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Sarah (7798 KP) rated Black Mirror: Bandersnatch (2018) in Movies
Dec 28, 2018 (Updated Dec 28, 2018)
A brilliant concept
Black Mirror is one of those series that is very divisive, people either seem to love it or hate it. I absolutely adore it. I love the bleak, technology driven alternate reality based stories, it’s fascinating and a worrying insight into what our future could become. I only found out yesterday that they were releasing this feature length standalone on Netflix, and when I found out it was a ‘choose your own ending’ type story, I couldn’t have been more excited. And it really does not disappoint.
The choose your own adventure style is flawless. I was worried it’d be clunky, slow or disrupt the flow of the scene, but it really is immaculate. The scene carries on while you choose, and choosing is simple, although you do have to be quite quick. It starts off with a few innocuous choices but then soon descends into ones that are a lot darker, and in some cases a lot funnier too. When you get to whatever ending you’ve reached, it allows you to go back and change some of your choices to see how the outcome would’ve differed, exactly like you’d do if you were reading a choose your ending Goosebumps book - flicking back and choosing a different option. On watching some of the alternate options, I soon realised some of the ones I’d picked were the best choices!
The plot itself is interesting and relevant, and also very meta as the story goes along, which for me really helped involve me as a watcher. There are some very bleak, gruesome and funny moments in this, which is really exactly what you’d expect from Charlie Brooker and even gets you questioning your own reality. Fionn Whitehead is great as Stefan, after this and Dunkirk he’s sure to do well. My only negative is that the story seemed to unfold very slowly in parts, but this could have all been down to the choices I made.
This is a fantastic concept for Black Mirror, and I’d love to see it used in other parts of the series. Albeit very sparingly, as it is something that could get old quite quickly if overused. But for Bandersnatch, it was a delight to watch, and take part.
The choose your own adventure style is flawless. I was worried it’d be clunky, slow or disrupt the flow of the scene, but it really is immaculate. The scene carries on while you choose, and choosing is simple, although you do have to be quite quick. It starts off with a few innocuous choices but then soon descends into ones that are a lot darker, and in some cases a lot funnier too. When you get to whatever ending you’ve reached, it allows you to go back and change some of your choices to see how the outcome would’ve differed, exactly like you’d do if you were reading a choose your ending Goosebumps book - flicking back and choosing a different option. On watching some of the alternate options, I soon realised some of the ones I’d picked were the best choices!
The plot itself is interesting and relevant, and also very meta as the story goes along, which for me really helped involve me as a watcher. There are some very bleak, gruesome and funny moments in this, which is really exactly what you’d expect from Charlie Brooker and even gets you questioning your own reality. Fionn Whitehead is great as Stefan, after this and Dunkirk he’s sure to do well. My only negative is that the story seemed to unfold very slowly in parts, but this could have all been down to the choices I made.
This is a fantastic concept for Black Mirror, and I’d love to see it used in other parts of the series. Albeit very sparingly, as it is something that could get old quite quickly if overused. But for Bandersnatch, it was a delight to watch, and take part.
Sophia (Bookwyrming Thoughts) (530 KP) rated Twerp in Books
Jan 23, 2020
Original Review posted on <a title="Twerp by Mark Goldblatt" href="http://bookwyrming-thoughts.blogspot.com/2013/05/arc-review-twerp-by-mark-goldblatt.html">Bookwyrming Thoughts</a>
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
<i><b>Disclaimer:</b> I received an ARC copy of the book from the publisher via Netgalley. My review is not influenced in any way.</i>
In the 1960s of Queens, New York, 6th grader Julian Twerski takes an incident too far with his group of friends and gets suspended as a result. He's asked by his English teacher to write a journal about the incident just to get out of writing a report. Instead, he writes about other incidents because he isn't really ready to talk about the incident that gets him a suspension.
Julian and his group of friends, Lonnie, Quentin, Sholomo, Eric and Howie, tend to get away with a lot of pranks after doing them. I love how Goldblatt writes Julian's life in a very realistic way that Twerp reminds me a lot of my 6th grade year in some way. It's pretty dramatic, with people holding grudges longer than necessary and when you look back, it somehow just reminds of some decisions where there was more than just one route... I feel pretty naive looking back now. If I could go back in time and rethink things through, there are just some things I probably wouldn't have done, even if I don't get in trouble for it.
Twerp is basically about taking responsibility for your actions. When you mess up terribly, sometimes apologizing is the right thing to do to make up for your actions (and sometimes, even apologizing doesn't work).
While I can't go back in time myself to rethink awkward/funny moments and situations, I'm really glad Julian finally realizes how far he took the incident and con fesses about what really happened instead of lying just to get out of it. I'm also really glad that he convinces his friends that what they did was wrong and they should, at the least, apologize about the incident. It's nice to know that after evaluating the situation and actions, it lifts a burden off someone's shoulders.
Original Rating: 3.5 out of 5 Owls
Note: Formatting is lost due to copy and paste
<i><b>Disclaimer:</b> I received an ARC copy of the book from the publisher via Netgalley. My review is not influenced in any way.</i>
In the 1960s of Queens, New York, 6th grader Julian Twerski takes an incident too far with his group of friends and gets suspended as a result. He's asked by his English teacher to write a journal about the incident just to get out of writing a report. Instead, he writes about other incidents because he isn't really ready to talk about the incident that gets him a suspension.
Julian and his group of friends, Lonnie, Quentin, Sholomo, Eric and Howie, tend to get away with a lot of pranks after doing them. I love how Goldblatt writes Julian's life in a very realistic way that Twerp reminds me a lot of my 6th grade year in some way. It's pretty dramatic, with people holding grudges longer than necessary and when you look back, it somehow just reminds of some decisions where there was more than just one route... I feel pretty naive looking back now. If I could go back in time and rethink things through, there are just some things I probably wouldn't have done, even if I don't get in trouble for it.
Twerp is basically about taking responsibility for your actions. When you mess up terribly, sometimes apologizing is the right thing to do to make up for your actions (and sometimes, even apologizing doesn't work).
While I can't go back in time myself to rethink awkward/funny moments and situations, I'm really glad Julian finally realizes how far he took the incident and con fesses about what really happened instead of lying just to get out of it. I'm also really glad that he convinces his friends that what they did was wrong and they should, at the least, apologize about the incident. It's nice to know that after evaluating the situation and actions, it lifts a burden off someone's shoulders.
Neon's Nerd Nexus (360 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
A funny angle
Gentleman is Guy Richie's attempt to bring the british gangster movies from the past back into the modern time and while it may just be an updated version of Snatch its a bloody enjoyable update. It seems like years ago now since I grew out of the 'British Gangster' film phase of my life and while I actaully find Snatch to be over rated myself instead much preferring Guy Richie's other work I can still understand why it has such a big following. Gentleman follows the same formula either deliberately or coincidentally and while this does feel repetative/outdated I couldnt help but be pulled in and deliciously entertained by it. Playing out a bit like reading a comic book Gentleman is satisfyingly violent, full of cusing/crudness and full of mostly satisfying twists and turns. At first I hated it but after the first 20 minutes I just let go and finally started getting back in to this sort of style. Full to the brim with exposition dialog but its handled in a refreshing new way which made hearing it less eye rolling and instead kept it constantly entertaining. Essentially one big power struggle between an assortment of characters non of which are actually very nice people but the ones Hugh Grant and Charlie hunnam play are extremely likeable. Watching these two interact on screen is the absolute bread and butter and they both play interesting characters both with very unique individual traits and characteristics. Colin Farrell is also superb and memorable too and the film has a wicked sense of humor that kept me laughing the whole way through. If you are easily offended its safe to say this is not the film for you as its not only full of extreame cursing but constant racism and violence too. By no means a perfect film or a gangster masterpiece Gentleman is still and absolute blast to watch and has enough twists/turns, quirky characters, witty dialog, fresh ideas, tension, violence/mucking about to entertain and offend pretty much anyone. Highly enjoyable.
JT (287 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Mar 10, 2020
John Wick: Chapter 3 – Parabellum picks up where chapter 2 left off, with young Johnathan running for his life as the clock ticks down until the $14 million bounty on his head is activated. With man’s best friend in tow, he searches for a place to patch himself up before he is finally made excommunicado – flipping a gold coin as a rite of passage.
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
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