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JT (287 KP) rated The Wolfman (2010) in Movies
Mar 10, 2020
As what we would describe as the classic monster horror, this remake of the 1941 black and white picture in some way does itself and the original some justice.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Janeeny (200 KP) rated Monster, She Wrote in Books
Jul 8, 2020
I received an ARC of this book in return for an honest review.
I loved the concept behind this book, as a fan of gothic horror, and a lover of information, I was looking forward to getting a lot out of this.
The book is divided into eight parts, each focusing on a certain type of Horror or ‘Weird’ fiction. Within each part is a short introduction to each author and their works. Followed by a recommended reading list of the authors works, and other similar authors works.
As I said, in principle this book sounded great. Unfortunately it fell a bit short for me. It was full of some great facts, and I did come away learning something, but just as I was really getting my teeth into an interesting story or fact about an author, they moved onto the next thing. leaving me hanging!
Another note of discord for me was some of the references. Despite the fact there are a number of British authors featured, it didn’t feel like the book was aimed at an international audience. There were quite a few references to TV shows, magazines, and other authors that never quite made it over the pond. Unfortunately at times it just felt like I was involved in a conversation riddled with private jokes that I would never really ‘get’.
It’s not all bad though, as there were some nice illustrations within the book. My ARC hadn’t been formatted properly yet for me to get the most out of the illustrations, but from what I can see they’ll add a nice little touch to it. Plus, If this has done anything it has peaked my interest. I now want to find out more about a few authors and their works, and I have a few more books on my TBR list.
In summary, it is really a good book if you like just little titbits of information and a recommended reads list. If you want more in depth information, avoid.
I loved the concept behind this book, as a fan of gothic horror, and a lover of information, I was looking forward to getting a lot out of this.
The book is divided into eight parts, each focusing on a certain type of Horror or ‘Weird’ fiction. Within each part is a short introduction to each author and their works. Followed by a recommended reading list of the authors works, and other similar authors works.
As I said, in principle this book sounded great. Unfortunately it fell a bit short for me. It was full of some great facts, and I did come away learning something, but just as I was really getting my teeth into an interesting story or fact about an author, they moved onto the next thing. leaving me hanging!
Another note of discord for me was some of the references. Despite the fact there are a number of British authors featured, it didn’t feel like the book was aimed at an international audience. There were quite a few references to TV shows, magazines, and other authors that never quite made it over the pond. Unfortunately at times it just felt like I was involved in a conversation riddled with private jokes that I would never really ‘get’.
It’s not all bad though, as there were some nice illustrations within the book. My ARC hadn’t been formatted properly yet for me to get the most out of the illustrations, but from what I can see they’ll add a nice little touch to it. Plus, If this has done anything it has peaked my interest. I now want to find out more about a few authors and their works, and I have a few more books on my TBR list.
In summary, it is really a good book if you like just little titbits of information and a recommended reads list. If you want more in depth information, avoid.
Lyndsey Gollogly (2893 KP) rated Gypsy Blood (All The Pretty Monsters #1) in Books
Nov 19, 2020
193 of 200
Kindle
Gypsy Blood ( All the pretty monsters book 1)
By Kristy Cunning
I'm not all that special, really. Or uncommon. I'm sure there are a lot of girls with old gypsy blood who see the dead, have killer cults hunting their family, and turn into something that gets scary when they panic. Yep. Completely unoriginal, if I do say so myself.
Move along. Nothing to see here. Nope. I'm just an ordinary girl.
I wish people would believe that.
I've been labeled as one thing or another for most of my life:
Death Girl.
Crazy Gypsy Girl.
Gothic Chick.
Monster...
It took my mother's death for me to finally start getting answers about what's really been going on. Unfortunately, most of the answers come from men...who aren't just men. Somehow, I've gone and landed myself in a world truly filled with monsters, and I'm starting to think this is where I should have been all along.
Only...I don't understand what's going on. I'm walking into the middle of a story that's thousands of years old, and I'm the new girl on the block who doesn't have a clue how this world even works. My only guides happen to be the most lethal of the bunch.
They decide who lives or dies. They decide who gets stabbed or tortured.
Yeah...
I've gone and drawn attention to myself, and the ones paying attention are the ones everyone else seems to fear.
How do these things always happen to me?
I didn’t know what to except but found myself totally involved! I love the idea of these alphas and I love her Gypsy powers and how she still has so much to learn! We get to learn with her because this is written so you want to keep going! Anna her ghost is so bloody funny I laughed quite a bit woke my husband several times from sleep! I do think Ace was a bit obvious and she was a bit stupid there but now things get a bit more interesting
Kindle
Gypsy Blood ( All the pretty monsters book 1)
By Kristy Cunning
I'm not all that special, really. Or uncommon. I'm sure there are a lot of girls with old gypsy blood who see the dead, have killer cults hunting their family, and turn into something that gets scary when they panic. Yep. Completely unoriginal, if I do say so myself.
Move along. Nothing to see here. Nope. I'm just an ordinary girl.
I wish people would believe that.
I've been labeled as one thing or another for most of my life:
Death Girl.
Crazy Gypsy Girl.
Gothic Chick.
Monster...
It took my mother's death for me to finally start getting answers about what's really been going on. Unfortunately, most of the answers come from men...who aren't just men. Somehow, I've gone and landed myself in a world truly filled with monsters, and I'm starting to think this is where I should have been all along.
Only...I don't understand what's going on. I'm walking into the middle of a story that's thousands of years old, and I'm the new girl on the block who doesn't have a clue how this world even works. My only guides happen to be the most lethal of the bunch.
They decide who lives or dies. They decide who gets stabbed or tortured.
Yeah...
I've gone and drawn attention to myself, and the ones paying attention are the ones everyone else seems to fear.
How do these things always happen to me?
I didn’t know what to except but found myself totally involved! I love the idea of these alphas and I love her Gypsy powers and how she still has so much to learn! We get to learn with her because this is written so you want to keep going! Anna her ghost is so bloody funny I laughed quite a bit woke my husband several times from sleep! I do think Ace was a bit obvious and she was a bit stupid there but now things get a bit more interesting
This is a book that starts off in a pretty harmless, if tragic way, and goes on to weave the stories of the Titanic and the Britannic together. Annie Hebley is an ex-stewardess from the Titanic, and when we first meet her she is a patient in an asylum. A fellow stewardess invites her to work on the Britannic some years later (1916), after it has been converted in to a hospital ship. Without any nursing experience, other than what she has watched the nurses do in the asylum, Annie accepts the job.
As soon as she sets foot on the Britannic, the memories of that fateful Titanic journey come flooding back to her. The atmosphere on the voyage in the lead up to the Titanic's destruction, can only be described as menacing. The passengers are fascinating - there's a real mix of people that we learn about. There is something definitely not quite right about the ship, but I was never able to put my finger on it (and I think that was intended). And that feeling follows Annie on to the Britannic.
I always think the unseen menace is far more frightening than what can be seen, and I really enjoyed this approach. I loved learning the backstories of the passengers, and the eventual reveal of Annie's story too. It really is historical fiction with a twist (that twist leaving me with a reluctance to ever get on a ship, if I'm honest). How Annie ever gets up the courage to board the Britannic, I'll never know.
If you know your history surrounding these two boats, you'll have a pretty good idea how this all ends, but it's the journey, isn't it? And it's also the way in which Alma Katsu manipulates that history that I really enjoyed. If you like your historical fiction a bit dark, a bit gothic, then you'll really like this. I did.
Many thanks to NetGalley and the publisher for my copy of this book.
As soon as she sets foot on the Britannic, the memories of that fateful Titanic journey come flooding back to her. The atmosphere on the voyage in the lead up to the Titanic's destruction, can only be described as menacing. The passengers are fascinating - there's a real mix of people that we learn about. There is something definitely not quite right about the ship, but I was never able to put my finger on it (and I think that was intended). And that feeling follows Annie on to the Britannic.
I always think the unseen menace is far more frightening than what can be seen, and I really enjoyed this approach. I loved learning the backstories of the passengers, and the eventual reveal of Annie's story too. It really is historical fiction with a twist (that twist leaving me with a reluctance to ever get on a ship, if I'm honest). How Annie ever gets up the courage to board the Britannic, I'll never know.
If you know your history surrounding these two boats, you'll have a pretty good idea how this all ends, but it's the journey, isn't it? And it's also the way in which Alma Katsu manipulates that history that I really enjoyed. If you like your historical fiction a bit dark, a bit gothic, then you'll really like this. I did.
Many thanks to NetGalley and the publisher for my copy of this book.
DaveySmithy (107 KP) rated Venom: The Last Dance (2024) in Movies
Dec 4, 2024
A Chaotic Farewell with Flashes of Brilliance
Venom: Last Dance marks the end of Eddie Brock’s wild, symbiotic saga, and while it doesn’t entirely stick the landing, it’s a fittingly chaotic swan song for the antihero. With Tom Hardy once again embracing the absurdity of his dual role, the film offers plenty of the franchise’s trademark blend of humor, action, and madness—but it’s also weighed down by an uneven plot and overambitious storytelling.
One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.
Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.
The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.
Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.
One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.
Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.
The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.
Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.
Goddess in the Stacks (553 KP) rated Sing, Unburied, Sing in Books
May 14, 2018
I know, I'm late to the party. This book made a big splash back in September - everyone was talking about it, and it won the National Book Award. My library, however, did not have enough copies to go around, and I was late putting a hold on it, so the hold I put on it in January finally came around to my turn!
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
graveyardgremlin (7194 KP) rated The Blood Confession in Books
Feb 15, 2019
<i>4.5 stars</i>
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
Kristy H (1252 KP) rated The Stranger Diaries in Books
Apr 4, 2019 (Updated May 21, 2019)
Oh I love Elly Griffiths so much, and I was incredibly excited to win this book in a Goodreads Giveaway. It was so good! It's told in various points of view, including Clare's and that of Harbinder, an incredibly awesome Sikh lesbian Detective Constable. I mean... so cool. Harbinder attended Talgarth High in the past, so her former schooling memories are aligned with the current case.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
Kristy H (1252 KP) rated The Night Visitors in Books
Apr 4, 2019
I just love Carol Goodman's books. She has eerie, creepy, Gothic writing down perfectly, and this book was certainly no exception. I was hooked from the beginning. This novel alternates between Mattie and Alice's perspectives. Mattie is older (fifties), living alone in her decrepit home, damaged by her past.
"When I told Anita that I didn't believe in God she'd pressed the medal into my hand and told me that I should just say a prayer to whatever I did believe in. So I say my prayers to Anita Esteban, who left her drunk, no-good husband, raised three children on her own, went back to school, and earned a law degree. She's what I believe in."
I took to her immediately. You know that there's definitely more to each woman's story than meets the eye, and it's fascinating to watch their stories unfold. Alice shows up with a story about running away from an abusive relationship. Oren, she claims, is all she cares about. Is that true? How much can we trust either of the women? What I loved was that the book had me guessing the entire time. It was incredibly captivating, and both women seemed so real.
As for Oren, he was great, too, and you immediately wanted to protect him. The novel definitely has some creepy and mysterious pieces to it. It's less about suspending disbelief than just engaging with the story--becoming a part of it. I certainly found myself spooked a few times. It's a compelling tale, which will keep you engaged, intrigued by the characters, and culminates is a really great twisty (and twisted) story. This one isn't necessarily for the faint of heart; there are some brutal moments here. But what I really loved is that while this can be a very dark story, it's also weirdly sweet, too. I was very touched in places--a true sign that I'd grown to love these characters.
Overall, another enjoyable book from Goodman. She has a way of sucking you into the landscape of her books--and suddenly you are engrossed by the story and its characters. This one was eerie, captivating, mysterious, and yet oddly heartwarming at times. 4+ stars.
"When I told Anita that I didn't believe in God she'd pressed the medal into my hand and told me that I should just say a prayer to whatever I did believe in. So I say my prayers to Anita Esteban, who left her drunk, no-good husband, raised three children on her own, went back to school, and earned a law degree. She's what I believe in."
I took to her immediately. You know that there's definitely more to each woman's story than meets the eye, and it's fascinating to watch their stories unfold. Alice shows up with a story about running away from an abusive relationship. Oren, she claims, is all she cares about. Is that true? How much can we trust either of the women? What I loved was that the book had me guessing the entire time. It was incredibly captivating, and both women seemed so real.
As for Oren, he was great, too, and you immediately wanted to protect him. The novel definitely has some creepy and mysterious pieces to it. It's less about suspending disbelief than just engaging with the story--becoming a part of it. I certainly found myself spooked a few times. It's a compelling tale, which will keep you engaged, intrigued by the characters, and culminates is a really great twisty (and twisted) story. This one isn't necessarily for the faint of heart; there are some brutal moments here. But what I really loved is that while this can be a very dark story, it's also weirdly sweet, too. I was very touched in places--a true sign that I'd grown to love these characters.
Overall, another enjoyable book from Goodman. She has a way of sucking you into the landscape of her books--and suddenly you are engrossed by the story and its characters. This one was eerie, captivating, mysterious, and yet oddly heartwarming at times. 4+ stars.
LeftSideCut (3776 KP) rated Maleficent (2014) in Movies
Oct 19, 2019 (Updated Oct 25, 2019)
A refreshing take on a beloved classic
Sleeping Beauty is one of the most famous classic animated Disney features of all time, and that is partly thanks to the villain of the piece - Maleficent.
When I think back to watching Sleeping Beauty as a child, Maleficent is the main aspect that sticks out.
A being of seemingly pure evil, who would curse a baby just because.
This live action re telling of Sleeping Beauty shifts the focus to Maleficent almost exclusively, and explores an untold backstory that gives the character a whole different aspect.
And I reckon it's done pretty well.
Angelina Jolie is obviously having fun playing the strong fairy Queen, who turns to the dark side after she's done over by King Stefan, and she plays both the sympathetic and evil parts of Maleficent with style, with sprinkles of dark humour here and there for good measure.
Stefan is played by Sharlto Copley, who I loved im both District 9, and Elysium, so it's interesting to see him do something different here.
Aurora is more of a side character this time around, but Elle Fanning does a good job of fitting in when the narrative calls for it.
The film looks great for the most part. The more colourful palette of The Moors is lovely and feels suitably magical, and the darkness of the thorned forest plays well with a more gothic athstetic, and it's all backed up by a terrific score (courtesy of James Newton Howard).
The CGI is still pretty passable considering the film is now 5 years old, only becoming more obvious in the flying scenes.
The only things I didn't like about Maleficent, was mainly the three fairy godmothers. I know that Disney need to fill a certain quota of silly humour, but they became quickly annoying and actually quite out of place with the rest of the film.
Some of the dialogue is quite cheesy (especially when Maleficent performs the curse on Aurora) but little things like this are to be expected from a Disney fairytale.
All in all, Maleficent is great fun, and pretty good twist to a well established classic story.
When I think back to watching Sleeping Beauty as a child, Maleficent is the main aspect that sticks out.
A being of seemingly pure evil, who would curse a baby just because.
This live action re telling of Sleeping Beauty shifts the focus to Maleficent almost exclusively, and explores an untold backstory that gives the character a whole different aspect.
And I reckon it's done pretty well.
Angelina Jolie is obviously having fun playing the strong fairy Queen, who turns to the dark side after she's done over by King Stefan, and she plays both the sympathetic and evil parts of Maleficent with style, with sprinkles of dark humour here and there for good measure.
Stefan is played by Sharlto Copley, who I loved im both District 9, and Elysium, so it's interesting to see him do something different here.
Aurora is more of a side character this time around, but Elle Fanning does a good job of fitting in when the narrative calls for it.
The film looks great for the most part. The more colourful palette of The Moors is lovely and feels suitably magical, and the darkness of the thorned forest plays well with a more gothic athstetic, and it's all backed up by a terrific score (courtesy of James Newton Howard).
The CGI is still pretty passable considering the film is now 5 years old, only becoming more obvious in the flying scenes.
The only things I didn't like about Maleficent, was mainly the three fairy godmothers. I know that Disney need to fill a certain quota of silly humour, but they became quickly annoying and actually quite out of place with the rest of the film.
Some of the dialogue is quite cheesy (especially when Maleficent performs the curse on Aurora) but little things like this are to be expected from a Disney fairytale.
All in all, Maleficent is great fun, and pretty good twist to a well established classic story.