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Places to Be, People to Kill
6
6.0 (1 Ratings)
Book Rating
I enjoyed this anthology more than one might expect from a collection of stories about killers, but then I've read a couple of volumes edited by [a:Brittiany A. Koren|12300|Brittiany A. Koren|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] and [a:Martin H. Greenberg|26064|Martin H. Greenberg|http://photo.goodreads.com/authors/1247759305p2/26064.jpg] now, and I trust the pair. (Greenberg has turned out so many anthologies that I don't assume anything at all when I see his name.)

I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.

"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?


[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.

The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
  
The Good Sister
The Good Sister
Sally Hepworth | 2021 | Crime, Fiction & Poetry, Mystery, Philosophy, Psychology & Social Sciences
6
8.3 (3 Ratings)
Book Rating
A predictable yet oddly thrilling read
Fern and Rose are extremely close sisters and incredibly dependent on one other. Rose has always been the responsible one and Fern, with her sensory-processing issues, the one people look at a bit oddly. Their mother was abusive, scarring Rose, who saw through to her true nature. Fern, who always looks to the good side of people, remembers her more fondly. But Rose has always protected her sister, especially since, as children, Fern did something horrible. Rose has faithfully kept her sister's secret, even though both girls wonder if it made Fern a terrible person. Now Rose and her husband are having trouble conceiving. Fern realizes she could finally do something for Rose: give her a child. However, Rose worries that Fern could make some disastrous choices if pregnant, just as she did so many years ago.

"Most people think of me as Fern's protector. But the truth is, in her own funny way, she's always been mine."

This is an excellent book in terms of the page-turner element. I was madly flipping the pages. It is especially remarkable because the story was actually fairly predictable. I kept waiting for some big twist, but I felt the plot was pretty well telegraphed from the beginning.

What kept me spellbound was the characters, particularly Fern. There was just something about her--you couldn't help but become attached. The cast here is small: the sisters, Rose's husband, Fern's acquaintance Wally, but they are quite well-drawn. Hepworth does a fantastic job with the two sisters, both depicting their childhood and then their current state, as Fern becomes determined to do something for Rose, her long-time protector, and Rose struggles with what Fern's choice means.

It's best to go into this one blind. To me, the story felt pretty straightforward and nothing really surprising happened, but it was still well-written and exciting. Yes, I would have loved a great twist or two to push this thriller from good into great territory. I still think it's worth a read, though, especially if you don't read a ton of mysteries and are more likely to be surprised. The relationship and dynamic between Fern and Rose is really worth a read by itself. 3 stars.
  
Everything, Everything (2017)
Everything, Everything (2017)
2017 | Drama
Eighteen-year-old Maddy's world is small. It's the size of a house.

Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.

When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.

Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.



This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.

This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.

Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.

The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.