Search
Search results
Matthew Krueger (10051 KP) rated Four Brothers (2005) in Movies
Jan 13, 2021
Revenge and Vengeance
Four Brothers- is a good movie. It has action, suspense, thrills and chills.
The plot: When an inner-city Detroit foster mother (Fionnula Flanagan) is murdered in a botched holdup, four of her now-grown adopted children suspect it was no random killing. Rising musician Jack (Garrett Hedlund), former-Marine Angel (Tyrese Gibson), hotheaded hockey player Bobby (Mark Wahlberg) and settled-down husband and father Jeremiah (André Benjamin) go on the hunt for neighborhood criminal kingpin Victor Sweet (Chiwetel Ejiofor) while being trailed themselves by the local beat cops.
The cast is good, the action is good, the suspense is good and its a good thriller.
The plot: When an inner-city Detroit foster mother (Fionnula Flanagan) is murdered in a botched holdup, four of her now-grown adopted children suspect it was no random killing. Rising musician Jack (Garrett Hedlund), former-Marine Angel (Tyrese Gibson), hotheaded hockey player Bobby (Mark Wahlberg) and settled-down husband and father Jeremiah (André Benjamin) go on the hunt for neighborhood criminal kingpin Victor Sweet (Chiwetel Ejiofor) while being trailed themselves by the local beat cops.
The cast is good, the action is good, the suspense is good and its a good thriller.
Bostonian916 (449 KP) rated Burden (2018) in Movies
Aug 4, 2020
I'm not sure why this movie is listed as being released it 2018. It was released VOD early this summer due to theaters closing down. IMDb has it listed as 2018, as well. Perhaps that was the intended release?
Anyway, Burden is a true story about Mike Burden, an active KKK member in the deep south. Having lived a life of hate and anger, he falls in love with a woman who shows him that there are other ways. He denounces his position in the Klan and removes himself from it entirely with the help of a local reverend who happens to be black.
The film makers did a wonderful job of showing the mental and emotional anguish that Burden went through by walking away from the only "family" he ever knew, even though they were heinous, it was still not an easy task.
Garrett Hedlund and Forest Whitaker are both absolutely phenomenal in their respective roles. From what I understand, the film stays pretty true to the actual story that played out in real life.
Though the film is based on events that took place in the 90's from what I can tell, the story told is a relevant today (perhaps moreso) than ever.
Anyway, Burden is a true story about Mike Burden, an active KKK member in the deep south. Having lived a life of hate and anger, he falls in love with a woman who shows him that there are other ways. He denounces his position in the Klan and removes himself from it entirely with the help of a local reverend who happens to be black.
The film makers did a wonderful job of showing the mental and emotional anguish that Burden went through by walking away from the only "family" he ever knew, even though they were heinous, it was still not an easy task.
Garrett Hedlund and Forest Whitaker are both absolutely phenomenal in their respective roles. From what I understand, the film stays pretty true to the actual story that played out in real life.
Though the film is based on events that took place in the 90's from what I can tell, the story told is a relevant today (perhaps moreso) than ever.
LoganCrews (2861 KP) rated Pan (2015) in Movies
Sep 21, 2020
Huh? … what? H-how? Why..? I'm not even sure what like 80% of this crackpot, drug-fueled children's fever dream even was but I'm pretty sure I loved it. Everyone sings "Smells Like Teen Spirit" and "Blitzkrieg Bop" to hype up a grisly-looking, scenery chewing pirate Hugh Jackman for no reason at all. You're also able to witness a severely miscast Garrett Hedlund give one of the worst performances the screen has ever seen as Rooney Mara pulls an Emma Stone in 𝘈𝘭𝘰𝘩𝘢 and the fairies savagely murder an entire ship full of people one by one. In all seriousness, perhaps my allure bias for these cockamamie box office bombs is showing but this isn't even a quarter of the disasterpiece it has been dubbed. The visuals are lush, varied, and colorful with Wright's lifeful eye hard at work - and it has a lot of fun with its setpieces, while taking fine care of its effects. My biggest complaint is that this nutty curio has to be stuck within the confines of those obnoxious kids' films where the bland protagonist (here at least acted exceptionally by Miller) who obviously has some arbitrary, special talent spends the whole movie claiming they don't have said arbitrary, special talent only to find out completely unsurprisingly that they did have the aforementioned arbitrary, special talent all along. This would make an awesome PS2 game, if I didn't know any better you could have effortlessly convinced me Luc Besson directed this. Rushed through plot but who cares, it's mostly a blast.
JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Charlie Cobra Reviews (1840 KP) rated Triple Frontier (2019) in Movies
Jul 5, 2020
Choices and Consequences - 7/10
Triple Frontier is a 2019 action/thriller movie directed by J.C. Chandor. The screenplay was written by J.C. Chandor and Mark Boal with story also by Mark Boal. Starring Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Gareth von Kallenbach (965 KP) rated Pan (2015) in Movies
Aug 6, 2019
I had mixed emotions when I first saw the trailer for Pan. The story of Peter Pan was one of my all time favorites growing up. Then Steven Spielberg had to go and get Robin Williams and Dustin Hoffman together to bring us Hook, and it solidified the stories of Pan as the best thing since sliced bread for me. So here we have Joe Wright bringing the word put on paper by Jason Fuchs to real life. The story of how Peter came to Neverland; and just how did Captain James T. Hook become so fearful of crocodiles. I was worried, and so I shut it all out. I did not watch any more trailers, clips, or synopsis on the film. But, my curiosity got the best of me, and when we offered the press screening, I jumped at the opportunity to see it. And boy, I am glad I did.
Pan, in case you haven’t figured it out, tells the story of 12-year old orphan Peter (Levi Miller), who is abducted from his orphanage, along with many other little boy orphans, by pirates from Neverland. When they bring Peter to Neverland, he is forced to work in the mines, serving the evil pirate overlord, Black Beard (Hugh Jackman, no seriously. It totally doesn’t even look like him.). It’s not long before some very unusual things start happening to him, and he, along with James T. Hook (Garrett Hedlund), escape the mines to find the natives and Princess Tiger Lily (Rooney Mara), who helps Peter discover his destiny.
Loaded with stunning visuals and a great soundtrack (including some very recognizable songs in the form of pirate chants), Pan nails it in all the right ways. The visionaries who brought this world to life are amazing, and the creativity in every scene is astounding. It was especially charming that the people behind the film kept in mind that it is a family film. While there is some violence, it is an action movie after all, they applied some very interesting effects and theories to use in place of the gore and blood. I also enjoyed, as weird as this sounds, the brightness of the whole movie. They didn’t try to make the film a dark tale of gritty origins. The feel of the story has the same notes of brightness that I remember from the Disney film as a kid, to even Hook in my later years.
And the likenesses do not stop there. It was very fun, and a bit nostalgic, to catch the references and clues of what’s to come. You see things that influence the characters to become who we know and love. And true to the rumors/stories I heard of the background of the beloved Peter Pan tale, Captain Hook and Peter began their time together as friends. The film sets out to do what it was meant to do… tell the story of how Peter and Captain Hook became who they were. But, not all is revealed in this film. When the film is over, and you’ll wish it weren’t, our beloved hero and villain have a long way to go still. So look forward to more films to come.
The only gripe I had with this movie was the acting. And just one part in general. I felt most of the cast was excellent. Jackman portrayed a great, and zany by the standards of the Paniverse (hoping to coin a new term here people, #paniverse), pirate… czar?! I know I used overlord, but it’s hard to say what he is other than he is the captain of captains. Mara played Tiger Lily oh so very well, and Miller held his own right up there with the bigger names. But it was Hedlund I had issue with. His portrayal of James Hook was more reminiscent of Jack Nicholson with elongated words, and an almost creepy like vibe. It’s just not how I imagined him to act, and maybe that is just throwing my perception off. Though, my feeling and view of the portrayal was echoed by my guest at the screening, so there may be something to it. Luckily, my negative view of the acting was not enough to pull me out of the experience, and I was still able to enjoy the movie.
Bottom line. Go see this movie. Take your kids, your partners, your parents, your grandparents, your cousin’s, aunt’s son/daughter… oh wait. That’s you. The point is. It’s definitely worth seeing. The 3D effects were nothing ground breaking, but it would still be worth it to see it in 3D. And this will definitely be in my collection on day 1 of home release.
Pan, in case you haven’t figured it out, tells the story of 12-year old orphan Peter (Levi Miller), who is abducted from his orphanage, along with many other little boy orphans, by pirates from Neverland. When they bring Peter to Neverland, he is forced to work in the mines, serving the evil pirate overlord, Black Beard (Hugh Jackman, no seriously. It totally doesn’t even look like him.). It’s not long before some very unusual things start happening to him, and he, along with James T. Hook (Garrett Hedlund), escape the mines to find the natives and Princess Tiger Lily (Rooney Mara), who helps Peter discover his destiny.
Loaded with stunning visuals and a great soundtrack (including some very recognizable songs in the form of pirate chants), Pan nails it in all the right ways. The visionaries who brought this world to life are amazing, and the creativity in every scene is astounding. It was especially charming that the people behind the film kept in mind that it is a family film. While there is some violence, it is an action movie after all, they applied some very interesting effects and theories to use in place of the gore and blood. I also enjoyed, as weird as this sounds, the brightness of the whole movie. They didn’t try to make the film a dark tale of gritty origins. The feel of the story has the same notes of brightness that I remember from the Disney film as a kid, to even Hook in my later years.
And the likenesses do not stop there. It was very fun, and a bit nostalgic, to catch the references and clues of what’s to come. You see things that influence the characters to become who we know and love. And true to the rumors/stories I heard of the background of the beloved Peter Pan tale, Captain Hook and Peter began their time together as friends. The film sets out to do what it was meant to do… tell the story of how Peter and Captain Hook became who they were. But, not all is revealed in this film. When the film is over, and you’ll wish it weren’t, our beloved hero and villain have a long way to go still. So look forward to more films to come.
The only gripe I had with this movie was the acting. And just one part in general. I felt most of the cast was excellent. Jackman portrayed a great, and zany by the standards of the Paniverse (hoping to coin a new term here people, #paniverse), pirate… czar?! I know I used overlord, but it’s hard to say what he is other than he is the captain of captains. Mara played Tiger Lily oh so very well, and Miller held his own right up there with the bigger names. But it was Hedlund I had issue with. His portrayal of James Hook was more reminiscent of Jack Nicholson with elongated words, and an almost creepy like vibe. It’s just not how I imagined him to act, and maybe that is just throwing my perception off. Though, my feeling and view of the portrayal was echoed by my guest at the screening, so there may be something to it. Luckily, my negative view of the acting was not enough to pull me out of the experience, and I was still able to enjoy the movie.
Bottom line. Go see this movie. Take your kids, your partners, your parents, your grandparents, your cousin’s, aunt’s son/daughter… oh wait. That’s you. The point is. It’s definitely worth seeing. The 3D effects were nothing ground breaking, but it would still be worth it to see it in 3D. And this will definitely be in my collection on day 1 of home release.
Bob Mann (459 KP) rated The United States vs. Billie Holiday (2021) in Movies
Apr 16, 2021
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Darren (1599 KP) rated Pan (2015) in Movies
Oct 14, 2019
Characters – Peter is an orphan during World War II, stuck in a boys home, he believes something is happening and wants to be reunited with his mother, taken to Neverland, he learns that he has an ability unlike anyone else, he just needs to learn to believe in himself. Blackbeard has been taking orphans to help him mine for fairy dust in Neverland, he runs a strict ship which Peter upsets, however this will put Blackbeard closer than ever to getting what he wants. Hook is one of the miners that helps Peter escape, he wants to be free with his own tragic backstory. Tiger Lily has been leading the war against Blackbeard for years now, she knows the secrets to the fairies and now must protect them at all costs.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.