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LeftSideCut (3778 KP) rated The Walking Dead - Season 4 in TV

Sep 22, 2019 (Updated Oct 25, 2019)  
The Walking Dead  - Season 4
The Walking Dead - Season 4
2013 | Drama
A season of two halves
Contains spoilers, click to show
Season 4 of The Walking Dead is honestly a mixed bag.

The first half is pretty damn solid, wrapping up the Prison and Governor storyline nicely.
It shows off just how strong the cast is here - the characters we have come to know and love are stronger than ever, and a lot of new faces are welcome. I really liked how we got to know Tyrese more throughout this season.
As the group deals with a deadly flu outbreak within the prison walls, the show does a really good job of making you feel the claustrophobia.
I also really enjoyed the flashback Governor episodes - although these episodes introduced us to Tara - a character who I warmed to slowly later on, but in this season, damn she's annoying (nothing against Alanna Masterson just FYI)

The first half climaxes astonishingly with the episode "Too Far Gone" - possibly the best episode of TWD ever. It's sooooo tense. It's violent. It's upsetting. It's masterful. TWD at it's soaring best (although I don't think I'll ever get over what happened to my beloved Hershel)

Then the back half of the season is where it's loses its footing a bit. The group is scattered after the events of "Too Far Gone" and it really shows how TWD fares much better when everyone is together. It's just becomes a bit....boring, and it struggled to hold my attention.
There are still some great parts though - the sweet relationship between Daryl and Beth, the introduction of Abraham, the BRUTAL scene where Rick defends Carl from a truly disturbing fate in the finale...
And of course "The Grove" - another stellar episode.

Season 4 is the first season that became a little bit filler-infused for me but those stand out episodes elevate it and then some.
  
X-Men: Dark Phoenix (2019)
X-Men: Dark Phoenix (2019)
2019 | Action, Adventure, Sci-Fi
Completely unnecessary and forgettable
I had little hope for this film. After the brilliance that was Days of Future Past, we were faced with the truly poor Apocalypse and I’m afraid to say that Dark Phoenix really follows in Apocalypse’s footsteps. Whilst it isn’t any worse, it isn’t any better either.

For starters, did we really need them to redo the Dark Phoenix storyline? Admittedly it has at least been done better than The Last Stand, but it’s still a very predictable and dull storyline. Even more so because we’ve seen it all before. And it isn’t helped by a terrible script and a very pointless villain that made the plot even worse. Writing Jessica Chastain’s character and that entire plot line out of the film would actually have made it slightly better. Only slightly mind.

I’m not convinced about Sophie Turner either. Like the film itself, she isn’t terrible but I don’t think she’s particularly good either. I liked the scenes with Jean showcasing her new powers, but it’s obvious that the majority of the CGI budget has gone on this and the rest of the scenes look a little poor in comparison. For me what this film is missing is the camaraderie of the X-Men being together and fighting together. Whilst this is featured in the final part (and by far one of the best scenes), it comes far too late. They’ve also relegated some of the more light hearted and funny characters like Quiksilver to bit parts, when this film is in dire need of some humour. And even Magneto is rather sidelined and the pairing of Fassbender and McAvoy was by far the best thing about these X-Men films. Yes we get a great scene with them towards the end which was marvellous, but it was too little too late.

Quite honestly I think they should’ve called it a day with the X-Men films and ended on a high with Days of Future Past. I just really hope they don’t make any more!
  
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Suswatibasu (1701 KP) rated The Sinner - Season 1 in TV

Nov 24, 2017 (Updated Nov 25, 2017)  
The Sinner - Season 1
The Sinner - Season 1
2017 | Crime
Not as good as expected
I finished watching this series a couple of weeks ago and to be honest I have mixed feelings about it. It surrounds the story of an average housewife, played by Jessica Biel, who one day mysteriously snaps while on the beach with her husband and young son, and ends up stabbing a man to death. While investigating the case, Detective Harry Ambrose (Bill Pullman) becomes increasingly obsessed with finding out why exactly she carried out such an unprovoked attack, probing further into her psyche and revealing very dark and tormented secrets.

The premise is engaging, and the first few episodes quickly begin uncovering bits of her past. But by the fourth episode, there seems to be a lull, as if the director may have exposed too much in the first three chapters, and it begins to dip in terms of interesting content.

By the end, it is explosive, with very little build-up - and to be fair it may have gone slightly too far, appearing hyperbolic to the extreme. The problem was that when it became unappealing in the middle of the series, it was difficult to stay completely captivated until the end. Pullman's character was quite lecherous, as if the only reason he cared was because he found Biel's docile persona attractive.

Would I watch it again? Probably not - there are far better psychological crime shows such @True Detective - Season 1, that seem more carefully and thoughtfully produced.
  
AN
A Night Too Dark (Kate Shugak, #17)
10
10.0 (1 Ratings)
Book Rating
I've been somewhat uncomfortable with this series since [b:Hunter's Moon|398477|Hunter's Moon (Kate Shugak, Book 9)|Dana Stabenow|http://photo.goodreads.com/books/1174429360s/398477.jpg|387933], but Stabenow has brought me all the way back into the fold now. Obviously I wasn't too far gone, as I'm still reading the series at book 17 (HM was book 9, I believe?) but Kate finally feels happy again, and that's important to me when I'm reading a series.

The mystery really was a mystery, too. There was no obvious answer, no telegraphing of the villain, motive or means. Stabenow kept me guessing, without making me feel cheated by pulling out some vital clue that the reader couldn't possibly have known.

The last scene was a bit annoying, setting up conflicts that will obviously carry on to future novels, but I was already looking forward to her next release anyway. My sole complaint is that I have to wait too long between releases for my fix. If Nora Roberts can release two "In Death" books plus however many romance books a year, can't we at least rely on one Kate Shugak book a year? I'd strongly prefer two. One Shugak and one Liam Campbell would be better! That way there'd be variety, see? Aren't I nice when I'm being a demanding brat?
  
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Deborah (162 KP) rated Richard III in Books

Dec 21, 2018  
RI
Richard III
8
8.0 (1 Ratings)
Book Rating
Baldwin has written extensively about this period, so I had high expectations of his latest offering. The illustrations in this volume are great and the portrait of Richard is one which I don't believe I've seen before. The author also makes some sensible comments. So far so good, but I do feel that it doesn't go quite far enough. It's not a long book and a very easy read, but Baldwin seems a bit too keen to been seen as objective to commit himself as having too much of an opinion either way. Most of what is presented is done in a factual way and without a lot of analysis, I felt. Most of the evidence I felt was on the positive side, or at least not damning.

Beyond saying he thinks it unlikely that Richard has his nephews murdered (even his detractors agree that he was not stupid), he doesn't really go into this a lot, or examine Elizabeth Woodville's reasons for letting her daughters out of sanctuary or her later reaction to the Simnel rebellion. I know he has written separate volumes on both Elizabeth Woodville and Richard of York, the younger of her sons, but the issue is almost completely sidestepped here which is interesting, as this is really the question lying at the heart of The Great Debate.

So, my overall opinion was this this was very readable, fantastically illustrated and good, as far as it went. It would make a good introduction to the subject. Personally, I would have liked it to have gone a bit further. I couldn't help but compare it to Paul Murray Kendall's book. It's some time since I read it, but I was left with an enormous feel for the period and a sense of colour and life and I didn't quite get that from Baldwin.
  
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    Smoke

    Ellen Hopkins

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    Pattyn’s father is dead. Now she’s on the run in this riveting companion to New York Times...