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These Shallow Graves
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From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern...
Blackbeard
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BLACKBEARD recreates "The Golden Age of Piracy" at the turn of the 18th century. Each player becomes...
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Gareth von Kallenbach (971 KP) rated Rio (2011) in Movies
Aug 7, 2019
As the very colorful birds of the jungle in Rio de Janeiro are partying it up with singing and aeriel dancing some humans crash the party and capture some of the birds, one of them being a very young blue macaw. From there they are flown to the U.S. with final destinations unknown. Thanks to some poor driving habits the crate containing the young blue macaw is left stranded in the freezing snow of Minnesota but he is soon saved by a young girl named Linda who names him Blu (I know not very original).
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Fast forward 15 years, Linda and Blu run a bookstore and even though he has never learned to fly he loves the indoor domestic lifestyle and has never thought of returning to Rio. That is until Dr. Barbosa arrives and informs them that Blu is the last known male blue macaw in the world and that at his bird sanctuary in Rio he has the last known female blue macaw, named Jewel. After some hesitation they decide it is species saving time and go with Dr. Barbosa to Rio. As Blu and Jewel get to know each other (that’s not an euphemism), Dr. Barbosa and Linda decide they should give them some alone time and leave. But while the humans are away making a connection of their own, someone breaks into the bird sanctuary and abducts Blu and Jewel.
The two blue macaws soon find themselves shackled together and locked away with many other birds to be taken to final destinations unknown (hmmm, deja vu). Blu and Jewel are able to escape from their captors but not from the shackles that bind them and thus begins their epic journey to freedom from the shackles. Along the way they befriend some very interesting characters who do their best to help them along the way. Will Jewel and Blu be free of the shackles? Will Blu and Linda ever be reunited? Will Blu ever learn to fly? What about the bookstore?
While the story is very predictable and at least once I could tell the kids were losing interest during a scene, the animation is beautiful and amazing, the humor is great and I saw many of the kids in the theater bobbing their heads along to the songs. They could not have done any better with the incredible voice cast: Blu and Jewel are voiced by Jesse Eisenberg and Anne Hathaway and Leslie Mann voices Linda. The incredible supporting cast voices iniclude Wanda Sykes, Lane Lynch, Jamie Fox, Will.I.Am and George Lopez.
Overall, regardless of age, everyone in the theater seemed to enjoy the film as much, if not more, as I did. But just to be sure I brought along a friend’s 10 year old to get his perspective and posed a few questions. I was very happy to mostly get more than one word answers:
Gareth von Kallenbach (971 KP) rated Tomorrowland (2015) in Movies
Aug 6, 2019
I have to be honest. I was confused when I first heard that a movie was being made called Tomorrowland, and even more so when I heard it that actually is based on the themed area of Disney parks. How could they do it? What would it be about? It was strange. The teaser trailer didn’t give a whole lot away either (as teasers are designed to do). When I saw the full trailer, I had a little more understanding, and it definitely piqued my interest, but I was still totally in the dark. And I wanted to see the movie! I guess Disney really did their job right.
In this film, Tomorrowland is a place of unlimited possibilities. Another dimension, where the inhabitants of that dimension actively seek out intelligent people, inventors, who can do something that can change the world for the better. We begin at the 1964 World Fair in New York where we see a young Frank Walker (Thomas Robinson) entering into the inventor’s competition with a jetpack that doesn’t quite work. However, a mysterious young woman named Athena (Raffey Cassidy) takes an interest in him, offers him a pin and instructs him to follow her. Thus begins Frank’s adventure and we move forward in time to the present day, where we meet Casey Newton (Britt Robertson).
Casey is the teenage daughter of a NASA engineer, who is no slough in the intelligence department herself. We are introduced to her as she is sabotaging equipment at a NASA launch pad that is scheduled to be taken down, which will leave her father without a job. We see Athena again, who has mysteriously not aged, leaving a pin for Casey to discover Tomorrowland on her own. Only, this pin is a simple advertisement. We soon learn that something has gone terribly wrong, and our world is in danger. Athena leads Casey to an aged Frank Walker (George Clooney), who has since been banished from Tomorrowland, but still feeds off of their signal and sits and waits for the end of the world, which he knows when it will happen. But he and Athena see something in Casey that will help save both Tomorrowland, and our world.
Given the conversations, the imagery, and the theme of this movie, it is clearly targeted towards children more than adults. Though, there is plenty for an adult to enjoy about the movie, it is important to understand that the movie is clearly targeted to a younger audience. I say this because I feel, as did my guests who attended the press screening, that the main plot device, the main conflict of the movie, is far too complex a concept for this younger audience to understand. So before you read any further, spoiler alert. You have been forewarned. If you do not want to know, skip the next two paragraphs.
The idea here is that Frank Walker built a machine that could see any point in time. Past, future or present. With this machine, he saw the end of our world. The proposed resolution to stop the destruction of earth is this: turn off the machine. The argument being that the world ends because we see it ending. It becomes a fixation of our mind, and so it will happen. Apparently, the people of Tomorrowland have been streaming this information to Earth for years, but instead of taking steps to prevent it, Earth has embraced it. One of my favorite lines, delivered by one of my favorite actors (Hugh Laurie) indicated that we had simultaneous epidemics of obesity and starvation on Earth. It’s mind boggling. But the Casey comes up with the brilliant idea of turning it off, which will prevent the destruction of Earth because people will no longer be so focused on it. It’s a little more complicated than that, but this is the gist of it. Way too complex for your average child to comprehend.
Another part of the resolution and the end of the movie was brilliant, but I think it was poorly illustrated. As I mentioned earlier, the residents of Tomorrowland were searching for intelligent people, often high IQ inventors, who could make the world a better place. At the end of the film, Casey idea is to bring not only intelligent people, but anyone who will make a difference. Dancers, musicians, doctors, pilots, farmers, etc. I think I even saw a waitress in there. These are people who may not normally be recognized as highly intelligent, but can make huge differences in the world. The idea was to not be so limited in thinking, and understand how everything can contribute to a better world. However, they did not really do a great job of pointing this out, so some movie-goers may miss this point completely and simply see it as a rebuilding of Tomorrowland to its former glory.
Other than those two issues, I thoroughly enjoyed the movie. It had a great amount of humor, action and endearing moments. It was visually stunning, and took a concept that I never thought could be made into a movie and did just that. The movie was brilliantly cast, even down to the minor characters like Hugo (Keegan-Michael Key) and Ursula (Kathryn Hahn). Of course the score was fantastic, it is a Disney film after all. And despite my issues with the complexity of the plot, I still think that everyone, young and old, will enjoy this film.
Is it perfect? Absolutely not. But it is entertaining, and definitely worth seeing on the big screen. So go check it out. In theaters everywhere, today.
In this film, Tomorrowland is a place of unlimited possibilities. Another dimension, where the inhabitants of that dimension actively seek out intelligent people, inventors, who can do something that can change the world for the better. We begin at the 1964 World Fair in New York where we see a young Frank Walker (Thomas Robinson) entering into the inventor’s competition with a jetpack that doesn’t quite work. However, a mysterious young woman named Athena (Raffey Cassidy) takes an interest in him, offers him a pin and instructs him to follow her. Thus begins Frank’s adventure and we move forward in time to the present day, where we meet Casey Newton (Britt Robertson).
Casey is the teenage daughter of a NASA engineer, who is no slough in the intelligence department herself. We are introduced to her as she is sabotaging equipment at a NASA launch pad that is scheduled to be taken down, which will leave her father without a job. We see Athena again, who has mysteriously not aged, leaving a pin for Casey to discover Tomorrowland on her own. Only, this pin is a simple advertisement. We soon learn that something has gone terribly wrong, and our world is in danger. Athena leads Casey to an aged Frank Walker (George Clooney), who has since been banished from Tomorrowland, but still feeds off of their signal and sits and waits for the end of the world, which he knows when it will happen. But he and Athena see something in Casey that will help save both Tomorrowland, and our world.
Given the conversations, the imagery, and the theme of this movie, it is clearly targeted towards children more than adults. Though, there is plenty for an adult to enjoy about the movie, it is important to understand that the movie is clearly targeted to a younger audience. I say this because I feel, as did my guests who attended the press screening, that the main plot device, the main conflict of the movie, is far too complex a concept for this younger audience to understand. So before you read any further, spoiler alert. You have been forewarned. If you do not want to know, skip the next two paragraphs.
The idea here is that Frank Walker built a machine that could see any point in time. Past, future or present. With this machine, he saw the end of our world. The proposed resolution to stop the destruction of earth is this: turn off the machine. The argument being that the world ends because we see it ending. It becomes a fixation of our mind, and so it will happen. Apparently, the people of Tomorrowland have been streaming this information to Earth for years, but instead of taking steps to prevent it, Earth has embraced it. One of my favorite lines, delivered by one of my favorite actors (Hugh Laurie) indicated that we had simultaneous epidemics of obesity and starvation on Earth. It’s mind boggling. But the Casey comes up with the brilliant idea of turning it off, which will prevent the destruction of Earth because people will no longer be so focused on it. It’s a little more complicated than that, but this is the gist of it. Way too complex for your average child to comprehend.
Another part of the resolution and the end of the movie was brilliant, but I think it was poorly illustrated. As I mentioned earlier, the residents of Tomorrowland were searching for intelligent people, often high IQ inventors, who could make the world a better place. At the end of the film, Casey idea is to bring not only intelligent people, but anyone who will make a difference. Dancers, musicians, doctors, pilots, farmers, etc. I think I even saw a waitress in there. These are people who may not normally be recognized as highly intelligent, but can make huge differences in the world. The idea was to not be so limited in thinking, and understand how everything can contribute to a better world. However, they did not really do a great job of pointing this out, so some movie-goers may miss this point completely and simply see it as a rebuilding of Tomorrowland to its former glory.
Other than those two issues, I thoroughly enjoyed the movie. It had a great amount of humor, action and endearing moments. It was visually stunning, and took a concept that I never thought could be made into a movie and did just that. The movie was brilliantly cast, even down to the minor characters like Hugo (Keegan-Michael Key) and Ursula (Kathryn Hahn). Of course the score was fantastic, it is a Disney film after all. And despite my issues with the complexity of the plot, I still think that everyone, young and old, will enjoy this film.
Is it perfect? Absolutely not. But it is entertaining, and definitely worth seeing on the big screen. So go check it out. In theaters everywhere, today.
Darren (1599 KP) rated 100 Streets (2017) in Movies
Jun 20, 2019
Story: 100 Streets starts as we meet our characters, troublemaking drug dealing thief Kingsley (Dramah), former rugby player Max (Elba) who is going through a marriage problem after his own affair with his wife Emily (Arterton) who in an act of revenge is dating photographer Jake (Cullen). The final couple we meet are cabbie George (Creed-Miles) and Kathy (Wareing) who are trying to adopt a child, though his past is causing problems in this pursuit.
As the lives cross-paths the people must learn about the mistakes they make to prevent themselves from making any more mistakes.
Thoughts on 100 Streets
Characters – Max is a former England rugby captain, since retiring he started cheating on his wife and getting caught up with the drugs, seeing his future career going up in smoke, he needs to clean up his own actions in any hope of winning his wife back. Emily is the wife of Max who has been going through the struggles of her husbands action, thinking about getting back into acting and trying to move on with her life. Kingsley is the streetwise drug dealing thief that has been caught up against the law, even though he believes he could go onto something bigger, he receives the guidance required to escape this life. We have a cabbie that makes a terrible mistake and must learn to live with the consequences and a photographer that wants to be part of Emily’s life.
Performances – Idris Elba, Gemma Arterton are both great in their roles in the film, we know and expect it from them. Elsewhere we get the less known actors in Franz Drameh and Charlie Creed-Miles that shine in this film.
Story – The story follows the lives of three people, the problems they are facing and the changes that will define them. We get three different worlds, one is the celebrity world and marriage, where the vices can control someone, the middle-class who just want normal lives which can fall apart from past action and the lower-class that must fight for a chance or face the same circles of crime. The way the three lives cross without interaction shows how people can be going through their own struggles meters away from you. Each life will be changed by the events in the film, which is important to see and we can see how theses moments can do the moments that create a future.
Settings – The film is set in London with the idea that we are within 100 streets of each other, in a position where lives can cross paves.
Scene of the Movie – Leaving the gang.
That Moment That Annoyed Me – Not sure what will happen with Jake next.
Final Thoughts – This is a wonderfully engaging drama that shows the lives people are living without you knowing within metres of your own life. Strong performances throughout do help the film stand out too.
Overall: Drama well worth watching.
https://moviesreview101.com/2019/02/02/gemma-arterton-weekend-100-streets-2016/
As the lives cross-paths the people must learn about the mistakes they make to prevent themselves from making any more mistakes.
Thoughts on 100 Streets
Characters – Max is a former England rugby captain, since retiring he started cheating on his wife and getting caught up with the drugs, seeing his future career going up in smoke, he needs to clean up his own actions in any hope of winning his wife back. Emily is the wife of Max who has been going through the struggles of her husbands action, thinking about getting back into acting and trying to move on with her life. Kingsley is the streetwise drug dealing thief that has been caught up against the law, even though he believes he could go onto something bigger, he receives the guidance required to escape this life. We have a cabbie that makes a terrible mistake and must learn to live with the consequences and a photographer that wants to be part of Emily’s life.
Performances – Idris Elba, Gemma Arterton are both great in their roles in the film, we know and expect it from them. Elsewhere we get the less known actors in Franz Drameh and Charlie Creed-Miles that shine in this film.
Story – The story follows the lives of three people, the problems they are facing and the changes that will define them. We get three different worlds, one is the celebrity world and marriage, where the vices can control someone, the middle-class who just want normal lives which can fall apart from past action and the lower-class that must fight for a chance or face the same circles of crime. The way the three lives cross without interaction shows how people can be going through their own struggles meters away from you. Each life will be changed by the events in the film, which is important to see and we can see how theses moments can do the moments that create a future.
Settings – The film is set in London with the idea that we are within 100 streets of each other, in a position where lives can cross paves.
Scene of the Movie – Leaving the gang.
That Moment That Annoyed Me – Not sure what will happen with Jake next.
Final Thoughts – This is a wonderfully engaging drama that shows the lives people are living without you knowing within metres of your own life. Strong performances throughout do help the film stand out too.
Overall: Drama well worth watching.
https://moviesreview101.com/2019/02/02/gemma-arterton-weekend-100-streets-2016/
Darren (1599 KP) rated Hudson Hawk (1991) in Movies
Jul 25, 2019
Story: Hudson Hawk starts when Hudson (Willis) is released from prison, only to be drawn into committing one more burglary with his partner in crime Tommy Five-Tone (Aiello). The next day Hudson learns that not everything was as simple as just stealing a horse figure.
Hudson learns that the piece that he steals is involved in the world dominations and follow a strange amount of events, finds himself working for Darwin Mayflower (Grant), stealing the great works of Da Vinci.
Thoughts on Hudson Hawk
Characters – Hudson Hawk is a cat burglar that even after getting released from prison ends up back in the world of crime, only after stealing the first piece of art, he ends up needing to battle a world domination plan which takes him to the most famous art galleries in the world. he is wise-cracking that often on makes his own holes deeper without trying to. Tommy Five-Tone is the best friend of Hudson and does work with him on the crimes, he is often the butt of most of the jokes going on through the film. Anna Baragli is a nun that is undercover trying to stop the Da Vinci crystals coming together, she pushes off the flirts from Hudson who doesn’t learn her true place until too late. George Kaplan is the head of the CIA team tracking down Hudson, he knows each move he makes and will follow him to every location the job takes him too.
Performances – Bruce Willis really struggles with anything comical and this shows just how badly he handles this material, Danny Aiello does ok with the supporting comic moments. Andie MacDowell looks lost in this role for the most part, with only James Coburn seemingly knowing his place in the film.
Story – The story follows a cat burglar that gets given a job which soon sees him travel the world forced into helping criminals try to claim world dominance. The story here does feel very messy, it might well surprise where things go, but they do end up feeling completely random and make you feel like you are watching a sketch show rather than a coherent story. this is just a story that becomes difficult to watch and will end up making you lose interest quickly in the film.
Action/Crime/Comedy – The action plays into the comedy, we have silly moments throughout the film which try to get laughs and fail to achieve this, we do enter a crime world that does feel like it will just be robbery before getting out of hand.
Settings – The film does use the locations of the famous galleries from around the world for the main locations, with each needing to used for the latest robbery.
Scene of the Movie – The first robbery.
That Moment That Annoyed Me – The comedy is a big miss throughout the film.
Final Thoughts – This is a sloppy comedy that misses more often than it hits, it feels like a drag to watch and completely miss-cast movie.
Overall: Sloppy throughout.
Hudson learns that the piece that he steals is involved in the world dominations and follow a strange amount of events, finds himself working for Darwin Mayflower (Grant), stealing the great works of Da Vinci.
Thoughts on Hudson Hawk
Characters – Hudson Hawk is a cat burglar that even after getting released from prison ends up back in the world of crime, only after stealing the first piece of art, he ends up needing to battle a world domination plan which takes him to the most famous art galleries in the world. he is wise-cracking that often on makes his own holes deeper without trying to. Tommy Five-Tone is the best friend of Hudson and does work with him on the crimes, he is often the butt of most of the jokes going on through the film. Anna Baragli is a nun that is undercover trying to stop the Da Vinci crystals coming together, she pushes off the flirts from Hudson who doesn’t learn her true place until too late. George Kaplan is the head of the CIA team tracking down Hudson, he knows each move he makes and will follow him to every location the job takes him too.
Performances – Bruce Willis really struggles with anything comical and this shows just how badly he handles this material, Danny Aiello does ok with the supporting comic moments. Andie MacDowell looks lost in this role for the most part, with only James Coburn seemingly knowing his place in the film.
Story – The story follows a cat burglar that gets given a job which soon sees him travel the world forced into helping criminals try to claim world dominance. The story here does feel very messy, it might well surprise where things go, but they do end up feeling completely random and make you feel like you are watching a sketch show rather than a coherent story. this is just a story that becomes difficult to watch and will end up making you lose interest quickly in the film.
Action/Crime/Comedy – The action plays into the comedy, we have silly moments throughout the film which try to get laughs and fail to achieve this, we do enter a crime world that does feel like it will just be robbery before getting out of hand.
Settings – The film does use the locations of the famous galleries from around the world for the main locations, with each needing to used for the latest robbery.
Scene of the Movie – The first robbery.
That Moment That Annoyed Me – The comedy is a big miss throughout the film.
Final Thoughts – This is a sloppy comedy that misses more often than it hits, it feels like a drag to watch and completely miss-cast movie.
Overall: Sloppy throughout.
Countdown 1945
Book
From Chris Wallace, the veteran journalist and anchor of Fox News Sunday, comes an electrifying...
Gareth von Kallenbach (971 KP) rated Land of the Dead (2005) in Movies
Aug 14, 2019
Twenty years after his last installment of the classic “Dead” zombie genre, landmark Horror writer/director George Romero has returned to the delight of fans worldwide.
After years of various horror projects, and remakes of his previous “Dead” films, fans had begun to wonder if they had seen the last of Romero’s Zombie films and had to content themselves with the remakes and rumored offshoots and sequels from such.
Thankfully, with Land of the Dead Romero has returned to his basics and has crafted a Zombie thriller that is not only better than 85’s disappointing “Day of the Dead”, but on par with the ground breaking “Dawn of the Dead and the classic Original “Night of the Living Dead.”
For those who are not familiar with the series, the dead have arisen and now walk the earth looking for humans to feed upon. Gone is any memory of their former selves, only the insatiable desire to feed remains. How this event happened is never explained in the films viewers simply have to accept that it is happening and that those who are bitten by zombies are destined to join the ranks of the undead.
Like the previous films, the story follows a group of humans who are attempting to survive against the zombie hordes and who seek shelter and a way to stave off the zombie masses.
In Land of the Dead, a group of survivors have taken refuge in a fortified city where the common folks live in the streets while the affluent live in pristine high rise complex with many of the luxuries of their past lives.
One such survivor is Riley (Simon Baker), who spends his time venturing beyond the walls of the city with his team as they attempt to locate food, medicines, and other needed items in cities that have been abandoned due to zombie infestation.
As the film opens, Riley is completing his last run as he plans to venture north to find a cold and desolated area that is devoid of zombies and huddled masses.
His second in command Cholo, (John Leguizamo), is anxious to take over, as he sees the expeditions as a chance to obtain valuable items such as cigars and whiskey, which he can in turn sell to those who live in luxury. This desire causes much friction between Riley and Cholo but with the pending departure of Riley, Cholo realizes he may be able to finally purchase a home of his own in the luxury high rise.
Things do not go as planned for Cholo as when he tells his boss, Kaufman (Dennis Hopper), about his plans to move into the new complex, he is shocked to learn that Riley’s prediction of class exclusions in the building apply to him as well.
Furious over being used and cheated of his dreams and money, and an attempt upon his life, Cholo decides to hijack a well-armed armored vehicle that defends the city in an effort to extort his payment from Kaufman.
At the same time, Riley has learned that he has be swindled from his car, and soon finds himself working with Kaufman in an attempt to recover the armored vehicle from Cholo before he unleashes a hail of rockets upon the city. In short order, Riley and his support team are forced to enter the zombie infested streets to save the day.
Of course with “Land” being a Zombie film, the city will soon find itself overrun with all manner of ghouls and there will be plenty of flesh splitting, blood spattering, gore spewing scenes that will delight fans of the genre and elicit more than a few shrieks and cheers from the audience.
It is learned that the zombies have started to evolve and as such, now communicate with each other in a basic way, which makes their attacks even more dangerous as they are organized and starting to use tools and weapons.
What this all ads up to is a thrilling romp that will delight fans of the genre. Sure the story and characters are not the deepest, but as horror films go, there is a complexity to them. Hopper does great work as Kaufman as his malicious and selfish nature provides the perfect focal point to the films numerous commentaries on topics ranging from social class, to politics and well fare as well as the plight of the inner cities.
The genius of Romero is that he can insert so many topics into the film without it every seeming heavy-handed or over the top. The use of social commentary adds strength to the story as while the characters are in a very unrealistic situation, their base desires, motivations and behaviors are easily identifiable and strong.
Some may see Land of the Dead as just another blood and guts film with a basic story that lacks depth. To those who are fans of the genre and series, “Land” will likely be seen as a triumphant return to the genre he made his own by Romero and will enjoy the ride.
After years of various horror projects, and remakes of his previous “Dead” films, fans had begun to wonder if they had seen the last of Romero’s Zombie films and had to content themselves with the remakes and rumored offshoots and sequels from such.
Thankfully, with Land of the Dead Romero has returned to his basics and has crafted a Zombie thriller that is not only better than 85’s disappointing “Day of the Dead”, but on par with the ground breaking “Dawn of the Dead and the classic Original “Night of the Living Dead.”
For those who are not familiar with the series, the dead have arisen and now walk the earth looking for humans to feed upon. Gone is any memory of their former selves, only the insatiable desire to feed remains. How this event happened is never explained in the films viewers simply have to accept that it is happening and that those who are bitten by zombies are destined to join the ranks of the undead.
Like the previous films, the story follows a group of humans who are attempting to survive against the zombie hordes and who seek shelter and a way to stave off the zombie masses.
In Land of the Dead, a group of survivors have taken refuge in a fortified city where the common folks live in the streets while the affluent live in pristine high rise complex with many of the luxuries of their past lives.
One such survivor is Riley (Simon Baker), who spends his time venturing beyond the walls of the city with his team as they attempt to locate food, medicines, and other needed items in cities that have been abandoned due to zombie infestation.
As the film opens, Riley is completing his last run as he plans to venture north to find a cold and desolated area that is devoid of zombies and huddled masses.
His second in command Cholo, (John Leguizamo), is anxious to take over, as he sees the expeditions as a chance to obtain valuable items such as cigars and whiskey, which he can in turn sell to those who live in luxury. This desire causes much friction between Riley and Cholo but with the pending departure of Riley, Cholo realizes he may be able to finally purchase a home of his own in the luxury high rise.
Things do not go as planned for Cholo as when he tells his boss, Kaufman (Dennis Hopper), about his plans to move into the new complex, he is shocked to learn that Riley’s prediction of class exclusions in the building apply to him as well.
Furious over being used and cheated of his dreams and money, and an attempt upon his life, Cholo decides to hijack a well-armed armored vehicle that defends the city in an effort to extort his payment from Kaufman.
At the same time, Riley has learned that he has be swindled from his car, and soon finds himself working with Kaufman in an attempt to recover the armored vehicle from Cholo before he unleashes a hail of rockets upon the city. In short order, Riley and his support team are forced to enter the zombie infested streets to save the day.
Of course with “Land” being a Zombie film, the city will soon find itself overrun with all manner of ghouls and there will be plenty of flesh splitting, blood spattering, gore spewing scenes that will delight fans of the genre and elicit more than a few shrieks and cheers from the audience.
It is learned that the zombies have started to evolve and as such, now communicate with each other in a basic way, which makes their attacks even more dangerous as they are organized and starting to use tools and weapons.
What this all ads up to is a thrilling romp that will delight fans of the genre. Sure the story and characters are not the deepest, but as horror films go, there is a complexity to them. Hopper does great work as Kaufman as his malicious and selfish nature provides the perfect focal point to the films numerous commentaries on topics ranging from social class, to politics and well fare as well as the plight of the inner cities.
The genius of Romero is that he can insert so many topics into the film without it every seeming heavy-handed or over the top. The use of social commentary adds strength to the story as while the characters are in a very unrealistic situation, their base desires, motivations and behaviors are easily identifiable and strong.
Some may see Land of the Dead as just another blood and guts film with a basic story that lacks depth. To those who are fans of the genre and series, “Land” will likely be seen as a triumphant return to the genre he made his own by Romero and will enjoy the ride.
Hazel (1853 KP) rated The Screaming Staircase: Lockwood & Co. #1 in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Gareth von Kallenbach (971 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.