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Charlie Cobra Reviews (1840 KP) rated The Old Guard (2020) in Movies
Aug 27, 2020
Kick Ass Action (2 more)
Good Casting and Supporting Actors/Characters
Cool Concept
The Musical Score/ Soundtrack (3 more)
Some characters were a little cliché
Characters not fully developed or given enough backstory
Dialogue
In With The Old Guard (7/10)
Contains spoilers, click to show
The Old Guard is 2020 action movie directed by Gina Prince-Bythewood and written by Greg Rucka, The film was produced by Skydance Media, Denver and Delilah Productions and Marc Evans Productions and distributed by Netflix. Producers on the movie include David Ellison, Dana Goldberg, Don Granger, Charlize Theron, AJ Dix, Beth Kono and Marc Evans. The film stars Charlize Theron, Kiki Layne, Marwan Kenzari, Luca Marinelli and Matthias Schoenaerts.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Bob Mann (459 KP) rated Supernova (2020) in Movies
Jun 24, 2021
Tucci and Firth - an acting masterclass (1 more)
A slow and very moving study of a difficult subject
“You’re not supposed to mourn someone before they die.”
Sam (Colin Firth) is a famous concert pianist. Tusker (Stanley Tucci) a famous author. But Tusker has Alzheimer's, and is starting to go downhill. The loving couple take their battered motorhome on a last great adventure round England's Lake District, taking in a visit with Sam's sister Lil while there.
Positives:
- "Love is a many splendored thing" as the song goes, and seldom has it been expressed so poignantly as in "Supernova". Harry Macqueen's script builds up a truly loving relationship between the two men. Any homophobes should be strapped into chairs and forced to watch this movie: perhaps that would cause some semblance of understanding to emerge in their petrified brains. (Who am I kidding?)
- Supporting the story brilliantly are Colin Firth and Stanley Tucci. Tucci has been in so many great movies over the years that it's no surprise to me that his acting moved me to tears. But when I think of Colin Firth (Hampshire's own! He went to my daughter's college!) my mind tends to skip over his dramatic roles in films like "The King's Speech" and "A Single Man". Instead, I tend to dwell on his lighter, fluffier roles, like "Bridget Jones" and "Mamma Mia". As such, I forget what a truly great actor he is. And here, he hits it out of the park! With all the Covid release confusion, I'm not sure whether "Supernova" is up for awards next year, or whether it has been cruelly overlooked from last year's awards. I truly hope it's the former, since both men are at the peak of their craft here.
- The cinematography by Dick Pope is beautiful. To be fair, you could put a Super 8 camera in the Lake District on a sunny day and it would look great. But the camera work here makes it look its best.
Negatives:
- Not really a negative for me, but it's about as far away from an "action film" as you can get. "Fast and Furious 9" is showing next door! This is an extremely slow, character-led piece that won't be for everyone.
- I wasn't totally convinced by the symptoms shown. Early in the film, Tusker wanders off in a daze, but seems comparatively compos mentis for most of the rest of the film. Perhaps this is just my ignorance of the randomness and unpredictability of the disease (anyone in the know - please enlighten me).
Summary Thoughts on "Supernova": As is often the way with cinema, genre films can come along like London buses. First this month we had Anthony Hopkin's Oscar-winning turn as a dementia sufferer in "The Father", and now "Supernova" appears. This takes a different approach to the subject. Not as flashy or clever. But no less effective at portraying the tragedy that this wretched disease wreaks with relationships, often making them a living hell.
Having straight actors play gay characters will no doubt provoke the usual outcry from the cancel culture. But if it's good acting - and it is a masterclass from the two leads in my book - such that you BELIEVE the story, then that's the whole point of the craft.
Like "The Father", this is a tough watch. I felt pretty well emotionally wrung-out by the end of it. But, it was well worth the wait in my book.
(For the full graphical review, please check out the "One Mann's Movies" review here - https://bob-the-movie-man.com/2021/06/24/supernova-youre-not-supposed-to-mourn-someone-before-they-die/. Thanks.)
Positives:
- "Love is a many splendored thing" as the song goes, and seldom has it been expressed so poignantly as in "Supernova". Harry Macqueen's script builds up a truly loving relationship between the two men. Any homophobes should be strapped into chairs and forced to watch this movie: perhaps that would cause some semblance of understanding to emerge in their petrified brains. (Who am I kidding?)
- Supporting the story brilliantly are Colin Firth and Stanley Tucci. Tucci has been in so many great movies over the years that it's no surprise to me that his acting moved me to tears. But when I think of Colin Firth (Hampshire's own! He went to my daughter's college!) my mind tends to skip over his dramatic roles in films like "The King's Speech" and "A Single Man". Instead, I tend to dwell on his lighter, fluffier roles, like "Bridget Jones" and "Mamma Mia". As such, I forget what a truly great actor he is. And here, he hits it out of the park! With all the Covid release confusion, I'm not sure whether "Supernova" is up for awards next year, or whether it has been cruelly overlooked from last year's awards. I truly hope it's the former, since both men are at the peak of their craft here.
- The cinematography by Dick Pope is beautiful. To be fair, you could put a Super 8 camera in the Lake District on a sunny day and it would look great. But the camera work here makes it look its best.
Negatives:
- Not really a negative for me, but it's about as far away from an "action film" as you can get. "Fast and Furious 9" is showing next door! This is an extremely slow, character-led piece that won't be for everyone.
- I wasn't totally convinced by the symptoms shown. Early in the film, Tusker wanders off in a daze, but seems comparatively compos mentis for most of the rest of the film. Perhaps this is just my ignorance of the randomness and unpredictability of the disease (anyone in the know - please enlighten me).
Summary Thoughts on "Supernova": As is often the way with cinema, genre films can come along like London buses. First this month we had Anthony Hopkin's Oscar-winning turn as a dementia sufferer in "The Father", and now "Supernova" appears. This takes a different approach to the subject. Not as flashy or clever. But no less effective at portraying the tragedy that this wretched disease wreaks with relationships, often making them a living hell.
Having straight actors play gay characters will no doubt provoke the usual outcry from the cancel culture. But if it's good acting - and it is a masterclass from the two leads in my book - such that you BELIEVE the story, then that's the whole point of the craft.
Like "The Father", this is a tough watch. I felt pretty well emotionally wrung-out by the end of it. But, it was well worth the wait in my book.
(For the full graphical review, please check out the "One Mann's Movies" review here - https://bob-the-movie-man.com/2021/06/24/supernova-youre-not-supposed-to-mourn-someone-before-they-die/. Thanks.)
Kristy H (1252 KP) rated Hazel Bly and the Deep Blue Sea in Books
Jul 8, 2021
A beautiful story about love and loss
Hazel Bly lived a great life with her Mum and Mama until a kayaking accident. Then her Mum died, leaving Hazel with a scar on her face and terrible anxiety. She wants nothing more than to keep her little sister Peach safe. The Blys move around a lot now. Two years after the accident, they are in Maine. It turns out that one of their new neighbors is her Mama's old childhood friend, Claire. The introduction of Claire into Hazel's world--along with her chatty daughter Lemon--makes Hazel feel unsettled. Plus Lemon is fixated on a local legend, the Rose Maid, a mermaid often seen in the waters. Hazel notes a resemblance between herself and Rose and soon she finds herself as fascinated by the mermaid as Lemon. Because sometimes everyone needs to believe in a little magic, especially when their world is crumbling around them.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
Debbiereadsbook (1407 KP) rated Elias in Books
May 12, 2020
wonderfully warm and fuzzy and too stinking cute read
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Elias is plodding along, not particularly happy, as such, but getting by. He has a good job, and will be making VP shortly. Then he meets Ty and all bets are off. Ty brings something out in Elias, and Elias in Ty, and they just have to get past their *initial* thoughts about each others jobs.
SO!
I am ALL about my books feelings and this book right, hits a whole damn lot of them! I have not had such a cute story, that left me with so much warm and fuzzies in a long damn time! And I really REALLY enjoyed it!
Both Elias and Ty have a say, in the third person. So we get all the things Elias was thinking about when he meets Ty and Ty tells him off for putting his rubbish in the wrong bin. We get all of Ty's emotions when he realises how much more than friends he wants to be with Elias. We get it all.
It's not especially explicit, but damn, it's hot! There is chemistry, right from the start, between these two and it burns bright and hot the whole way through.
It's a bit emotional in places, when Elias is talking about his family and his past, and I was tearful at that point. Ty's family is great at taking Elias in as one of there own though.
There is no violence, no nutty ex, no major break up. And THAT, my book friends, is what I LOVED most about this book. The fact that; yes they fall out; but it's such a minor, silly thing, and it's resolved pretty quickly, but it's not relationship-break-up material, you know? It's a falling out over the choice of words one of them used, and everyone is happy after they talked it out.
They get their Happy Ever After in a very, almost fairy-tale like way, and I really REALLY enjoyed it!
4 wonderful stars (Can't quite stretch to 5 and most of the webistes don't do halves!)
**same worded review will appear elsewhere**
Elias is plodding along, not particularly happy, as such, but getting by. He has a good job, and will be making VP shortly. Then he meets Ty and all bets are off. Ty brings something out in Elias, and Elias in Ty, and they just have to get past their *initial* thoughts about each others jobs.
SO!
I am ALL about my books feelings and this book right, hits a whole damn lot of them! I have not had such a cute story, that left me with so much warm and fuzzies in a long damn time! And I really REALLY enjoyed it!
Both Elias and Ty have a say, in the third person. So we get all the things Elias was thinking about when he meets Ty and Ty tells him off for putting his rubbish in the wrong bin. We get all of Ty's emotions when he realises how much more than friends he wants to be with Elias. We get it all.
It's not especially explicit, but damn, it's hot! There is chemistry, right from the start, between these two and it burns bright and hot the whole way through.
It's a bit emotional in places, when Elias is talking about his family and his past, and I was tearful at that point. Ty's family is great at taking Elias in as one of there own though.
There is no violence, no nutty ex, no major break up. And THAT, my book friends, is what I LOVED most about this book. The fact that; yes they fall out; but it's such a minor, silly thing, and it's resolved pretty quickly, but it's not relationship-break-up material, you know? It's a falling out over the choice of words one of them used, and everyone is happy after they talked it out.
They get their Happy Ever After in a very, almost fairy-tale like way, and I really REALLY enjoyed it!
4 wonderful stars (Can't quite stretch to 5 and most of the webistes don't do halves!)
**same worded review will appear elsewhere**
Bob Mann (459 KP) rated Can You Ever Forgive Me? (2018) in Movies
Sep 28, 2021
McCarthy and Grant in a memorable double act.
I have a big apology to make to Melissa McCarthy. A few months ago, at the excellent Picturehouse Harbour Lights film trivia quiz (every 2nd Tuesday of the month in Southampton… “be there and be… well… a bit of a film geek”!) there was a fun round of suggesting New Year’s resolutions for movie stars. Mine was the rather spiteful and cutting “Melissa McCarthy…. to retire”. In my defence, I did have the truly dreadful “Happytime Murders” fixed in my memory, and McCarthy’s track record since “Bridesmaids” has not exactly been stellar. As the quiz’s host – Stephen ‘Grand Moff’ Sambrook – justly admonished me for at the time “McCarthy is about to come out with a very different role which is supposed to be pretty good”. This film is that role…. and I take it all back.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.
Kyera (8 KP) rated I'm Not Your Manic Pixie Dream Girl in Books
Feb 1, 2018
I'm Not Your Manic Pixie Dream Girl follows Beas attempts to translate her status in high school into a scholarship winning mathematical formula. Simple right? Beatrice, Spencer, and Gabe are not the most popular kids at school to be honest theyre practically invisible. Most people call Bea Math Girl and she wants that to change. She convinces her friends to embrace and exploit a personality trait that fills a void in their school so that they can become popular.
Gabe agrees because he is a writer for the school paper and hopes to be chosen for an internship as a result. He becomes the schools flamboyant, gay best friend and almost immediately is absorbed into the popular inner-circle. Through his acceptance, Spencer and Bea, now known as Trixie, become known around the school. She must embrace her new personality but doesnt always make the right decisions.
I personally did not relate to her, despite her love of math and didnt create a connection. I completely agreed with the opinions of her friends about her behavior. I didnt find myself being sympathetic to her plight and was frustrated more than anything by her repeated mistakes. She meddles in other peoples business, doesnt take the high road and even though she accepts her mistakes at the end it doesnt feel, to me at least, that she has grown over the course of the novel.
Despite the book being formulaic, it was an enjoyable read I just wish it wasnt so predictable. It doesnt take long to figure out who is going to be the romantic endgame, what friendships will be formed and enemy status established. At the end of it all, you wonder will they realize that it is more important to be true to themselves than to be popular? I think you know what the answer will be.
The book has a fair amount of diversity and representation in it, which is good. I wish each of those various representations was given more detail and thought than being an intermittent descriptive word. It felt more like adding the token LGBTQ+ or ethnically diverse character. We dont often enough see diversity in books, so it was a little disappointing to me that it so little was done with it.
Overall, I think that it was a quick, contemporary read that young adult/teen readers will enjoy. It is cute, if predictable but the unique aspect of the story of using math to solve lifes problems was quirky and endearing.
Gabe agrees because he is a writer for the school paper and hopes to be chosen for an internship as a result. He becomes the schools flamboyant, gay best friend and almost immediately is absorbed into the popular inner-circle. Through his acceptance, Spencer and Bea, now known as Trixie, become known around the school. She must embrace her new personality but doesnt always make the right decisions.
I personally did not relate to her, despite her love of math and didnt create a connection. I completely agreed with the opinions of her friends about her behavior. I didnt find myself being sympathetic to her plight and was frustrated more than anything by her repeated mistakes. She meddles in other peoples business, doesnt take the high road and even though she accepts her mistakes at the end it doesnt feel, to me at least, that she has grown over the course of the novel.
Despite the book being formulaic, it was an enjoyable read I just wish it wasnt so predictable. It doesnt take long to figure out who is going to be the romantic endgame, what friendships will be formed and enemy status established. At the end of it all, you wonder will they realize that it is more important to be true to themselves than to be popular? I think you know what the answer will be.
The book has a fair amount of diversity and representation in it, which is good. I wish each of those various representations was given more detail and thought than being an intermittent descriptive word. It felt more like adding the token LGBTQ+ or ethnically diverse character. We dont often enough see diversity in books, so it was a little disappointing to me that it so little was done with it.
Overall, I think that it was a quick, contemporary read that young adult/teen readers will enjoy. It is cute, if predictable but the unique aspect of the story of using math to solve lifes problems was quirky and endearing.
Darren (1599 KP) rated Point Blank (2019) in Movies
Jul 25, 2019
Story: Point Blank starts when emergency room nurse Paul (Mackie) is preparing to have his first child with his wife Taryn (Parris), she is due within weeks, but she gets kidnapped by Mateo (Cooke) who wants Paul to help his injured brother Abe (Grillo) escape from the emergency room after being accused of murdering the DA.
Paul and Abe go on the run with LT Lewis (Harden) tracking them down as we see just who was really behind the murder of the DA.
Thoughts on Point Blank
Characters – Paul is an emergency room nurse, he is married and about to start his family, his life is exactly where he wants it. His life takes a big change one this day when he gets forced to help a murder suspect escape from the hospital to save his pregnant wife, meaning he will need to start breaking the law to save her. Abe is the gun for hire that has been injured in the incident, he is the prime suspect and is being set up, where his brother is trying to help him escape, he is street smart and has connections in the criminal world which will help him stay ahead of the law. LT Lewis is the one trying to track down the pair trying to put away the person that killed the DA. Mateo is the brother of Abe that has gone to the extremes to try and get his brother out of custody.
Performances – Anthony Mackie and Frank Grillo do everything they can with this film, Grillo is starting make a name for himself in the trashing action films now, where he can play the bad boy with ease, Mackie doesn’t do much that you wouldn’t expect from him here though. Marcia Gay Harden gives us the basic cop figure, while Christian Cooke completes the main cast with a basic enough performance.
Story – The story here follows an emergency nurse that must help a murder suspect to save his kidnapped wife. This is a basic story which I always say is all you need for action at times, this is a remake of a French film, but we are lacking that one thing a good action film needs a villain that feels like a threat, we do get many suspects to who the villain might be because it is clear that Abe never committed a crime. We get moments of the unlikely couple needing to work together only for them to not have enough conflict about what is happening. This is basic storytelling that just never gets intense enough to the level it could do.
Action – The action involved in the film is the highlight of the film, even if a lot is basic, it does bring the film to life with the car chases involved.
Settings – The film is set in a big city which does help us understand how many people can be getting crimes done with ease.
Scene of the Movie – Big D
That Moment That Annoyed Me – Not enough villain potential.
Final Thoughts – This is a mostly by the book action film that just doesn’t get going.
Overall: Forgettable Action Film.
Paul and Abe go on the run with LT Lewis (Harden) tracking them down as we see just who was really behind the murder of the DA.
Thoughts on Point Blank
Characters – Paul is an emergency room nurse, he is married and about to start his family, his life is exactly where he wants it. His life takes a big change one this day when he gets forced to help a murder suspect escape from the hospital to save his pregnant wife, meaning he will need to start breaking the law to save her. Abe is the gun for hire that has been injured in the incident, he is the prime suspect and is being set up, where his brother is trying to help him escape, he is street smart and has connections in the criminal world which will help him stay ahead of the law. LT Lewis is the one trying to track down the pair trying to put away the person that killed the DA. Mateo is the brother of Abe that has gone to the extremes to try and get his brother out of custody.
Performances – Anthony Mackie and Frank Grillo do everything they can with this film, Grillo is starting make a name for himself in the trashing action films now, where he can play the bad boy with ease, Mackie doesn’t do much that you wouldn’t expect from him here though. Marcia Gay Harden gives us the basic cop figure, while Christian Cooke completes the main cast with a basic enough performance.
Story – The story here follows an emergency nurse that must help a murder suspect to save his kidnapped wife. This is a basic story which I always say is all you need for action at times, this is a remake of a French film, but we are lacking that one thing a good action film needs a villain that feels like a threat, we do get many suspects to who the villain might be because it is clear that Abe never committed a crime. We get moments of the unlikely couple needing to work together only for them to not have enough conflict about what is happening. This is basic storytelling that just never gets intense enough to the level it could do.
Action – The action involved in the film is the highlight of the film, even if a lot is basic, it does bring the film to life with the car chases involved.
Settings – The film is set in a big city which does help us understand how many people can be getting crimes done with ease.
Scene of the Movie – Big D
That Moment That Annoyed Me – Not enough villain potential.
Final Thoughts – This is a mostly by the book action film that just doesn’t get going.
Overall: Forgettable Action Film.
Goddess in the Stacks (553 KP) rated Always Never Yours in Books
Aug 13, 2018
This is the fifth book from my summer TBR - I'm slowly working through them! I mused on the TBR list that this might remind me of high school, and so it did. Megan is much bolder than I ever was, and dated a lot more, but her underlying feelings of being passed over for other girls - oh, I felt those. I wasn't very socially adept in high school, unlike Megan.
The premise of the story is that every guy Megan dates falls madly in love with the girl he dates after Megan. This has happened enough that she's come to expect it, so when her last boyfriend broke up with her to date her best friend, she wasn't even very upset with them. She understood. That's what her boyfriends DO. Which means she approaches relationships as temporary, and doesn't bother to fight for them when they end.
The book is really about learning what's worth fighting for. A family that seems to be moving on without her? A role in a play that her understudy fills better than she does? A boy who will go on to find his true love after her? A best friend who stole her boyfriend? Megan struggles with feeling imminently replaceable and misunderstood, and her vulnerability grabbed my heartstrings and yanked. I wasn't expecting to, but I LOVED this book.
Megan's worries are so very real, and her friends are such quintessential high schoolers. Every look, every word, every relationship has so much more intense meaning at that age because EVERYTHING is so important and felt so deeply. I loved how supportive Megan is of her friends, even if she doesn't always realize that she comes across a little strong. I liked the side plot of Megan's gay friend Anthony, and the closeted boy he has a crush on.
As a Shakespeare lover, I enjoyed that each chapter started with a line from Romeo and Juliet, the play that Megan's school Drama department is performing her senior year. I also enjoyed seeing the comparisons between Megan and Rosaline, and characters in the book saying how interesting Rosaline is as a character, even though we don't actually see her in the play! It reminded me of Bright Smoke, Cold Fire, which is a VERY different book, but another one that delves further into the character of Rosaline. And now I'm wondering if there are any other books that do the same....
I loved this book. It made me cry but then laugh through my sniffles. Books that can do that are special things.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The premise of the story is that every guy Megan dates falls madly in love with the girl he dates after Megan. This has happened enough that she's come to expect it, so when her last boyfriend broke up with her to date her best friend, she wasn't even very upset with them. She understood. That's what her boyfriends DO. Which means she approaches relationships as temporary, and doesn't bother to fight for them when they end.
The book is really about learning what's worth fighting for. A family that seems to be moving on without her? A role in a play that her understudy fills better than she does? A boy who will go on to find his true love after her? A best friend who stole her boyfriend? Megan struggles with feeling imminently replaceable and misunderstood, and her vulnerability grabbed my heartstrings and yanked. I wasn't expecting to, but I LOVED this book.
Megan's worries are so very real, and her friends are such quintessential high schoolers. Every look, every word, every relationship has so much more intense meaning at that age because EVERYTHING is so important and felt so deeply. I loved how supportive Megan is of her friends, even if she doesn't always realize that she comes across a little strong. I liked the side plot of Megan's gay friend Anthony, and the closeted boy he has a crush on.
As a Shakespeare lover, I enjoyed that each chapter started with a line from Romeo and Juliet, the play that Megan's school Drama department is performing her senior year. I also enjoyed seeing the comparisons between Megan and Rosaline, and characters in the book saying how interesting Rosaline is as a character, even though we don't actually see her in the play! It reminded me of Bright Smoke, Cold Fire, which is a VERY different book, but another one that delves further into the character of Rosaline. And now I'm wondering if there are any other books that do the same....
I loved this book. It made me cry but then laugh through my sniffles. Books that can do that are special things.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Gareth von Kallenbach (980 KP) rated Groupers (2019) in Movies
Sep 26, 2019
Greetings & Salutations Fellow Movie Fanatics!
It’s not often I see a film that is so good in my opinion, I actually look forward to writing about it and letting you folks know what’s what. In all honesty though, I wouldn’t be surprised if I’m the last person to see it. Quite frankly, I’m surprised that I have not heard or read anything about this movie already. How they managed to put everything together and create a film like this where the runtime is just a 1 hour and 49 minutes is beyond my comprehension. Yes, I said JUST and 1 and 49 minutes. Now that might seem a tad long on the tooth as far as movies go but once you watch it, I think you’ll understand my perception of it. I don’t think my review will do the movie justice but I want to tell you folks about in the hopes that you’ll immediately seek out a means of watching it.
‘Groupers’ is a dramatic comedy film written/directed by Anderson Cowan and stars Nicole Dambro, Jesse Pudles, Cameron Duckett, Peter Mayer-Klepchick, Max Reed III, Brian Loakimedes, Terrance Wentz, Travis Stanberry, Marqus Bobesich, Edward Jackson, Kaleb Rich-Harris, Mike Carano, Robin S. Roth, Laurence Scott Murphy, and Travis Lee Elder.
Orin (Pudles) is a high school student who is dealing with what has become unfortunately an all too common occurrence in schools and colleges today. He is a young person who faces ridicule and bullying because he is gay. The source of the majority of this harassment are two of his fellow students, best friends Brad (Mayer-Klepchick) and Dylan (Duckett). Fast forward to a night when Brad and Dylan decide roll with their over-inflated egos make the rounds at a bar or two and engage in some underage drinking and attempt to impress a fellow female patron or two. Just as the two jocks are beginning to get plastered they’re approached by Meg (Dambro). It doesn’t take much convincing at this point, Meg invites them to come with her and somehow they manage to follow her out of the back of the bar where they are more or less thrown into the back of a van (they pretty much threw themselves in the van). Already this is turning into something that sound like a ‘scary urban legend kind of movie’ right? Not even fully grasping the situation they’re in, Brad and Dylan get psyched up at the supposed prospect of engaging in unnatural activities when fumes engulf the inside of the van and the two jocks are knocked out cold. Several hours later, Brad and Dylan regain consciousness to find themselves restrained at the bottom of an empty pool. Meg, the girl from the bar, is actually a grad student and explains that the two of them are now part of a social experiment and implies that their lives depend on participating in the experiment regardless of the results. What follows is a downward spiral of lies, revenge, more than one close call with death, and an unforeseen series unforeseen guests that turn the tables on the participants in the experiment but each other as well.
The as the film progresses, it becomes vendetta driven. The seriously comedic aspects don’t start until at least a third of the way in unless you count the idiotic behavior of Brad and Dylan. At that point, the humor is driven by the unforeseen circumstances that Meg could not possibly have anticipated nor would anyone who appeared to prepare for this so thoroughly. The fact is the experiment should have progressed as she planned regardless of the outcome. All in all, this is one of the best films I’ve seen all year. I’d actually go so far as to say it’s in the top 5 and will remain there I can guarantee that. The film is similar to that of movies like ‘Pulp Fiction’ in the sense that it progresses backwards in relation to certain events and then jumps back into the present. It is NOT difficult to follow though. The premise of the film is one of the most original I’ve seen in a while. Note how the cast managed to make such an awesome film considering most of it takes place in a derelict house with an empty pool. Nothing is overshadowed in the film either. You have a movie that manages to encompass serious subject matter one minute and the next minute you can’t help but laugh and again neither overshadows the other. The cast? Absolutely awesome! They should be absolutely proud of this film and what they’ve accomplished with it. They should certainly consider ‘getting the band back together’ for other projects too. I’d go so far as to say the film deserves a theater release for sure. Nicole Dambro ‘Meg’ is most certainly a talent movie viewers should look out for. Her character’s presence commands such attention from the other characters while she herself commands the attention of the audience. The film has drugs and alcohol plus questionable dialogue and language plus some nudity so definitely NOT one for young folks. As I mention earlier, it’s a bit long on the tooth timewise at 1 hour and 49 minutes but it’s SO worth it. Just make sure you get drinks and snacks prior to the movie. I’m going to go ahead and rate this one 5 out of 5 stars. Give some real thought to seeing ‘Groupers’ . Trust me on this one
It’s not often I see a film that is so good in my opinion, I actually look forward to writing about it and letting you folks know what’s what. In all honesty though, I wouldn’t be surprised if I’m the last person to see it. Quite frankly, I’m surprised that I have not heard or read anything about this movie already. How they managed to put everything together and create a film like this where the runtime is just a 1 hour and 49 minutes is beyond my comprehension. Yes, I said JUST and 1 and 49 minutes. Now that might seem a tad long on the tooth as far as movies go but once you watch it, I think you’ll understand my perception of it. I don’t think my review will do the movie justice but I want to tell you folks about in the hopes that you’ll immediately seek out a means of watching it.
‘Groupers’ is a dramatic comedy film written/directed by Anderson Cowan and stars Nicole Dambro, Jesse Pudles, Cameron Duckett, Peter Mayer-Klepchick, Max Reed III, Brian Loakimedes, Terrance Wentz, Travis Stanberry, Marqus Bobesich, Edward Jackson, Kaleb Rich-Harris, Mike Carano, Robin S. Roth, Laurence Scott Murphy, and Travis Lee Elder.
Orin (Pudles) is a high school student who is dealing with what has become unfortunately an all too common occurrence in schools and colleges today. He is a young person who faces ridicule and bullying because he is gay. The source of the majority of this harassment are two of his fellow students, best friends Brad (Mayer-Klepchick) and Dylan (Duckett). Fast forward to a night when Brad and Dylan decide roll with their over-inflated egos make the rounds at a bar or two and engage in some underage drinking and attempt to impress a fellow female patron or two. Just as the two jocks are beginning to get plastered they’re approached by Meg (Dambro). It doesn’t take much convincing at this point, Meg invites them to come with her and somehow they manage to follow her out of the back of the bar where they are more or less thrown into the back of a van (they pretty much threw themselves in the van). Already this is turning into something that sound like a ‘scary urban legend kind of movie’ right? Not even fully grasping the situation they’re in, Brad and Dylan get psyched up at the supposed prospect of engaging in unnatural activities when fumes engulf the inside of the van and the two jocks are knocked out cold. Several hours later, Brad and Dylan regain consciousness to find themselves restrained at the bottom of an empty pool. Meg, the girl from the bar, is actually a grad student and explains that the two of them are now part of a social experiment and implies that their lives depend on participating in the experiment regardless of the results. What follows is a downward spiral of lies, revenge, more than one close call with death, and an unforeseen series unforeseen guests that turn the tables on the participants in the experiment but each other as well.
The as the film progresses, it becomes vendetta driven. The seriously comedic aspects don’t start until at least a third of the way in unless you count the idiotic behavior of Brad and Dylan. At that point, the humor is driven by the unforeseen circumstances that Meg could not possibly have anticipated nor would anyone who appeared to prepare for this so thoroughly. The fact is the experiment should have progressed as she planned regardless of the outcome. All in all, this is one of the best films I’ve seen all year. I’d actually go so far as to say it’s in the top 5 and will remain there I can guarantee that. The film is similar to that of movies like ‘Pulp Fiction’ in the sense that it progresses backwards in relation to certain events and then jumps back into the present. It is NOT difficult to follow though. The premise of the film is one of the most original I’ve seen in a while. Note how the cast managed to make such an awesome film considering most of it takes place in a derelict house with an empty pool. Nothing is overshadowed in the film either. You have a movie that manages to encompass serious subject matter one minute and the next minute you can’t help but laugh and again neither overshadows the other. The cast? Absolutely awesome! They should be absolutely proud of this film and what they’ve accomplished with it. They should certainly consider ‘getting the band back together’ for other projects too. I’d go so far as to say the film deserves a theater release for sure. Nicole Dambro ‘Meg’ is most certainly a talent movie viewers should look out for. Her character’s presence commands such attention from the other characters while she herself commands the attention of the audience. The film has drugs and alcohol plus questionable dialogue and language plus some nudity so definitely NOT one for young folks. As I mention earlier, it’s a bit long on the tooth timewise at 1 hour and 49 minutes but it’s SO worth it. Just make sure you get drinks and snacks prior to the movie. I’m going to go ahead and rate this one 5 out of 5 stars. Give some real thought to seeing ‘Groupers’ . Trust me on this one
Sarah (7799 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
