"Both the film and the book had a big impact on me when I was a kid. I don’t remember how old I was when I first watched it, but the film was told from the perspective of a young boy who is experiencing the adult world and discovering that it’s horrifying. I remember specific scenes that have an impact on me more than the film does in general. There’s one in which the characters are fishing for eels in the sea—that scene has affected me in such a way that I have never eaten eel since. Not long ago I showed the film to my brother’s young son, and I was looking at his face and his experience watching it, and I realized that it could have the same impact on this generation growing up now—he was horrified! But at the same time, it’s fascinating"

"I would say that one of the most profound memories was when my mother – who was film fanatic and loved thrillers – took me to see Rosemary’s Baby when I was nine years old. The film had a huge impact on me and, of course, scared the shit out me! I certainly wouldn’t take my 10-year-old to see Rosemary’s Baby. “It is a masterpiece in terms of the way it uses the language of movies and it directed me towards Hitchcock and that kind of visual storytelling, and thrillers in general – or maybe more psychological thrillers. So that was my first and most memorable movie. It was the psychological fear and oddness, the oddness of the characters; I remember I didn’t even understand it all when I first saw it. Visually there were so many things that I hadn’t seen before that have stayed with me."

"I know a lot of people aren’t into Tango In The Night, but I think that’s because the production is really of-the-time, it’s very 80s sounding and I think it’s a CD-aware album. It’s not mastered in the same way that they used to do when cutting for vinyl. But there are some really amazing songs on it and I think that if it had been made in the 70s it would have been as big as Rumours. The 70s is all warm snares, and just duller and warmer in general. And there’s a lot more synthesizer work on Tango..., and I just think the songs are what count and they are easily up there. I think the synths are part of what has poisoned people’s minds to this particular album. Obviously Rumours is an all-time golden classic as well."