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Debbiereadsbook (1197 KP) rated For the Murder (The Murder #1) in Books
Mar 2, 2022
different but very good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Diana needs a murder; a lone crow is a dead one. But to be accepted back into the murder that banished her, she needs to steal a very powerful blade. But others want it too, and Diana isn't too sure what's going on with her magic. Sasha isn't sure what these feelings are he has for Diana, but he also needs that blade to free himself from the demon who bound him. One of them will not be happy with the outcome.
This is different, and I do like me some different!
Diana is a crow shifter, with 3 legs (who knew?) but she isn't in a murder because her father is a bit of a con man (a LOT, really, by the time we get all the gory details!) and Diana, her mother and father were banished from the murder, but not her younger sister whose magic had been accepted by the murder. Dad wants Diana to steal this blade to get them back into the murder's good graces.
But, seriously, things are NOT as they seem. And Sasha wants that blade to free him from the demon who bound him to a lifetime of servitude. Something though, goes ping in both Diana and Sasha and instead Nobu, a cat shifter who really isn't, and they end up fighting together, rather than against each other.
I liked this, a lot. Like I said different. Humans with angel blood who are bound to demons. Shifters of all manner of being. There was a LOT going on, and at times I did struggle to keep up.
And I think this is the only reason I can't stretch to 5 stars, cos I did feel a little bit overwhelmed at points. Oh don't get me wrong, its a bloody good book, it really was, especially as this appears to be only the third book written by this author, and it is not short book, some 350 pages.
It's violent, some graphic scenes but I think they really are needed. Not explicit in any way, but there is romance, of a fashion, between Diana and Sasha, as their magic combines.
I really hope there are more books about the people in this book, a follow up for Diana and Sasha would be great!
4 good solid stars
*same worded review will appear elsewhere
Diana needs a murder; a lone crow is a dead one. But to be accepted back into the murder that banished her, she needs to steal a very powerful blade. But others want it too, and Diana isn't too sure what's going on with her magic. Sasha isn't sure what these feelings are he has for Diana, but he also needs that blade to free himself from the demon who bound him. One of them will not be happy with the outcome.
This is different, and I do like me some different!
Diana is a crow shifter, with 3 legs (who knew?) but she isn't in a murder because her father is a bit of a con man (a LOT, really, by the time we get all the gory details!) and Diana, her mother and father were banished from the murder, but not her younger sister whose magic had been accepted by the murder. Dad wants Diana to steal this blade to get them back into the murder's good graces.
But, seriously, things are NOT as they seem. And Sasha wants that blade to free him from the demon who bound him to a lifetime of servitude. Something though, goes ping in both Diana and Sasha and instead Nobu, a cat shifter who really isn't, and they end up fighting together, rather than against each other.
I liked this, a lot. Like I said different. Humans with angel blood who are bound to demons. Shifters of all manner of being. There was a LOT going on, and at times I did struggle to keep up.
And I think this is the only reason I can't stretch to 5 stars, cos I did feel a little bit overwhelmed at points. Oh don't get me wrong, its a bloody good book, it really was, especially as this appears to be only the third book written by this author, and it is not short book, some 350 pages.
It's violent, some graphic scenes but I think they really are needed. Not explicit in any way, but there is romance, of a fashion, between Diana and Sasha, as their magic combines.
I really hope there are more books about the people in this book, a follow up for Diana and Sasha would be great!
4 good solid stars
*same worded review will appear elsewhere
Ali A (82 KP) rated The Bletchley Riddle in Books
Oct 14, 2024
Nineteen-year-old Jakob Novis and his fourteen-year-old sister, Lizzie, share a love of riddles and puzzles. As WWII gets closer and closer to Britain, the siblings find themselves amongst the greatest secrets of all - Britain’s codebreaking facility at Bletchley Park. As Jakob joins the country’s top minds to crack Nazi’s Enigma cipher, Lizzie transfers notes between departments in the park and tries to solve the mysterious disappearance of their mother in her off time.
While the Novis siblings work hard on their tasks, messages and codes begin to arrive under their doorstep. It doesn’t help that while they try to figure out if the messages are truly for them (and possibly from their mother), that there is an inspector lurking outside the gates of the park, watching Jakob and Lizzie’s every move. They must figure out a way to put their bickering aside and work together to decipher the clues if they want to uncover the answers to the puzzle.
As usual, I will pick up anything Ruta Sepetys touches and learn about a part of history I hadn’t known about before I read the book. This book is no exception as we take a deeper dive into the codebreakers Bletchley Park during WWII. I knew there were codebreakers during WWII, but what I didn’t realize is that they consisted of mathematicians, chess champions, and librarians (which, as a librarian, this absolutely makes sense why they were needed!).
Though this book is aimed at middle grade, I will say it felt like it would be more for upper middle grade / younger high school age. Lizzie is fourteen and Jakob is nineteen so their voices were a little older, but nothing major or graphic happened that would make the novel need to be young adult.
Even as an adult, when it came to the description of the codes’ breakthroughs or the ins and outs of the Enigma machines, I would get lost, but overall I just assumed the characters knew what they were talking about and trusted them.
Overall, I loved the twists and turns that kept the pages moving for me. I know I had a hard time as an adult solving the clues, so young readers who like spies and code cracking, are sure to love this too.
*Thank you Viking Books for Young Readers and BookishFirst for an advance copy of this book in exchange for an honest review
While the Novis siblings work hard on their tasks, messages and codes begin to arrive under their doorstep. It doesn’t help that while they try to figure out if the messages are truly for them (and possibly from their mother), that there is an inspector lurking outside the gates of the park, watching Jakob and Lizzie’s every move. They must figure out a way to put their bickering aside and work together to decipher the clues if they want to uncover the answers to the puzzle.
As usual, I will pick up anything Ruta Sepetys touches and learn about a part of history I hadn’t known about before I read the book. This book is no exception as we take a deeper dive into the codebreakers Bletchley Park during WWII. I knew there were codebreakers during WWII, but what I didn’t realize is that they consisted of mathematicians, chess champions, and librarians (which, as a librarian, this absolutely makes sense why they were needed!).
Though this book is aimed at middle grade, I will say it felt like it would be more for upper middle grade / younger high school age. Lizzie is fourteen and Jakob is nineteen so their voices were a little older, but nothing major or graphic happened that would make the novel need to be young adult.
Even as an adult, when it came to the description of the codes’ breakthroughs or the ins and outs of the Enigma machines, I would get lost, but overall I just assumed the characters knew what they were talking about and trusted them.
Overall, I loved the twists and turns that kept the pages moving for me. I know I had a hard time as an adult solving the clues, so young readers who like spies and code cracking, are sure to love this too.
*Thank you Viking Books for Young Readers and BookishFirst for an advance copy of this book in exchange for an honest review
Darren (1599 KP) rated Midsommar (2019) in Movies
Jul 4, 2019
Director: Ari Aster
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelle’s home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isn’t long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters – Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she won’t go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesn’t seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances – Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story – The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say ‘sure this is a different culture we should see what happens next’ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery – The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings – The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you can’t help but think everything you see is a clue to what is happening.
Special Effects – The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie – Dancing.
That Moment That Annoyed Me – Just using drugs to explain why these people are friends.
Final Thoughts – This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelle’s home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isn’t long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters – Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she won’t go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesn’t seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances – Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story – The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say ‘sure this is a different culture we should see what happens next’ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery – The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings – The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you can’t help but think everything you see is a clue to what is happening.
Special Effects – The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie – Dancing.
That Moment That Annoyed Me – Just using drugs to explain why these people are friends.
Final Thoughts – This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
5 Minute Movie Guy (379 KP) rated The Kitchen (2019) in Movies
Aug 24, 2019
Married into a life with the mob, three women living in Hell’s Kitchen, New York City in the late ‘70s find themselves trapped in their husband’s shadows in Andrea Berloff’s debut film, The Kitchen. Based on a 2014 DC Comics graphic novel by the same name, the film focuses on these three female friends facing the aftermath of their husband’s botched crime and subsequent imprisonment. Their Italian crime family promised to take care of them while their spouses are locked away, but their measly support simply isn’t enough when they’ve got mouths to feed and bills to pay. Tired of being weak and dependent, the ladies band together to take control of their situation by trying to take over the mob.
The Kitchen stars actresses Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as the female trio who work to rise to the top of their crime family by carrying the dead weight of the lazy men who lead it. McCarthy plays Kathy Brennan, a housewife and mother of two, whose seemingly good-natured husband is clearly involved in the wrong crowd. In spite of that, she appears to have a pleasant life at home, but her heavy reliance on her husband puts her in peril once he’s locked away. On the other hand, Haddish and Moss play Ruby and Claire, who are both victimized and disrespected by their husbands, with Claire even being regularly abused. These characteristics help to define the women and their actions as they attempt to upend the male-dominated establishment.
However, despite The Kitchen’s strong set-up, the characters themselves don’t show much depth beyond this, and the film’s performances leave a lot to be desired. McCarthy felt like she was acting in an entirely different movie. I’ve never seen a more passive and unconvincing crime boss. She’s struggling with a balancing act that sees her going between being tough, funny, ruthless, submissive, and sweet. By comparison to the rest of the movie, her whole character feels off-key. Then there’s Haddish who gives the worst acting performance I’ve seen in quite some time. I’m not really a fan of her brand of humor, but I didn’t like her dramatic turn here either. She just delivers snarky lines with attitude and death glares before walking off-camera in practically every shot she’s in. It’s almost funny how cheesy and over-the-top it is. You can’t just go mean-mugging your way through a whole major motion picture and expect to be taken seriously.
On a more positive note, Moss was much more impressive as Claire, who is fed up with being beaten down and bullied, and is determined to learn how to defend herself. She partners up with Domhnall Gleeson’s hitman character Gabriel who teaches her how to kill. Their relationship ends up being perhaps the most interesting aspect of the whole movie, and it has something of a Bonnie and Clyde quality to it. I only wish we could have seen it fleshed out a bit more.
For all of its potential, especially in terms of portraying female empowerment, The Kitchen regrettably winds up being a generic, inconsistent, and lethargic affair. I personally love the premise of the film. It’s a bad ass statement to any man who has ever said that a woman’s place is in the kitchen. It sticks up a middle finger to sexism by taking the action to the criminal streets of Hell’s Kitchen where the women rise to power. Unfortunately, despite the kick-ass feminist concept, I found that the film’s attempt at empowerment never really manifests into anything meaningful.
Instead, The Kitchen feels messy and uninspired. There isn’t a single scene in the entire film that I would consider to be good. The story is thin, the suspense is absent, the setting is bland, the tone is confusing, and the characters are mostly uninspired. I hate to even say it, but while watching it, I couldn’t help but be reminded of last year’s train-wreck of a film, Gotti, starring John Travolta. I think both of these films had a lot of promise, but seriously failed to deliver. As someone who loves a good gangster movie, I feel really disappointed.
There’s ultimately very little I liked about The Kitchen. The movie lacks a pulse, and the stakes never feel significant, not even as the body count piles up. The set design shows no strong sense of place or time period. Most of the settings outside seemed to be looking at nondescript sidewalks that could have been filmed anywhere. With the setting of Hell’s Kitchen, I can’t help but immediately think of The Godfather. Similarly, the use of The Rolling Stones in the trailer evokes thoughts of Scorsese and Goodfellas. Unfortunately, this movie clearly doesn’t even come close to comparing to either of those classics. This movie’s plot is weak, the betrayals are obvious, and the ending is uncomfortably idiotic. Despite it all, however, I find myself still interested in The Kitchen’s graphic novel at least, because I can’t imagine it being this bad.
The Kitchen stars actresses Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as the female trio who work to rise to the top of their crime family by carrying the dead weight of the lazy men who lead it. McCarthy plays Kathy Brennan, a housewife and mother of two, whose seemingly good-natured husband is clearly involved in the wrong crowd. In spite of that, she appears to have a pleasant life at home, but her heavy reliance on her husband puts her in peril once he’s locked away. On the other hand, Haddish and Moss play Ruby and Claire, who are both victimized and disrespected by their husbands, with Claire even being regularly abused. These characteristics help to define the women and their actions as they attempt to upend the male-dominated establishment.
However, despite The Kitchen’s strong set-up, the characters themselves don’t show much depth beyond this, and the film’s performances leave a lot to be desired. McCarthy felt like she was acting in an entirely different movie. I’ve never seen a more passive and unconvincing crime boss. She’s struggling with a balancing act that sees her going between being tough, funny, ruthless, submissive, and sweet. By comparison to the rest of the movie, her whole character feels off-key. Then there’s Haddish who gives the worst acting performance I’ve seen in quite some time. I’m not really a fan of her brand of humor, but I didn’t like her dramatic turn here either. She just delivers snarky lines with attitude and death glares before walking off-camera in practically every shot she’s in. It’s almost funny how cheesy and over-the-top it is. You can’t just go mean-mugging your way through a whole major motion picture and expect to be taken seriously.
On a more positive note, Moss was much more impressive as Claire, who is fed up with being beaten down and bullied, and is determined to learn how to defend herself. She partners up with Domhnall Gleeson’s hitman character Gabriel who teaches her how to kill. Their relationship ends up being perhaps the most interesting aspect of the whole movie, and it has something of a Bonnie and Clyde quality to it. I only wish we could have seen it fleshed out a bit more.
For all of its potential, especially in terms of portraying female empowerment, The Kitchen regrettably winds up being a generic, inconsistent, and lethargic affair. I personally love the premise of the film. It’s a bad ass statement to any man who has ever said that a woman’s place is in the kitchen. It sticks up a middle finger to sexism by taking the action to the criminal streets of Hell’s Kitchen where the women rise to power. Unfortunately, despite the kick-ass feminist concept, I found that the film’s attempt at empowerment never really manifests into anything meaningful.
Instead, The Kitchen feels messy and uninspired. There isn’t a single scene in the entire film that I would consider to be good. The story is thin, the suspense is absent, the setting is bland, the tone is confusing, and the characters are mostly uninspired. I hate to even say it, but while watching it, I couldn’t help but be reminded of last year’s train-wreck of a film, Gotti, starring John Travolta. I think both of these films had a lot of promise, but seriously failed to deliver. As someone who loves a good gangster movie, I feel really disappointed.
There’s ultimately very little I liked about The Kitchen. The movie lacks a pulse, and the stakes never feel significant, not even as the body count piles up. The set design shows no strong sense of place or time period. Most of the settings outside seemed to be looking at nondescript sidewalks that could have been filmed anywhere. With the setting of Hell’s Kitchen, I can’t help but immediately think of The Godfather. Similarly, the use of The Rolling Stones in the trailer evokes thoughts of Scorsese and Goodfellas. Unfortunately, this movie clearly doesn’t even come close to comparing to either of those classics. This movie’s plot is weak, the betrayals are obvious, and the ending is uncomfortably idiotic. Despite it all, however, I find myself still interested in The Kitchen’s graphic novel at least, because I can’t imagine it being this bad.
Debbiereadsbook (1197 KP) rated The Druid's Gift (The Nameless Gods #1) in Books
Jan 7, 2018
very well written high fantasy
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
She was supposed to on a pilgrimage, being kidnapped for sacrifice was not in the plan!
I gotta be honest here, and you'll know when I gotta talk about my feelings about books, I'm nothing if not honest! When asked did I want to read this book, it came with a link, and of course I looked at it, and my first reaction was nope. That cover did nothing for me, but the blurb grabbed, so I said yes. NOW, I've read this book, and feel I should say this. That cover is right and proper for this book!! It fits Nune and Ty's story so perfectly! And it is a rather good book!
Nune is a day elf, a Druid, and Ty a night elf. They usually never cross paths. Nune is on a pilgrimage and Ty is on an initiation to move up the warrior ranks, I forget what the name he used is, sorry! Nune was supposed to be his sacrifice for this initiation, but after befriending each other, they question why Ty suddenly has to do this, when it's never been required of warriors before.
It is, quite simply, brilliantly written high fantasy. I really find myself engrossed in Nune and Ty, and their path towards finding out just what is going on in Ty's village, and why things are changing so rapidly, to the detriment of the day elves. It's told from both Nune and Ty's point of view. It does carry some difficult subjects, kidnap, elf sacrifice but these are dealt with very well.
Its not overly explicit, indeed, I thought it might actually come out clean, but Nune and Ty do get naughty on. Again, well written. Not overly graphic either, what's here is right for this book.
And there is a MUCH bigger picture that I'm still not seeing. Ty's brother is missing. There's the reason why the Nameless Gods are being summoned. And Ty still has to face his superiors about his failed quest when he gets home.
A step out of my comfort zone, but a very nice step. I hope I get to foloow Nune and Ty on their quest.
And an apology to the author for not spelling Nune with accent on the e, I don't know how to put that on!
4 solid stars
**same worded review will appear elsewhere**
She was supposed to on a pilgrimage, being kidnapped for sacrifice was not in the plan!
I gotta be honest here, and you'll know when I gotta talk about my feelings about books, I'm nothing if not honest! When asked did I want to read this book, it came with a link, and of course I looked at it, and my first reaction was nope. That cover did nothing for me, but the blurb grabbed, so I said yes. NOW, I've read this book, and feel I should say this. That cover is right and proper for this book!! It fits Nune and Ty's story so perfectly! And it is a rather good book!
Nune is a day elf, a Druid, and Ty a night elf. They usually never cross paths. Nune is on a pilgrimage and Ty is on an initiation to move up the warrior ranks, I forget what the name he used is, sorry! Nune was supposed to be his sacrifice for this initiation, but after befriending each other, they question why Ty suddenly has to do this, when it's never been required of warriors before.
It is, quite simply, brilliantly written high fantasy. I really find myself engrossed in Nune and Ty, and their path towards finding out just what is going on in Ty's village, and why things are changing so rapidly, to the detriment of the day elves. It's told from both Nune and Ty's point of view. It does carry some difficult subjects, kidnap, elf sacrifice but these are dealt with very well.
Its not overly explicit, indeed, I thought it might actually come out clean, but Nune and Ty do get naughty on. Again, well written. Not overly graphic either, what's here is right for this book.
And there is a MUCH bigger picture that I'm still not seeing. Ty's brother is missing. There's the reason why the Nameless Gods are being summoned. And Ty still has to face his superiors about his failed quest when he gets home.
A step out of my comfort zone, but a very nice step. I hope I get to foloow Nune and Ty on their quest.
And an apology to the author for not spelling Nune with accent on the e, I don't know how to put that on!
4 solid stars
**same worded review will appear elsewhere**
So Pretty
I received this book for free through Goodreads First Reads.
“Effortless inspiration for a happier life.” It has been scientifically proven that gratitude can be beneficial to both mental and physical wellbeing. It is also acknowledged that being thankful is difficult for many people due to negative circumstances or pessimistic personalities. Gratitude is a little, hardback book by writer and graphic designer, Dani DiPirro, whose purpose is to encourage the reader to show and feel more gratitude in their lives. In a way, this is a self-help book.
Using quotes, written insights and activity suggestions, DiPirro guides the reader through a number of situations in which one can be grateful. The author’s insights are sensitive but to the point, suggesting that everyone faces these problems, and does not isolate individuals. The quotes help to emphasise the points she makes and the activities are simple and relevant.
The activities themselves are nothing to be afraid of; they are not strenuous or difficult, they merely require you to think or complete a task that does not require you to go out of your way: “ Reflect on the last time you experienced compassion or forgiveness.”
The book itself is simply yet beautifully designed. The red colour theme makes it feel bright and positive; however will be more attractive to women than it would be to men. The print is large, clear and easy to read; suitable for all ages and backgrounds.
Although roughly 130 pages, it only takes ten minutes to read from cover to cover. However, this is not the intention of the author. To get the most out of the book, each section/task should be tackled individually in order to experience the outcome you are hoping for: feeling a sense of gratitude. This is a book that you can return to time and time again, whether you feel motivated or need a little pick me up.
At the back of the book DiPirro has provided lists of top ten ways to be grateful in different environments. These are useful for when you are experiencing problems in the home, or at work, and need help stepping back and seeing the bigger picture.
Overall, Gratitude is a lovely, inexpensive guide to help people gain a more positive outlook on life. There are also other books in this series that focus on different areas of life that people struggle with; e.g. forgiveness and living in the moment. Gratitude is the ideal book to give as a gift to a loved one, or even to keep on your own bookshelf or bedside table, accessible when needed.
“Effortless inspiration for a happier life.” It has been scientifically proven that gratitude can be beneficial to both mental and physical wellbeing. It is also acknowledged that being thankful is difficult for many people due to negative circumstances or pessimistic personalities. Gratitude is a little, hardback book by writer and graphic designer, Dani DiPirro, whose purpose is to encourage the reader to show and feel more gratitude in their lives. In a way, this is a self-help book.
Using quotes, written insights and activity suggestions, DiPirro guides the reader through a number of situations in which one can be grateful. The author’s insights are sensitive but to the point, suggesting that everyone faces these problems, and does not isolate individuals. The quotes help to emphasise the points she makes and the activities are simple and relevant.
The activities themselves are nothing to be afraid of; they are not strenuous or difficult, they merely require you to think or complete a task that does not require you to go out of your way: “ Reflect on the last time you experienced compassion or forgiveness.”
The book itself is simply yet beautifully designed. The red colour theme makes it feel bright and positive; however will be more attractive to women than it would be to men. The print is large, clear and easy to read; suitable for all ages and backgrounds.
Although roughly 130 pages, it only takes ten minutes to read from cover to cover. However, this is not the intention of the author. To get the most out of the book, each section/task should be tackled individually in order to experience the outcome you are hoping for: feeling a sense of gratitude. This is a book that you can return to time and time again, whether you feel motivated or need a little pick me up.
At the back of the book DiPirro has provided lists of top ten ways to be grateful in different environments. These are useful for when you are experiencing problems in the home, or at work, and need help stepping back and seeing the bigger picture.
Overall, Gratitude is a lovely, inexpensive guide to help people gain a more positive outlook on life. There are also other books in this series that focus on different areas of life that people struggle with; e.g. forgiveness and living in the moment. Gratitude is the ideal book to give as a gift to a loved one, or even to keep on your own bookshelf or bedside table, accessible when needed.
Clare Parrott (294 KP) created a post
Jul 24, 2017
This book is an excellent resource for anyone who has gone through a painful experience and has yet to heal from it. Big or small, public or secret. Maybe you've gone through the Bible, gone to counseling, talked to people, taken medicine, and nothing is helping. Maybe you haven't told a soul and you don't know what to do.
This book is for you.
The ten decisions (and ten lies exposed!) are so straightforward that they totally change your thinking. It's blunt, clear, easy to read, and divided up into chunks that are easy to swallow (although I had no problem tearing through several chunks at a time because of how clear and understandable it is).
Here are 5 reasons why this is a great book for individuals and small groups:
It comes from someone who has not only counseled people with problems, but someone who has been through emotional and spiritual pain himself. He understands what you're thinking and feeling, and he has a way of writing it that everything makes sense.
It is extremely biblically founded. It's not just quoting a few verses and most of it psychology… It's all straight from God's word.
The new version has a workbook built right into it. There are journaling places, Bible verses to look up and relate back to the chapter, and exercises to complete (individually, or as a group, depending on your situation).
It can be used as a devotional, or as a small-group handbook, because everything in here will apply to every small or large problem you have.
I know this is really random, but there are decent sized margins and good space between the lines. This makes for good annotating and note taking. I don't know about you, but all my non-fiction books—especially God books—have writing all over them. It annoys me when I don't have space to write my thoughts in the book. There is space in this one.
All in all, I encourage you to grab this book. It's excellent and I love it, and have been using it for my personal Bible study.
Content/Recommendation: Some of the stories used for examples included in this book are about very…mature topics. I would recommend ages 14+, and if used for anyone younger than that, maybe a parent or small-group leader to guide the younger students and explain certain things, or assign only specific readings. That being said, there is nothing graphic or offensive. In my experience, however, some young teens are just not ready for certain content. As always, this is only a personal recommendation.
This book is for you.
The ten decisions (and ten lies exposed!) are so straightforward that they totally change your thinking. It's blunt, clear, easy to read, and divided up into chunks that are easy to swallow (although I had no problem tearing through several chunks at a time because of how clear and understandable it is).
Here are 5 reasons why this is a great book for individuals and small groups:
It comes from someone who has not only counseled people with problems, but someone who has been through emotional and spiritual pain himself. He understands what you're thinking and feeling, and he has a way of writing it that everything makes sense.
It is extremely biblically founded. It's not just quoting a few verses and most of it psychology… It's all straight from God's word.
The new version has a workbook built right into it. There are journaling places, Bible verses to look up and relate back to the chapter, and exercises to complete (individually, or as a group, depending on your situation).
It can be used as a devotional, or as a small-group handbook, because everything in here will apply to every small or large problem you have.
I know this is really random, but there are decent sized margins and good space between the lines. This makes for good annotating and note taking. I don't know about you, but all my non-fiction books—especially God books—have writing all over them. It annoys me when I don't have space to write my thoughts in the book. There is space in this one.
All in all, I encourage you to grab this book. It's excellent and I love it, and have been using it for my personal Bible study.
Content/Recommendation: Some of the stories used for examples included in this book are about very…mature topics. I would recommend ages 14+, and if used for anyone younger than that, maybe a parent or small-group leader to guide the younger students and explain certain things, or assign only specific readings. That being said, there is nothing graphic or offensive. In my experience, however, some young teens are just not ready for certain content. As always, this is only a personal recommendation.