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Jesters_folly (230 KP) rated Saw: The Final Chapter (2010) in Movies
Apr 29, 2021
Contains spoilers, click to show
This is it, the Final Saw film (it's not), It even says it in the title, Saw: The Final Chapter (but it's really not.)
After escaping the reverse bear trap placed on him by Jill in the previous film, Detective Hoffman is out for revenge, whilst also running another game or two (Where does he find the time?)
I think this may be the most outrageous Saw film yet, Jill is having nightmares about being ripped apart, there is a Jigsaw survivor group and Hoffman goes over the top with the traps and then decides it's easier to just go on a killing spree. Honestly if he'd decided to do that two films ago we could have saved ourselves a lot of time.
As usual, the traps are interesting and gory with three 'games' played this time (maybe four or even five, depending on what you class as a game) although I'm not sure about the machine gun.
There isn't the backstory in the same way as the other films, not until the end of the film anyway as 'The final chapter' concentrates on the new player of the game and Hoffman's hunt for Jill and yet 'Saw: The final Chapter' still manages to bring the story full circle, with the help of another of John's recruits.
If it's possible I think that this is the most violent of the Saw films (up to now) as we not only have three main games but Hoffman's killing spree and the machine gun and the return of the original bear trap.
For a film that calls itself 'The Final Chapter' it leaves itself quite open, there seems to be an increase in the 'pig' population as well as the return of an old character as a new (old) disciple.
I do like the fact that Jigsaw (John) died in the third film and was never brought back (or faked his death) and the ways that the new disciples are weaved (retconned) into the back story, I think bringing John back would have been a mistake.
Anyway now I've finished the Saw films it's time for, Oh Jigsaw because films don't know the meaning of the word final (especially as there is ninth film out this year (2021)) oh well, on with the gore.
After escaping the reverse bear trap placed on him by Jill in the previous film, Detective Hoffman is out for revenge, whilst also running another game or two (Where does he find the time?)
I think this may be the most outrageous Saw film yet, Jill is having nightmares about being ripped apart, there is a Jigsaw survivor group and Hoffman goes over the top with the traps and then decides it's easier to just go on a killing spree. Honestly if he'd decided to do that two films ago we could have saved ourselves a lot of time.
As usual, the traps are interesting and gory with three 'games' played this time (maybe four or even five, depending on what you class as a game) although I'm not sure about the machine gun.
There isn't the backstory in the same way as the other films, not until the end of the film anyway as 'The final chapter' concentrates on the new player of the game and Hoffman's hunt for Jill and yet 'Saw: The final Chapter' still manages to bring the story full circle, with the help of another of John's recruits.
If it's possible I think that this is the most violent of the Saw films (up to now) as we not only have three main games but Hoffman's killing spree and the machine gun and the return of the original bear trap.
For a film that calls itself 'The Final Chapter' it leaves itself quite open, there seems to be an increase in the 'pig' population as well as the return of an old character as a new (old) disciple.
I do like the fact that Jigsaw (John) died in the third film and was never brought back (or faked his death) and the ways that the new disciples are weaved (retconned) into the back story, I think bringing John back would have been a mistake.
Anyway now I've finished the Saw films it's time for, Oh Jigsaw because films don't know the meaning of the word final (especially as there is ninth film out this year (2021)) oh well, on with the gore.
LeftSideCut (3776 KP) rated Mortal Kombat (2021) in Movies
May 7, 2021
Contains spoilers, click to show
After all the hype I tried desperately hard not to buy into, Mortal Kombat turned out to be exactly what I expected...
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
Matthew Krueger (10051 KP) rated The Fly (1986) in Movies
Sep 10, 2020
Buzz Buzz
The Fly is a excellent remake of the 1958 version. Cronenberg does it again. All of his 80's films are excellent. I mean the gore, the violence, the horror, the suspense, the thrills, the sci-fi, the visuals, the terror and the acting.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
LeftSideCut (3776 KP) rated Fright Night (1985) in Movies
Jan 19, 2021
Fright Night absolutely epitomizes everything that is great about its era and genre. Its just flat out top tier 80s horror.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
Debbiereadsbook (1533 KP) rated For the Murder (The Murder #1) in Books
Mar 2, 2022
different but very good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Diana needs a murder; a lone crow is a dead one. But to be accepted back into the murder that banished her, she needs to steal a very powerful blade. But others want it too, and Diana isn't too sure what's going on with her magic. Sasha isn't sure what these feelings are he has for Diana, but he also needs that blade to free himself from the demon who bound him. One of them will not be happy with the outcome.
This is different, and I do like me some different!
Diana is a crow shifter, with 3 legs (who knew?) but she isn't in a murder because her father is a bit of a con man (a LOT, really, by the time we get all the gory details!) and Diana, her mother and father were banished from the murder, but not her younger sister whose magic had been accepted by the murder. Dad wants Diana to steal this blade to get them back into the murder's good graces.
But, seriously, things are NOT as they seem. And Sasha wants that blade to free him from the demon who bound him to a lifetime of servitude. Something though, goes ping in both Diana and Sasha and instead Nobu, a cat shifter who really isn't, and they end up fighting together, rather than against each other.
I liked this, a lot. Like I said different. Humans with angel blood who are bound to demons. Shifters of all manner of being. There was a LOT going on, and at times I did struggle to keep up.
And I think this is the only reason I can't stretch to 5 stars, cos I did feel a little bit overwhelmed at points. Oh don't get me wrong, its a bloody good book, it really was, especially as this appears to be only the third book written by this author, and it is not short book, some 350 pages.
It's violent, some graphic scenes but I think they really are needed. Not explicit in any way, but there is romance, of a fashion, between Diana and Sasha, as their magic combines.
I really hope there are more books about the people in this book, a follow up for Diana and Sasha would be great!
4 good solid stars
*same worded review will appear elsewhere
Diana needs a murder; a lone crow is a dead one. But to be accepted back into the murder that banished her, she needs to steal a very powerful blade. But others want it too, and Diana isn't too sure what's going on with her magic. Sasha isn't sure what these feelings are he has for Diana, but he also needs that blade to free himself from the demon who bound him. One of them will not be happy with the outcome.
This is different, and I do like me some different!
Diana is a crow shifter, with 3 legs (who knew?) but she isn't in a murder because her father is a bit of a con man (a LOT, really, by the time we get all the gory details!) and Diana, her mother and father were banished from the murder, but not her younger sister whose magic had been accepted by the murder. Dad wants Diana to steal this blade to get them back into the murder's good graces.
But, seriously, things are NOT as they seem. And Sasha wants that blade to free him from the demon who bound him to a lifetime of servitude. Something though, goes ping in both Diana and Sasha and instead Nobu, a cat shifter who really isn't, and they end up fighting together, rather than against each other.
I liked this, a lot. Like I said different. Humans with angel blood who are bound to demons. Shifters of all manner of being. There was a LOT going on, and at times I did struggle to keep up.
And I think this is the only reason I can't stretch to 5 stars, cos I did feel a little bit overwhelmed at points. Oh don't get me wrong, its a bloody good book, it really was, especially as this appears to be only the third book written by this author, and it is not short book, some 350 pages.
It's violent, some graphic scenes but I think they really are needed. Not explicit in any way, but there is romance, of a fashion, between Diana and Sasha, as their magic combines.
I really hope there are more books about the people in this book, a follow up for Diana and Sasha would be great!
4 good solid stars
*same worded review will appear elsewhere
Jemma Walsh (81 KP) rated Gone Girl in Books
Aug 31, 2018
A good twist (1 more)
Characters and their backgrounds
Weak ending (1 more)
Slightly long winded
It was ok! I liked the twist.
Contains spoilers, click to show
Firstly I apologise for any spelling mistakes.
Luckily I borrowed this book, always lured in by “thriller of the year” but honestly if I had paid for the book I would feel more unsatified, maybe I like gory crime books more, always expeting the worst outcome in the worst way ...
Begins this book enjoying the where had Amy gone!? My wife is missing, thinking “ohhh where will she turn up?” With her side of the story about how things weren’t so great, nick hiding thing from the police being secretive.. the book clearly pinning what happened to Amy on the husband but that’s always to obvious... half way through this book I started to get bored, thinking when will something thrilling happen, that’s right this book has three parts!
I’m trying to work out what’s happen to Amy, maybe Go has done something? ( Go? What a strange way to spell it, made it hard for ready to for naturally, Brian is constantly debating go or Jo?) or maybe did nicks fatehr do something seeing as her a confused angry man.... oh man was I so far off!
Then I get the the second part and finally I feel somewhat satisfied! At last what a great twist to the story! Got me totally hooked when I was so close to calling it quits! How could she do that to nick! All them months of dedicated planning and Scheming, to see how all the pieces fell into place, realising how insane Amy was, and for her “logical reasoning”
Then you get to part three, and again it gets abit dull but your so far in you need to finnish it rather than quite so you keep checking how much more you have left to ready, come on!
The ending is just “so,so” they could have done so much more! The detective could have come across some evidence to show that desi had an alibi during the time Amy went “missing” I feel like tommy and Hillary should have gotten justice, and then the ending is just nothing they clearly live their lives together the end ? Just not closed up enough for my likings,
So my Rating Is low because for a thriller of the year and the addictive no1 is bestseller I had higher expectations and felt so disappointed and underwhelmed, over the story line is good and I enjoyed the characters, but not that thrilling
Luckily I borrowed this book, always lured in by “thriller of the year” but honestly if I had paid for the book I would feel more unsatified, maybe I like gory crime books more, always expeting the worst outcome in the worst way ...
Begins this book enjoying the where had Amy gone!? My wife is missing, thinking “ohhh where will she turn up?” With her side of the story about how things weren’t so great, nick hiding thing from the police being secretive.. the book clearly pinning what happened to Amy on the husband but that’s always to obvious... half way through this book I started to get bored, thinking when will something thrilling happen, that’s right this book has three parts!
I’m trying to work out what’s happen to Amy, maybe Go has done something? ( Go? What a strange way to spell it, made it hard for ready to for naturally, Brian is constantly debating go or Jo?) or maybe did nicks fatehr do something seeing as her a confused angry man.... oh man was I so far off!
Then I get the the second part and finally I feel somewhat satisfied! At last what a great twist to the story! Got me totally hooked when I was so close to calling it quits! How could she do that to nick! All them months of dedicated planning and Scheming, to see how all the pieces fell into place, realising how insane Amy was, and for her “logical reasoning”
Then you get to part three, and again it gets abit dull but your so far in you need to finnish it rather than quite so you keep checking how much more you have left to ready, come on!
The ending is just “so,so” they could have done so much more! The detective could have come across some evidence to show that desi had an alibi during the time Amy went “missing” I feel like tommy and Hillary should have gotten justice, and then the ending is just nothing they clearly live their lives together the end ? Just not closed up enough for my likings,
So my Rating Is low because for a thriller of the year and the addictive no1 is bestseller I had higher expectations and felt so disappointed and underwhelmed, over the story line is good and I enjoyed the characters, but not that thrilling
Andy K (10823 KP) rated Brightburn (2019) in Movies
Oct 19, 2019
I like the idea of a horror superhero genre but...
Brightburn is a classic modern example of a great idea, with mediocre execution.
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
The classic "Superman" story is turned on its head in a way when a spaceship falls to Earth with a baby within. The young couple who live on a farm decide to adopt the infant as their own. Now 12 years old, young Brandon starts to feel differently. He is compelled to seek out his mother ship now locked inside the depths of a barn where he seems to receive unknown demonic instruction.
Things aren't going well at school either. He injures a young girl's hand after an incident where she fails to catch his fall while playing a game of trust during their physical education class. Afterwards, the girl's mother has some distasteful words to say about Brandon which he overhears and his lust for retribution emerges.
The lack of specific direction or even which genre this movie wanted to inhabit is its biggest flaw (which means bad screenplay). At some points it was underdog outcast teen drama and at others darkened house jump scare or even some scenes involving gruesome gory horror. The first half of the short 90 minutes was devoted to establishing Brandon's status at school and with his family and wasn't terribly interesting while the 2nd half was just the standard gruesome kill after gruesome kill which were cool I guess, but won't stay with me.
Going in, I really thought the film was going to be more epic and concentrate on his emerge and then quest for world domination (which was only shown during the end credits) which I think would have been way more interesting, similar to Chronicle which was done in a much more interesting way than this.
Maybe they were hoping for huge success so the 2nd film could've explained more of the origin story. I guess I don't mind that nothing as to the source of the spaceship or the creatures within were explained. I don't need every plot point spoon fed to me, but it was a wasted opportunity to create a new completely original super villain universe which they could've drawn from indefinitely.
Is Brightburn supposed to be an antihero? Are you supposed to root for him to avenge the wrongs he has had in his ife or are you simply supposed to cringe like you would when Jason or Michael hack into a sex crazed teenager?
EmersonRose (320 KP) rated Hinterland Fortress (Conquest of The Evermore #1) in Books
Nov 20, 2019
“Rhyal was sitting in a wagon. She wriggled her nose. The stench awoke her from her meditation. She opened her eyes to see Ender snoring away. She sensed and knew where she was now. She peered out of the canvas covering to see the dark mountains of Grund Morr. It would be the last known feature she’d see as they passed through the Evermire swampland.”
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
BookInspector (124 KP) rated The Art of Death in Books
Jul 1, 2021
The main character in this novel is DI Grace Archer, she is a leading investigator in a series of very bizarre and very cruel murders. There is a very wide variety of diverse and intriguing characters in this novel, and this book is told from multiple perspectives, including the victims and the killer as well. DI Archer is a very complex character, her childhood had its horrors, and she is an outsider in her new police station. But I really admired her strength, sharp mind and complexity. This book allows me to delve deeper into the characters, especially the victims, I think all the victims were suffering from one thing or another, and it was interesting to read about their lives.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.
The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂
So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
Jesters_folly (230 KP) rated Jigsaw (2017) in Movies
May 1, 2021
Contains spoilers, click to show
10 Years after the events in saw 7 (the Final chapter/Saw 3D) a new 'game' has started and a new group of police officers have to try to find out what is happening and who is responsible.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.
Jigsaw runs to almost the same formula as the previous films , there is a game in progress and the police have to stop it but as well as the game there is still enough of a story to make the film interesting. The biggest difference is that there isn't really the back story in the same way the other films had mainly because, with the exception of John Kramer (the original Jigsaw), we have all new characters. Instead Jigsaw focuses on finding out who the new Jigsaw is or even if it is a new Jigsaw or if John has some how come back from the dead. This is where the film is cleaver, it gives us a number of possible suspects and even makes it seem it may be John.
Jigsaw doesn't seem to be as gory as the previous films, yes you still have people in a game and yes at least some of them loose but there are no intestines littering the ground or close ups on people getting cut in half. Don't get me wrong there is still gore, closeups of the dead bodies and people loosing limbs but it doesn't quite have the same feel to it.
The story aspect to the film is good , as I said, it does leave you guessing to who the killer is although, if you pay attention there are clues. The film also plays with time a bit and, as in the other films, this is used to throw the viewer off track.
Jigsaw is a good entry in to the Saw franchise, as it has a ten year gap from Saw 7 it doesn't get bogged down with the original charters and doesn't get (too) bogged down with the past timeline which was getting a bit muddled (in my opinion) but it does manage to pull from what has gone before and use it further the story.
And that's it, the end of the Saw franchise. OK not quite, at the time of writing 'Spiral, Chapters from the book of Saw' is due out at the cinema (Corona willing) in a couple of weeks and it looks to bigger and better however I probably won't get to see it for a while so, for now, it's time to move onto something new.