you a pause, but Starworld is a big part of the book (obviously!) and it's woven well into the story. This was a different and intriguing read, and I'm glad I picked it up. 3.5+ stars (rounded up to 4 here).
Chris Sawin (602 KP) rated Jennifer's Body (2009) in Movies
Jun 22, 2019
Devil's Kettle is a small town where everyone knows everybody. The story revolves around the relationship between Needy (Amanda Seyfried) and Jennifer (Megan Fox) and other than having similar interests, the two are polar opposites. Needy is more of the quiet, girl next door type that is a bit of a bookworm with a heart of gold whereas Jennifer is more spontaneous, mean spirited, and the stuck-up, hot cheerleader type that every high school boy seems to dream about being with. One night, Jennifer drags Needy to Melody Lane, the one bar in town, to see a new flavor of the week indie band called Low Shoulder. When the bar catches on fire and most of the people inside are crushed or burned in the destruction, Needy thinks that's where this horrible night gone wrong would end. That is until Jennifer decides to go off with the band in their van and Needy has to make her way back home alone. After that night, a demon is transferred into Jennifer's body with an unquenchable hunger for high school guys. As Needy begins to accept what's happened to her BFF, she realizes that she's the only one that has a chance of stopping Jennifer once and for all.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Other than Megan Fox, the other factor that was pushed really hard in the advertising campaign for Jennifer's Body was the fact that Diablo Cody, the screenwriter for Juno, was attached to this film. To be honest, I think Cody's contributions are what I enjoyed most. The dialogue and humor of the film are both witty and laugh out loud funny at times. The writing, in general, made what otherwise would have been your average horror film worth watching and fairly entertaining in the long run.
This is probably the best we've seen acting-wise when it comes to Megan Fox. She isn't much other than eye candy in the Transformers films and was just an egotistical tramp that just so happened to be a rising star in How To Lose Friends and Alienate People. Other than the demonic possession part, her role in Jennifer's Body isn't too different from her role in How To Lose Friends and Alienate People. I'd give most of the credit to Cody's great writing, but Fox is actually able to display a bit more of her acting range this time around. While it probably isn't much compared to, you know, actresses with talent and she sounds like she has a cold most of the time, it's more than what we've seen from the actress in the past and everyone has to start somewhere.
The storyline doesn't offer much fresh material when it comes to horror films, but it gets the job done. The ending offers a bit of a different take on what would otherwise be an ending that would leave room for a sequel. With the conclusion to Jennifer's Body, however, it's more open ended. They could stop here and it would be a fine stand alone film, but it leaves enough questions unanswered that a sequel could see the light of day. Since the movie only made around $18 million worldwide, a sequel seeing theatrical distribution seems unlikely. A direct to DVD sequel with B-actors is definitely a possibility though. Aren't they always with horror films?
Jennifer's Body is superbly written on one hand, but feels like a run of the mill horror film on the other. The high point is definitely the screenplay by Diablo Cody, who manages to make Megan Fox's acting abilities look better than they ever have. But it seems the films enjoyment will rest solely on the shoulders of how much you enjoy horror films that don't shy away from blood. If you're not a fan of horror, I'd recommend staying away from this one. But if you're a fan of great writing, quite a bit of blood, horror, or Megan Fox's sex appeal then you should definitely give this one a go.
Emma @ The Movies (1786 KP) rated What Men Want (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Who wouldn't want to know what goes through a man's mind on occasion? Actually, you know what... I'm fine, I'm not sure I really want to hear everything... *shudder*
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Ali is looking for the recognition she deserves for the hard work she puts in. She's successful, but in an office full of men she might not get out of her lane and be equal with the men around her. Without the supernatural twist the outcome could have eventually been the same, but that wouldn't have made for such an entertaining movie.
What Men Want is entirely predictable, after all we saw it all before in What Women Want but it's also like a whole bunch of romcoms out there. Character encounters an obstacle, character finds romance, character finds a way to fix the obstacle and in the process of that mucks up romance, obstacle gets fixed, character realises that none of it is worthwhile without romance and gets them back with big gesture, The End.
Taraji P. Henson is right up near the top of my favourite actresses, she's got so many great performances under her belt. Ali isn't going to appear very near the top of that list. Everything in Ali, as well as the film, seems to be at opposite ends of the scale. When we have comedy it sometimes feels over the top, when we have real life it's serious. Had there been more of a balance I think we could have had a better result. That being said, I thought she was great, she's very good at visual acting.
When it comes to the supporting cast it doesn't quite hit the spot. Again, this is partly due to the Jekyll and Hyde nature of everything. You've got characters who are serious, textbook romcomers, some for comedy and a handful of sports stars doing cameos, it's difficult to make them all gel. Pete Davidson and Tracy Morgan in both stick out from the rest because they bring quite a harsh comedy which I didn't find all that entertaining.
On the flip side though I was pleased to see Aldis Hodge make an appearance, he's got just the right amount of humour and serious in there and against Henson in scenes he works particularly well. Josh Brener also brought something fun to the mix, and possibly had the best part overall. Getting to sit on both sides of the storyline allows him to interact in fun ways with Ali when she's discovering her abilities as well as later on when he's trying to hide his inner thoughts.
Speaking of which, men's inner thoughts throughout aren't badly done, though there's the occasional over the top effort. Jamal Barry/Shane Paul McGhie had the winner for me when he was meeting his sporting hero though.
Looking back at this film I think I'm actually talking it out of stars in my head. I enjoyed it a lot at the cinema, it was funny (if a little excessive at times) and it eventually shows Ali being able to empower herself even if she does cock it up along the way. It flowed well and I wasn't finding myself urging it along... but... it's not a massively consistent film. The storyline with her female friends in obviously essential to the beginning but its addition later on holds little impact apart from giving her multiple points to claim some redemption.
I can honestly say that on first viewing I was amused and entertained, but I'm not sure how well it would hold up to a second.
What you should do
When talking to people who have seen What Men Want it is fairly consistent, men tend not to like it while women say they found it entertaining (admittedly that's somewhere between 2.5 and 4 stars). I think it's worth watching, and it would probably make a good film for a girls night.
Movie thing you wish you could take home
I've completely talked myself out of hearing men's thoughts so maybe box seats instead?
Emma @ The Movies (1786 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The answer to the above is "yes" by the way... it's always yes.
When Tim gets to Ryme City and finds Pikachu, who was presumed dead along with his father, a mystery presents itself. Where is Harry Goodman? And why can Tim understand Pikachu? With an accidental encounter with a substance called R, and a reporter/intern sniffing around for a story, the sleuthing duo realise there's something bigger going on.
This really is a kids' version of Deadpool. I was even abbreviating "DP" in my notes.
I don't quite know where to start. My knowledge of Pokémon is very limited and as such, it hadn't occurred to me that Pokémon don't generally speak English. Had I remembered that fact then I probably would have guessed the ending very quickly. (Also, there's a point on this that is a spoiler that has since wound me up.)
It's not a great film, but it's an amusing one. I'm stumped as to who it is actually aimed at, it's not a kids films and it's not a adults film. It hovers somewhere overhead trying to get a slice of all the action. The kids were entertained but it was generally cooing at the animated characters when they appeared or laughing at physical humour. I was actually quite surprised that Pikachu's script has bad language in it considering it was a PG and always going to attract family viewers.
One of the many things that didn't fit for me was the very beginning of the film. While I love Karan Soni, I would have cut out the whole first scenes for a shorter and slightly more logical lead into the film. It felt a little forced as it's the only sighting of a Pokéball. I get it, you think Pokémon you see the ball, but with the city's introduction as a place where humans and Pokémon co-exist without battles you really didn't need to jam it in there.
Pikachu's animation was really good, particularly when we see him with wet fur. Consistency with the characters was a little hit and miss though and occasionally I felt like some scenes had missed a step compared to the rest of the film.
Generally the animation to real life interactions were good, generally. I can't get over how bad the full bar scene is that we see in the trailer. When Pikachu turns and his tail slaps Tim in the face... if you can't line it up well then why do it? I also found it very frustrating that Justice Smith never seemed to be looking at him properly, and it was more than just the ignoring him as was established earlier in the scene.
Kathryn Newton as Lucy Stevens... Now, I know there is always someone hyperactive in these things, but oh my. She also seemed a little surplus to requirements. Her only real purpose seemed to be as an awkward (sort of) love interest. Everything she brought to the story could easily have been achieved in other more relevant ways.
My absolute favourite part of the film is again, something that was slightly covered in a trailer, but the whole cut is wonderful if a little extreme if you over think it. Tim, Pikachu and Mr Mime. The interrogation scene is so funny... slightly sinister at the end but fun. I won't go on anymore because I don't want to spoil it for you.
I genuinely don't know how much the acting in this actually affects the overall film. Had you replaced any of the on-screen actors then you probably would have come out with the same film, without Ryan Reynolds, I'm not so sure.
As I said at the beginning, I don't know a massive about Pokémon, but even to me it doesn't seem like it matches with the franchise, perhaps that's the point. Will there be another? I don't know, but I suspect there's scope for it even though [SPOILER].
What you should do
It's amusing and I'm sure it'll be on for a while so perhaps see it when the hype has passed.
Movie thing you wish you could take home
Well obviously I want a Pokémon, but do I want a Pikachu or a Growlithe?
When Tim gets to Ryme City and finds Pikachu, who was presumed dead along with his father, a mystery presents itself. Where is Harry Goodman? And why can Tim understand Pikachu? With an accidental encounter with a substance called R, and a reporter/intern sniffing around for a story, the sleuthing duo realise there's something bigger going on.
This really is a kids' version of Deadpool. I was even abbreviating "DP" in my notes.
I don't quite know where to start. My knowledge of Pokémon is very limited and as such, it hadn't occurred to me that Pokémon don't generally speak English. Had I remembered that fact then I probably would have guessed the ending very quickly. (Also, there's a point on this that is a spoiler that has since wound me up.)
It's not a great film, but it's an amusing one. I'm stumped as to who it is actually aimed at, it's not a kids films and it's not a adults film. It hovers somewhere overhead trying to get a slice of all the action. The kids were entertained but it was generally cooing at the animated characters when they appeared or laughing at physical humour. I was actually quite surprised that Pikachu's script has bad language in it considering it was a PG and always going to attract family viewers.
One of the many things that didn't fit for me was the very beginning of the film. While I love Karan Soni, I would have cut out the whole first scenes for a shorter and slightly more logical lead into the film. It felt a little forced as it's the only sighting of a Pokéball. I get it, you think Pokémon you see the ball, but with the city's introduction as a place where humans and Pokémon co-exist without battles you really didn't need to jam it in there.
Pikachu's animation was really good, particularly when we see him with wet fur. Consistency with the characters was a little hit and miss though and occasionally I felt like some scenes had missed a step compared to the rest of the film.
Generally the animation to real life interactions were good, generally. I can't get over how bad the full bar scene is that we see in the trailer. When Pikachu turns and his tail slaps Tim in the face... if you can't line it up well then why do it? I also found it very frustrating that Justice Smith never seemed to be looking at him properly, and it was more than just the ignoring him as was established earlier in the scene.
Kathryn Newton as Lucy Stevens... Now, I know there is always someone hyperactive in these things, but oh my. She also seemed a little surplus to requirements. Her only real purpose seemed to be as an awkward (sort of) love interest. Everything she brought to the story could easily have been achieved in other more relevant ways.
My absolute favourite part of the film is again, something that was slightly covered in a trailer, but the whole cut is wonderful if a little extreme if you over think it. Tim, Pikachu and Mr Mime. The interrogation scene is so funny... slightly sinister at the end but fun. I won't go on anymore because I don't want to spoil it for you.
I genuinely don't know how much the acting in this actually affects the overall film. Had you replaced any of the on-screen actors then you probably would have come out with the same film, without Ryan Reynolds, I'm not so sure.
As I said at the beginning, I don't know a massive about Pokémon, but even to me it doesn't seem like it matches with the franchise, perhaps that's the point. Will there be another? I don't know, but I suspect there's scope for it even though [SPOILER].
What you should do
It's amusing and I'm sure it'll be on for a while so perhaps see it when the hype has passed.
Movie thing you wish you could take home
Well obviously I want a Pokémon, but do I want a Pikachu or a Growlithe?
Jesters_folly (230 KP) rated Joker (2019) in Movies
Oct 21, 2019
Contains spoilers, click to show
Joker follows Arthur Fleck’s descent from a somewhat mentally troubled comedian to becoming the Joker, arch Batman villain and force for chaos.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
Purple Phoenix Games (2266 KP) rated Meow! The Cult of Cat in Tabletop Games
Jul 18, 2019
I remember when I joined a cult. Wait, I have not yet done that. I have joined fraternities and other organizations, though, where there are specific ritualistic initiations and periods of testing and awakening just prior. These trials have included written tests, symbolic experiences with the brethren, and sometimes just silly stuff that make no sense but to bring us closer together. This is the tarry of your anthropomorphic character as you attempt to gain the favor of your brethren and pass all the tests along the way into the Cult of Cat.
NOTE: I have never been hazed nor have I hazed another. Just wanted to get that straight.
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. -T
As an initiate to the Cult of Cat it is your duty to pass the test and not break any rules. The winning player, therefore, is the one who can perform all of the necessary rules without breaking any. Let me explain. The game is a giant stack of cards. Upon these cards is the name of the rule, an illustration that matches the rule, and an explanation of the action to be completed. At the beginning of the game you are dealt two cards (or one card dependent on number of players in the game) and one card is dealt face-down to the middle of the table. You look at your dealt cards, study them, and pass your hand to the player on your left. So you now have seen two rules that you have passed, and you have received two rules from your neighbor on the right. I hope you remembered what you passed…
On your turn you will play a card from your hand, announce and perform its action, and then perform all the actions on your opponents’ cards that you can possibly remember to impress the brethren and hopefully not break any of their rules in the process. Once you are satisfied with your performance you point to the player on your left and ask, “Have I broken any of your rules?” If you performed one of the rules in their hand incorrectly, or omitted one of their rules, then they are required to say, “Yes.” At this point they announce the rule you have broken, add that card to the card that was dealt face-down to the table, and you add your played card to form a pile of three. Shuffle those and draw one for yourself, your opponent draws one, and the remainder stays on the table. This is the game and it continues until someone has correctly performed the actions of their opponents and not broken any rules.
Components. Again, this is a giant stack of cards. I do not know what the quality will be after the Kickstarter campaign ends, so I cannot really comment on them. My review copy cards were fine. The art on the cards is really comical and funny. I mean comical like in comic books. I like the art quite a bit, and while I am not really looking at the illustrations as I play (there is already so much I am trying to remember), when I look through the deck I chuckle at a lot of the cards.
Guys, this is a great party game. It is rules-light, doesn’t require a ton of strategy, and gets people up and moving and out of their comfort zones. It really is perfect for those times when you have reluctant players or partners to get them into the gaming mood by having them perform ridiculous but super fun actions. Winners, losers, it doesn’t matter at the end of this game. Everyone is sure to have a really great time playing. If you love Happy Salmon, I can almost guarantee that you will also love Meow! as something a little different. And we at Purple Phoenix Games love Happy Salmon! I am really looking forward to the Kickstarter campaign to see what Peter C. Hayward has up his sleeves.
NOTE: I have never been hazed nor have I hazed another. Just wanted to get that straight.
DISCLAIMER: We were provided a review copy of this game for the purposes of this review. These are preview copy components, and I do not know if the final components will be similar or different, or if the Kickstarter campaign will alter or add anything through stretch goals. -T
As an initiate to the Cult of Cat it is your duty to pass the test and not break any rules. The winning player, therefore, is the one who can perform all of the necessary rules without breaking any. Let me explain. The game is a giant stack of cards. Upon these cards is the name of the rule, an illustration that matches the rule, and an explanation of the action to be completed. At the beginning of the game you are dealt two cards (or one card dependent on number of players in the game) and one card is dealt face-down to the middle of the table. You look at your dealt cards, study them, and pass your hand to the player on your left. So you now have seen two rules that you have passed, and you have received two rules from your neighbor on the right. I hope you remembered what you passed…
On your turn you will play a card from your hand, announce and perform its action, and then perform all the actions on your opponents’ cards that you can possibly remember to impress the brethren and hopefully not break any of their rules in the process. Once you are satisfied with your performance you point to the player on your left and ask, “Have I broken any of your rules?” If you performed one of the rules in their hand incorrectly, or omitted one of their rules, then they are required to say, “Yes.” At this point they announce the rule you have broken, add that card to the card that was dealt face-down to the table, and you add your played card to form a pile of three. Shuffle those and draw one for yourself, your opponent draws one, and the remainder stays on the table. This is the game and it continues until someone has correctly performed the actions of their opponents and not broken any rules.
Components. Again, this is a giant stack of cards. I do not know what the quality will be after the Kickstarter campaign ends, so I cannot really comment on them. My review copy cards were fine. The art on the cards is really comical and funny. I mean comical like in comic books. I like the art quite a bit, and while I am not really looking at the illustrations as I play (there is already so much I am trying to remember), when I look through the deck I chuckle at a lot of the cards.
Guys, this is a great party game. It is rules-light, doesn’t require a ton of strategy, and gets people up and moving and out of their comfort zones. It really is perfect for those times when you have reluctant players or partners to get them into the gaming mood by having them perform ridiculous but super fun actions. Winners, losers, it doesn’t matter at the end of this game. Everyone is sure to have a really great time playing. If you love Happy Salmon, I can almost guarantee that you will also love Meow! as something a little different. And we at Purple Phoenix Games love Happy Salmon! I am really looking forward to the Kickstarter campaign to see what Peter C. Hayward has up his sleeves.
Debbiereadsbook (1444 KP) rated I've Got You in Books
Jul 3, 2019
a stunning follow up!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is sort of the second book in the set, Let Me Show You is the first, and you really should read that one, I think, to give you the full picture of what Scott did to Carter in that book, and why he feels so bad about himself in this one. Not totally NECESSARY, but I think it would help a great deal.
Scott was awful to Carter, and then came out to him, which made what Scott did all the worse. When Scott kisses Davis, Tanner’s best friend, at Carter and Tanner’s party, Scott runs. It takes a great deal of Carter to bring Scott out of himself. Davis is profoundly affected by that kiss, and he knows what Scott did to Carter was bad, but when Davis sees Scott, really SEES deep into his eyes, Davis knows Scott is desperately unhappy with his lot. But can the newly outed vet be happy with the single dad? Can he be happy, at ALL?
Like I said, I think it would help a great deal to read Carter and Tanner’s book before this one. If only to give you the full picture of what Scott did to Carter, and why Tanner is reluctant to forgive Scott, even if Carter does, and just why Scott hates himself so much. You need that bigger picture, I think. Just my personal opinion, is all.
Scott is hurting. He knows what he did was wrong, and the fact that Carter has taken it upon himself to become Scott’s best friend shocks him but gives him hope. He doesn’t know if he will ever be truly happy with himself for that, but he has to try. Meeting Davis at Carter and Tanner’s party was a bit of a revelation. He doesn’t know why he kissed Davis, but he liked it, a lot. Getting to know Davis seems like a good idea, but a deeply scary one for Scott, especially since Davis has a baby daughter.
Davis is lovely! I loved his patience with Scott, he knows Scott is hurting, and he knows Scott is newly out, so he understands explaining stuff is hard work, but very quickly, very early on, Davis knows Scott is the man for him. He just has to bide his time while Scott gets himself sorted. When Scott comes to work in Davis’ coffee shop, it gives Davis the ideal opportunity to get close to Scott. And when Scott meets Libby?? Davis is smitten, deeply!
There is, for Scott, a great deal of soul-searching in this book. Davis is an open book here and Scott is not. It takes time for Scott to come out of himself, and for the relationship between Davis and Scott to develop and I loved that. In Carter and Tanner’s review, I said I loved being made to wait for the main event but here? I wasn’t even sure we would GET the main event! It’s a close thing, I tell ya. But it’s right and proper that these two take their time, and get to know each other properly, I think.
It has some sexy time, some deeply emotional time, some funny moments and some shocking ones. Both Davis and Scott have their say, in the first person. Both voices are very different, and each change is clearly headed at the beginning of a chapter.
It also has some very homophobic comments from a shocking source, where you don’t expect them, but once you know, you understand why Scott was in a bad place before.
We leave this little town, with Scott and Davis, and Carter and Tanner happily settling down to their new lives together. We also get to meet Scott’s sister. I’d like her to be happy too. She had it tough for a long time, and reconnecting with Scott gives her the courage to do something about her life. She deserves the kind of happiness her brother has found, too, please Ms Seymour!
Not quite as warm and fuzzies and too stinking cute as Let Me Some You, but it’s a very close thing! Still. . .
5 full and shiny stars
**same worded review will appear elsewhere**
This is sort of the second book in the set, Let Me Show You is the first, and you really should read that one, I think, to give you the full picture of what Scott did to Carter in that book, and why he feels so bad about himself in this one. Not totally NECESSARY, but I think it would help a great deal.
Scott was awful to Carter, and then came out to him, which made what Scott did all the worse. When Scott kisses Davis, Tanner’s best friend, at Carter and Tanner’s party, Scott runs. It takes a great deal of Carter to bring Scott out of himself. Davis is profoundly affected by that kiss, and he knows what Scott did to Carter was bad, but when Davis sees Scott, really SEES deep into his eyes, Davis knows Scott is desperately unhappy with his lot. But can the newly outed vet be happy with the single dad? Can he be happy, at ALL?
Like I said, I think it would help a great deal to read Carter and Tanner’s book before this one. If only to give you the full picture of what Scott did to Carter, and why Tanner is reluctant to forgive Scott, even if Carter does, and just why Scott hates himself so much. You need that bigger picture, I think. Just my personal opinion, is all.
Scott is hurting. He knows what he did was wrong, and the fact that Carter has taken it upon himself to become Scott’s best friend shocks him but gives him hope. He doesn’t know if he will ever be truly happy with himself for that, but he has to try. Meeting Davis at Carter and Tanner’s party was a bit of a revelation. He doesn’t know why he kissed Davis, but he liked it, a lot. Getting to know Davis seems like a good idea, but a deeply scary one for Scott, especially since Davis has a baby daughter.
Davis is lovely! I loved his patience with Scott, he knows Scott is hurting, and he knows Scott is newly out, so he understands explaining stuff is hard work, but very quickly, very early on, Davis knows Scott is the man for him. He just has to bide his time while Scott gets himself sorted. When Scott comes to work in Davis’ coffee shop, it gives Davis the ideal opportunity to get close to Scott. And when Scott meets Libby?? Davis is smitten, deeply!
There is, for Scott, a great deal of soul-searching in this book. Davis is an open book here and Scott is not. It takes time for Scott to come out of himself, and for the relationship between Davis and Scott to develop and I loved that. In Carter and Tanner’s review, I said I loved being made to wait for the main event but here? I wasn’t even sure we would GET the main event! It’s a close thing, I tell ya. But it’s right and proper that these two take their time, and get to know each other properly, I think.
It has some sexy time, some deeply emotional time, some funny moments and some shocking ones. Both Davis and Scott have their say, in the first person. Both voices are very different, and each change is clearly headed at the beginning of a chapter.
It also has some very homophobic comments from a shocking source, where you don’t expect them, but once you know, you understand why Scott was in a bad place before.
We leave this little town, with Scott and Davis, and Carter and Tanner happily settling down to their new lives together. We also get to meet Scott’s sister. I’d like her to be happy too. She had it tough for a long time, and reconnecting with Scott gives her the courage to do something about her life. She deserves the kind of happiness her brother has found, too, please Ms Seymour!
Not quite as warm and fuzzies and too stinking cute as Let Me Some You, but it’s a very close thing! Still. . .
5 full and shiny stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Teen Titans Go! To the Movies (2018) in Movies
Jul 8, 2019
This summer has brought us many of the best and highest rated superhero movies of all time. After seeing big blockbusters such as Avengers: Infinity War and Deadpool 2 and even Disney Pixar’s animated superhero hit Incredibles 2, folks may have a bit of superhero overload. With so many genre-defining films one right after the other it would be easy to miss the newest contender, Teen Titans Go! To the Movies, but it’s absolutely a movie you should make a point to see.
Robin (Scott Menville), the leader of the Teen Titans dreams of nothing more than having a movie made about him. It seems like there is a movie about every other major superhero (even if it wasn’t a particularly good one as Green Lantern reluctantly admits too), so why not him? When he and his team Beast Boy (Greg Cipes), Cyborg (Khary Payton), Raven (Tara Strong) and Starfire (Hynden Walch) inquire why a movie has yet to be made about them, they are laughed at. After all, who would ever make a movie dedicated to the lowly sidekicks?
The Titans realize that there is one thing that all superheroes have that they are missing…an archnemesis, someone they could prove their heroic talents defeating and ultimately earn them a place among the stars. The Titans, due the other major superheroes being unavailable, come across Slade (Will Arnett) attempting to steal a precious crystal. Jumping quickly into action, the team realizes that this may be the archnemesis they are searching for.
Teen Titans is a movie that certainly does not take itself seriously, even their first battle is against a giant balloon man who steals safes by stuffing them inside helium filled balloons. There are also the occasional fart jokes and the expected waffles references, which are all the things that young kids have grown to love about the series. Even though those jokes and references were very funny, they are really only surface level jokes, ones to make the kids in the audience laugh. To get to the real genius of this movie you have to look a little deeper. Teen Titans is full of 80’s and pop culture references, so many that it’d be easy to overlook them the first time you see it. The movie includes subtle nods to everything from Back to the Future to superhero origin stories and every one of them is pure genius. The references were clearly made for the adults to catch, yet you’ll still see the younger audience members laughing (although they may not know why). One of my absolute favorite parts in the movie involves Aquaman, and 3 days later I’m still laughing about it. The joy this movie brings will stay with you for a very long time.
Teen Titans! Go to the Movies has my vote for best superhero movie of the year. It’s a bright shining star in the otherwise dismal DC Universe. It’s a movie that is made for young and old alike, but for entirely different reasons. It is both nostalgic and new, something that is incredibly difficult for most movies to accomplish these days. It will have you laughing throughout, but deep down teaches an incredibly important lesson about friendship, and what it means to be a true hero. For fans of the television series this is an absolute must see movie, in fact you should already have your tickets and know exactly when you are going. For those who have never seen a single episode but love superhero movies, don’t just sit there, fly/swim/portal your way over to the theater. If you have a fondness for the 80s, you’ll be in for a serious treat, in many, many ways. As cliché as this may seem, it’s the must-see movie of the summer and in my opinion the entire year. Oh, and make sure you stay for the credits…the genius lasts until the very end.
What I liked: Incredibly clever 80s and pop culture references, vivid and amazing animation, the superhero origin stories (you’ll understand when you watch it)
What I liked less: I couldn’t immediately go see it again
Robin (Scott Menville), the leader of the Teen Titans dreams of nothing more than having a movie made about him. It seems like there is a movie about every other major superhero (even if it wasn’t a particularly good one as Green Lantern reluctantly admits too), so why not him? When he and his team Beast Boy (Greg Cipes), Cyborg (Khary Payton), Raven (Tara Strong) and Starfire (Hynden Walch) inquire why a movie has yet to be made about them, they are laughed at. After all, who would ever make a movie dedicated to the lowly sidekicks?
The Titans realize that there is one thing that all superheroes have that they are missing…an archnemesis, someone they could prove their heroic talents defeating and ultimately earn them a place among the stars. The Titans, due the other major superheroes being unavailable, come across Slade (Will Arnett) attempting to steal a precious crystal. Jumping quickly into action, the team realizes that this may be the archnemesis they are searching for.
Teen Titans is a movie that certainly does not take itself seriously, even their first battle is against a giant balloon man who steals safes by stuffing them inside helium filled balloons. There are also the occasional fart jokes and the expected waffles references, which are all the things that young kids have grown to love about the series. Even though those jokes and references were very funny, they are really only surface level jokes, ones to make the kids in the audience laugh. To get to the real genius of this movie you have to look a little deeper. Teen Titans is full of 80’s and pop culture references, so many that it’d be easy to overlook them the first time you see it. The movie includes subtle nods to everything from Back to the Future to superhero origin stories and every one of them is pure genius. The references were clearly made for the adults to catch, yet you’ll still see the younger audience members laughing (although they may not know why). One of my absolute favorite parts in the movie involves Aquaman, and 3 days later I’m still laughing about it. The joy this movie brings will stay with you for a very long time.
Teen Titans! Go to the Movies has my vote for best superhero movie of the year. It’s a bright shining star in the otherwise dismal DC Universe. It’s a movie that is made for young and old alike, but for entirely different reasons. It is both nostalgic and new, something that is incredibly difficult for most movies to accomplish these days. It will have you laughing throughout, but deep down teaches an incredibly important lesson about friendship, and what it means to be a true hero. For fans of the television series this is an absolute must see movie, in fact you should already have your tickets and know exactly when you are going. For those who have never seen a single episode but love superhero movies, don’t just sit there, fly/swim/portal your way over to the theater. If you have a fondness for the 80s, you’ll be in for a serious treat, in many, many ways. As cliché as this may seem, it’s the must-see movie of the summer and in my opinion the entire year. Oh, and make sure you stay for the credits…the genius lasts until the very end.
What I liked: Incredibly clever 80s and pop culture references, vivid and amazing animation, the superhero origin stories (you’ll understand when you watch it)
What I liked less: I couldn’t immediately go see it again
Phil Leader (619 KP) rated Wanna Get Lucky? (Lucky O'Toole #1) in Books
Nov 28, 2019
Lucky O'Toole is head of Customer Relations at the splendidly over-the-top Babylon Hotel and Casino complex in Las Vegas. That means she spends all of her time dealing with the gamblers, drunks and high maintenance high rollers as well as dealing with any potential bad publicity. When a cocktail waitress falls out of one of their helicopters and is headline news it is a complication Lucky doesn't need, but as she starts to deal with this latest problem it soon becomes clear it may not have been an accident. Determined to get to the bottom of what is going on she plunges into the seedy world of Vegas behind the bright lights. As if this isn't enough her long-neglected love life starts adding complications all of its own. With the adult film awards and a convention for swingers about to hit the hotel she certainly has her hands full.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
Darren (1599 KP) rated Shallow Hal (2001) in Movies
Nov 28, 2019
Verdict: Sweet Little Comedy
Story: Shallow Hal starts as we meet Hal (Black) who was given advice from his father to never settle always shot for the stars when trying to meet women. Now in adult life he is a nice guy but he only targets models, always striking out, even if his friends try to convince him to learn about the women first.
After getting trapped in an elevator with Anthony Robbins a television hypnotist, he pulls a trick on him to see women for their inner beauty, which sees him meeting Rosemary (Paltrow) seeing her as a beautiful women, when she is really a bigger women, somebody Hal would never give a second glance to, Hal’s best friend Mauricio (Alexander) is getting worried his friend has changed.
Thoughts on Shallow Hal
Characters – Hal saw his father die young giving him one piece of advice, never settle when it comes to the ladies. Keeping that in his mind he has only ever tried to date models, without much success. He gets hypnotised into seeing the inner beauty only which to meet Rosemary a bigger woman he only sees as a beautiful woman, which sees him learn the lesson in life that people are not just what the outside shows. Rosemary is the woman Hal sees as a beautiful model, but she is a bigger girl with a heart of gold, which under the spell that Hal is under he doesn’t see, she is reluctant to let Hal into her life, but eventually believes him to be good. Mauricio is the shallow best friend of Hal’s, they have both only tried to date the beautiful women, he sees something wrong with his friend and tries to fix it. Steve Shanahan is Rosemary’s father and Hal’s boss who sees the positives in Hal, but will protect his daughter at any cost.
Performances – Jack Black in the lead of a comedy like this works wonders, he can play both sides with ease being the charmer that isn’t afraid whether he strikes out or not. Gwyneth Paltrow is great too showing she can handle comedy without needing to be the one running with the jokes. Jason Alexander provides fun supporting role that shows his skills in comedy.
Story – The story here follows a man Hal that believes he can only date models after being raised to never settle for less, when he gets hypnotised he learns to admire the inner beauty in women never seeing any of their outside flaws like the rest of the world, we are left to see if he can learn to just ignore everything once the spell wears off. This is an interesting look at romance, it shows us just how important trying to find love can be and getting to know a person is more important than anything else. This aside we do seem to have one flaw in the story and that is only some of the people change, while others remain completely the same, which does seem strange and it also only seems to show people that volunteer being less attractive, while the career driven women more than men are seen to be ugly inside. That aside we are focusing more on the struggles that Hal’s friend is facing with his change, more than Hal needing to learn about his changes.
Comedy/Romance – The comedy largely comes from Jack Black, while some of the lines seem awkward when we know the difference between the two Rosemary’s he delivers his comedy in such a confident way it shines through, with the romance being about how falling in love can happen with the person you least expect at times.
Settings – The film is set in the big city and shows how people can be ignored at times, while other times they could be right there in your life.
Scene of the Movie – Leaving Party.
That Moment That Annoyed Me – We do seem to imply that women who volunteer are beautiful on the inside, not career women.
Final Thoughts – This is a comedy that hits most of its marks, it plays into Jack Black’s strengths proving that giving him the right material he can improve any movie.
Overall: Funny for the Most Part.
After getting trapped in an elevator with Anthony Robbins a television hypnotist, he pulls a trick on him to see women for their inner beauty, which sees him meeting Rosemary (Paltrow) seeing her as a beautiful women, when she is really a bigger women, somebody Hal would never give a second glance to, Hal’s best friend Mauricio (Alexander) is getting worried his friend has changed.
Thoughts on Shallow Hal
Characters – Hal saw his father die young giving him one piece of advice, never settle when it comes to the ladies. Keeping that in his mind he has only ever tried to date models, without much success. He gets hypnotised into seeing the inner beauty only which to meet Rosemary a bigger woman he only sees as a beautiful woman, which sees him learn the lesson in life that people are not just what the outside shows. Rosemary is the woman Hal sees as a beautiful model, but she is a bigger girl with a heart of gold, which under the spell that Hal is under he doesn’t see, she is reluctant to let Hal into her life, but eventually believes him to be good. Mauricio is the shallow best friend of Hal’s, they have both only tried to date the beautiful women, he sees something wrong with his friend and tries to fix it. Steve Shanahan is Rosemary’s father and Hal’s boss who sees the positives in Hal, but will protect his daughter at any cost.
Performances – Jack Black in the lead of a comedy like this works wonders, he can play both sides with ease being the charmer that isn’t afraid whether he strikes out or not. Gwyneth Paltrow is great too showing she can handle comedy without needing to be the one running with the jokes. Jason Alexander provides fun supporting role that shows his skills in comedy.
Story – The story here follows a man Hal that believes he can only date models after being raised to never settle for less, when he gets hypnotised he learns to admire the inner beauty in women never seeing any of their outside flaws like the rest of the world, we are left to see if he can learn to just ignore everything once the spell wears off. This is an interesting look at romance, it shows us just how important trying to find love can be and getting to know a person is more important than anything else. This aside we do seem to have one flaw in the story and that is only some of the people change, while others remain completely the same, which does seem strange and it also only seems to show people that volunteer being less attractive, while the career driven women more than men are seen to be ugly inside. That aside we are focusing more on the struggles that Hal’s friend is facing with his change, more than Hal needing to learn about his changes.
Comedy/Romance – The comedy largely comes from Jack Black, while some of the lines seem awkward when we know the difference between the two Rosemary’s he delivers his comedy in such a confident way it shines through, with the romance being about how falling in love can happen with the person you least expect at times.
Settings – The film is set in the big city and shows how people can be ignored at times, while other times they could be right there in your life.
Scene of the Movie – Leaving Party.
That Moment That Annoyed Me – We do seem to imply that women who volunteer are beautiful on the inside, not career women.
Final Thoughts – This is a comedy that hits most of its marks, it plays into Jack Black’s strengths proving that giving him the right material he can improve any movie.
Overall: Funny for the Most Part.