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Rebecca (2020)
Rebecca (2020)
2020 | Drama, Mystery, Romance
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.

Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.

The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.

Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.

The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.

Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
  
The Shape of Night
The Shape of Night
Tess Gerritsen | 2019 | Mystery, Paranormal, Thriller
8
8.8 (4 Ratings)
Book Rating
This was a quick, fun read, and completely different from the author's previous titles - both her Rizzoli & Isles series and her stand-alone novels. I wouldn't call it romantic suspense, as it's being billed. There really isn't anything at all romantic about what happens to Ava. I'd call it paranormal mystery/suspense leaning toward gothic - and well done!

"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.

Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"

The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.

As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
  
The Beguiled
The Beguiled
8
8.0 (1 Ratings)
Book Rating
“A classic slice of Southern Gothic, shot through with psychological suspense, which is the basis for Sofia Coppola’s (winner of Best Director at Cannes) 2017 film of the same name starring Nicola Kidman, Colin Farrell and Kirsten Dunst”. Source: wiki/The_Beguiled_(2017_film).

The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?

After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.

I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.


The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?

If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!