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Mandy and G.D. Burkhead (26 KP) rated Flightless Falcon in Books
May 20, 2018
Shelf Life – Flightless Falcon Still Glides Pretty Well
Flightless Falcon is a light DAW fantasy by Mickey Zucker Reichert that first came out in paperback in July of 2001. Set in your typical fantasy land – lightly coated in magic but sans any fantastical creatures such as dragons, elves, dwarves, and the like – it follows the sad, luckless exploits of an ex-miner named Tamison made useless after a cave in kills his father and brother and leaves him trapped deep in the mine for a few days.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.
Alice (12 KP) rated The Temptation of Dragons (Penny White #1) in Books
Jul 3, 2018
<i>Many thanks to the author Chrys Cymri for providing me with a copy of this book in exchange for an honest review</i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Js">here</a href>
I was kindly offered this book by the author in exchange for an honest review and my initial impressions were "yeah this sounds like my kinda thing. Here there be dragons" ya know? Only to get more fully immersed in the book and find that I was a touch disappointed.
<i>The Temptation of Dragons</i> follows Reverend Penny White as she becomes the Vicar General of an alternate world called Lloegyr - please note that there is a heavy Welsh influence in this book coupled with an enormous religious influence - where dragons, unicorns, gryphons and more reside and coexist in relative peace.
The book starts with Penny White coming home slightly intoxicated and thinking she's going mad when she comes across a dying dragon. In true priestly form Penny gets out of her car and performs the last rites of absolution to what turns out to be a real dragon!
From that moment on Penny's life changes in so many ways - dragons exist, unicorns are real, snail sharks get drunk and gryphons are eating her garden birds. Penny is soon tasked to become the Vicar General to the citizens of Lloegyr and that includes all manner of supernatural beasties. Though expected as the main character is a priest, I didn't expect there to be such a heavy religious influence all throughout with literal verses from the Bible quoted on a regular.
Please understand that this is <b>not</b> anything against the book or against the writer and is merely my thoughts on what I considered an overly religious-toned story set in the wrong time period and the wrong world. I honestly found that the hardest part of reading this book but there were parts that I enjoyed for example: Penny White has what amounts to an obsession with sci-fi/fantasy and occult TV and movies, a lot of which were quite obscure for me (not really a TV and movie person *gasp*) I didn't get several of the references - particularly the Doctor Who ones.
Out of all of the characters my favourite had to be Moriarty - shortened to Morey for some reason - a 47-year-old gryphon with no filter. My favourite quote was from Penny about Morey:
<blockquote>"You've sent me a blue tit murdering creationist with sarcasm management issues."
"Correction. Today he's killing a starling."</blockquote>
The sarcasm and humour was rife throughout this book which was brilliant and gave it a nice light undertone to the ultimate seriousness of the book as a whole.
There was one character I didn't like and that was her brother James- I'm not 100% sure why but something about him rubbed me the wrong way. He's a free loading, insensitive toss pot and possibly a pod person.
However, despite my dislike of the heavy religious overtone and of James, I really, really liked <i>how</i> Chrys wrote the dragons and unicorns and all the other supernatural creatures and they had enough of a description without giving away too much important information; but also, on the flip side, there were away lot of unanswered questions such as how <i>exactly</i> does a unicorn use a telephone?
In all, it was a well written book with an interesting concept and some good characters and prose, dialogue was perfectly modern for Penny and a touch Olde World for a lot of the Lloegyr residents.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1Js">here</a href>
I was kindly offered this book by the author in exchange for an honest review and my initial impressions were "yeah this sounds like my kinda thing. Here there be dragons" ya know? Only to get more fully immersed in the book and find that I was a touch disappointed.
<i>The Temptation of Dragons</i> follows Reverend Penny White as she becomes the Vicar General of an alternate world called Lloegyr - please note that there is a heavy Welsh influence in this book coupled with an enormous religious influence - where dragons, unicorns, gryphons and more reside and coexist in relative peace.
The book starts with Penny White coming home slightly intoxicated and thinking she's going mad when she comes across a dying dragon. In true priestly form Penny gets out of her car and performs the last rites of absolution to what turns out to be a real dragon!
From that moment on Penny's life changes in so many ways - dragons exist, unicorns are real, snail sharks get drunk and gryphons are eating her garden birds. Penny is soon tasked to become the Vicar General to the citizens of Lloegyr and that includes all manner of supernatural beasties. Though expected as the main character is a priest, I didn't expect there to be such a heavy religious influence all throughout with literal verses from the Bible quoted on a regular.
Please understand that this is <b>not</b> anything against the book or against the writer and is merely my thoughts on what I considered an overly religious-toned story set in the wrong time period and the wrong world. I honestly found that the hardest part of reading this book but there were parts that I enjoyed for example: Penny White has what amounts to an obsession with sci-fi/fantasy and occult TV and movies, a lot of which were quite obscure for me (not really a TV and movie person *gasp*) I didn't get several of the references - particularly the Doctor Who ones.
Out of all of the characters my favourite had to be Moriarty - shortened to Morey for some reason - a 47-year-old gryphon with no filter. My favourite quote was from Penny about Morey:
<blockquote>"You've sent me a blue tit murdering creationist with sarcasm management issues."
"Correction. Today he's killing a starling."</blockquote>
The sarcasm and humour was rife throughout this book which was brilliant and gave it a nice light undertone to the ultimate seriousness of the book as a whole.
There was one character I didn't like and that was her brother James- I'm not 100% sure why but something about him rubbed me the wrong way. He's a free loading, insensitive toss pot and possibly a pod person.
However, despite my dislike of the heavy religious overtone and of James, I really, really liked <i>how</i> Chrys wrote the dragons and unicorns and all the other supernatural creatures and they had enough of a description without giving away too much important information; but also, on the flip side, there were away lot of unanswered questions such as how <i>exactly</i> does a unicorn use a telephone?
In all, it was a well written book with an interesting concept and some good characters and prose, dialogue was perfectly modern for Penny and a touch Olde World for a lot of the Lloegyr residents.
*＊✿❀ Maki ❀✿＊* (7 KP) rated The Warrior Heir (The Heir Chronicles, #1) in Books
May 3, 2018
[a:Cinda Williams Chima|125308|Cinda Williams Chima|https://d.gr-assets.com/authors/1291420167p2/125308.jpg] was my biggest takeaway from [b:The Way of the Wizard|8121665|The Way of the Wizard|John Joseph Adams|https://d.gr-assets.com/books/1297656860s/8121665.jpg|12917149]. I absolutely adored the short story of how Linda and Hastings met, and knew that I had to read the actual series.
You can definitely tell that this was written a few years before the short story in The Way of the Wizard. The writing isn't quite on the same level - all of the key elements are still there, but in a rawer form.
That's not a bad thing. I'm not insulting the quality of the writing, at all. It was still a very enjoyable story, and the writing and the editing were solid. And I'm happy to watch the progression of the narrative, as it gets stronger over time.
...but. If I had read The Warrior Heir before I read "The Trader and the Slave", I probably would have enjoyed this book more than I did. Part of me kept waiting for the dark, grittiness that the short story had, and it never really showed up.
Were parts of The Warrior Heir heavy? Sure. There's a lot of double-crossing, morality, and self-sacrifice in there. But it wasn't quite the same.
Sorry for that slight detour there. I felt that, before I started talking about the book itself, I should explain the factors that went towards my final rating.
Because, in general, I loved this book. It was a lot of fun to read. I loved the "world" and the magic system, I loved the history and explanations of why magic works, and where it came from. The dedication to the magic system was very nice, and much appreciated in such an action-based fantasy book.
The main characters all managed to keep me interested in what was going on (even though there wasn't nearly enough Linda and Hastings in there for me), and the antagonists walked a delicate balance of being evil, and just doing what they thought would be best for themselves, or for those around them. Even some of the protagonists walked that line, which was <i>really</i> nice to see.
Morality - it's pretty important to the story.
There weren't really any surprises in the plot department. It was incredibly easy to guess the various "twists" the book had to offer. <spoiler>Especially anything having to do with Ellen.</spoiler> But personally, I was too distracted by the world-building to overly care about how predictable things were.
Because in Maki-land, well-established magic system > plot.
You can definitely tell that this was written a few years before the short story in The Way of the Wizard. The writing isn't quite on the same level - all of the key elements are still there, but in a rawer form.
That's not a bad thing. I'm not insulting the quality of the writing, at all. It was still a very enjoyable story, and the writing and the editing were solid. And I'm happy to watch the progression of the narrative, as it gets stronger over time.
...but. If I had read The Warrior Heir before I read "The Trader and the Slave", I probably would have enjoyed this book more than I did. Part of me kept waiting for the dark, grittiness that the short story had, and it never really showed up.
Were parts of The Warrior Heir heavy? Sure. There's a lot of double-crossing, morality, and self-sacrifice in there. But it wasn't quite the same.
Sorry for that slight detour there. I felt that, before I started talking about the book itself, I should explain the factors that went towards my final rating.
Because, in general, I loved this book. It was a lot of fun to read. I loved the "world" and the magic system, I loved the history and explanations of why magic works, and where it came from. The dedication to the magic system was very nice, and much appreciated in such an action-based fantasy book.
The main characters all managed to keep me interested in what was going on (even though there wasn't nearly enough Linda and Hastings in there for me), and the antagonists walked a delicate balance of being evil, and just doing what they thought would be best for themselves, or for those around them. Even some of the protagonists walked that line, which was <i>really</i> nice to see.
Morality - it's pretty important to the story.
There weren't really any surprises in the plot department. It was incredibly easy to guess the various "twists" the book had to offer. <spoiler>Especially anything having to do with Ellen.</spoiler> But personally, I was too distracted by the world-building to overly care about how predictable things were.
Because in Maki-land, well-established magic system > plot.
Ross (3282 KP) rated The Seventh Decimate : The Great Gods War Book One in Books
Jan 22, 2018
The main character (2 more)
The storyline
Everything else
1 dimensional short story that goes on too long
*** Disclosure: I received a free copy of this from NetGalley in exchange for an honest review ***
I haven't previously read any of Donaldson's work, though my Dad's unwieldy omnibus edition of the First Chronicles of Thomas Covenant the Unbeliever has been in my pile for some time now.
The storyline follows Prince Bifalt journeying to find the sorcery that can undo his country's current plight (they appear to have lost all magical abilities, key to staying in their generations old battle with neighbours). It starts off in the moments before battle, with the prince teaching his comrades about the history of the battle in a very hard to believe section of "here's the backstory but isn't it good that I wove it into the dialogue". We are introduced to his brothers at arms and each of their quirks and peccadillos, which turns out to be a waste as they pretty much all die within the next 100 pages, whether they like horses or are womanisers or not.
The opening action is very gripping and filled me with hope for the book to follow, as Bifalt and his companions lead a special mission to assassinate the enemy's sorcerers with their previously unreleased rifles.
Thereafter the action pretty much dries up. What follows on Bifalt's quest is a nonsense 200 pages of journey through the back country with a thoroughly detestable character who suspects everyone except those who actually have a reason to be his enemy.
After days in the desert, he meets a nonsensical caravan of misfits that he manages to ostracise himself from by being himself.
What follows is a tedious nonsense of journey, discussion, treachery, intrigue and just general nonsense.
Donaldson has an annoying habit of occasionally following a line of dialogue with "What he meant was" to show what the prince is actually trying to ask but didn't. This gets very annoying very quickly.
The conclusion of the story can only be described as relief that it is over, no great revelations, no climactic sequence or discovery, just "that's that sorted then now send to publishers".
Having recently read a number of fantasy books told from numerous viewpoints and covering really epic storylines, to come to such a linear, one dimensional tossed away story as this from someone who is supposed to be one of the greats of the genre, it really was an incredible disappointment.
I shan't be reading the second or third books of the trilogy, and Thomas Covenant has just slipped down my pile a bit.
I haven't previously read any of Donaldson's work, though my Dad's unwieldy omnibus edition of the First Chronicles of Thomas Covenant the Unbeliever has been in my pile for some time now.
The storyline follows Prince Bifalt journeying to find the sorcery that can undo his country's current plight (they appear to have lost all magical abilities, key to staying in their generations old battle with neighbours). It starts off in the moments before battle, with the prince teaching his comrades about the history of the battle in a very hard to believe section of "here's the backstory but isn't it good that I wove it into the dialogue". We are introduced to his brothers at arms and each of their quirks and peccadillos, which turns out to be a waste as they pretty much all die within the next 100 pages, whether they like horses or are womanisers or not.
The opening action is very gripping and filled me with hope for the book to follow, as Bifalt and his companions lead a special mission to assassinate the enemy's sorcerers with their previously unreleased rifles.
Thereafter the action pretty much dries up. What follows on Bifalt's quest is a nonsense 200 pages of journey through the back country with a thoroughly detestable character who suspects everyone except those who actually have a reason to be his enemy.
After days in the desert, he meets a nonsensical caravan of misfits that he manages to ostracise himself from by being himself.
What follows is a tedious nonsense of journey, discussion, treachery, intrigue and just general nonsense.
Donaldson has an annoying habit of occasionally following a line of dialogue with "What he meant was" to show what the prince is actually trying to ask but didn't. This gets very annoying very quickly.
The conclusion of the story can only be described as relief that it is over, no great revelations, no climactic sequence or discovery, just "that's that sorted then now send to publishers".
Having recently read a number of fantasy books told from numerous viewpoints and covering really epic storylines, to come to such a linear, one dimensional tossed away story as this from someone who is supposed to be one of the greats of the genre, it really was an incredible disappointment.
I shan't be reading the second or third books of the trilogy, and Thomas Covenant has just slipped down my pile a bit.
Gareth von Kallenbach (971 KP) rated Shining Resonance Refrain in Video Games
Aug 14, 2019
I’ll be the first to admit that I’ve never been a huge fan of JRPG’s, but I really don’t have any reasons why. Growing up I loved watching the Shogun Warrior feature length cartoons and I’m a huge fan of RPG’s in general, so you’d think they’d be right up my alley. I’ve tried and tried to figure out why I have such a hard time sinking into them, and while I have never completed a Final Fantasy game, I continue to buy them in the hopes that one of these days I’ll just get it. So, I’m probably not the first person that would come to mind to review a game like Shining Resonance Refrain, a game that was released exclusively in Japan on PS3 back in 2014. Yet here we are, 4 years later, with a version released for the PS4, Xbox One, PC, and Nintendo Switch, with updated graphics and English voice acting.
Shining Resonance Refrain has you take on the role of a young man named Yuma who has been held captive and experimented on by the main antagonists of the game, the Lombardian Empire. Yuma possesses the soul of the Shining Dragon, the most powerful dragon in the land of Alfheim. The Lombardian Empire is attempting to gather all the souls of the long-forgotten dragons in an effort to break a stalemate between the waring countries of Astoria and the Lombardian Empire. The only thing standing in their way are Yuma, his dragon soul and a powerful set of weapons known as the Armonics.
Quests and exploration are key to moving the story along, with the main quests involving attempts to hinder the Lombardian Empire’s search for the remaining dragon souls. There are also side quests that help you earn money and experience for your characters. The quests are either your typical fetch type quests or the type where you go to this area, fight this major boss, and then return to the castle. The world is broken up into much smaller zones, representing numerous landmarks on the map. Traveling to a particular spot on the map means going from zone to zone until you reach your final destination. The zones are very small, so traveling between them isn’t a huge problem, but not being able to use fast-travel between the zones you have already explored means you will spend a lot of time going back and forth between your castle and your next quest. It isn’t a huge deal breaker in the game, but the areas aren’t always very interesting, and going back and forth amongst the same areas over and over can get old the further you get in the game.
Combat is a mixed bag as well. During your quests, you will encounter various creatures wandering the zones. The battles take place in real time and each character has a set of action points that are used for physical attacks and magic points used for your special abilities and “breaker” moves. As your character levels up, you gain access to different magical attacks, which you can swap out as you choose, but most of the time your battles are simply button mashing your way through them with little strategy involved. The battles are also extremely inconsistent, as battling the various creatures is almost too easy (even at standard difficulty) but battling the boss monsters is almost entirely too hard. There is a HUGE difficulty curve when fighting the boss monsters, to a point where I sometimes had to drop the difficulty to casual and still had to fight a boss 3-4 times to beat them. On standard difficulty, I’d typically give up after succumbing to the same boss repeatedly. Even in the later stages of the games the boss battles do not let up, but the normal battles are practically a cake walk.
In addition to your standard and magical attacks there is also a B.A.N.D special attack where you get additional powers depending on the character who initiates it. Some B.A.N.D attacks provide guaranteed hits, while others increase the damage of your magical attacks. On the left-hand side of the screen there is a bar with three levels that fills while you battle your way through the enemies. Each level increases the longevity that the B.A.N.D lasts, so it’s almost always preferable to save these special attacks for the boss battles. Yuma also has the ability to turn into the Shining Dragon who can release devastating attacks, however if your magic points drop too low the dragon goes into a berserker attack and will throw damage at friends and enemies alike. This is never good, so when playing as the Shining Dragon it’s key to turn back into Yuma before losing control.
Graphically the game is beautiful, and if anime or JRPG’s are your thing you will definitely appreciate the update to the original graphics. The graphics do stick closely to the standard JRPG tropes of ridiculously large weapons and warriors in short skirts, etc. so it looks like many of the other JRPGs on the market today. That’s not necessarily bad, it has just worn out its originality over the years. The sound can get extremely repetitive as well, especially in battle where your characters repeat the same catch phrases over and over again. Once again, that’s not to say that the sound is bad, but it gets old quickly. There are some other technical idiosyncrasies that were also particularly jarring. For example, if Yuma is killed in combat, you can run back to town with whichever character has taken over the “leader” role, but the minute you enter town, Yuma reappears as the controlling character. I get that he’s the main character and it doesn’t make much sense for the other characters to run around asking for quests, but his sudden reappearance even though you know he’s dead takes some getting used to.
So, is Shining Resonance Refrain a game that made me take another look at JRPGs? Well, yes and no if I’m being completely honest. It’s around 30+ hours for the main story and side quests and I’ll admit that the more time I spent with the game the more I enjoyed it. After about an hour of my mental block on JRPG games in general, I was able to get into the groove of things and power my way through it. That being said, I still felt the story was a little bit ridiculous and some of the characters really started to grate on my nerves. Even the main character Yuma tended to be a bit too wimpy for me. He can turn himself into the mightiest of dragons but doesn’t know if he can handle it, I often had the feeling that he should get over himself and embrace this incredible power. In the end, I really did enjoy it, once I overlooked a lot of it, and it actually did put me in the mood to go back and try one of the Final Fantasy games. I can’t say that Shining Resonance Refrain converted me to a diehard JRPG fan, but it certainly made me want to give them another try and that is a win in my book.
What I liked: Unique Characters, General feel of combat
What I liked less: Inconsistent difficulty, Repetitive phrases and sound effects
Shining Resonance Refrain has you take on the role of a young man named Yuma who has been held captive and experimented on by the main antagonists of the game, the Lombardian Empire. Yuma possesses the soul of the Shining Dragon, the most powerful dragon in the land of Alfheim. The Lombardian Empire is attempting to gather all the souls of the long-forgotten dragons in an effort to break a stalemate between the waring countries of Astoria and the Lombardian Empire. The only thing standing in their way are Yuma, his dragon soul and a powerful set of weapons known as the Armonics.
Quests and exploration are key to moving the story along, with the main quests involving attempts to hinder the Lombardian Empire’s search for the remaining dragon souls. There are also side quests that help you earn money and experience for your characters. The quests are either your typical fetch type quests or the type where you go to this area, fight this major boss, and then return to the castle. The world is broken up into much smaller zones, representing numerous landmarks on the map. Traveling to a particular spot on the map means going from zone to zone until you reach your final destination. The zones are very small, so traveling between them isn’t a huge problem, but not being able to use fast-travel between the zones you have already explored means you will spend a lot of time going back and forth between your castle and your next quest. It isn’t a huge deal breaker in the game, but the areas aren’t always very interesting, and going back and forth amongst the same areas over and over can get old the further you get in the game.
Combat is a mixed bag as well. During your quests, you will encounter various creatures wandering the zones. The battles take place in real time and each character has a set of action points that are used for physical attacks and magic points used for your special abilities and “breaker” moves. As your character levels up, you gain access to different magical attacks, which you can swap out as you choose, but most of the time your battles are simply button mashing your way through them with little strategy involved. The battles are also extremely inconsistent, as battling the various creatures is almost too easy (even at standard difficulty) but battling the boss monsters is almost entirely too hard. There is a HUGE difficulty curve when fighting the boss monsters, to a point where I sometimes had to drop the difficulty to casual and still had to fight a boss 3-4 times to beat them. On standard difficulty, I’d typically give up after succumbing to the same boss repeatedly. Even in the later stages of the games the boss battles do not let up, but the normal battles are practically a cake walk.
In addition to your standard and magical attacks there is also a B.A.N.D special attack where you get additional powers depending on the character who initiates it. Some B.A.N.D attacks provide guaranteed hits, while others increase the damage of your magical attacks. On the left-hand side of the screen there is a bar with three levels that fills while you battle your way through the enemies. Each level increases the longevity that the B.A.N.D lasts, so it’s almost always preferable to save these special attacks for the boss battles. Yuma also has the ability to turn into the Shining Dragon who can release devastating attacks, however if your magic points drop too low the dragon goes into a berserker attack and will throw damage at friends and enemies alike. This is never good, so when playing as the Shining Dragon it’s key to turn back into Yuma before losing control.
Graphically the game is beautiful, and if anime or JRPG’s are your thing you will definitely appreciate the update to the original graphics. The graphics do stick closely to the standard JRPG tropes of ridiculously large weapons and warriors in short skirts, etc. so it looks like many of the other JRPGs on the market today. That’s not necessarily bad, it has just worn out its originality over the years. The sound can get extremely repetitive as well, especially in battle where your characters repeat the same catch phrases over and over again. Once again, that’s not to say that the sound is bad, but it gets old quickly. There are some other technical idiosyncrasies that were also particularly jarring. For example, if Yuma is killed in combat, you can run back to town with whichever character has taken over the “leader” role, but the minute you enter town, Yuma reappears as the controlling character. I get that he’s the main character and it doesn’t make much sense for the other characters to run around asking for quests, but his sudden reappearance even though you know he’s dead takes some getting used to.
So, is Shining Resonance Refrain a game that made me take another look at JRPGs? Well, yes and no if I’m being completely honest. It’s around 30+ hours for the main story and side quests and I’ll admit that the more time I spent with the game the more I enjoyed it. After about an hour of my mental block on JRPG games in general, I was able to get into the groove of things and power my way through it. That being said, I still felt the story was a little bit ridiculous and some of the characters really started to grate on my nerves. Even the main character Yuma tended to be a bit too wimpy for me. He can turn himself into the mightiest of dragons but doesn’t know if he can handle it, I often had the feeling that he should get over himself and embrace this incredible power. In the end, I really did enjoy it, once I overlooked a lot of it, and it actually did put me in the mood to go back and try one of the Final Fantasy games. I can’t say that Shining Resonance Refrain converted me to a diehard JRPG fan, but it certainly made me want to give them another try and that is a win in my book.
What I liked: Unique Characters, General feel of combat
What I liked less: Inconsistent difficulty, Repetitive phrases and sound effects
Night Reader Reviews (683 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Sep 22, 2021
Rough start for a new series but shows promise
A Deadly Education by Naomi Novik was given eighth place in the Goodreads choice awards for fantasy last year and has been nominated again this year. Unfortunately this book will not be receiving my vote although at this time I have not yet decided which book I will be voting for. This is the first book in a new series and I do have high hopes that future editions to the series will be better as it shows a lot of promise.
The basic idea here is that magical children are teleported away to The Scholomace for education and safety from the mals ( evil creatures attracted to the easy target of young magic user) though not all make it into the school. The school itself is dangerous as well yet even with the horde of mals waiting at the graduation gates to feast on everyone trying to leave the school once a year and the few who make it into the rest of the building the survival rate os those inside the school is still better than if they were left in the general magical population.
While completing school work is important it only because the school will attack those who don't complete their work the samation of alliances is almost more important. This is problematic thoug for those who don't come from an enclave and who are not interested n making friends in the first place.
What I liked about this book was that it is relatively unique. The fact that the main character actually goes through a very clear mental and maturity growth is a plus as well. She really improves as she learns about herself and her classmates. Unfortunately that is pretty much everything good I can say about this book. I enjoyed reading the book when I first started it but around halfway through it became clear that a lot of the book is repetitive. The book ended up becoming slow with the group just fighting off mals and not making much progress on the storyline for a while.it actually got to the point that I was about ready to put the book down.it is also rather predictable.
The ideal target audience for this book is teens to some young adults. I believe the book is too much for most readers younger than teens but at the same time it lacks the detail and depth needed to really capture the attention of older readers. I can only rate this book a 2 out of 5 at best with the hope that it is just a slow start to a good series.
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Thank you, Melissa
The basic idea here is that magical children are teleported away to The Scholomace for education and safety from the mals ( evil creatures attracted to the easy target of young magic user) though not all make it into the school. The school itself is dangerous as well yet even with the horde of mals waiting at the graduation gates to feast on everyone trying to leave the school once a year and the few who make it into the rest of the building the survival rate os those inside the school is still better than if they were left in the general magical population.
While completing school work is important it only because the school will attack those who don't complete their work the samation of alliances is almost more important. This is problematic thoug for those who don't come from an enclave and who are not interested n making friends in the first place.
What I liked about this book was that it is relatively unique. The fact that the main character actually goes through a very clear mental and maturity growth is a plus as well. She really improves as she learns about herself and her classmates. Unfortunately that is pretty much everything good I can say about this book. I enjoyed reading the book when I first started it but around halfway through it became clear that a lot of the book is repetitive. The book ended up becoming slow with the group just fighting off mals and not making much progress on the storyline for a while.it actually got to the point that I was about ready to put the book down.it is also rather predictable.
The ideal target audience for this book is teens to some young adults. I believe the book is too much for most readers younger than teens but at the same time it lacks the detail and depth needed to really capture the attention of older readers. I can only rate this book a 2 out of 5 at best with the hope that it is just a slow start to a good series.
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Thank you, Melissa
Ross (3282 KP) rated Season of Storms in Books
Apr 23, 2018 (Updated Apr 25, 2018)
2-d characters (2 more)
fantasy-by-numbers
Frequent incongruent Latin/French phrases
More a set of short stories than a novel in its own right
* I received an advance copy of this book from NetGalley in return for an honest review. Formatting issues (many) have not been factored into the review *
To my knowledge, the books of The Witcher are split into the short story collection prequels (one of which I have read) and the full books (which I have not read). This book is somewhere in between being neither strictly a collection of short stories nor a focussed standalone novel in its own right. Chronologically, this book falls in between the stories contained in The Last Wish) though it is impossible to say quite where it falls (as mention of the stryga is made near the end, which begins the Last Wish I have to assume it comes after the flashback stories from that tome but before the overarching story linking them all).
It may be because I haven't read the full novels, but I find the Witcher to be a thoroughly bland and unexciting character and I have no connection with him. He has next to no personality and contributes nothing to the dialogue of the book. Similarly, all other characters are very disposable - they are either supposedly strong-willed sorceresses (who smell of flowers and throw themselves at the Witcher and are bedded instantly) or they are otherwise instantly forgettable.
I think Sapkwoski was trying to give the sorcerers a sense of academic snobbery but they frequently use Latin phrases, which just gets irritating very quickly. Similarly French words and phrases are thrown in willy-nilly without translation which gets annoying as well. This seems even more unusual when you realise the story was written in Polish and translated into English, with some parts kept in French or Latin. And then further when it is meant to be in a different world where French wouldn't be a thing.
The story essentially follows Geralt of Rivia (The Witcher) who loses his swords and goes on a quest to get them back, and just happens along the way to meet people who need his skills (like on Neighbours where one character leaves and another comes in through the door at exactly the same moment). This aspect makes me think this was meant to be a series of short stories stitched together. But unfortunately here those short stories are not finished up within themselves and you have a number of unsatisfying loose ends in the back of your head throughout.
As with The Last Wish, I found the ending very confusing and had no idea what had happened. It may be that other works fill in the gap and I will have that filled in time, but if so that makes this not a satisfying read in its own right.
Overall, I don't mind Sapkowski's writing in general, other than a few irritating bad habits and I like the overriding idea of the stories but find the execution, character development and overall world-building somewhat clumsy and throw-away. But as I say, this may be because (I think) I have read these in chronological order, rather than published order. I will fill in the gaps and work out if that is the case.
To my knowledge, the books of The Witcher are split into the short story collection prequels (one of which I have read) and the full books (which I have not read). This book is somewhere in between being neither strictly a collection of short stories nor a focussed standalone novel in its own right. Chronologically, this book falls in between the stories contained in The Last Wish) though it is impossible to say quite where it falls (as mention of the stryga is made near the end, which begins the Last Wish I have to assume it comes after the flashback stories from that tome but before the overarching story linking them all).
It may be because I haven't read the full novels, but I find the Witcher to be a thoroughly bland and unexciting character and I have no connection with him. He has next to no personality and contributes nothing to the dialogue of the book. Similarly, all other characters are very disposable - they are either supposedly strong-willed sorceresses (who smell of flowers and throw themselves at the Witcher and are bedded instantly) or they are otherwise instantly forgettable.
I think Sapkwoski was trying to give the sorcerers a sense of academic snobbery but they frequently use Latin phrases, which just gets irritating very quickly. Similarly French words and phrases are thrown in willy-nilly without translation which gets annoying as well. This seems even more unusual when you realise the story was written in Polish and translated into English, with some parts kept in French or Latin. And then further when it is meant to be in a different world where French wouldn't be a thing.
The story essentially follows Geralt of Rivia (The Witcher) who loses his swords and goes on a quest to get them back, and just happens along the way to meet people who need his skills (like on Neighbours where one character leaves and another comes in through the door at exactly the same moment). This aspect makes me think this was meant to be a series of short stories stitched together. But unfortunately here those short stories are not finished up within themselves and you have a number of unsatisfying loose ends in the back of your head throughout.
As with The Last Wish, I found the ending very confusing and had no idea what had happened. It may be that other works fill in the gap and I will have that filled in time, but if so that makes this not a satisfying read in its own right.
Overall, I don't mind Sapkowski's writing in general, other than a few irritating bad habits and I like the overriding idea of the stories but find the execution, character development and overall world-building somewhat clumsy and throw-away. But as I say, this may be because (I think) I have read these in chronological order, rather than published order. I will fill in the gaps and work out if that is the case.
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Emma @ The Movies (1786 KP) rated Cold Pursuit (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What can I say about Cold Pursuit? It's bad. Unfortunately it's not in the "so bad it's good" category.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
Ivana A. | Diary of Difference (1171 KP) rated The Raven Boys in Books
Apr 20, 2020
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#1 <a href="https://www.goodreads.com/review/show/3053741934">The Raven Boys</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3255973750">The Dream Thieves</a> - Not Read Yet
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Even if Blue hadn't been told her true love would die if she kissed him, she would stay away from boys. Especially the ones from the local private school. Known as Raven Boys, they only mean trouble.
<b>But this is the year that everything will change for Blue.</b>
This is the year that she will be drawn into the strange and sinister world of the Raven Boys. And the year Blue will discover that magic does exist.
<b>This is the year she will fall in love.</b>
<b><i>"Blue, I know you're not an idiot. It's just, sometimes smart people do dumb things."</i></b>
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<b><i>My Thoughts:</i></b>
I enjoyed The Raven Boys. I have been meaning to read this book for such a long time, and I am so happy I finally managed to scratch it off my list.
I loved the beginning and I loved Blue and her witch family. It gave me vibes of Charmed - a TV Show that was my favourite when I was growing up.
Her family does readings and Blue has known her prediction her whole life. She knows that if she kisses her true love, he will die. Even though everyone else in her family has powers, Blue doesn’t. Her power is to amplify other people’s superpowers. So when her family does a reading and Blue is present, they can predict the future better.
When Blue meets The Raven Boys, she knows they’re trouble. But there is an opportunity for her to really see and feel magic, something she hasn’t ever done before, and this temptation will be too much for her to resist.
<b><i>"Once Arthur knew the grail exited, how could he not look for it?"</i></b>
<b>I loved The Raven Boys gang.</b>
They were awesome, and brutal, and handsome and smart. They all had their own challenges and character development throughout the book and I enjoyed watching them grow.
I was and still am so unsure about that ending and the fact that I was left more confused than when I started reading the book. There is a feeling I have like I need to re-read this book to fully understand everything, and it’s not a very good vibe.
I still enjoyed it and would definitely read the second book, but I was hoping this would be one of my favourite books and it wasn’t. Maybe the next time around, eh?
I highly recommend it if you love fantasy, magic, handsome boys and young-adult books in general. It is a very interesting book, with lots of mysteries and twists, and a very confusing ending (which some may enjoy).
<b><i>"People shout when they don't have the vocabulary to whisper."</i></b>
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#1 <a href="https://www.goodreads.com/review/show/3053741934">The Raven Boys</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3255973750">The Dream Thieves</a> - Not Read Yet
<img src="https://diaryofdifference.com/wp-content/uploads/2020/03/Book-Review-Banner-30.png"/>;
Even if Blue hadn't been told her true love would die if she kissed him, she would stay away from boys. Especially the ones from the local private school. Known as Raven Boys, they only mean trouble.
<b>But this is the year that everything will change for Blue.</b>
This is the year that she will be drawn into the strange and sinister world of the Raven Boys. And the year Blue will discover that magic does exist.
<b>This is the year she will fall in love.</b>
<b><i>"Blue, I know you're not an idiot. It's just, sometimes smart people do dumb things."</i></b>
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<b><i>My Thoughts:</i></b>
I enjoyed The Raven Boys. I have been meaning to read this book for such a long time, and I am so happy I finally managed to scratch it off my list.
I loved the beginning and I loved Blue and her witch family. It gave me vibes of Charmed - a TV Show that was my favourite when I was growing up.
Her family does readings and Blue has known her prediction her whole life. She knows that if she kisses her true love, he will die. Even though everyone else in her family has powers, Blue doesn’t. Her power is to amplify other people’s superpowers. So when her family does a reading and Blue is present, they can predict the future better.
When Blue meets The Raven Boys, she knows they’re trouble. But there is an opportunity for her to really see and feel magic, something she hasn’t ever done before, and this temptation will be too much for her to resist.
<b><i>"Once Arthur knew the grail exited, how could he not look for it?"</i></b>
<b>I loved The Raven Boys gang.</b>
They were awesome, and brutal, and handsome and smart. They all had their own challenges and character development throughout the book and I enjoyed watching them grow.
I was and still am so unsure about that ending and the fact that I was left more confused than when I started reading the book. There is a feeling I have like I need to re-read this book to fully understand everything, and it’s not a very good vibe.
I still enjoyed it and would definitely read the second book, but I was hoping this would be one of my favourite books and it wasn’t. Maybe the next time around, eh?
I highly recommend it if you love fantasy, magic, handsome boys and young-adult books in general. It is a very interesting book, with lots of mysteries and twists, and a very confusing ending (which some may enjoy).
<b><i>"People shout when they don't have the vocabulary to whisper."</i></b>
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