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Hazel (1853 KP) rated The Road to Reckoning in Books
Dec 17, 2018
My rating: 2.5.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
Hazel (1853 KP) rated Confidence in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Many university students will be able to relate to the panic and dread caused by dissertations and final exams. <i>Confidence</i>, co-written by Rowland Manthorpe and Kirstin Smith, is set at an English university where third year students are cramming in revision sessions in the lead up to their examinations. This story combines two character’s experiences which, although rarely overlap, reveal the effects of the lack of and over-confidence.
Whilst Ellie struggles with her dissertation, Charlie believes that he will successfully complete his degree without the need to revise, giving him more time to focus on his social (and sex) life. Both students are distracted by their less-than-perfect social lives, jeopardizing their exam results and discover that life is not at all what they predicted it to be.
<i>Confidence</i> is a book of multiple stories. Firstly (and secondly) there are Ellie’s and Charlie’s predicaments, but the remainder of the novel contains an autobiography of sorts about the nineteenth-century philosopher Friedrich Nietzsche – whom Ellie is penning her philosophy dissertation on. Whether these sections are an example of a student essay – are the authors aware that they are all written in the third person these days? – Nietzsche’s theories regarding confidence are highly relevant to the theme of the book.
The academically well-written sections about Nietzsche, his life and his spiral into insanity are very interesting to read. Composed in an essay-like format, the information is presented in an easy-to-understand, clear manner, making what in reality is a difficult concept to fathom, simple to comprehend. The fictional narrative, however, is much less pleasing in comparison. Filled with expletives, Manthorpe and Smith paint a stereotypical view of student life. Instead of the hard-working and dedicated people that many students are, they are depicted as alcoholic sex-maniacs.
Whilst negatively categorizing students, other issues are also raised such as feminism and mental health. Whereas these concerns are important topics in the twenty first century, the stigma and inaccurate knowledge about illnesses such as Anorexia is almost unforgivable – “[She] would grow out of it…” Seriously?!
As a story,<i> Confidence</i> falls well below my expectations. Although the stresses of university life are relatable, the characters go to extremes, making their scenarios all the more unrealistic. The essay on Nietzsche on the other hand is an enjoyable, informative piece of writing, which saves <i>Confidence</i> from the fate of a completely negative review. Perhaps my interest in philosophy helped me appreciate the depth of detail and knowledge written about Nietzsche, however I still maintain that it has been composed in such a way as to make it entertaining. Perhaps created with a student audience in mind, <i>Confidence</i> will most likely appeal to readers with the ability to think about the world from a philosophical perspective.
Many university students will be able to relate to the panic and dread caused by dissertations and final exams. <i>Confidence</i>, co-written by Rowland Manthorpe and Kirstin Smith, is set at an English university where third year students are cramming in revision sessions in the lead up to their examinations. This story combines two character’s experiences which, although rarely overlap, reveal the effects of the lack of and over-confidence.
Whilst Ellie struggles with her dissertation, Charlie believes that he will successfully complete his degree without the need to revise, giving him more time to focus on his social (and sex) life. Both students are distracted by their less-than-perfect social lives, jeopardizing their exam results and discover that life is not at all what they predicted it to be.
<i>Confidence</i> is a book of multiple stories. Firstly (and secondly) there are Ellie’s and Charlie’s predicaments, but the remainder of the novel contains an autobiography of sorts about the nineteenth-century philosopher Friedrich Nietzsche – whom Ellie is penning her philosophy dissertation on. Whether these sections are an example of a student essay – are the authors aware that they are all written in the third person these days? – Nietzsche’s theories regarding confidence are highly relevant to the theme of the book.
The academically well-written sections about Nietzsche, his life and his spiral into insanity are very interesting to read. Composed in an essay-like format, the information is presented in an easy-to-understand, clear manner, making what in reality is a difficult concept to fathom, simple to comprehend. The fictional narrative, however, is much less pleasing in comparison. Filled with expletives, Manthorpe and Smith paint a stereotypical view of student life. Instead of the hard-working and dedicated people that many students are, they are depicted as alcoholic sex-maniacs.
Whilst negatively categorizing students, other issues are also raised such as feminism and mental health. Whereas these concerns are important topics in the twenty first century, the stigma and inaccurate knowledge about illnesses such as Anorexia is almost unforgivable – “[She] would grow out of it…” Seriously?!
As a story,<i> Confidence</i> falls well below my expectations. Although the stresses of university life are relatable, the characters go to extremes, making their scenarios all the more unrealistic. The essay on Nietzsche on the other hand is an enjoyable, informative piece of writing, which saves <i>Confidence</i> from the fate of a completely negative review. Perhaps my interest in philosophy helped me appreciate the depth of detail and knowledge written about Nietzsche, however I still maintain that it has been composed in such a way as to make it entertaining. Perhaps created with a student audience in mind, <i>Confidence</i> will most likely appeal to readers with the ability to think about the world from a philosophical perspective.
Darren (1599 KP) rated Scream 4 (2011) in Movies
Oct 31, 2019
Characters – Sidney has made a career in books after the events in the films, she is completing her latest book tour right where it all started. With her back in town the killings start up again, Sidney must be the role model for her cousin who is going through the same situation she once did. Gale is now married to Dewey, she has given up the spotlight, but craves getting back into the field with the new killings offering her the chance. Dewey is now the sheriff who must now control the situation before it gets out of hand. We get the new potential victims or suspects here with Jill being Sidney’s cousin always tired of being in the shadow of her more famous family member, Kirby the rebellious teenager, Robbie who is filming every moment of his life for a reality YouTube network and Charlie is the leader of the film club. These characters do fit around the moulds of the original teens too.
Performances – Neve Campbell, Courteney Cox and David Arquette all return giving us good performances without needing to bring anything new to the performances. Of the new cast members nobody comes off in a shining performance which can disappoint in places as we have a wonderful set of talents in the film.
Story – The story here brings back our original characters just as a new killing spree has started in the area where it all started, with a new generation of victims and horror fans. The idea for this story comes from the idea that we have too many sequels or reboots, which does help take away the serious nature from the film, the Ghostface does seem flat for the most part because they seem to get mixed into being too intense without a reason behind the killings. Of course this is more about poking fun with the meta of everything in the horror genre which is does achieve.
Horror/Mystery – The horror in this film comes from the slasher angle, only this time we get a bloodier version of the kills showing the change in the genre. The mystery in this film comes from just who the killer is going to be this time, though we don’t get enough signs this time.
Settings – The film returns to the original town which does help with the idea of a reboot sequel piss take that we are dealing with.
Special Effects – The effects are the most disappointing side of this film because we have moments of CGI that don’t look as true as the practical moments.
Scene of the Movie – Deputy Judy being like Dewey is the funniest moments.
That Moment That Annoyed Me – The kids are not really likeable.
Final Thoughts – This is a solid look at the horror genre with the countless sequels and remakes that we are seeing, it brings back enough relevant characters back but does fail to give us enough interest new ones.
Overall: Simple fun sequel.
Performances – Neve Campbell, Courteney Cox and David Arquette all return giving us good performances without needing to bring anything new to the performances. Of the new cast members nobody comes off in a shining performance which can disappoint in places as we have a wonderful set of talents in the film.
Story – The story here brings back our original characters just as a new killing spree has started in the area where it all started, with a new generation of victims and horror fans. The idea for this story comes from the idea that we have too many sequels or reboots, which does help take away the serious nature from the film, the Ghostface does seem flat for the most part because they seem to get mixed into being too intense without a reason behind the killings. Of course this is more about poking fun with the meta of everything in the horror genre which is does achieve.
Horror/Mystery – The horror in this film comes from the slasher angle, only this time we get a bloodier version of the kills showing the change in the genre. The mystery in this film comes from just who the killer is going to be this time, though we don’t get enough signs this time.
Settings – The film returns to the original town which does help with the idea of a reboot sequel piss take that we are dealing with.
Special Effects – The effects are the most disappointing side of this film because we have moments of CGI that don’t look as true as the practical moments.
Scene of the Movie – Deputy Judy being like Dewey is the funniest moments.
That Moment That Annoyed Me – The kids are not really likeable.
Final Thoughts – This is a solid look at the horror genre with the countless sequels and remakes that we are seeing, it brings back enough relevant characters back but does fail to give us enough interest new ones.
Overall: Simple fun sequel.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
365Flicks (235 KP) rated Lost Cat Corona (2017) in Movies
Nov 20, 2019
Holy shit people… Its Ralph freaking Macchio… I have got to admit its been some time since I saw Daniel Larusso in a movie so of course I was gonna sit down and watch this flick, what I did not expect was to find a whole cast of actors that maybe never set the world on fire but I have a certain affinity for.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Emma @ The Movies (1786 KP) rated Klaus (2019) in Movies
Dec 15, 2019
New Christmas films always make me a little sceptical, a lot don't seem to take things very seriously and that means something naff that isn't always good. Seeing the trailer for Klaus made me hopeful though, I love an origin story.
Jesper has had a privileged life up until this point, when daddy is in charge of the business you can skate by with the minimum of effort. Things are about to change though, his father has had enough of his loafing around.
One year. 6,000 letters. This is what Jesper must achieve or he'll be cast out of the life of comfort he knows. That sounds doable, right? It does until you find out he's being sent to the farthest reaches where many postmen have gone before and soon fled. The town aren't the communicative type unless it involves and insult and a projectile weapon. Jesper is set on giving up until he spots a house out on the very edge of the map, this home belongs to a reclusive woodsman named Klaus.
At first glance the animation on Klaus looked too simplistic, in a world where computer animation and effects exist you sometimes forget that something doesn't have to be overcomplicated to be good. By the end I was amazed at how much this "simple" looking film managed to get across. The contrast between the bright happy world and the dark glum one in Smeerensburg is wonderful to behold, the colours (or lack thereof) get across the despair, and mixed with the characters it shows you exactly what sort of situation Jesper is dealing with.
What I particularly like about the amination is how well each scene is crafted outside of the characters. It's so atmospheric, the fog over the town, the mist in the forest, the way the light works with the weather, it's magical.
Smeerensburg's townsfolk match their surroundings perfectly and I'd really like to congratulate the person who came up with that crazed little stabby girl, she might be my favourite character of all. Seeing how the changes unfold throughout the film was lovely, each one brought with it a thrill that warmed this cold heart on a winter's day.
"A true act of goodwill always sparks another."
The story itself is a staple of Christmas films, love and friendship conquering selfishness, but it's a very charming way to look at it. I liked that the obligatory love interest storyline was actually not the main point, the friendship made for a much better focus. Klaus weaves a wonderful tale of how simple deeds can change the world... yes, I'm being overly dramatic!
I wasn't prepared for how much this was going to get to me, I've watched it twice this weekend and I'll be watching it again before Christmas is here. Thank you, Netflix. I'm adding this to my regular Christmas watching rotation.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/klaus-movie-review.html
Jesper has had a privileged life up until this point, when daddy is in charge of the business you can skate by with the minimum of effort. Things are about to change though, his father has had enough of his loafing around.
One year. 6,000 letters. This is what Jesper must achieve or he'll be cast out of the life of comfort he knows. That sounds doable, right? It does until you find out he's being sent to the farthest reaches where many postmen have gone before and soon fled. The town aren't the communicative type unless it involves and insult and a projectile weapon. Jesper is set on giving up until he spots a house out on the very edge of the map, this home belongs to a reclusive woodsman named Klaus.
At first glance the animation on Klaus looked too simplistic, in a world where computer animation and effects exist you sometimes forget that something doesn't have to be overcomplicated to be good. By the end I was amazed at how much this "simple" looking film managed to get across. The contrast between the bright happy world and the dark glum one in Smeerensburg is wonderful to behold, the colours (or lack thereof) get across the despair, and mixed with the characters it shows you exactly what sort of situation Jesper is dealing with.
What I particularly like about the amination is how well each scene is crafted outside of the characters. It's so atmospheric, the fog over the town, the mist in the forest, the way the light works with the weather, it's magical.
Smeerensburg's townsfolk match their surroundings perfectly and I'd really like to congratulate the person who came up with that crazed little stabby girl, she might be my favourite character of all. Seeing how the changes unfold throughout the film was lovely, each one brought with it a thrill that warmed this cold heart on a winter's day.
"A true act of goodwill always sparks another."
The story itself is a staple of Christmas films, love and friendship conquering selfishness, but it's a very charming way to look at it. I liked that the obligatory love interest storyline was actually not the main point, the friendship made for a much better focus. Klaus weaves a wonderful tale of how simple deeds can change the world... yes, I'm being overly dramatic!
I wasn't prepared for how much this was going to get to me, I've watched it twice this weekend and I'll be watching it again before Christmas is here. Thank you, Netflix. I'm adding this to my regular Christmas watching rotation.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/klaus-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated These Broken Stars (Starbound, #1) in Books
Jan 23, 2020
Original Review posted on <a title="These Broken Stars by Amie Kaufman and Megan Spooner" href="http://bookwyrming-thoughts.blogspot.com/2013/12/arc-review-these-broken-stars-by-amie-kaufman.html">Bookwyrming Thoughts</a>
Original Rating: 4.5 out of 5 owls
Note: Formatting may be lost due to copy and paste.
<i><b>Disclaimer:</b> Review copy provided by Disney Hyperion via Netgalley for review (thanks!)</i>
These Broken Stars follows two very different people, Lilac and Tarver, from a futuristic galaxy as they try to survive in the wilderness of an unknown planet after a ship crash in space.
I really love the way how These Broken Stars is set up and formatted. I didn't exactly understand it at first, but the beginning of each chapter is in the present (in terms of the book's timeline – not 2013), giving a very brief synopsis in a sort-of interview/interrogation style with Tarver. Then the chapter gives an elaboration, telling the story behind the interview/interrogation in Lilac's and Tarver's point of views. It sort of reminds me of If I Stay with its many flashbacks, but not as depressing (thankfully).
The romance between Lilac and Tarver is probably a little fast, but I can't really tell. In other words, compared to a lot of books I've come across that have romance, These Broken Stars is one of the ones not written in such a way that the reader may cringe. *phew*
What I didn't like though, is Tarver's personality. Usually I love it when a main character is sassy and has an attitude. Tarver's though... it just didn't bounce out really well. I mean, yes, he's sarcastic, and yes he has an attitude, but I just didn't really like it. It didn't really seem to go in with Lilac's personality.
I'm not being sexist. Otherwise, I would never have said that I liked Augustus Waters' personality from The Fault in Our Stars. In fact, I probably would have said that I hated Gus's personality.
(Oh no. With that being said, I'm bound to be the target of tomatoes for a while. *gives a very innocent look and ducks*)
It's not because it's John Green either. I can't always say an author is my favorite when it's my first time reading their work(s).
Of course, everyone's opinions, likes and dislikes of a character's attitude in a book is completely different from someone else.
For a debut novel, Kaufman writes an astronomically intriguing story. The situations Lilac and Tarver are put in aren't too exaggerated or unrealistic, and in a way, the story keeps the reader guessing until the author smoothly reveals what's really going on. I had to wonder a few times why a few horror elements were doing there, lurking about.
For anyone who likes science fiction/fantasy with a hint of romance, you might want to try out These Broken Stars. Maybe someone else will have a much better time with Tarver's personality. No guarantees, though. And no rollbacks in the process.
Original Rating: 4.5 out of 5 owls
Note: Formatting may be lost due to copy and paste.
<i><b>Disclaimer:</b> Review copy provided by Disney Hyperion via Netgalley for review (thanks!)</i>
These Broken Stars follows two very different people, Lilac and Tarver, from a futuristic galaxy as they try to survive in the wilderness of an unknown planet after a ship crash in space.
I really love the way how These Broken Stars is set up and formatted. I didn't exactly understand it at first, but the beginning of each chapter is in the present (in terms of the book's timeline – not 2013), giving a very brief synopsis in a sort-of interview/interrogation style with Tarver. Then the chapter gives an elaboration, telling the story behind the interview/interrogation in Lilac's and Tarver's point of views. It sort of reminds me of If I Stay with its many flashbacks, but not as depressing (thankfully).
The romance between Lilac and Tarver is probably a little fast, but I can't really tell. In other words, compared to a lot of books I've come across that have romance, These Broken Stars is one of the ones not written in such a way that the reader may cringe. *phew*
What I didn't like though, is Tarver's personality. Usually I love it when a main character is sassy and has an attitude. Tarver's though... it just didn't bounce out really well. I mean, yes, he's sarcastic, and yes he has an attitude, but I just didn't really like it. It didn't really seem to go in with Lilac's personality.
I'm not being sexist. Otherwise, I would never have said that I liked Augustus Waters' personality from The Fault in Our Stars. In fact, I probably would have said that I hated Gus's personality.
(Oh no. With that being said, I'm bound to be the target of tomatoes for a while. *gives a very innocent look and ducks*)
It's not because it's John Green either. I can't always say an author is my favorite when it's my first time reading their work(s).
Of course, everyone's opinions, likes and dislikes of a character's attitude in a book is completely different from someone else.
For a debut novel, Kaufman writes an astronomically intriguing story. The situations Lilac and Tarver are put in aren't too exaggerated or unrealistic, and in a way, the story keeps the reader guessing until the author smoothly reveals what's really going on. I had to wonder a few times why a few horror elements were doing there, lurking about.
For anyone who likes science fiction/fantasy with a hint of romance, you might want to try out These Broken Stars. Maybe someone else will have a much better time with Tarver's personality. No guarantees, though. And no rollbacks in the process.
Sophia (Bookwyrming Thoughts) (530 KP) rated Destiny Gift (Everlast, #1) in Books
Jan 23, 2020
I'll admit first and foremost that just because I had to swap review dates with The Iron Traitor a few weeks ago, does not mean that I wanted to toss Destiny Gift right out the window and into the ocean. I almost lost part of my notes with the assumption that my Kindle was broken while in perfect condition when it really just needed charging.
Marking in ebooks is the only way not to get in severe trouble. x) I pity my poor planner with the chickenly scribbles of doom.
Destiny Gift is actually a really interesting book, being set in a futuristic (though not so far from today I'm assuming) New York with a hint (okay, more like a lot) of mythology hooray! and fantasy double hooray! mixed in. So much is made clearer about halfway through the book, but Haygert manages to keep us in suspense and not confuse readers in the process, which basically shows that the author has great writing potential and hopefully a very successful writing career too!
The idea behind the Destiny Gift is also pretty intriguing, so let me toss some basic word math in: Visions + Made Up Mythology (Because then one has full control of making of legends. So much fun.) + Other Goody Elements = Cooking Up A Pretty/Really Good Story.
I hope that sums up my entire thoughts in a nutshell of good old math. No Algebra needed (YES). But I'm not exactly finished, because I still need to talk about the characters, and having no clue about the characters is pretty much a book losing an arm or leg (ouch).
Victor and Micah, the lovely guys one can go swoon over if they so choose but no thanks. I'm focusing on good old days of Finals seemed to be too perfect. Well, I take that back. They're not perfect. They just seem too perfect in looks. Not that I mind.
I also like Micah's humor. Victor seems more of a "I'm a poisonous snake. You know, red on yellow. Stay away if you want to live." type of person. Not exactly the most pleasant image, since this is the snake I'm talking about:
<img src="http://3.bp.blogspot.com/-YI9vO_3_YLQ/UqYxHxURzOI/AAAAAAAACIo/L09fY3iu8Ic/s1600/thCAIAE0RF.jpg"; />
Freaking out? It's not the actual poisonous one. I didn't really want to... "poison" my blog with snakes you know. :p
I was sort of thinking about Biology at the time the review was written.
I suppose it isn't a terrible comparison. Why? I'm not giving spoilers....
<blockquote>"All right, let's change the question. What* are you three?"
"Power Rangers, ever heard of them?"</blockquote>
--------------------
Review copy provided by author for review
Original Rating: 4.5 out of 5 Owls
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-destiny-gift-by-juliana-haygert.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Marking in ebooks is the only way not to get in severe trouble. x) I pity my poor planner with the chickenly scribbles of doom.
Destiny Gift is actually a really interesting book, being set in a futuristic (though not so far from today I'm assuming) New York with a hint (okay, more like a lot) of mythology hooray! and fantasy double hooray! mixed in. So much is made clearer about halfway through the book, but Haygert manages to keep us in suspense and not confuse readers in the process, which basically shows that the author has great writing potential and hopefully a very successful writing career too!
The idea behind the Destiny Gift is also pretty intriguing, so let me toss some basic word math in: Visions + Made Up Mythology (Because then one has full control of making of legends. So much fun.) + Other Goody Elements = Cooking Up A Pretty/Really Good Story.
I hope that sums up my entire thoughts in a nutshell of good old math. No Algebra needed (YES). But I'm not exactly finished, because I still need to talk about the characters, and having no clue about the characters is pretty much a book losing an arm or leg (ouch).
Victor and Micah, the lovely guys one can go swoon over if they so choose but no thanks. I'm focusing on good old days of Finals seemed to be too perfect. Well, I take that back. They're not perfect. They just seem too perfect in looks. Not that I mind.
I also like Micah's humor. Victor seems more of a "I'm a poisonous snake. You know, red on yellow. Stay away if you want to live." type of person. Not exactly the most pleasant image, since this is the snake I'm talking about:
<img src="http://3.bp.blogspot.com/-YI9vO_3_YLQ/UqYxHxURzOI/AAAAAAAACIo/L09fY3iu8Ic/s1600/thCAIAE0RF.jpg"; />
Freaking out? It's not the actual poisonous one. I didn't really want to... "poison" my blog with snakes you know. :p
I was sort of thinking about Biology at the time the review was written.
I suppose it isn't a terrible comparison. Why? I'm not giving spoilers....
<blockquote>"All right, let's change the question. What* are you three?"
"Power Rangers, ever heard of them?"</blockquote>
--------------------
Review copy provided by author for review
Original Rating: 4.5 out of 5 Owls
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-destiny-gift-by-juliana-haygert.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
JT (287 KP) rated District 9 (2009) in Movies
Mar 10, 2020
When you’ve seen one alien film you’ve probably seen them all. That is until District 9 came along, and a chance to put a new spin on the arrival of extra extraterrestrial beings from another world.
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!
Director Neill Blomkamp who also co-wrote the script lands the aliens in a scenario that they might not have ever expected to be in, as refugees living in poverty amongst the human race who just want to see them pack up ship and leave.
Its clever and well shot, keeping it away from America and setting it in the dusty backdrop of Johannesburg was a stroke of genius. The use of the faux-documentary style kept things interesting and original, and for that Blomkamp must be commended.
The depths of the story arises thus, an extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology. Agent Wikus Van De Merwe superbly played by new comer to the big league, Sharlto Copley, is a by the books, loving wife sort of guy.
Excited by the prospect of their arrival he thrives on and becomes overly excited in seeing how ‘the prawns’ live their life scavenging for food and seemingly resulting to crime in a bid to survive. But when he’s exposed to a chemical that has disastrous results he must befriend the alien race in an attempt to get his life back. His transformation from government bureaucrat to a lone freedom fighter with a selfish streak (you’ll find out what I mean without giving the plot away here) is perfect.
The overall outlook of the film is not what you would call beautiful, but there is something weirdly picturesque about it. The massive ship that has been hanging overhead for the last two decades is spectacular, not to mention some explosive action sequences which have a fantastic injection of shaky cam to give it a real sense of reality.
It’s certainly gory, so the more squeamish might find some scenes hard to watch. There is plenty of exploding bodies at the hands of an alien weaponry as well as a machine gun firing, missile toting exoskeleton that would make both Robo Cop and Iron Man green with envy! There is an aura of black comedy about it with a few surprising laugh out loud moments from time to time which adds a nice touch.
The aliens for the most part have it tough, while we don’t ever find out the reason for their invasion the realism of them being beaten, exploited and abused by a somewhat corrupt higher power certainly puts into perspective a more sinister and much closer to home reality.
When District 9 really gets going its plain to see that this is an exceptional piece of film making and a must see!