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Arabian Nights Volume One
7.0
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Please note this drama contains some explicit content. This multicast dramatisation of Arabian...
The Amazing Spider-Man 2
Games and Entertainment
7.0
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*IMPORTANT* The Amazing Spider-Man 2 requires an iPad 2 (or newer), iPhone 4s (or newer), or iPod...
Debbiereadsbook (1444 KP) rated The Devil in Books
Mar 6, 2022
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere
Otway93 (580 KP) rated the PlayStation 4 version of Dragon Ball Z: Kakarot in Video Games
Aug 27, 2022
Story (5 more)
Character Roster
Range of Attacks
Updates
Cooking and Fishing
Original Dragon Ball references
DLC (2 more)
Speech
Combat
Great game let down by the DLC.
To start with, this is an outstanding game if you love Dragon Ball.
The game allows you to fight your way through the entire story of Dragon Ball Z, obviously just keeping to the key battles as otherwise the game would be far too long.
The game allows you to play as a reasonable variety of characters from the game. Some characters are only available as support though, so if you want to play as Krillin, Tien, Goten or Trunks, you're out of luck I'm afraid. But you do have Goku, Vegeta, Piccolo, Gohan and Future Trunks to choose from, which is a pretty decent mix.
Every single character also has a unique skill tree to allow you to power up and attain new skills and attacks, even on support characters, which is a nice touch and allows you to mix and match your fighting style.
Also included is the ability to hunt and gather ingredients to boost your stats, which although doesn't sound that fun, it can be! The fishing mini-game is also a nice touch. Simple, but nice.
Though one of my favourite things about this were the nods to the original Dragon Ball, bringing characters that Dragon Ball Z forgot about such as Eighter and The Pilaf Gang, and The Red Ribbon Army.
As it is with most things, there are downsides.
Firstly, the DLC. The 3rd DLC was a great addition, expanding on a part of Dragon Ball Z that wasn't fully explored. But the first two, you go I'm expecting a story, but they are basically training exercises that give you access to new transformations, which is pretty cool, but not really a DLC that needed to be separate from the game.
Secondly, the speech. During the game, instead of saying what the characters are actually saying, they will just say single words or sometimes just noises, which is honestly quite annoying and repetitive, and sometimes doesn't even relate to what they are saying.
And finally, this is just a minor thing, but combat is a bit limiting. For some reason all combat takes place in the air, even before the characters learned how to fly, combat still takes place in the air. It's not bad, but allowing combat on the ground would add a new level to the combat, or even some new moves!
Overall though, thoroughly recommended! Enjoy!
The game allows you to fight your way through the entire story of Dragon Ball Z, obviously just keeping to the key battles as otherwise the game would be far too long.
The game allows you to play as a reasonable variety of characters from the game. Some characters are only available as support though, so if you want to play as Krillin, Tien, Goten or Trunks, you're out of luck I'm afraid. But you do have Goku, Vegeta, Piccolo, Gohan and Future Trunks to choose from, which is a pretty decent mix.
Every single character also has a unique skill tree to allow you to power up and attain new skills and attacks, even on support characters, which is a nice touch and allows you to mix and match your fighting style.
Also included is the ability to hunt and gather ingredients to boost your stats, which although doesn't sound that fun, it can be! The fishing mini-game is also a nice touch. Simple, but nice.
Though one of my favourite things about this were the nods to the original Dragon Ball, bringing characters that Dragon Ball Z forgot about such as Eighter and The Pilaf Gang, and The Red Ribbon Army.
As it is with most things, there are downsides.
Firstly, the DLC. The 3rd DLC was a great addition, expanding on a part of Dragon Ball Z that wasn't fully explored. But the first two, you go I'm expecting a story, but they are basically training exercises that give you access to new transformations, which is pretty cool, but not really a DLC that needed to be separate from the game.
Secondly, the speech. During the game, instead of saying what the characters are actually saying, they will just say single words or sometimes just noises, which is honestly quite annoying and repetitive, and sometimes doesn't even relate to what they are saying.
And finally, this is just a minor thing, but combat is a bit limiting. For some reason all combat takes place in the air, even before the characters learned how to fly, combat still takes place in the air. It's not bad, but allowing combat on the ground would add a new level to the combat, or even some new moves!
Overall though, thoroughly recommended! Enjoy!
Gareth von Kallenbach (980 KP) rated End of Watch (2012) in Movies
Aug 7, 2019
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
Kristy H (1252 KP) rated The Crossing in Books
Dec 24, 2017
Harry Bosch is back on a case - but for the first time, it's no longer for the LAPD. After being forced to leave the LAPD (before they could fire him), Harry is "retired" and looking for a way to occupy his time. He reluctantly agrees to work for his half brother, Mickey Haller, a well-known defense attorney. Mickey brings an interesting case to Harry's attention - a reformed former gang member is in jail for a crime he swears he didn't commit (and for which Mickey is convinced he's innocent). It's a brutal rape and murder, and Bosch isn't sure he can stomach working for "the other side." Is this case worth his reputation and betraying the morals Bosch has lived by for his entire life?
So, full disclosure, I have an incredible sense of love for Harry Bosch. I stumbled upon Connelly's books in my dad's basement and picked up "The Poet" (of all books) first. I became addicted to his writing and eventually read every book in the Bosch series. I read the majority while pregnant - huge and uncomfortable, unable to sleep at night - with my twin girls. I still maintain to this day that if they'd been boys, they would have been named Hieronymus and Bosch.
So I read this book with a bit of trepidation... what would my beloved Bosch be like without his LAPD badge? I'm glad to say he's still the Bosch we know and love. In the novel, Bosch certainly struggles with the new and different mindset he must face on the other side -- the struggle of seeing the case versus the bigger picture. His brother, of course, cares only for how the facts affect the case and his client. But Bosch, being Bosch, has a bigger end state in mind - if Mickey's client didn't do it - who did?
This helps propel Bosch as he wrestles with his morals and where he belongs now, without the LAPD to back him up. That's not to say the book is simply about Bosch struggling with his own issues. Connelly presents his usual well-structured and plotted mystery, with a cast of interwoven characters. We follow along as Bosch uncovers clues from his perspective and also hear from the so-called bad guys. It's a compelling and layered mystery.
It's also interesting to see Bosch and Haller interact - this novel does an excellent job of setting up just how different the two (half) brothers really are. Still, it's always a treat to have them both in the same book.
Overall, an excellent book. Always wonderful to have Bosch in our lives again, even if briefly. I hope Connelly continues his story (hopefully he'll have to, as Bosch and Haller's lawsuit against the LAPD is still unresolved).
So, full disclosure, I have an incredible sense of love for Harry Bosch. I stumbled upon Connelly's books in my dad's basement and picked up "The Poet" (of all books) first. I became addicted to his writing and eventually read every book in the Bosch series. I read the majority while pregnant - huge and uncomfortable, unable to sleep at night - with my twin girls. I still maintain to this day that if they'd been boys, they would have been named Hieronymus and Bosch.
So I read this book with a bit of trepidation... what would my beloved Bosch be like without his LAPD badge? I'm glad to say he's still the Bosch we know and love. In the novel, Bosch certainly struggles with the new and different mindset he must face on the other side -- the struggle of seeing the case versus the bigger picture. His brother, of course, cares only for how the facts affect the case and his client. But Bosch, being Bosch, has a bigger end state in mind - if Mickey's client didn't do it - who did?
This helps propel Bosch as he wrestles with his morals and where he belongs now, without the LAPD to back him up. That's not to say the book is simply about Bosch struggling with his own issues. Connelly presents his usual well-structured and plotted mystery, with a cast of interwoven characters. We follow along as Bosch uncovers clues from his perspective and also hear from the so-called bad guys. It's a compelling and layered mystery.
It's also interesting to see Bosch and Haller interact - this novel does an excellent job of setting up just how different the two (half) brothers really are. Still, it's always a treat to have them both in the same book.
Overall, an excellent book. Always wonderful to have Bosch in our lives again, even if briefly. I hope Connelly continues his story (hopefully he'll have to, as Bosch and Haller's lawsuit against the LAPD is still unresolved).
Kristy H (1252 KP) rated The Grave's a Fine and Private Place: A Flavia de Luce Mystery Book 9 in Books
Jan 15, 2018
Flavia! (2 more)
Relationship between Flavia and Dogger
Mystery plot
Another excellent entry in Bradley's Flavia de Luce series
In the ninth (! - how is that possible?) Flavia de Luce mystery, we see Flavia away from her home turf, as she and her sisters have been sent away from Buckshaw on a holiday to try to help them recover from the death of their father. But instead (of course) Flavia discovers a dead body. As the gang is boating, she drags her hand along the water, it snags on something and boom - she catches her fingers on a corpse. Only our Flavia! Of course, Flavia isn't content to leave things to the local Constable. The dead man is named Orlando, and his death leads Flavia into a world of a traveling circus, a famous Canon renowned for poisoning three women, and much more.
I am an unabashed fan of Flavia and this book didn't disappoint. It has all the staples of an excellent Flavia novel-- a strong mystery to unravel and a bunch of clever, witty, and surprisingly uncanny lines from our beloved protagonist. By now, our dear twelve-year-old Flavia has been through a lot. She's more mature, and she's as feisty and clever as ever. I admit that some of the chemistry in these novels goes over my head (I'm not as smart as Flavia, and I'm completely fine admitting that). But I love the mystery plots, and more than that, I love Flavia. I've felt protective of her since the first novel, even though the thought of that would anger her more than anything.
There's a good eclectic cast of supporting characters in this one, including an aged actor, an undertaker's son, and a woman who used to know Dogger. And, of course, we get some appearances from Flavia's ever-suffering sisters, Daffy and Feely. The best part of this novel, however, for me, was the strengthening relationship between Dogger and Flavia. Their bond is one of the highlights of the book. I love those two. By now, Flavia and Dogger feel like friends, or even family. It's a sign of how well Bradley writes and creates these characters that you feel so attached to them.
Suffice to say, I thoroughly enjoyed this one. If you're a fan of Bradley's series, you probably will as well. If you haven't picked up this series, I do suggest starting near the beginning, as you'll form a better bond with the characters. But you will be able to jump in with this book, too, as the mystery stands alone. The ending of this one also leaves me excited and looking forward to what I hope will be book #10.
I was very excited to receive a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I am an unabashed fan of Flavia and this book didn't disappoint. It has all the staples of an excellent Flavia novel-- a strong mystery to unravel and a bunch of clever, witty, and surprisingly uncanny lines from our beloved protagonist. By now, our dear twelve-year-old Flavia has been through a lot. She's more mature, and she's as feisty and clever as ever. I admit that some of the chemistry in these novels goes over my head (I'm not as smart as Flavia, and I'm completely fine admitting that). But I love the mystery plots, and more than that, I love Flavia. I've felt protective of her since the first novel, even though the thought of that would anger her more than anything.
There's a good eclectic cast of supporting characters in this one, including an aged actor, an undertaker's son, and a woman who used to know Dogger. And, of course, we get some appearances from Flavia's ever-suffering sisters, Daffy and Feely. The best part of this novel, however, for me, was the strengthening relationship between Dogger and Flavia. Their bond is one of the highlights of the book. I love those two. By now, Flavia and Dogger feel like friends, or even family. It's a sign of how well Bradley writes and creates these characters that you feel so attached to them.
Suffice to say, I thoroughly enjoyed this one. If you're a fan of Bradley's series, you probably will as well. If you haven't picked up this series, I do suggest starting near the beginning, as you'll form a better bond with the characters. But you will be able to jump in with this book, too, as the mystery stands alone. The ending of this one also leaves me excited and looking forward to what I hope will be book #10.
I was very excited to receive a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Phillip McSween (751 KP) rated The Avengers (2012) in Movies
Mar 9, 2019 (Updated Jun 20, 2019)
A Blast
I remember the trepidation of going to see Marvel’s The Avengers. Could they really pull a team-up like this off? Could the whole really be a sum of some awesome parts? I wasn’t sure. That trepidation turned into utter lack of interest. X-Men: The Last Stand left a bad taste in my mouth, but the Avengers crew was regaining my interest in the superhero world movie by movie. Good thing I gave the movie a chance because I ended up having the time of my life.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
Kristy H (1252 KP) rated The Crossing in Books
Feb 1, 2018
Harry Bosch is back on a case - but for the first time, it's no longer for the LAPD. After being forced to leave the LAPD (before they could fire him), Harry is "retired" and looking for a way to occupy his time. He reluctantly agrees to work for his half brother, Mickey Haller, a well-known defense attorney. Mickey brings an interesting case to Harry's attention - a reformed former gang member is in jail for a crime he swears he didn't commit (and for which Mickey is convinced he's innocent). It's a brutal rape and murder, and Bosch isn't sure he can stomach working for "the other side." Is this case worth his reputation and betraying the morals Bosch has lived by for his entire life?
So, full disclosure, I have an incredible sense of love for Harry Bosch. I stumbled upon Connelly's books in my dad's basement and picked up "The Poet" (of all books) first. I became addicted to his writing and eventually read every book in the Bosch series. I read the majority while pregnant - huge and uncomfortable, unable to sleep at night - with my twin girls. I still maintain to this day that if they'd been boys, they would have been named Hieronymus and Bosch.
So I read this book with a bit of trepidation... what would my beloved Bosch be like without his LAPD badge? I'm glad to say he's still the Bosch we know and love. In the novel, Bosch certainly struggles with the new and different mindset he must face on the other side -- the struggle of seeing the case versus the bigger picture. His brother, of course, cares only for how the facts affect the case and his client. But Bosch, being Bosch, has a bigger end state in mind - if Mickey's client didn't do it - who did?
This helps propel Bosch as he wrestles with his morals and where he belongs now, without the LAPD to back him up. That's not to say the book is simply about Bosch struggling with his own issues. Connelly presents his usual well-structured and plotted mystery, with a cast of interwoven characters. We follow along as Bosch uncovers clues from his perspective and also hear from the so-called bad guys. It's a compelling and layered mystery.
It's also interesting to see Bosch and Haller interact - this novel does an excellent job of setting up just how different the two (half) brothers really are. Still, it's always a treat to have them both in the same book.
Overall, an excellent book. Always wonderful to have Bosch in our lives again, even if briefly. I hope Connelly continues his story (hopefully he'll have to, as Bosch and Haller's lawsuit against the LAPD is still unresolved).
So, full disclosure, I have an incredible sense of love for Harry Bosch. I stumbled upon Connelly's books in my dad's basement and picked up "The Poet" (of all books) first. I became addicted to his writing and eventually read every book in the Bosch series. I read the majority while pregnant - huge and uncomfortable, unable to sleep at night - with my twin girls. I still maintain to this day that if they'd been boys, they would have been named Hieronymus and Bosch.
So I read this book with a bit of trepidation... what would my beloved Bosch be like without his LAPD badge? I'm glad to say he's still the Bosch we know and love. In the novel, Bosch certainly struggles with the new and different mindset he must face on the other side -- the struggle of seeing the case versus the bigger picture. His brother, of course, cares only for how the facts affect the case and his client. But Bosch, being Bosch, has a bigger end state in mind - if Mickey's client didn't do it - who did?
This helps propel Bosch as he wrestles with his morals and where he belongs now, without the LAPD to back him up. That's not to say the book is simply about Bosch struggling with his own issues. Connelly presents his usual well-structured and plotted mystery, with a cast of interwoven characters. We follow along as Bosch uncovers clues from his perspective and also hear from the so-called bad guys. It's a compelling and layered mystery.
It's also interesting to see Bosch and Haller interact - this novel does an excellent job of setting up just how different the two (half) brothers really are. Still, it's always a treat to have them both in the same book.
Overall, an excellent book. Always wonderful to have Bosch in our lives again, even if briefly. I hope Connelly continues his story (hopefully he'll have to, as Bosch and Haller's lawsuit against the LAPD is still unresolved).
Becca Major (96 KP) rated Black in TV
May 26, 2018
Premise (3 more)
Story
Mystery
Interesting world-building
THAT TERRIBLE ENDING (1 more)
Manipulative asshat hero
"Black" is just weird, okay?
"Black" is a very weird show because it is a steaming pile of questions. What Black is actually about is a detective who kinda befriends a psychic woman right before getting shot, and the Grim Reaper that possesses his dead body for his own purposes. Oh, and the psychic and the reaper develop feelings for each other, because of course they do.
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]