Search
Debbiereadsbook (1202 KP) rated Diablo (The Gifted Ones #2) in Books
Apr 11, 2019
Far darker a read, but brilliant!
FREE, March 2019
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
We met the legend of Diablo in book one, Frostbite, but you don’t need to have read THAT book for this one to make sense. It would benefit you to, though. You need to know about this pack and how it works and how they look after their own.
Years ago, Antonio, a jaguar shifter and mage, made an angry decision, and it cost him. Now unable to channel his anger into anything other than fire, he is the legend Diablo, a far more dangerous one than Frostbite would ever be. But a single glance all those years ago also cost him. It cost him the price of his soul, because a gaze into the eyes of a child made Diablo see, SEE what he has become and how he does NOT want to be. That child was Trace, a wolf shifter, and Diablo had just slaughtered his whole village. Trace and his brother Casey managed to escape. But now, their past has come back, not as the devil, but as an angel who keeps saving Trace, who Trace now knows as his mate. Can the pack accept Antonio, even if Trace will have him? Can Antonio keep his anger at bay, or will he be consumed by his own flames?
I love a bad boy turned good, I really do, and Antonio is the epitome of the bad boy turned good! I loved this one!
A far DARKER read than Frostbite, this one. Here’s why. While Frostbite KNEW what he was doing when he killed, he did it in self-defence. Diablo, however, does NOT know why he did what he did. He blacks out, coming to only when his fire has died out, and his anger gone. He doesn’t remember killing all those people, and the poor cat carries a LOT of souls on his shoulders that he has no recollection of.
But he’s trying, he really is. Not only for Trace, but for him own soul. He does not want to be like this anymore, he wants to be free of the all consuming rage, and fire that has been his life for four hundred years. Forces are working against him though, and it takes a visit from a psychic, Remy, to dig deep into Antonio’s mind, and for TRACE to visit deep into Antonio’s mind, for Antonio to finally be free.
There is a lot of other stuff happening here too. Cyrus has his baby. A friend from Cyrus’ past causes . . problems . . (for want of a better word!) for Tobias and Bruno, the pack Beta. Those two have their work cut out for them with Tim, they really do. Their 3 way book is next. We also get just what Tobias is, and what that means for the pack, for Tim and his child and any future children there might be with Tobias. Typing this up, I’m also questioning who might be paired with Remy now he’s decided to stay with the pack. Todd also gets a book. OHHHHHHHHHHHHHH! Maybe I’m putting two and two together and getting five, but who cares!
Will there be an earth and air type mage/shifter? I dunno, don’t really mind who or what comes next, but I WILL be reading them!
5 stars
**same worded review will appear elsewhere**
Brea Lowther (26 KP) rated Everything, Everything in Books
Feb 5, 2018
Pleasantly Surprised
Contains spoilers, click to show
I read quite a bit. Young Adult is a genre that is really hit or miss with me. I wasn't expecting to have a very strong feeling for this book, but I was wrong, and pleasantly surprised. I initially read this, because I'm very much a "must read the book before watching the movie" person. I picked it up because it had been sitting on my "too read" shelf for far too long. I breezed through it because it wasn't a tough read, and it kept me hooked throughout.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
Sarah (7798 KP) rated Sonic the Hedgehog (2020) in Movies
Dec 22, 2020
Not as bad as expected
Sonic the Hedgehog is a legend, a gaming institution, and adapting him for the big screen was always going to be a tall order. This was proved when the trailer for this 2020 release first dropped in 2019 - the original appearance of Sonic faced such outcry and derision that studio Paramount did the unexpected and completely overhauled Sonic's looks. The result in the final film released in February of this year is a character that looks very much like the Sonic we know and love, but in a storyline and film that is sadly rather lacking.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Sonic the Hedgehog was directed by Jeff Fowler and stars James Marsden and Jim Carrey as the humans, with Ben Schwartz voicing the animated Sonic. The plot unfortunately is the entirely predictable buddy story you'd expect when a CGI character gets thrown into the real world - Sonic befriends a human, experiences all the fun earth has to offer before being hunted by an evil villain, and at the end everyone learns the value of friendship. So far, so generic and for me this was the biggest disappointment about this entire film. The script, the plot, the animation, it was all just so average.
Having seen the surprisingly good Detective Pikachu the previous year, which managed to seamlessly blend the real world with animated characters in a better than average story, I'd hoped Sonic would follow in the same vein but I'm sad to say it didn't. Yes Sonic looks a million times better than he did initially (the teeth in the original version are the stuff of nightmares), but he still looks too animated and cartoonish for the real world. The Pokémon in Warner Bros' film looked real, but Sonic just looks out of place. He isn't helped with Ben Schwartz's rather unconvincing voice which feels ill-fitting too, personally I think they should've done a Pikachu and Ryan Reynolds and gone with a completely outlandish OTT voice. It's a shame as the rest of the scenery and action based CGI are actually quite good, although the slow motion scenes have been done before and so much better (X-Men: Days of Future Past).
To be fair, despite a sometimes dodgy script, the human cast do at least do their best. James Marsden has surprisingly good chemistry with an animated hedgehog, although it's Jim Carrey as Dr Robotnik that steals the show. Whilst his Robotnik isn't quite the rounded Eggman of the games, Carrey's performance is wonderfully wacky, sinister and completely over the top, and is responsible for virtually all of the laughs here. He's having an absolute whale of a time and this really draws us in as viewers and makes us have fun too. He's the Carrey we know from the 90s, his performance so akin to those of Ace Ventura and The Mask that you can't help but love the exaggerated show he gives here.
Paramount has also done a good job of including some nostalgic nods to the games, from the gold rings in the opening Paramount logo to Sonic's red sneakers. Even the final battle between Sonic and Robotnik had me squealing with joy at how much it reminded me of the actions you undertake to defeat the boss battles. There are some aspects of the games that are missing, most noticeably the Badniks (Robotnik's creature like robots) and Sonic's friends, who have sadly been left for a blatant sequel baiting end credits scene for a sequel we may never see. I also found Robotnik's machines and vehicles to be a little too technologically advanced and was disappointed not to see some that were more reminiscent of the wacky contraptions from the games.
This adaptation of Sonic the Hedgehog isn't the best, and to be frank it could have been done so much better. That said, it still held my attention for its 100min run time and could never be called dull, even if it was a little too puerile to be anything better than average.
Chris Sawin (602 KP) rated Gozu (2003) in Movies
Jun 21, 2019
Minami is stuck in a rather peculiar situation. Both him and his closest friend, Ozaki, are members of the Azamawari Crew. Their boss orders Minami to take Ozaki out of the picture. Rumors are swirling about how crazy Ozaki has become, as of late. He claimed a chihuahua was a "yakuza attack dog" and that a random car that happened to be behind them at the time was a "yakuza attack car." When Minami accidentally kills Ozaki before they reach the actual destination for Ozaki's "dismissal," he thinks that things can't get any worse. That is until he reaches the inn where everyone seems to be acting unusual and Ozaki's body disappears.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Now on a quest to find where Ozaki has gone, Minami must deal with the bizarre individuals along the way like the innkeeper who shares her breast milk secrets, the white faced man who seems a little to eager to help him on his quest, and then there's that cow-headed creature that shows up in his room late one night. Minami soon realizes that his quest for his lost friend will not only be a long one, but a perplexing one as well.
Let's just say that if you're familiar with Takashi Miike's previous work like Ichi the Killer, Audition, and the banned from TV Masters of Horror episode, "Imprint," that Gozu fits in quite well with Miike's reputation. Gozu reels you in with the opening scene and then seems to snowball as the film goes on. It seems to dawdle through its duration as its weird individuals and events begin to pile up. A particular scene from The Shining ran through my mind throughout the film. The bear costume fellatio sequence. The Shining is known for being bizarre and unsettling and that is a perfect description of Gozu from the opening minutes of the film until the credits roll.
This is also the second film of Miike's involving breast milk that I've had the pleasure of seeing. He must associate that with weirdness or something, which it is. It's not necessarily something that sounds appealing, but once it starts happening it winds up being too horrifying and too unusual to turn away from. Seeing how far Miike is willing to push ideas in his films is one of the reasons people find his films enjoyable. That and originality. Despite the strangeness found in his films, finding something similar to his work is practically impossible. Originality is something that should be cherished when it's found in someone's work, but maybe that's just a personal opinion.
It's hard to label Gozu as a specific genre as it has elements from just about every genre that comes to mind. A dramatic horror with a little bit of mystery thrown in for good measure is the best I can do. The film is definitely a unique trip that definitely isn't for everyone. The most bizarre ideas roaming around in your brain right now probably don't compare to the last twenty or so minutes of Gozu. The events that unfold during that time are pretty jaw dropping. So if you're a Miike fan or are looking for something incredibly different (I'm talking way out there), then this comes highly recommended. There is no way that everyone who views this film will enjoy it, but the ending is incredibly memorable if the viewer can make it that far.
Neon's Nerd Nexus (360 KP) rated The Immortal (2019) in Movies
Sep 9, 2020
You can't stop what's coming.
l'immortale is a good companion piece to possibly the greatest TV show of all time gomorra & while it does shed a bit more light on what sort of the life one of its best characters had at a younger age and where he is now i can't help but feel it's tainted one of the best twists the show has to offer overall. (WARNING: spoilers for gomorrah ahead but if your watching this anyway before you have seen the show I'd strongly advise not to). After surviving the incident on the boat at the end of season 3 Ciro begins a new life in Latvia caught working between Russian clans in Latvia. Long gone now are the days of him being a top dog & while he still has a certain celebrity status among people here he is undoubtedly someone else's bitch. He's a man that has absolutely nothing left to loose now & it's finally stating to take a toll on him mentally and physically. Marco D'Amore again is fantastic here & this time plays a more subjude Ciro. As a character he lacks confidence now & walks around with less pride & cockynes, he's not as sure of himself & personality wise he's alot quieter & socially distantanced. He also spends a lot of time thinking in silence, just remenising & taking in the scenery almost like life itself bores him now & he is just waiting for the day to come where someone puts him down. Marco D'Amore plays this character perfectly as always & as a viewer its great to see the mighty Ciro from a different light & helps us to feel his pain connecting with him in an alternative way to which we usually do. Marco D'Amore is also the director this time too & as a first film it's a really great effort but also at the same time he seems to really struggle finding an identity of his own & here lies my biggest problem with the movie. Far to often it feels like he's trying to just replicate Gomorra instead of taking the regins & putting his own spin on things (a bit like what ryan gosling did with the lost river trying to initiate nwr). Don't get me wrong is very similar to Gommora but it's not as griping, powerful, raw, gritty, impactful & full of tension like the show is & thus most of the scenes that use the same format either feel a bit hollow or off in some way. I did really enjoy the flash back scenes & seeing Ciro's upbringing & other tragidies that happen back then certainly do a great job of explaining why he's generally such a cold hearted desensitised person. What I can't understand is the main plot & that's mainly because the characters life had a fitting conclusion at the end of Gomorra season 3 so bringing him back now randomly for a movie just makes a very realistically grounded show seem a bit far fetched because while he maybe nicknamed the immortal after all he's still only human. All in all if it had just been a prequel film I think I'd of enjoyed it a lot more however if your a fan of the show & it's characters I would recommend seeing this as it definitely fills the time while waiting for season 5 & it absolutely proves Marco D'Amore shows promise as a director too.
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
Acanthea Grimscythe (300 KP) rated Nail's Crossing (Bill Maytubby & Hannah Bond Mystery #1) in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire</a>
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
Joe Julians (221 KP) rated Titanic (1997) in Movies
Jan 30, 2018
A Masterclass of Cinema
At some point between 1997 and, say a few years ago, not liking Titanic became the "cool" thing to do. Despite it's almost overwhelming popularity when it was released, as the years have gone by, fewer will admit their love for this film and some people will actively slate it. Each to their own of course, everyone is entitled to like or dislike anything, but for me, I'll never understand how this can be viewed as anything other than a masterclass of cinema.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
This is an epic, grandiose and utterly captivating thing to watch. The cast are perfect- every single one of them. I can't think of a single actor that puts a foot wrong throughout it's admittedly hefty run time. The script is wonderfully and meticulously researched and the set design is incredible. Every detail of the ship was looked at and recreated and whilst there are a few inaccuracies, the Titanic feels real again so many years after the real one went down.
I mentioned the run time and that's often one of the problems that is mentioned when people take issue with Titanic. It is long- perhaps too long. The modern-day sequences that bookend the film could maybe have done with some trimming down, but when I watch this, there's hardly any moment that I could single out as not needing to be there.
In many ways, Titanic is the perfect film. You get the love story dominating the first half, but if you aren't invested in that, the second gives you the sinking and nearly 21 years on, it's still breath taking to watch.
I haven't even mentioned the score yet- it's beautiful. This was James Horner's best work by far, so good in fact that I don't think the film would be anywhere near as memorable were it not for the amazing work he put in here. Celine Dion may be the first name people think of when the music from Titanic is mentioned, but it's certainly Horner that deserves every single bit of credit.
Ross (3284 KP) rated The Gutter Prayer in Books
Jan 15, 2020
A heist gone wrong
This is a very strange fantasy book. The story starts with a crew of three (a demonic type of person, a human exile girl, and a young man gradually turning to stone) sent to steal an artefact from the Tower of Law. During the heist the building starts to fall down around them and they scatter. There then follows a strange twisting and turning story in a very unique and unusual world. Conspiracies abound as all sides (government, alchemists, thieves, underground creatures) battle for access to artefacts, buildings and, eventually, gods.
The worldbuilding as a whole is superb. This is by far one of the most unusual worlds I have read a story in, with so many different races, creatures and magical things. However, large important parts of this are revealed throughout the book, so things just happen. I wouldn't say they are times of deus ex machina, but definitely some foreshadowing would be nice. This is increasingly annoying over the final third of the book, where new aspects of magic are being made up as we go.
The story is strong, albeit a little convoluted and at times Hanrahan's narrative tone is really nice. However the cast of not altogether distinct characters and names did make me struggle a little, with slightly too many factions or people introduced.
I also found the pace of the book dropped off after the first third, and it took me way longer to finish than it should have as my enjoyment tapered off.
There were a large number of typos throughout the book, more than would even be acceptable for a self-published book, in some cases I think character names were mixed up which meant conversations were harder to follow than they needed to be. Small things like this really hampered my progress through what was, in hindsight, a really good book. I have rated this up a little having had a day or so to calm down from a disappointing end. I have the follow-on book to read soon for Netgalley and will go in to it hoping for better editing and with more of an idea about the world the book takes place in.
The worldbuilding as a whole is superb. This is by far one of the most unusual worlds I have read a story in, with so many different races, creatures and magical things. However, large important parts of this are revealed throughout the book, so things just happen. I wouldn't say they are times of deus ex machina, but definitely some foreshadowing would be nice. This is increasingly annoying over the final third of the book, where new aspects of magic are being made up as we go.
The story is strong, albeit a little convoluted and at times Hanrahan's narrative tone is really nice. However the cast of not altogether distinct characters and names did make me struggle a little, with slightly too many factions or people introduced.
I also found the pace of the book dropped off after the first third, and it took me way longer to finish than it should have as my enjoyment tapered off.
There were a large number of typos throughout the book, more than would even be acceptable for a self-published book, in some cases I think character names were mixed up which meant conversations were harder to follow than they needed to be. Small things like this really hampered my progress through what was, in hindsight, a really good book. I have rated this up a little having had a day or so to calm down from a disappointing end. I have the follow-on book to read soon for Netgalley and will go in to it hoping for better editing and with more of an idea about the world the book takes place in.
