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The Inexplicable Logic of My Life
The Inexplicable Logic of My Life
Benjamin Alire Saenz | 2017 | Fiction & Poetry, Young Adult (YA)
10
10.0 (3 Ratings)
Book Rating
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>

Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award winning novel, <i>Aristotle and Dante Discover the Secrets of the Universe</i>. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels.

When I saw an ARC of <i>The Inexplicable Logic of My Life</i> was available for request on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. And I am truly glad I did. What, from the blurb and book cover, could result in a mundane Young Adult novel, turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story, it makes you feel it too.

The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend Sam. Normally, the first day of school is something he looks forward to, however he feels differently this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.

Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in the back of his mind: who is his birth father?

Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like to not truly know who you are, as does Fito, another friend, with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood related.

Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and the encouragement to carry on.

<i>The Inexplicable Logic of My Life</i> covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?

With great efficacy, Sáenz explains through Sal’s voice, the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize that they always have belonged.

<i>The Inexplicable Logic of My Life</i> is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical, narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.
  
Simon vs. the Homo Sapiens Agenda
Simon vs. the Homo Sapiens Agenda
Becky Albertalli | 2015 | Fiction & Poetry, Gender Studies
10
9.0 (29 Ratings)
Book Rating
I have to admit that I will come off a bit biased in my review of this book, since it's one of my genuine favorites. Albertalli seems to just have this way of writing that can keep just about anyone engaged, and this paired up with such a touching, personal, and still-somehow-humorous story works perfectly.
The cast of characters is a realistic one. Simon's struggle to come to terms with being gay and to come out is coming from a place of understanding, and reflects perfectly the emotions most of us have or would feel in his position. Abby and Nick, though not particularly playing a large part in the overall story, act as normal people would in their situation, which is rare enough that I have to applaud it. Finally Leah, the last of the main group of friends, is a character we can probably relate to at least one person in our real life - and she's written perfectly for it, as a character we understand can be frustrating but still a good friend from Simon's perspective.
One of my favorite things about this book, however, would have to be the e-mails between Blue and Simon (or maybe calling him Jacques would be better when I talk about the e-mails?) All of these emails are scattered within the book, and give us an insight into the developing feelings between Simon and Blue such as when Simon (spoiler alert, possibly) finally signs off his e-mail with "love". Its the subtle details in these emails, and then also how their writing transfers to their real dialogue that makes it harder to not appreciate the care that went into this book - especially since its Albertalli's debut!
There's not much else I can really say about Simon without turning this review into a spoiler-filled minefield, but I would 100% recommend this book to anyone. Especially if the subject matter is something you can relate to, and if a romance with an original concept is what you're looking for!
  
The Postscript Murders
The Postscript Murders
Elly Griffiths | 2021 | History & Politics, Mystery, Thriller
9
9.0 (1 Ratings)
Book Rating
Witty mystery with lots of bookish references
When the elderly Peggy Smith passes away, her carer, Natalka, is convinced the death was suspicious. While helping clean out Peggy's flat, she finds a variety of books--all crime novels--dedicated to Peggy. Then a gunman breaks into Peggy's flat to steal only a book. DS Harbinder Kaur is not convinced at first about Peggy's death, but she cannot deny everything that begins to happen after Peggy's death. After another death occurs, DS Kaur is convinced writers are being targeted.

This is such a fun book. Not only is it an engaging mystery, it's truly a wonderfully bookish book for people who love reading, especially mysteries. This is Griffiths' second book featuring Harbinder Kaur, the Best Gay Sikh Detective in West Sussex--the "first out of a field of one," as she puts it. It's wonderful to have a crime series with a lesbian lead, especially one as intelligent and witty as Harbinder. She notices everything and offers some humorous insights into her life living with her parents and working with her rodent-like partner, Neil.

POSTSCRIPT is written in truly Elly Griffiths fashion. It's incredibly easy to read and everyone just embodies their characters so effortlessly. The supporting cast here is excellent: a former monk; Peggy's elderly neighbor; Natalka; and a host of folks spread across the writing community. The wonderful inside jokes and asides about writing, publishing, and books are so much fun.

Overall, I quite enjoyed this book. The mystery of what happened to Peggy and the subsequent sequence of events is interesting while the story and characters are witty and diverse. Elly Griffiths remains my go-to author. I highly recommend you read both Harbinder books, but this one does stand-alone.

I received a copy of this book from Netgalley and Houghton Mifflin Harcourt in return for an unbiased review. The U.S. version releases 03/02/2021.
  
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Rufus Wainwright recommended Pet Sounds by The Beach Boys in Music (curated)

 
Pet Sounds by The Beach Boys
Pet Sounds by The Beach Boys
1966 | Psychedelic

"For me, this is very much a hallmark of where I was able fit in musically in my career. When I started out I was in Montreal, but went to New York periodically and failed miserably with what I was trying to do. It was right at the time that Jeff Buckley was on the rise, and grunge, and that whole movement was incredibly heterosexual, incredibly nihilistic, incredibly guitar-based and very, very dark. I admired it, I'm not against that, but when I was dropped into that equation I was this gay piano-playing opera queen who wanted to be romantic and harken back to other more refined eras. What I was trying to do just didn't make any sense in New York. People would often try to categorise me and say I was cabaret or that I should be doing Broadway. It was very complicated and I never figured it out. Then I was signed to Dreamworks, by Lenny Waronker – whom I believe helped make Pet Sounds. I went to Los Angeles and suddenly realised that I was definitely more part of the Brian Wilson tradition. Whether it was him or Randy Newman or Van Dyke Parks or Harry Nilsson, there was a kind of spot that I could fit into. So I listened a lot to Pet Sounds. You can hear it somewhat on my new album, songs like the last track 'Alone Time', but all through my career there's been a real concentration on harmonies and interesting chord changes and a dreamlike quality. I was able to find my niche through that tradition, as opposed to the East Coast. I have a lot to thank Brian Wilson for, he allowed me to inhabit my world comfortably, as opposed to when I was in New York and I was a total anathema to what was happening there. I can't say that I listened to the album obsessively or that I'm obsessed with him and know all his work, but I definitely feel I am a Wilsonite."

Source
  
Obscura Burning
Obscura Burning
7
7.0 (1 Ratings)
Book Rating
3.5 stars.

I love the cover of this. It's very sci-fi-y and drew my attention straight away before I even read the synopsis.

So I found this to be a bit confusing with the continuous switching between realities and it took me a while to get used to it, especially keeping up with how all the other characters interacted with Kyle between the two realities he was living. In one people are alive who should have been dead, in the other he was friends with a girl who treated him like crap in the former. Another strange fact is that while he's in one alternate universe, he continues to function in the other, so he zips back and forth and can be in the middle of doing something that he then doesn't remember starting.

The girl I just mentioned above, Mya, tries to help Kyle figure out what's happening by taking him to a scientist/professor who did a paper on multiverses. In the "Danny's dead" world, I really like her, she's friendly and fun, while in "Shira's dead" world, well, she's not. (I think I got that right...)

As for Danny and Shira, I don't think I was a fan of them from the start. I'm not sure why, maybe it was because we never really saw enough of them, or the them before the fire that injured/killed them. But by the end, I definitely didn't like them.

The writing style was easy to get into and I kinda devoured the book when I finally just sat back and let myself read it without any distractions.

Don't be put off with it having a gay relationship in it, there's nothing overtly graphic between Danny and Kyle, just references, it doesn't go into great detail. It doesn't go into detail with Kyle's female relationships either.

This was probably a little too sci-fi for me; alternate universes? Erm...not really my thing but I did enjoy it. If you like sci-fi and mystery then you'll probably like this.
  
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Tim Booth recommended Fun House by The Stooges in Music (curated)

 
Fun House by The Stooges
Fun House by The Stooges
1970 | Punk, Rock
8.9 (9 Ratings)
Album Favorite

"A year after the punk gig debacle, when the school banned me from organising outings to gigs, I went to the housemaster about an Iggy Pop gig in Manchester. I explained that Iggy wasn't technically a punk and had been around ten years longer than punk music. I asked him if I could organise a trip to see the show and, very reluctantly, he agreed to me taking five people, as long as I could find a teacher to drive us there. I tried every single teacher in school and everybody turned me down, except the school organist, Mr Parks. God bless him. He had been in a boarding school himself, went to Cambridge and then back to playing classical organ for a choir at another boarding school. He had no experience of life and when he talked to you, he would never look you in the eye. He was a very damaged, sweet human being. And I persuaded the poor fucker to take us to see Iggy Pop at Manchester Apollo. Iggy, fresh out of a psychiatric hospital, who was playing the Lust For Life tour. We knew when we got there that we had to ditch Mr Parks quickly or he would yank us out of the gig. We got the venue and we ditched him. Iggy came on, covered in blood and with a devil's tail between his legs, fucked out of his mind, and throughout the show, his own security would pick him up off the floor and prop him against the mike. He would crawl into the audience and the bouncers were so terrified that they were attacking anyone. I was punched in the face for the first time, aged 16, at a gig by a bouncer who was trying to get away from a blood-covered Iggy Pop. The gig was jaw dropping. It was real, it was primal and Iggy was a force of nature. He looked like the most beautiful man I had ever seen. He looked like Nureyev on bad acid. I am not gay – I wish I was, or at least bisexual – but I fell in love. It was profound and it was beautiful – and Iggy, of course, created punk music. Afterwards, we made our way back to the car, thinking ""we are grounded for fucking life"" and that we might be expelled. We found Mr Parks and for the first time he looked me in the eye and said, ""That was incredible – I have never seen anything like it. Musically, it was very simple, but it was the most exciting thing I have ever seen in my life."" The man wouldn't stop talking all the way back in the car about this revelation. So, Iggy saved my life and probably saved Mr Park's life too. I have met Iggy. I have met James Osterberg, too – which is very different to meeting Iggy Pop – a few times. He is the most articulate, intelligent man. He was reading Dostoyevsky's The Idiot when I first met him. He is witty, gawky and very worthy of my love. I could have chosen a number of his albums, including The Idiot and Lust For Life. I wouldn't choose the more obvious one, Raw Power, because I don't like the production. Fun House is raw, fucked-up and has some astonishing moments and it has primal Iggy all over it. For years, Iggy garnered little respect. As a devotee, seeing him get respect in recent years has been great. I am very happy that the world has recognised him for the artist that he is."

Source
  
Jojo Rabbit (2019)
Jojo Rabbit (2019)
2019 | Comedy, Drama, War
Inventive, funny and poignant
Writer/Director/Actor Taika Waititi is one of the most original voices working in Film/Television today. He skewered the Vampire flick (at the height of the Twilight craze) in WHAT WE DO IN THE SHADOWS. He revived the sagging Thor saga (and some would say the Marvel Cinematic Universe) with a comedic approach to the material in THOR: RAGNAROK, and now with his latest film, JOJO RABBIT, he takes his sense of humor to a subject that is difficult to satire - Adolph Hitler and life in Nazi Germany during WW II.

And, darn it all, if he doesn't pull it off.

As seen through the eyes of a zealous 10 year old Hitler Youth named JoJo, this film follows Jojo's journey from an idealistic follower of all things Nazi Germany to the harsher realities of the world - and what the 3rd Reich means to the world.

Young Roman Griffin Davis does a marvelous job as the titular character slowly changing his character from an all out innocent devotion to Hitler (his imaginary friend as played by Waititi) to a somewhat less innocent soul. His journey is at the heart of this film and he is a winning personality to follow along with. I was drawn into his struggles and was rooting for him to "come to his senses" throughout the course of this film.

Helping him in this journey is his Mother, played in an Oscar nominated turn by Scarlett Johannson. This character has an idealism all of her own and is willing to let her child "get there in his own time". It is a strong turn by Johannson...but Oscar nominated worthy? I'm not sure.

Also joining in for fun, frolic and (by turns) seriousness is the always great Sam Rockwell (Oscar winner for 3 BILLBOARDS...)as a disillusioned German Officer, comedian Stephen Merchant (LOGAN) in an unlikely mostly serious turn as a Nazi who likes to say "Heil Hitler" and Alfie Allen (GAME OF THRONES) as a devoted German soldier (at least devoted to Rockwell's character). Waititi also uses Rebel Wilson sparingly - as she should be used - as another devouted-to-the-cause German citizen.

Adding heft and pathos to this film is Thomasin MacKenzie (THE KING) in a role that would be a spoiler to say what she is playing, but...I WILL say that she needs to succeed in this role for the film to succeed (and she does).

Also, special notice needs to be made of the performance of cherubic Archie Yates (soon to be Kevin in the reboot of the HOME ALONE franchise) as JoJo's friend Yorki - who keeps getting knocked down and steps back up over and over again. I would LOVE to see the film that would have focused on this character (in addition to this film).

And, finally, there is the Writer/Director himself, Taika Waititi as JoJo's imaginary friend, Adolph Hitler. He is all fun loving and gay at the beginning becoming more and more frantic as the film progresses - mimicking the real life events that are happening around him.

Waititi's style in this film is reminiscent of Wes Anderson in such films as THE GRAND BUDAPEST HOTEL and MOONRISE KINGDOM and this works well here, giving this film more of a "fable" than a "realistic" look - and that is important to help set the tone for the events that follow. Waititi has a sure hand on the material (that he wrote) as the Director. He knows the tone he wants to strike and knows how to get there. He is nominated for Adapted Screenplay for his script (deservedly so) and was NOT nominated for Best Director - but his work in this area is just as good.

I did not know what to expect from this film when I walked into it, and I was more than pleasantly surprised. Give this little comedy/drama a try - I think you will be glad you did.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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Merissa (11765 KP) rated Made to Submit (La Trattoria Di Amore #3) in Books

Apr 30, 2021 (Updated Jul 27, 2023)  
Made to Submit (La Trattoria Di Amore #3)
Made to Submit (La Trattoria Di Amore #3)
JP Sayle | 2021 | Contemporary, LGBTQ+, Romance
10
10.0 (2 Ratings)
Book Rating
MADE TO SUBMIT is the third book in the La Trattoria Di Amore series. Although characters from previous books are mentioned, you don't need to have read them, to get this the fullest enjoyment out of this one.

We start off with Paolo at fifteen. He has a crush on one of the chefs working with his dad, which is one of the things that gives him a clue he's gay. Overhearing a conversation between his crush and someone else talking about BDSM makes him curious enough to look into it. Fast forward a few years, and he's working with his crush... who has no idea who he is. Not only that but he's now married. Paolo is heartbroken, sure that he is in love with Carl. Enter Kaden. He is physically attracted to Paolo but is very wary considering he knows about the crush. And then the story really takes off!

I can't tell you just how much I loved this story (although I'll obviously try!). Paolo and Kaden are so perfect for each other. What one needs, the other provides, without even really thinking about it but just doing it. Due to his past, Kaden needs control. Paolo is desperate to have control taken away from him, in every aspect of his life. These two really made my heart happy.

I'm going to be honest here and say that Carl, who is in book two which I haven't read, doesn't really come across that well. Bless him, I know he's busy with his own life, but is he that wrapped up that he didn't even take a double glance when Paolo started working there? How many Italians with the first name of Paolo does he know? I'm with Kaden all the way.

This was a brilliant story, with a fantastic supporting cast. The only question I have is what is the title of Lenny and Nathan's book? I need to read that one too!!! The pacing was perfect, the characters were wonderful, and the overall story kept my attention from the very beginning.

Absolutely recommended by me!

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Apr 30, 2021
  
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
2020 | Action, Adventure, Crime
Margot Robbie (0 more)
It starts well, but just gets tiresome and irritating (0 more)
A lot of squawking birds
Although not saying much, Margot Robbie’s Harley Quinn was one of the best thing in the lacklustre D.C. outing “Suicide Squad” of 2016. Now, she returns in her own vehicle. Jared Leto’s Joker is a thing of the past (clearly he wasn’t keen on dredging up the past for even a cameo in this one).

Harley had spent years building up a catalog of enemies in Gotham, with no-one daring to lift a finger for fear of “the big J’s” retribution. With that now a thing of the past, the streets are no longer safe for Harley. Whereas most characters have a reason to want to kill Harley, mid-level gangster Roman Sionis (Ewan McGregor) has a list as long as his arm (a blurred list that will probably make freeze-framing of the blu-ray entertaining!). Roman, who has a penchant for having his right-hand man Victor (Chris Messina) de-glove his victim’s faces, has his heart set on obtaining a missing diamond that (McGuffin-alert) is engraved with account details to $billions.

Through a convoluted and messy plot, Harley meets various ‘birds of prey’ who are either friend or foe: notably young pickpocket Cassandra (Ella Jay Basco); cop Renée Montoya (Rosie Perez); the “Crossbow Killer” (Mary Elizabeth Winstead); and the “Black Canary” (Jurnee Smollett-Bell), who you don’t want to let near your best glasses.

As you might expect from your knowledge of Harley Quinn’s character, the movie is bat-shit crazy, with periodic breaking of the 4th wall; much acrobatic kick-boxing; and some random dream sequences….. Robbie as Marilyn is particularly entertaining, although at times (the ‘egg sandwich’ sequence in particular) the gurning made me muse to myself about just what a good film “I, Tonya” was.

It all comes across as something of a “Deadpool” sequel. Actually, I’d more describe it as “Deadpool-lite” since it’s not powered here by the charisma of Ryan Reynolds. However, I did find myself quite enjoying the first reel of the movie.

Unfortunately, it didn’t last.

It all just becomes incredibly tiresome. Although Margot Robbie is very good in the role, Harley’s incessant squawking just gets annoying.

Also in this battle of men vs women, the women always win and are (mostly) completely unscathed. In one particular scene there are 5 or 6 burly men taking on Harley: clearly she whips their sorry asses in improbable fashion. What? Only one at a time guys?

If you were confused by the timeline of “Little Women“, this will blow your mind! It makes Greta Gerwig‘s masterpiece look as linear as “News at Ten”! It’s really difficult to follow at times as the timeline flashes forwards and backwards and sideways at random!

Also confusing (for me anyway… did I have a nap?) was the finale. There’s something to do with a ring which made NO SENSE to me at all? Am I alone in that?

Ewan MacGregor has fun with his role as the gay (I assume?) gangster, but it all turns cartoonish at times. But perhaps, that’s the point? However while the violence in “Deadpool” was cartoonishly funny (as in Tom and Jerry) the violence here is decidedly of the vicious and unpleasant variety, with a vindictive edge. It makes you not particularly like any of the movie’s characters.

The movie is written by Christina Hodson, who is slated to write too more upcoming superhero films: “The Flash” and “Batgirl”. The director is Chinese director Cathy Yan in only her second directorial feature.

Summary: It’s loud and brash and at 109 minutes it overstays its welcome by about 20 minutes. Less would have been more. It’s somewhat better than “Suicide Squad” (which I unfathomably seem to have given 2.5 stars to), but it’s still a movie that I will struggle to remember in a month’s time.

(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/15/one-manns-movies-film-review-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-2020/