"And [lastly] probably The Gold Rush, or City Lights, by Chaplin, because they are absolute pinnacles of filmmaking. You have precision comedy, precision filmmaking, and one of the best directors ever. He and Buster Keaton were fantastic, and they were two of my idols."

"And [lastly] probably The Gold Rush, or City Lights, by Chaplin, because they are absolute pinnacles of filmmaking. You have precision comedy, precision filmmaking, and one of the best directors ever. He and Buster Keaton were fantastic, and they were two of my idols."

"I would say The Gold Rush. I mean, I pick this one, but I love all the body of work of Chaplin. He takes some very dramatic moments or situations and he finds hilarious elements in it. And then, the choreography of the scenes is just amazing all the time. And I think the way he thinks influenced me. Not saying that I am Charlie Chaplin, but I think it was so inspiring – I watched all his films when I was very young, and I think it shaped my vision of film."

"It’s difficult to watch The Great Dictator without thinking about how the world was about to be plunged into five years of war and horror, and it saturates everything with more wistful sadness than Chaplin probably could have imagined. It’s a comedy at the end of the world . . . this brief and desperate beam of optimism, laughing in the face of evil, just before everything went dark. These two Chaplin releases, as well as The Gold Rush and City Lights, are among the most amazing-looking Blu-rays I’ve seen. Could Criterion please do the same restoration work for Buster Keaton next?"