"Not actually a “spiritual” work at all (if only someone could define terms like that for me), this is the first truly great film about institutional oppression (forget the Soviets’ chockablock puppeteering and jigsaw manipulations), a subject that always manages to give a film with this much passionate force pertinence in virtually any age and political climate. It took me years to realize—and this is all the props George Lucas will get from me at this late date—that Dreyer’s film is in fact an abstracted dystopian horror film, a point Lucas made by remaking it as THX 1138, right down to the shaved skulls, white-on-white compositions, inarticulate victim protagonist, looming totalitarian machinations, and semihopeless action finale."

"A total classic from George Lucas, pre Star Wars. It's the start of pop culture going retro, as it created a whole kind of rock & roll revival with records being reissued and that double LP soundtrack being released. It's the past informing the present so it's important in terms of pop culture and teen films. It influenced a couple of other movies that we're going to talk about later. And I love the music – 'I Only Have Eyes For You' and all those tunes. Fantastic."