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Awix (3310 KP) rated Pacific Rim (2013) in Movies
Feb 25, 2018
Brave and comparatively rare (these days) attempt to do a blockbuster that isn't a remake nor based on a novel, comic book, toy line, TV show or theme park attraction. Which is not to say this isn't a tremendously derivative movie; clearly inspired by tokosatsu movies, manga, and anime, just with most of the actual Japanese characters replaced by Americans and Australians. (Hmmm, isn't this cultural appropriation?)
Anyway: big monsters lumber out of the sea, get smacked in the mouth by giant robots. Story isn't really anything special, but the background details of this slightly cartoony world are engaging, as are some of the supporting performances. Film subscribes to the prevailing American dogma, which is that giant monster fights must take place at night and preferably in bad weather: apparently this makes them much more believable. The Hong Kong battle is terrific, the others not so much. In the end I think the premise of this movie is really much better than the way it is realised; maybe the sequel will address some of the shortcomings here.
Anyway: big monsters lumber out of the sea, get smacked in the mouth by giant robots. Story isn't really anything special, but the background details of this slightly cartoony world are engaging, as are some of the supporting performances. Film subscribes to the prevailing American dogma, which is that giant monster fights must take place at night and preferably in bad weather: apparently this makes them much more believable. The Hong Kong battle is terrific, the others not so much. In the end I think the premise of this movie is really much better than the way it is realised; maybe the sequel will address some of the shortcomings here.
Matthew Krueger (10051 KP) rated Son of Frankenstein (1939) in Movies
Oct 9, 2020
Boris Karloff (3 more)
Bela Lugosi
Basil Rathbone
Lionel Atwill
The Monster's Alive Once More
Son of Frankenstein- is a great continuation of the frankenstein franchise. Boris Karloff os back as the monster but this would be the last time he would play the monster in the universal monster universe. Its sad cause when you think of frankenstein, you think of Boris.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
Josh Burns (166 KP) rated Megashark vs Crocasaurus (2010) in Movies
Jun 21, 2019
Is this B Monster Movie worth the watch?
Megashark vs Crocasaurus has a decent concept behind it as far as B Monster Movies go. 2 ancient giant animals somehow survived, hidden away, only to wake up for what is hopefully an epic clash. But does it deliver?
The acting amd writing is about what you'd expect from a movie like this. It's passable most of the time, but sometimes, not so much. That being said, top notch acting amd writing is not why anyone watches movies like this.
The movies biggest downfall is it's monsters. They look absolutely terrible and have inconsistent size from scene to scene. Let me break each one down.
The Megashark: this may be the least intetesting "giant monster" I've seen brought to screen, and unfortunately, itbis the star of the franchise (yes there is more than one Megashark movie). Terrible CGI aside, it's kills were extremely underwhelming, mostly resorting to flopping out of the water, to smash ships with it's tail as it hurtles over them, causing little CGI explosions. As an example of the inconsistent size, when it's fin sticks out of the water upon approaching a ship, it is about the size of the whole shark when it is seen flopping out of the water.
The Crocasaurus: This one is marginally more interesting with a wider range of terribly animated kills and the ability to be on both land and water.
The Clash: This was a laughably bad "battle between the two monsters. Most of it consisted of them forming a circle, both with the others tail it it's mouth, as the military poured missiles into them.
Overall, it's not at all a good movie, but I'm pretty sure that's intentional to a point. It has its moments where it reaches levels of fun for fans of the genre. If you catch it on TV ir maybe a streaming service (it's on Amazon Prime now), it might be worth a watch, but I don't recommend spending money on it.
The acting amd writing is about what you'd expect from a movie like this. It's passable most of the time, but sometimes, not so much. That being said, top notch acting amd writing is not why anyone watches movies like this.
The movies biggest downfall is it's monsters. They look absolutely terrible and have inconsistent size from scene to scene. Let me break each one down.
The Megashark: this may be the least intetesting "giant monster" I've seen brought to screen, and unfortunately, itbis the star of the franchise (yes there is more than one Megashark movie). Terrible CGI aside, it's kills were extremely underwhelming, mostly resorting to flopping out of the water, to smash ships with it's tail as it hurtles over them, causing little CGI explosions. As an example of the inconsistent size, when it's fin sticks out of the water upon approaching a ship, it is about the size of the whole shark when it is seen flopping out of the water.
The Crocasaurus: This one is marginally more interesting with a wider range of terribly animated kills and the ability to be on both land and water.
The Clash: This was a laughably bad "battle between the two monsters. Most of it consisted of them forming a circle, both with the others tail it it's mouth, as the military poured missiles into them.
Overall, it's not at all a good movie, but I'm pretty sure that's intentional to a point. It has its moments where it reaches levels of fun for fans of the genre. If you catch it on TV ir maybe a streaming service (it's on Amazon Prime now), it might be worth a watch, but I don't recommend spending money on it.
Awix (3310 KP) rated Rampage (2018) in Movies
Jan 20, 2019 (Updated Jan 20, 2019)
Riotously silly computer game adaptation, as magic DNA jollop falls out of the sky and turns animals into giant, aggressive monsters; one of them happens to be genial Dwayne Johnson's pet gorilla, so there's bound to be trouble.
One of those films where everyone is in on the joke - doesn't bear much resemblance to the original game, but works pretty well as a piece of nonsense anyway. Johnson is a reassuring presence in the middle of it all, and the film does a surprisingly good job of catching some of the essence of the classic Japanese monster movies which obviously inspired it. Probably not going to win any of the major Oscars but still good fun while it's in front of you.
One of those films where everyone is in on the joke - doesn't bear much resemblance to the original game, but works pretty well as a piece of nonsense anyway. Johnson is a reassuring presence in the middle of it all, and the film does a surprisingly good job of catching some of the essence of the classic Japanese monster movies which obviously inspired it. Probably not going to win any of the major Oscars but still good fun while it's in front of you.
Awix (3310 KP) rated Gamera: Guardian of the Universe (1995) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Turtle Recall
Hugely confident reinvention not just of Gamera the flying turtle but also, maybe, the whole kaiju movie genre. Japan is plagued by man-eating Gyaos birds, finds unexpected assistance when floating island turns out to be giant flying turtle with plasma fireball breath. Stage is set for climactic showdown between Gamera and the last, colossal Gyaos in downtown Tokyo (of course).
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
Awix (3310 KP) rated King Kong (2005) in Movies
Feb 26, 2018 (Updated Feb 26, 2018)
Peter Jackson's labour of love takes itself awfully seriously for a film about a giant gorilla living on an island full of dinosaurs. Proof that even hugely successful, talented people occasionally need someone to tap them on the shoulder and say 'You need to think again about this.'
I mean, I love monster movies as much as the next person, but not when they last three hours and are stuffed with dead-wood character subplots like this one (what exactly is going on with Jamie Bell's character?). Attempting to make Kong wholly sympathetic throughout is also arguably a mistake. Movie looks great and has brilliant creature designs, but overall loses the sense of pulpy fun and excitement which the best Kong movies have; ends up feeling just a bit pompous.
I mean, I love monster movies as much as the next person, but not when they last three hours and are stuffed with dead-wood character subplots like this one (what exactly is going on with Jamie Bell's character?). Attempting to make Kong wholly sympathetic throughout is also arguably a mistake. Movie looks great and has brilliant creature designs, but overall loses the sense of pulpy fun and excitement which the best Kong movies have; ends up feeling just a bit pompous.
Ross (3282 KP) rated The Ritual (2017) in Movies
Apr 25, 2018
OK, this film isn't trying to do anything new. A bunch of friends decide to head off hiking and take a wrong turn/short cut into the woods. Luckily for us, they don't meet James Corden singing, instead they start to feel like they're being followed, have weird dreams and are eventually stalked by a strange giant monster (which is gradually revealed over time).
This does have a feel of the blair witch but benefits from not having that annoying "found footage" aspect where people running for their lives insist on filming the event.
The film builds tension brilliantly, has some particularly creepy moments and doesn't fall down for trying to explain what is happening too much. Rafe Spall is excellent and none of the characters make any stupid illogical decisions that cause you to shout at the screen.
This does have a feel of the blair witch but benefits from not having that annoying "found footage" aspect where people running for their lives insist on filming the event.
The film builds tension brilliantly, has some particularly creepy moments and doesn't fall down for trying to explain what is happening too much. Rafe Spall is excellent and none of the characters make any stupid illogical decisions that cause you to shout at the screen.
Dean (6921 KP) rated Colossal (2016) in Movies
Nov 20, 2019
Sudden change in direction at the end (1 more)
Odd plot
I missed this at the cinema so gave it a watch as it's on Netflix currently. It comes across as quite a quirky odd film. A girl with a drink problem has to go back to her small town home after being kicked out by her boyfriend. She randomly discovers she has a connection to a giant monster that appears in South Korea.
The problem with this film is it doesn't feel it's going anywhere. What's the connection and why? Why does the lead character make some of her choices? It just doesn't add up. Then the last 15 minutes have a very different change in direction and tone that just didn't fit with the rest of the film. One for those who like quirky films.
The problem with this film is it doesn't feel it's going anywhere. What's the connection and why? Why does the lead character make some of her choices? It just doesn't add up. Then the last 15 minutes have a very different change in direction and tone that just didn't fit with the rest of the film. One for those who like quirky films.
Awix (3310 KP) rated Mothra (1961) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
You're going to need some bigger mothballs
The film that sets the standard for rampaging-giant-mystic-butterfly pictures is one of the best Toho monster movies, clearly owing a debt to King Kong but adding a lovely veneer of charming Japanese weirdness to the recipe. Evil Rosilicans (i.e., Americans) gatecrash a Japanese expedition to a mysterious island and end up kidnapping the twin fairies in charge of the place and forcing them to appear in a stage musical (this film has some banging tunes, by the way). Disgruntled natives wake up Mothra, butterfly-god protector of the island, who promptly heads for Japan to express displeasure as only a 180 metre long larva can.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
Awix (3310 KP) rated La derniere vague (The Last Wave) in TV
Aug 8, 2020
Le goings-on spooky in the south of France: a mysterious, apparently sentient cloud which may or may not embody nature's vengeance on civilisation abducts a group of surfers for five hours and then returns them, with strange powers. (Not that the media takes any notice of any of this.) This provides everyone in town with un beaucoup lovely chance to work through all their various personal issues before the end of the last episode.
Comes across a bit like a mid-table Stephen King novel, or possibly just a very glossy soap opera with a guest appearance by Giant Space Monster Dogorah. Fairly engaging stuff, though unlikely to feel terribly original to the clued-up viewer; passes the time nicely without demanding your full attention. Avoids too many explanations (they're clearly hoping for a second season), which could be irritating, but the end-of-series cliffhanger is okay.
Comes across a bit like a mid-table Stephen King novel, or possibly just a very glossy soap opera with a guest appearance by Giant Space Monster Dogorah. Fairly engaging stuff, though unlikely to feel terribly original to the clued-up viewer; passes the time nicely without demanding your full attention. Avoids too many explanations (they're clearly hoping for a second season), which could be irritating, but the end-of-series cliffhanger is okay.