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This is a book that starts off in a pretty harmless, if tragic way, and goes on to weave the stories of the Titanic and the Britannic together. Annie Hebley is an ex-stewardess from the Titanic, and when we first meet her she is a patient in an asylum. A fellow stewardess invites her to work on the Britannic some years later (1916), after it has been converted in to a hospital ship. Without any nursing experience, other than what she has watched the nurses do in the asylum, Annie accepts the job.
As soon as she sets foot on the Britannic, the memories of that fateful Titanic journey come flooding back to her. The atmosphere on the voyage in the lead up to the Titanic's destruction, can only be described as menacing. The passengers are fascinating - there's a real mix of people that we learn about. There is something definitely not quite right about the ship, but I was never able to put my finger on it (and I think that was intended). And that feeling follows Annie on to the Britannic.
I always think the unseen menace is far more frightening than what can be seen, and I really enjoyed this approach. I loved learning the backstories of the passengers, and the eventual reveal of Annie's story too. It really is historical fiction with a twist (that twist leaving me with a reluctance to ever get on a ship, if I'm honest). How Annie ever gets up the courage to board the Britannic, I'll never know.
If you know your history surrounding these two boats, you'll have a pretty good idea how this all ends, but it's the journey, isn't it? And it's also the way in which Alma Katsu manipulates that history that I really enjoyed. If you like your historical fiction a bit dark, a bit gothic, then you'll really like this. I did.
Many thanks to NetGalley and the publisher for my copy of this book.
As soon as she sets foot on the Britannic, the memories of that fateful Titanic journey come flooding back to her. The atmosphere on the voyage in the lead up to the Titanic's destruction, can only be described as menacing. The passengers are fascinating - there's a real mix of people that we learn about. There is something definitely not quite right about the ship, but I was never able to put my finger on it (and I think that was intended). And that feeling follows Annie on to the Britannic.
I always think the unseen menace is far more frightening than what can be seen, and I really enjoyed this approach. I loved learning the backstories of the passengers, and the eventual reveal of Annie's story too. It really is historical fiction with a twist (that twist leaving me with a reluctance to ever get on a ship, if I'm honest). How Annie ever gets up the courage to board the Britannic, I'll never know.
If you know your history surrounding these two boats, you'll have a pretty good idea how this all ends, but it's the journey, isn't it? And it's also the way in which Alma Katsu manipulates that history that I really enjoyed. If you like your historical fiction a bit dark, a bit gothic, then you'll really like this. I did.
Many thanks to NetGalley and the publisher for my copy of this book.
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DaveySmithy (107 KP) rated Venom: The Last Dance (2024) in Movies
Dec 4, 2024
A Chaotic Farewell with Flashes of Brilliance
Venom: Last Dance marks the end of Eddie Brock’s wild, symbiotic saga, and while it doesn’t entirely stick the landing, it’s a fittingly chaotic swan song for the antihero. With Tom Hardy once again embracing the absurdity of his dual role, the film offers plenty of the franchise’s trademark blend of humor, action, and madness—but it’s also weighed down by an uneven plot and overambitious storytelling.
One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.
Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.
The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.
Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.
One of the highlights of this film is, unsurprisingly, Tom Hardy. His commitment to playing both the brooding Eddie and the wisecracking, gluttonous Venom remains the beating heart of this franchise. Their banter is sharper than ever, delivering both laughs and surprisingly tender moments as their unconventional “relationship” reaches new levels of complexity. Hardy’s performance makes it easy to forgive some of the film’s narrative shortcomings.
Visually, Last Dance is a mixed bag. The action sequences are bigger and flashier than ever, with symbiote battles that explode across the screen in frenetic bursts of CGI. Some of these moments are thrilling, but others veer into sensory overload, leaving me wishing for a bit more clarity and restraint. The film’s attempt to lean into darker, more gothic visuals works in some scenes but feels inconsistent overall.
The plot, while ambitious, tries to juggle too many elements at once. A new villain, played with gusto by a high-profile (but slightly underutilized) actor, brings menace to the story, but their motivations are murky and underdeveloped. Meanwhile, the film’s exploration of Venom’s origins is intriguing but feels rushed, leaving me craving more depth and fewer loose ends.
Despite its flaws, Venom: Last Dance manages to deliver an entertaining and emotional farewell to the character. It’s messy, but there’s a charm in its willingness to embrace the absurd. Fans of the series will find plenty to enjoy, though it’s unlikely to win over newcomers. For me, it’s a 7/10—an imperfect but enjoyable final ride with one of Marvel’s most unpredictable antiheroes.
Goddess in the Stacks (553 KP) rated Sing, Unburied, Sing in Books
May 14, 2018
I know, I'm late to the party. This book made a big splash back in September - everyone was talking about it, and it won the National Book Award. My library, however, did not have enough copies to go around, and I was late putting a hold on it, so the hold I put on it in January finally came around to my turn!
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
graveyardgremlin (7194 KP) rated The Blood Confession in Books
Feb 15, 2019
<i>4.5 stars</i>
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
After reading THE BLOOD CONFESSION, I find it a bit surprising that this is specifically targeted to young adults. Not that they wouldn't appreciate or like it, although I don't know how much the appeal would be to that age range unless they're especially morbid (as I was and still am), but because of the subtle nuances and intricate study of character, morality, and belief system, which is well suited for adult readers as well. The book is mainly a character study and the author does a fantastic job bringing Erzebet to life, while slowly and believably evolving her into a mentally ill woman. I never could quite figure out if she was narcissistic, schizophrenic, suffering from some sort of body dysmorphic disorder, something altogether different, or all previously mentioned.
The writing is solid and I found myself sinking into the world Ms. Libby created, with it's brilliant Gothic atmosphere. The pacing had a few slow spots, but nothing that made the book come to a screeching halt. I confess to a few queasy moments thanks to an overactive imagination, but the gore is minimal and the author doesn't romanticize blood letting or murder for vanity.
What I should warn readers is that comparing this Erzebet Bizecka to the real Erzsebet Bathory would be a mistake. This fictional Countess doesn't have much in common with the legendary figure and is only (very) loosely based on her. That Erzsebet Bathory bathed in blood is an unfounded rumor and no one really knows why she killed these girls or how many. Some even say she was framed. Unfortunately the truth is lost to history and we'll never really know.
Only a few quibbles keep me from giving it a perfect rating, but all in all, it was an absorbing read. A couple of lingering questions remained, such as how exactly did Erzebet's mother go insane? I can guess what could have helped it along, but I don't really believe that's all it would have taken. What happened to Snow at the end?
Kristy H (1252 KP) rated The Stranger Diaries in Books
Apr 4, 2019 (Updated May 21, 2019)
Oh I love Elly Griffiths so much, and I was incredibly excited to win this book in a Goodreads Giveaway. It was so good! It's told in various points of view, including Clare's and that of Harbinder, an incredibly awesome Sikh lesbian Detective Constable. I mean... so cool. Harbinder attended Talgarth High in the past, so her former schooling memories are aligned with the current case.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.
The book gets off to an engaging start from the beginning. It's creepy and interesting from page one and never stops. We get pieces of R.M. Holland's story "The Stranger" interwoven in our story, too, and have to figure out how it aligns to the tale unfolding before our eyes. In fact, the book is very literary, which is really fun, especially if you're a book nerd like me. Lots of little Easter eggs thrown in, almost: bits of Shakespeare and more throughout.
Griffiths is just so darn good at writing her characters. Clare and Harbinder are both so uniquely "them" and different from each other from the get-go. I was completely engrossed in the story and caught up in their lives, even Clare's and honestly, she can be a little self-absorbed at times. It's hard not to appear that way when you're reading excerpts from someone's journals. Clare has a daughter, too, and we also learn about others in the English department who worked with Clare. Truly, the British education system is its own mystery to me, though I'm slowly learning about it through many English novels!
This novel is an excellent mystery and incorporates creepy Gothic undertones. I couldn't help but get a little spooked when Clare was discovering writing that wasn't hers in her journal. Even better, it's just so good and well-written! It kept me guessing the entire time, and putting all the pieces together down the finish line was fun. I literally had no idea who had done it--it was incredibly well-done!
Overall, I really enjoyed this one. The characters are great, the plot is befuddling and exciting--it's a wonderful mystery! Highly recommend.