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Laura (45 KP) rated Ten Inch Hero (2008) in Movies
Sep 16, 2017
Contains spoilers, click to show
This movie does a lot of things well that many movies don't talk about. The characters talk about periods and female masturbation in a way that makes them seem normal (which they are). One female character is promiscuous but is never slut-shamed by her peers; they acknowledge that she does what she wants in a healthy way and that it doesn't make her a bad person. They are all friends in their twenties and tease each other in a light-hearted way. Another girl is a virgin (at an age that many see as too old to still be one) who is very inexperienced in general and instead of making her feel bad or like she's done something wrong they support her in becoming comfortable with her sexuality. The feeling of being judged and ignored based on your looks by a potential romantic partner is discussed from both the female and male perspective. And although a male character changes his entire appearance for a girl at the end, they tried to show that the way he used to look was more an effort to hide himself than just an expression of his personality. And, he never acted like he was friends with her in order to sleep with her - they were friends first and they both realized that maybe they would be good together.
Negatives: primarily that everyone is straight and white
Negatives: primarily that everyone is straight and white
RəX Regent (349 KP) rated Jaws (1975) in Movies
Feb 19, 2019
The movie which heralded the summer blockbuster has never looked so good. At 44, this is a well but gently paced slow-burn thriller, with a mix of easy on eye thrills and gritty human discourse. Robert Shaw may well have made this his film, but he was far from alone. Almost all the lead cast were more than worthy, and it was Spielberg’s young direction along with John William’s iconic score which propelled this from just another thriller into a timeless tale.
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
Sarah (7798 KP) rated The Hate u Give in Books
Apr 7, 2019
Good but a little one sided
This is one of those books that has been lauded because it’s relevant and moving subject matter, and for this I’d have to agree with them. it features a very emotive subject and deals with it in a fairly appropriate manner. Starr and her family are well rounded characters all likeable and flawed in their own ways, and there are a lot of conversations and family interactions during the book that had me smile or laugh out loud. I do have an issue with Starr herself, as she can be an irritating petulant teenager at times. I also have a general issue with this book. It’s about racism and raises a lot of valid issues and points, however it sometimes come across as very one sided. There is no justification for any actions of the police in this, however racism is a wide ranging issue and this book only tackles one side. It doesn’t address or even acknowledge when any of the main characters are being racist towards white people, or people are being accused of racism even when that may not be the case. Police brutality and racism is a big problem and there’s no denying that, and this book does a good job in tackling and raising some of these issues. But I feel like the true solution to racism is equality for all, and it doesn’t really address any thing like this.
Sarah (7798 KP) rated They Both Die At The End in Books
May 23, 2019
Heartwrenchingly good
It's truly a sign of a good book when you get to the end feeling emotionally battered and drained, yet ultimately satisfied and this is exactly what this book manages.
The idea behind this is fantastic and such a unique one. The notion of a an entity called Death-Cast notifying people that they'll die today is a frightening yet thought provoking idea. I spent the entire wondering what I'd do. Whilst this is obviously a book about dying, it focuses really on the two main characters attempts at living within their last hours and it's a truly wonderful read. Rufus and Mateo are likeable and well rounded characters and you get so invested in their lives, but with the added foresight that you know they will die at the end. And there's also intrigue in trying to figure out how they're going to die - I'll admit I didnt predict it and the ending in general is just so sad and bittersweet. This is the first book I've read of Adam Silvera's but I'll definitely be reading more, his writing style is so easy to read and simple yet effective. No overcomplicated prose here.
Yes this is about death but it's also about life and love and really does get you thinking about everything you take for granted. I dont see how anyone could read this book and not shed a tear by the end.
The idea behind this is fantastic and such a unique one. The notion of a an entity called Death-Cast notifying people that they'll die today is a frightening yet thought provoking idea. I spent the entire wondering what I'd do. Whilst this is obviously a book about dying, it focuses really on the two main characters attempts at living within their last hours and it's a truly wonderful read. Rufus and Mateo are likeable and well rounded characters and you get so invested in their lives, but with the added foresight that you know they will die at the end. And there's also intrigue in trying to figure out how they're going to die - I'll admit I didnt predict it and the ending in general is just so sad and bittersweet. This is the first book I've read of Adam Silvera's but I'll definitely be reading more, his writing style is so easy to read and simple yet effective. No overcomplicated prose here.
Yes this is about death but it's also about life and love and really does get you thinking about everything you take for granted. I dont see how anyone could read this book and not shed a tear by the end.
LeftSideCut (3778 KP) rated Pokémon: Detective Pikachu (2019) in Movies
Jun 15, 2019 (Updated Jun 15, 2019)
Magical (I'm 30 years old dammit)
I was the exact target audience at the time of the original Pokémon cartoon series, and invested a fair portion of my childhood playing through Pokémon Red, Blue, and Yellow, so seeing this all unfold on screen was quite something.
The action kicks off immediately, with Mewtwo (all of my friends bloody loved a bit of Mewtwo back in the day), ticking all the right nostalgia boxes from the start.
It's not long before were pushed into the wider world of Pokémon, both original and later generations, and it just filled me with childish joy to be honest.
The CGI is odd - in a way that I was aware that I was watching CGI creatures, but at the same time, they didn't feel out of place alongside the human characters, it all blends pretty well.
Looking past the blinding nostalgia, the story was engaging enough (even if it does get to absurd levels of silly towards the end), the action pieces were all pretty fun, and the cast were likable enough for the most part.
I spend more time than I probably should playing video games, so it's exited me to no end that we finally have a pretty decent video game movie, and I can only hope that Detective Pikachu is the start of something good, both for future Pokémon installments, and just video game adaptions in general.
The action kicks off immediately, with Mewtwo (all of my friends bloody loved a bit of Mewtwo back in the day), ticking all the right nostalgia boxes from the start.
It's not long before were pushed into the wider world of Pokémon, both original and later generations, and it just filled me with childish joy to be honest.
The CGI is odd - in a way that I was aware that I was watching CGI creatures, but at the same time, they didn't feel out of place alongside the human characters, it all blends pretty well.
Looking past the blinding nostalgia, the story was engaging enough (even if it does get to absurd levels of silly towards the end), the action pieces were all pretty fun, and the cast were likable enough for the most part.
I spend more time than I probably should playing video games, so it's exited me to no end that we finally have a pretty decent video game movie, and I can only hope that Detective Pikachu is the start of something good, both for future Pokémon installments, and just video game adaptions in general.
Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
This book is part of a series by Blythe Camenson that explores different careers centered on a theme. This volume focuses on water related careers and covers the spectrum from aquatic scientists to the Navy, fishing, cruise staff, water safety and rescue, and water sports.
The book tackles each of these items in a series of chapters. Each chapter talks about what the job entails, training needed, salaries, and employment figures. It then concludes with an interview with someone who is currently employed in the field that touches on their background, their job, and what they do and don't like about it.
The book is interesting and covers a range of things that anyone considering a new career would find interesting. However, it does have its shortcomings. At 150 pages, including an appendix of professional associations, the book just barely wets your appetite for more. Each chapter only focuses on one or two jobs and basically lists the others. This means the book isn't one stop shopping, but it does give you a general idea whether you might want to look for further information on the jobs listed.
Additionally, the book was published in the last decade, so some of the information, like salaries, is already out of date. The book focuses on the US, so if you live elsewhere, you'll need to look into local standards, and all the addresses given won't do you any good.
The book tackles each of these items in a series of chapters. Each chapter talks about what the job entails, training needed, salaries, and employment figures. It then concludes with an interview with someone who is currently employed in the field that touches on their background, their job, and what they do and don't like about it.
The book is interesting and covers a range of things that anyone considering a new career would find interesting. However, it does have its shortcomings. At 150 pages, including an appendix of professional associations, the book just barely wets your appetite for more. Each chapter only focuses on one or two jobs and basically lists the others. This means the book isn't one stop shopping, but it does give you a general idea whether you might want to look for further information on the jobs listed.
Additionally, the book was published in the last decade, so some of the information, like salaries, is already out of date. The book focuses on the US, so if you live elsewhere, you'll need to look into local standards, and all the addresses given won't do you any good.
I am giving this first book a 4.5 stars, because, while I really enjoyed reading it, there were a few points where if got a bit too much for me. If you have read it, you'll understand what I mean. Also, like always, this is a spoiler alert as there will most likely be a bunch of spoilers in this review. So you have been warned.
I can honestly say that I loved the relationship between the two main characters. They have such a deep love for one another and it is refreshing to see. They also have a pretty healthy relationship for the circumstances they are under.
It was cool to start the series in the middle of so much chaos, just like how the characters are in their lives at that time. I like how they set up the rules of the world by explaining it through the daughter as if she is telling us the story.
All the characters, in general, are very compelling and multifaceted, something I (obviously) appreciate a lot.
This was a very good exposition graphic novel that is setting up the rest of the story and I cannot wait to read the rest of the series!
The artwork is phenomenal. I cannot express enough how amazing it is! Props to the artists who worked on this, because I feel like they don't get enough credit. So if you're reading this, very well done!!
I can honestly say that I loved the relationship between the two main characters. They have such a deep love for one another and it is refreshing to see. They also have a pretty healthy relationship for the circumstances they are under.
It was cool to start the series in the middle of so much chaos, just like how the characters are in their lives at that time. I like how they set up the rules of the world by explaining it through the daughter as if she is telling us the story.
All the characters, in general, are very compelling and multifaceted, something I (obviously) appreciate a lot.
This was a very good exposition graphic novel that is setting up the rest of the story and I cannot wait to read the rest of the series!
The artwork is phenomenal. I cannot express enough how amazing it is! Props to the artists who worked on this, because I feel like they don't get enough credit. So if you're reading this, very well done!!
I loved this edition of Dracula. Though I have not finished the novel itself, I have friends who have and they assured me that this does not leave much out.
The story itself was quite interesting. As one of the first full vampire novels, I can see how others have drawn inspiration from this book.
There were parts that I was not a fan of, that felt rushed, but as these are journal entries and letters, there would not be the drawn out narratives that would be there were it someone's novel.
The art was very well done. I loved the color uses and the playing with shadows to make it seem more foreboding. It was beautiful.
That being said, in this particular edition, some of the text was difficult to see. Because the artists were differentiating the writers by color and font, this made some of the combinations difficult to read. In particular, I found it difficult to read Mina's writing. Since it was pink on pink with a cursive type font, everything looked jumbled together and was just, in general, difficult to read.
That is the main reason I gave it two stars off, though I actually give this book a 3.5. I liked the story and I am excited to actually pick up and read the full novel, hopefully soon, to see if I can mark the differences between the two.
The story itself was quite interesting. As one of the first full vampire novels, I can see how others have drawn inspiration from this book.
There were parts that I was not a fan of, that felt rushed, but as these are journal entries and letters, there would not be the drawn out narratives that would be there were it someone's novel.
The art was very well done. I loved the color uses and the playing with shadows to make it seem more foreboding. It was beautiful.
That being said, in this particular edition, some of the text was difficult to see. Because the artists were differentiating the writers by color and font, this made some of the combinations difficult to read. In particular, I found it difficult to read Mina's writing. Since it was pink on pink with a cursive type font, everything looked jumbled together and was just, in general, difficult to read.
That is the main reason I gave it two stars off, though I actually give this book a 3.5. I liked the story and I am excited to actually pick up and read the full novel, hopefully soon, to see if I can mark the differences between the two.
Zuky the BookBum (15 KP) rated The Twenty Days of Turin in Books
Mar 15, 2018
This may seem like an unfair review but I can only give this 3 stars because I didnt exactly understand it. I think thats mainly because Im a little slow to the mark sometimes and because I read this in a distracting environment, but this disappointed me and didnt scare me like I hoped it would.
It was well written, especially since its a translation, but parts of it felt disjointed and I found it hard to follow the uncovering of the Librarys secrets and the cause of the disturbing and brutal murders. There was well built tension in this and the white-as-a-sheet nun was pretty terrifying to imagine, but in general, I missed a whole lot of the horror in this.
Reading the translator's introduction (after I had finished the book) definitely helped me get it a bit more. Maybe if I had known more about Turins history to begin with, I could have connected to the story on a deeper level, but since I had no idea about Turins unrest in the 1970s, that whole subplot went completely over my head.
I hate giving such a little known book a very average review, I like supporting small time authors, but I cant say much about this author and his work when I have no idea what the hell went on. (OK, thats an over exaggeration, I half got it).
It was well written, especially since its a translation, but parts of it felt disjointed and I found it hard to follow the uncovering of the Librarys secrets and the cause of the disturbing and brutal murders. There was well built tension in this and the white-as-a-sheet nun was pretty terrifying to imagine, but in general, I missed a whole lot of the horror in this.
Reading the translator's introduction (after I had finished the book) definitely helped me get it a bit more. Maybe if I had known more about Turins history to begin with, I could have connected to the story on a deeper level, but since I had no idea about Turins unrest in the 1970s, that whole subplot went completely over my head.
I hate giving such a little known book a very average review, I like supporting small time authors, but I cant say much about this author and his work when I have no idea what the hell went on. (OK, thats an over exaggeration, I half got it).