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Sundrademe (1 KP) rated Ready Player One (2018) in Movies
Apr 1, 2018 (Updated Apr 1, 2018)
A blast from the past every nerd can appreciate. (1 more)
Good pacing.
Who are these people? Little character development. (1 more)
Only surface deep. Don't look for a message here.
Not surprised by Spielberg
I'll have to admit, when I first saw the trailer for this movie I turned to my fiancé and said "that looks so stupid!" After seeing a few more trailers I started to notice things. Is that the Iron Giant? Did I just see Harley Quinn? Who has enough pull to get rights to all these characters? Of course! this is a piece from the master of adventure, Steven Spielberg. Okay, now I've got to see this.
For anyone who's seen a Spielberg movie will recognize the common themes; a young hero with empty pockets but a brave heart who's destined for adventure, a rag-tag group of friends, and a dying dream that they must save at all costs. Sorry that's The Goonies, well same difference.
This is the story of Wade Watts, a teenager in 2045, who's dirt poor but like most people, escapes his reality by going into the virtual world called The Oasis. In the Oasis you can be anyone (or anything), go anywhere, and do just about anything. The late creator of the Oasis has hidden an Easter Egg (for non geeks, this is a fun piece of side content a director hides within a game or movie), and the person who finds the egg will win all of the creators shares in the company.
Wade belongs to a clever group of friends on the fringes of society who like most people are searching for this egg. What makes them so special outside of everyone else in the world? Eh, heart? Anyway, follow along the mystery and adventure, where you will see how they find the egg-because we all know they will.
Look, this movie is awesome. Spielberg is the king of pop culture and he really shines here. everyone will love the use of old and new characters from comics, games and all corners of media; the odd mix of music as far back as the 70s till now; and the obvious-not-so-obvious references to cult classics. It's cute, it's easy to swallow and it's a lot of fun.
Don't expect this to be your new favorite movie or to have long talks about it later on with friends. Nor will you walk away enamored with any of the characters because they aren't that interesting. Sure, you'll probably want to see it again but probably once it hits DVD.
For anyone who's seen a Spielberg movie will recognize the common themes; a young hero with empty pockets but a brave heart who's destined for adventure, a rag-tag group of friends, and a dying dream that they must save at all costs. Sorry that's The Goonies, well same difference.
This is the story of Wade Watts, a teenager in 2045, who's dirt poor but like most people, escapes his reality by going into the virtual world called The Oasis. In the Oasis you can be anyone (or anything), go anywhere, and do just about anything. The late creator of the Oasis has hidden an Easter Egg (for non geeks, this is a fun piece of side content a director hides within a game or movie), and the person who finds the egg will win all of the creators shares in the company.
Wade belongs to a clever group of friends on the fringes of society who like most people are searching for this egg. What makes them so special outside of everyone else in the world? Eh, heart? Anyway, follow along the mystery and adventure, where you will see how they find the egg-because we all know they will.
Look, this movie is awesome. Spielberg is the king of pop culture and he really shines here. everyone will love the use of old and new characters from comics, games and all corners of media; the odd mix of music as far back as the 70s till now; and the obvious-not-so-obvious references to cult classics. It's cute, it's easy to swallow and it's a lot of fun.
Don't expect this to be your new favorite movie or to have long talks about it later on with friends. Nor will you walk away enamored with any of the characters because they aren't that interesting. Sure, you'll probably want to see it again but probably once it hits DVD.
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
Heather Cranmer (2721 KP) rated The Cutting Room Floor in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the synopsis of this book, I was definitely intrigued. When the opportunity arrived to review this book, I decided I'd take a chance on it. While I wasn't overly impressed with the book, it was still an alright read.
The title suits the book well. The chapters titles are written like a script and sometimes include blocking directions. (If you're not familiar with drama terms, you may want to look that up). The main characters are drama geeks as well.
I do like the cover! It's definitely eye catching, and it made me want to pick this book up.
I didn't really have a problem with the world building. I felt like the world building was done rather well except I didn't like how Riley seemed to find every girl she came across as hot. That just doesn't happen in real life, yet it happened to Riley in this book.
I felt like the pacing was a bit slow in this book. At times I was debating with whether or not I should carry on. However, there are some parts of this book where the pacing does pick up, especially towards the end., so not all hope is lost.
I found the plot line to be interesting enough. I was a drama geek in school, so the plot suited me. There was the whole muder mystery thing with Riley's favorite teacher, Riley's confusion about her sexuality, and Dez's stalker crush on Riley going on. I definitely wanted to know how things would play out.
I thought the characters were written fairly well. As I've said before, I didn't like how the author made it seem like Riley was hot for every girl she came across. Saying that, I did like Riley though. Everything about her (minus liking every girl) felt real, and her confusion was very realistic. I didn't like Dez. I felt he was way too controlling when it came for Riley and that he was super selfish. In fact, I'd even go as far as calling him scary. He was always there for Riley but only because he was a stalker. There's not one thing I liked about Dez.
The dialogue flowed smoothly, and all interactions between characters felt realistic. There is some swearing in this book, but it's not over the top.
Overall, The Cutting Room Floor is a decent read. The pacing could do with some work as it does come across as a bit dull some of the time. However, the plot itself is interesting.
I'd recommend this book to those aged 14+ who want a book to read to help them pass the time.
<b>I'd give The Cutting Room Floor by Dawn Klehr a 3.5 out of 5.</b>
(I was provided with a free paperback of this title from the author in exchange for a fair and honest review).
When I read the synopsis of this book, I was definitely intrigued. When the opportunity arrived to review this book, I decided I'd take a chance on it. While I wasn't overly impressed with the book, it was still an alright read.
The title suits the book well. The chapters titles are written like a script and sometimes include blocking directions. (If you're not familiar with drama terms, you may want to look that up). The main characters are drama geeks as well.
I do like the cover! It's definitely eye catching, and it made me want to pick this book up.
I didn't really have a problem with the world building. I felt like the world building was done rather well except I didn't like how Riley seemed to find every girl she came across as hot. That just doesn't happen in real life, yet it happened to Riley in this book.
I felt like the pacing was a bit slow in this book. At times I was debating with whether or not I should carry on. However, there are some parts of this book where the pacing does pick up, especially towards the end., so not all hope is lost.
I found the plot line to be interesting enough. I was a drama geek in school, so the plot suited me. There was the whole muder mystery thing with Riley's favorite teacher, Riley's confusion about her sexuality, and Dez's stalker crush on Riley going on. I definitely wanted to know how things would play out.
I thought the characters were written fairly well. As I've said before, I didn't like how the author made it seem like Riley was hot for every girl she came across. Saying that, I did like Riley though. Everything about her (minus liking every girl) felt real, and her confusion was very realistic. I didn't like Dez. I felt he was way too controlling when it came for Riley and that he was super selfish. In fact, I'd even go as far as calling him scary. He was always there for Riley but only because he was a stalker. There's not one thing I liked about Dez.
The dialogue flowed smoothly, and all interactions between characters felt realistic. There is some swearing in this book, but it's not over the top.
Overall, The Cutting Room Floor is a decent read. The pacing could do with some work as it does come across as a bit dull some of the time. However, the plot itself is interesting.
I'd recommend this book to those aged 14+ who want a book to read to help them pass the time.
<b>I'd give The Cutting Room Floor by Dawn Klehr a 3.5 out of 5.</b>
(I was provided with a free paperback of this title from the author in exchange for a fair and honest review).
Gareth von Kallenbach (971 KP) rated Dope (2015) in Movies
Aug 6, 2019
Dope
A drug taken illegally for recreational purposes, especially marijuana or heroin.
A stupid person
A slang term meaning very good or awesome.
That is exactly what this movie is about. All three of those definitions apply equally to this brilliant film. It tells you right up front with definitions very similar to these right on the screen. Though, the application of each definition may surprise you.
Dope centers around Malcom (Shameik Moore) who, along with his friends Jib (Tony Revolori) and Diggy (Kiersey Clemons), found himself in a difficult situation after attending the birthday party for a local drug dealer. You see the trio are your typical geeks, into computers, math, science, games, have their own band (not as glamorous as you would think)… oh, and obsessed with the nineties hip-hop culture. But they live in a not so friendly neighborhood in Inglewood known as “The Bottoms”. Forced to take an alternate route home from school one afternoon, he unwittingly gets invited to a birthday party for Dom (Rakim Mayers, aka A$ap Rocky), but he is really going because of a girl, Nakia (Zoe Kravitz). While at the party, things start to go south, and Dom hides all of the “Molly” he was in the middle of selling in Malcom’s bag, unbeknownst to him. Once he finds it, Dom tells him to deliver it to a man named AJ, and that’s where all the hijinks begin.
I really don’t want to give away any more than this. The trailer only really tells half the story, and I believe that it will have more impact if you discover it yourself. Needless to say, though, it was really a fantastic movie. With Pharrell in charge of music, and Forest Whitaker and Sean Combs on board as well, the film does a great job at keeping things very original. There were many times where I could not hear the next few lines of dialogue, I was laughing so hard. And the soundtrack was incredible.
If I had to give you a frame of reference, though, think of it like this: Friday meets The Girl Next Door, with a little bit of Superbad mixed in. But the film delivers in so many great ways, and was very excellently cast. Moore did a great job of portraying that awkward geek who just got caught up in some very interesting situations. I should know, because I was there once, too. But the film has a powerful message. Showing off his love of nineties hip-hop, the film begins with Malcolm trying to get his Harvard admittance essay past his guidance counselor, but the essay is about the research to find that good day that Ice Cube talks about in his song. He was asked to write something more personal, and boy did he deliver after everything he went through following that birthday party.
I can’t truthfully say that you absolutely need to see this on the big screen. There’s nothing to really promote seeing it in theaters over at home. But, if you are looking for a good date night movie, this might be the one to see this weekend. While there were a few slow parts, the movie did keep up a good pace and was lighthearted enough to be enjoyable by all. Definitely worth checking out, but when is up to you. Know that I would definitely recommend it though, and will absolutely be picking it up for my home collection when it releases in stores.
A drug taken illegally for recreational purposes, especially marijuana or heroin.
A stupid person
A slang term meaning very good or awesome.
That is exactly what this movie is about. All three of those definitions apply equally to this brilliant film. It tells you right up front with definitions very similar to these right on the screen. Though, the application of each definition may surprise you.
Dope centers around Malcom (Shameik Moore) who, along with his friends Jib (Tony Revolori) and Diggy (Kiersey Clemons), found himself in a difficult situation after attending the birthday party for a local drug dealer. You see the trio are your typical geeks, into computers, math, science, games, have their own band (not as glamorous as you would think)… oh, and obsessed with the nineties hip-hop culture. But they live in a not so friendly neighborhood in Inglewood known as “The Bottoms”. Forced to take an alternate route home from school one afternoon, he unwittingly gets invited to a birthday party for Dom (Rakim Mayers, aka A$ap Rocky), but he is really going because of a girl, Nakia (Zoe Kravitz). While at the party, things start to go south, and Dom hides all of the “Molly” he was in the middle of selling in Malcom’s bag, unbeknownst to him. Once he finds it, Dom tells him to deliver it to a man named AJ, and that’s where all the hijinks begin.
I really don’t want to give away any more than this. The trailer only really tells half the story, and I believe that it will have more impact if you discover it yourself. Needless to say, though, it was really a fantastic movie. With Pharrell in charge of music, and Forest Whitaker and Sean Combs on board as well, the film does a great job at keeping things very original. There were many times where I could not hear the next few lines of dialogue, I was laughing so hard. And the soundtrack was incredible.
If I had to give you a frame of reference, though, think of it like this: Friday meets The Girl Next Door, with a little bit of Superbad mixed in. But the film delivers in so many great ways, and was very excellently cast. Moore did a great job of portraying that awkward geek who just got caught up in some very interesting situations. I should know, because I was there once, too. But the film has a powerful message. Showing off his love of nineties hip-hop, the film begins with Malcolm trying to get his Harvard admittance essay past his guidance counselor, but the essay is about the research to find that good day that Ice Cube talks about in his song. He was asked to write something more personal, and boy did he deliver after everything he went through following that birthday party.
I can’t truthfully say that you absolutely need to see this on the big screen. There’s nothing to really promote seeing it in theaters over at home. But, if you are looking for a good date night movie, this might be the one to see this weekend. While there were a few slow parts, the movie did keep up a good pace and was lighthearted enough to be enjoyable by all. Definitely worth checking out, but when is up to you. Know that I would definitely recommend it though, and will absolutely be picking it up for my home collection when it releases in stores.
Kirk Bage (1775 KP) rated Buster's Mal Heart (2016) in Movies
Jan 22, 2021
Remember before the digital revolution and on demand TV channels when you had to stay up late and watch the films shown after midnight to see anything outside of the mainstream? Quite often they were awful, cheap, rambling experiences that maybe had one or two memorable scenes, or something so weird that you had to find out if any of your friends had seen it. Well, this is one of those films, except it was made in 2017 and I saw it in 2020 on Netflix.
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
Purple Phoenix Games (2266 KP) rated Party Bandimals in Tabletop Games
Oct 8, 2019
Band geeks. We all were bullied as kids. Walking to/from school with our super uncool instrument cases in our hands. All throughout our schooldays knowing that we were near the bottom of the popularity barrel. Then something happens. We become adults, join a band, sell merchandise, and all of a sudden it’s cool to be in a band and everyone wants to hang out. None of this has anything to do with the game I’m previewing right now, but this is a PSA – treat your band kids well so they can flourish and grow and become invincible bad-asses that seriously rock.
Party Bandimals is a card game where players are band managers looking to fill out their respective musical groups that feature anthropomorphic animals playing musical instruments. Each turn players are trying to boost their own bands with wicked rad band members while simultaneously subbing in the uncool members to their opponents’ bands.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. As this is a preview copy of the game, I do not know if the final rules or components will be similar or different to what we were provided. -T
A game of Party Bandimals takes place over a series of rounds. The first player to amass a band whose total strength equals or exceeds 11 (net). Each animal card has a number printed in the upper left hand corner indicating its strength, be it positive or negative. Positive numbered cards are played to your band tableau and negative cards to an opponent’s band – thus lowering their total strength score.
To setup shuffle the cards and deal three to each player. Any player that has received any cards with the “Play when drawn” icon must discard those and draw up to three. You are now ready to play.
On your turn you draw up to four cards and then play a card from your hand. Any card drawn with the “Play when drawn” icon (see “Bob” above) will be played immediately. Otherwise, you may choose any card in your hand to be played. These could be band members or other events. Some cards are designed to be played as reaction cards to other opponents’ plays and can be played out of turn. That’s it! The rules and game play are very light, and games are very quick.
Components: This is a card game. Mine came in a tin, though I do not know if that is the plan for when the game goes retail or as result of a successful Kickstarter campaign. The cards are good quality, and the art on them is very cool. The names are sometimes hilarious and the art reflects that as well. Each character has a personality, and some are even inspired by the designer’s friends and family. I didn’t see any trumpet playing Travis cards, so maybe that’s in the works…
So here are my thoughts on Party Bandimals. It’s a really quick game with some interesting decisions and LOTS of take that. I mean, you’re trying to put a band together of the sickest entertainers out there, but so are your opponents. You are pawning off the bad musicians on your friends opponents and keeping all the good musicians. It really works well when you want a super quick filler with a great theme, fun art (I mean, look at lil Elanor up there on that harmonica solo), and grudges to be formed. If your group likes take that games, or at least don’t get all bent out of shape, then you should check out Party Bandimals. It’s quick, fun, and has a great theme. What more do you want, people???
Party Bandimals is a card game where players are band managers looking to fill out their respective musical groups that feature anthropomorphic animals playing musical instruments. Each turn players are trying to boost their own bands with wicked rad band members while simultaneously subbing in the uncool members to their opponents’ bands.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. As this is a preview copy of the game, I do not know if the final rules or components will be similar or different to what we were provided. -T
A game of Party Bandimals takes place over a series of rounds. The first player to amass a band whose total strength equals or exceeds 11 (net). Each animal card has a number printed in the upper left hand corner indicating its strength, be it positive or negative. Positive numbered cards are played to your band tableau and negative cards to an opponent’s band – thus lowering their total strength score.
To setup shuffle the cards and deal three to each player. Any player that has received any cards with the “Play when drawn” icon must discard those and draw up to three. You are now ready to play.
On your turn you draw up to four cards and then play a card from your hand. Any card drawn with the “Play when drawn” icon (see “Bob” above) will be played immediately. Otherwise, you may choose any card in your hand to be played. These could be band members or other events. Some cards are designed to be played as reaction cards to other opponents’ plays and can be played out of turn. That’s it! The rules and game play are very light, and games are very quick.
Components: This is a card game. Mine came in a tin, though I do not know if that is the plan for when the game goes retail or as result of a successful Kickstarter campaign. The cards are good quality, and the art on them is very cool. The names are sometimes hilarious and the art reflects that as well. Each character has a personality, and some are even inspired by the designer’s friends and family. I didn’t see any trumpet playing Travis cards, so maybe that’s in the works…
So here are my thoughts on Party Bandimals. It’s a really quick game with some interesting decisions and LOTS of take that. I mean, you’re trying to put a band together of the sickest entertainers out there, but so are your opponents. You are pawning off the bad musicians on your friends opponents and keeping all the good musicians. It really works well when you want a super quick filler with a great theme, fun art (I mean, look at lil Elanor up there on that harmonica solo), and grudges to be formed. If your group likes take that games, or at least don’t get all bent out of shape, then you should check out Party Bandimals. It’s quick, fun, and has a great theme. What more do you want, people???