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Kristy H (1252 KP) rated The Stranger Diaries in Books
Apr 4, 2019 (Updated May 21, 2019)
Oh I love Elly Griffiths so much, and I was incredibly excited to win this book in a Goodreads Giveaway. It was so good! It's told in various points of view, including Clare's and that of Harbinder, an incredibly awesome Sikh lesbian Detective Constable. I mean... so cool. Harbinder attended Talgarth High in the past, so her former schooling memories are aligned with the current case.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
Kristy H (1252 KP) rated The Night Visitors in Books
Apr 4, 2019
I just love Carol Goodman's books. She has eerie, creepy, Gothic writing down perfectly, and this book was certainly no exception. I was hooked from the beginning. This novel alternates between Mattie and Alice's perspectives. Mattie is older (fifties), living alone in her decrepit home, damaged by her past.
"When I told Anita that I didn't believe in God she'd pressed the medal into my hand and told me that I should just say a prayer to whatever I did believe in. So I say my prayers to Anita Esteban, who left her drunk, no-good husband, raised three children on her own, went back to school, and earned a law degree. She's what I believe in."
I took to her immediately. You know that there's definitely more to each woman's story than meets the eye, and it's fascinating to watch their stories unfold. Alice shows up with a story about running away from an abusive relationship. Oren, she claims, is all she cares about. Is that true? How much can we trust either of the women? What I loved was that the book had me guessing the entire time. It was incredibly captivating, and both women seemed so real.
As for Oren, he was great, too, and you immediately wanted to protect him. The novel definitely has some creepy and mysterious pieces to it. It's less about suspending disbelief than just engaging with the story--becoming a part of it. I certainly found myself spooked a few times. It's a compelling tale, which will keep you engaged, intrigued by the characters, and culminates is a really great twisty (and twisted) story. This one isn't necessarily for the faint of heart; there are some brutal moments here. But what I really loved is that while this can be a very dark story, it's also weirdly sweet, too. I was very touched in places--a true sign that I'd grown to love these characters.
Overall, another enjoyable book from Goodman. She has a way of sucking you into the landscape of her books--and suddenly you are engrossed by the story and its characters. This one was eerie, captivating, mysterious, and yet oddly heartwarming at times. 4+ stars.
"When I told Anita that I didn't believe in God she'd pressed the medal into my hand and told me that I should just say a prayer to whatever I did believe in. So I say my prayers to Anita Esteban, who left her drunk, no-good husband, raised three children on her own, went back to school, and earned a law degree. She's what I believe in."
I took to her immediately. You know that there's definitely more to each woman's story than meets the eye, and it's fascinating to watch their stories unfold. Alice shows up with a story about running away from an abusive relationship. Oren, she claims, is all she cares about. Is that true? How much can we trust either of the women? What I loved was that the book had me guessing the entire time. It was incredibly captivating, and both women seemed so real.
As for Oren, he was great, too, and you immediately wanted to protect him. The novel definitely has some creepy and mysterious pieces to it. It's less about suspending disbelief than just engaging with the story--becoming a part of it. I certainly found myself spooked a few times. It's a compelling tale, which will keep you engaged, intrigued by the characters, and culminates is a really great twisty (and twisted) story. This one isn't necessarily for the faint of heart; there are some brutal moments here. But what I really loved is that while this can be a very dark story, it's also weirdly sweet, too. I was very touched in places--a true sign that I'd grown to love these characters.
Overall, another enjoyable book from Goodman. She has a way of sucking you into the landscape of her books--and suddenly you are engrossed by the story and its characters. This one was eerie, captivating, mysterious, and yet oddly heartwarming at times. 4+ stars.
LeftSideCut (3778 KP) rated Maleficent (2014) in Movies
Oct 19, 2019 (Updated Oct 25, 2019)
A refreshing take on a beloved classic
Sleeping Beauty is one of the most famous classic animated Disney features of all time, and that is partly thanks to the villain of the piece - Maleficent.
When I think back to watching Sleeping Beauty as a child, Maleficent is the main aspect that sticks out.
A being of seemingly pure evil, who would curse a baby just because.
This live action re telling of Sleeping Beauty shifts the focus to Maleficent almost exclusively, and explores an untold backstory that gives the character a whole different aspect.
And I reckon it's done pretty well.
Angelina Jolie is obviously having fun playing the strong fairy Queen, who turns to the dark side after she's done over by King Stefan, and she plays both the sympathetic and evil parts of Maleficent with style, with sprinkles of dark humour here and there for good measure.
Stefan is played by Sharlto Copley, who I loved im both District 9, and Elysium, so it's interesting to see him do something different here.
Aurora is more of a side character this time around, but Elle Fanning does a good job of fitting in when the narrative calls for it.
The film looks great for the most part. The more colourful palette of The Moors is lovely and feels suitably magical, and the darkness of the thorned forest plays well with a more gothic athstetic, and it's all backed up by a terrific score (courtesy of James Newton Howard).
The CGI is still pretty passable considering the film is now 5 years old, only becoming more obvious in the flying scenes.
The only things I didn't like about Maleficent, was mainly the three fairy godmothers. I know that Disney need to fill a certain quota of silly humour, but they became quickly annoying and actually quite out of place with the rest of the film.
Some of the dialogue is quite cheesy (especially when Maleficent performs the curse on Aurora) but little things like this are to be expected from a Disney fairytale.
All in all, Maleficent is great fun, and pretty good twist to a well established classic story.
When I think back to watching Sleeping Beauty as a child, Maleficent is the main aspect that sticks out.
A being of seemingly pure evil, who would curse a baby just because.
This live action re telling of Sleeping Beauty shifts the focus to Maleficent almost exclusively, and explores an untold backstory that gives the character a whole different aspect.
And I reckon it's done pretty well.
Angelina Jolie is obviously having fun playing the strong fairy Queen, who turns to the dark side after she's done over by King Stefan, and she plays both the sympathetic and evil parts of Maleficent with style, with sprinkles of dark humour here and there for good measure.
Stefan is played by Sharlto Copley, who I loved im both District 9, and Elysium, so it's interesting to see him do something different here.
Aurora is more of a side character this time around, but Elle Fanning does a good job of fitting in when the narrative calls for it.
The film looks great for the most part. The more colourful palette of The Moors is lovely and feels suitably magical, and the darkness of the thorned forest plays well with a more gothic athstetic, and it's all backed up by a terrific score (courtesy of James Newton Howard).
The CGI is still pretty passable considering the film is now 5 years old, only becoming more obvious in the flying scenes.
The only things I didn't like about Maleficent, was mainly the three fairy godmothers. I know that Disney need to fill a certain quota of silly humour, but they became quickly annoying and actually quite out of place with the rest of the film.
Some of the dialogue is quite cheesy (especially when Maleficent performs the curse on Aurora) but little things like this are to be expected from a Disney fairytale.
All in all, Maleficent is great fun, and pretty good twist to a well established classic story.
LeftSideCut (3778 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Dr. Death and the Country Dentist: A True Story of Corruption and Injustice in the American South
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Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do it Like They Used to?
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Lyndsey Gollogly (2893 KP) rated Fearless (Scarlet Suffragette #1) in Books
Apr 21, 2021
54 of 250
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!