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Emma @ The Movies (1786 KP) rated Sky Sharks (2020) in Movies
Aug 29, 2020
Fright Fest kicked off with a film that I absolutely had to see... Nazi zombies and flying sharks? No brainer.
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
Gareth von Kallenbach (980 KP) rated Mortal Kombat Legends: Scorpion's Revenge (2020) in Movies
Apr 14, 2020
The hugely popular Mortal Kombat franchise has a new cinematic entry with the release of Mortal Kombat Legends: Scorpion’s Revenge. The film is based on the very popular game series which began in the arcades and grew to dominate home gaming systems.
The franchise has also included theatrical films, toys, and scores of merchandise and the recent Mortal Kombat XI game was a massive success as well.
With news of a new live-action film in the works; Warner Bros has given fans something that truly fits the franchise well in the form of an R-Rated animated film.
While the prior films had a PG-13 rating, this one relishes the gore and violence and gives fans plenty of what they have come to expect.
The plot follows elements of the game and early film in that the evil Shao Khan has called forth the champions from the various realms to fight in a generational tournament where the realm who wins 10 strait events will have control over all the realms.
With 9 consecutive wins in place for Shao Khan and his champion Goro (Kevin Michael Richardson), the God Raiden (Dave B. Mitchell), has assembled a team of champions to save Earth.
There is Liu Kang (Jordan Rodrigues), Sonya Blade (Jennifer Carpenter), and the ego maniac Johnny Cage (Joel McHale).
The team must battle all manner of enemies which includes a very impressive list from the game series and it was great to see so many of them appear even if their roles were small.
The main story focuses on Scorpion (Patrick Seitz) and his attempt to regain what was taken from him and it is his backstory which sets the tone and frames much of the events.
Action wise the film delivers as there are the moves, graphic internal close ups, and gore that fans will expect. There are also a few surprises along the way that I do not want to spoil. I did wonder why every creature in the film had red blood as I do remember there being a bit of variety amongst the non-human creatures but this is a minor fact in what is otherwise an enjoyable film that fans should like.
While the plot does not hold much in the way of surprises; it does give fans the action and characters they love and does bring some interesting new elements to the franchise as well as the basis for some character growth in future films.
The animation and voice work is first-rate and really captures the look and tone of the series while having a visual style of its own.
The ending clearly seems to be setting up a sequel and I for one cannot wait to see what they have in store next.
4 stars out of 5
The franchise has also included theatrical films, toys, and scores of merchandise and the recent Mortal Kombat XI game was a massive success as well.
With news of a new live-action film in the works; Warner Bros has given fans something that truly fits the franchise well in the form of an R-Rated animated film.
While the prior films had a PG-13 rating, this one relishes the gore and violence and gives fans plenty of what they have come to expect.
The plot follows elements of the game and early film in that the evil Shao Khan has called forth the champions from the various realms to fight in a generational tournament where the realm who wins 10 strait events will have control over all the realms.
With 9 consecutive wins in place for Shao Khan and his champion Goro (Kevin Michael Richardson), the God Raiden (Dave B. Mitchell), has assembled a team of champions to save Earth.
There is Liu Kang (Jordan Rodrigues), Sonya Blade (Jennifer Carpenter), and the ego maniac Johnny Cage (Joel McHale).
The team must battle all manner of enemies which includes a very impressive list from the game series and it was great to see so many of them appear even if their roles were small.
The main story focuses on Scorpion (Patrick Seitz) and his attempt to regain what was taken from him and it is his backstory which sets the tone and frames much of the events.
Action wise the film delivers as there are the moves, graphic internal close ups, and gore that fans will expect. There are also a few surprises along the way that I do not want to spoil. I did wonder why every creature in the film had red blood as I do remember there being a bit of variety amongst the non-human creatures but this is a minor fact in what is otherwise an enjoyable film that fans should like.
While the plot does not hold much in the way of surprises; it does give fans the action and characters they love and does bring some interesting new elements to the franchise as well as the basis for some character growth in future films.
The animation and voice work is first-rate and really captures the look and tone of the series while having a visual style of its own.
The ending clearly seems to be setting up a sequel and I for one cannot wait to see what they have in store next.
4 stars out of 5
Movie Metropolis (309 KP) rated Red Sparrow (2018) in Movies
Jun 10, 2019
Never entertaining, frequently repugnant
Director Francis Lawrence and Hollywood sweetheart Jennifer Lawrence (they are no relation, I’ve checked) aren’t a new combination when it comes to film-making.
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
Lucy Buglass (45 KP) rated The House That Jack Built (2018) in Movies
Jun 20, 2019
Danish director Lars Von Trier is no stranger to controversy. He has certainly divided film fans with some praising his work and some condemning it. The House That Jack Built is his most recent creation, causing audience members at Cannes to either walk out in disgust or stand up and applaud. This seriously mixed reception caught my interest and I wanted to find out what he’d done to generate such a response.
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
Matthew Krueger (10051 KP) rated the Xbox 360 version of Doom in Video Games
Mar 20, 2020
Kick Some Ass
Doom- such a classic to all, I personally didnt play doom until the 360. Yes you read that right, i didnt play this game until the 360. So lets talk about it.
The gameplay:
Doom is a first-person shooter presented with early 3D graphics. The player controls an unnamed space marine—later termed the Doomguy—through a series of levels set in military bases on the moons of Mars and in Hell. To finish a level, the player must traverse through the area to reach a marked exit room. Levels are grouped together into named episodes, with the final level focusing on a boss fight with a particularly difficult enemy.
While traversing the levels, the player must fight a variety of enemies, including demons and possessed undead humans, while managing supplies of ammunition, health, and armor. Enemies often appear in large groups, and the game features five difficulty levels which increase the quantity and damage done by enemies, with enemies respawning upon death and moving faster than normal on the hardest difficulty setting.
Levels can also include pits of toxic waste, ceilings that lower and crush anything below them, and locked doors which require a keycard, skull-shaped key device, or a remote switch to be opened.
The plot:
Doom is divided into three episodes: "Knee-Deep in the Dead", "The Shores of Hell", and "Inferno". A fourth episode, "Thy Flesh Consumed", was added in an expanded version of the game, The Ultimate Doom. The game itself contains very few plot elements, with the minimal story instead given in the instruction manual and short text segues between episodes.
In the future, the player character (an unnamed space marine) has been punitively posted to Mars after assaulting a superior officer, who ordered his unit to fire on civilians. Players assume the role of a space marine, popularly known as "Doomguy", fighting his way through hordes of invading demons from Hell.
The Impact/Legacy:
Doom helped define the FPS genre and inspired numerous similar games, known as "Doom clones". It is one of the most significant games in video game history, and is frequently cited as one of the greatest games of all time. It pioneered online distribution and technologies including 3D graphics, networked multiplayer gaming, and support for customized modifications via packaged files (WADs). However, its graphic violence and hellish imagery also made it a subject of controversy.
Doom was influential and dozens of new first-person shooter titles appeared following Doom's release, and they were often referred to as "Doom clones" rather than "first-person shooters". The term "Doom clone" was used to describe the style of gameplay in Doom-style games. While the term was initially popular, it was, after 1996, gradually replaced by "first-person shooter", and the phrase "first-person shooter" had firmly superseded "Doom clone" around 1998. Some of these were certainly "clones", hastily assembled and quickly forgotten, while others explored new grounds of the genre and were highly acclaimed. Many of the games closely imitated features in Doom such as the selection of weapons and cheat codes.
Devoted players have spent years creating speedruns for Doom, competing for the quickest completion times and sharing knowledge about routes through the levels and how to exploit bugs in the Doom engine for shortcuts. Achievements include the completion of both Doom and Doom II on the "Ultra-Violence" difficulty setting in less than 30 minutes each. In addition, a few players have also managed to complete Doom II in a single run on the difficulty setting "Nightmare!", on which monsters are more aggressive, launch faster projectiles (or, in the case of the Pinky Demon, simply move faster), and respawn roughly 30 seconds after they have been killed (level designer John Romero characterized the idea of such a run as "[just having to be] impossible").
So overall Doom is a epic game, and started the first person shooter genre, started speedrunning and started the franchise as we know today. So thank you id software and John Ramero for this game.
The gameplay:
Doom is a first-person shooter presented with early 3D graphics. The player controls an unnamed space marine—later termed the Doomguy—through a series of levels set in military bases on the moons of Mars and in Hell. To finish a level, the player must traverse through the area to reach a marked exit room. Levels are grouped together into named episodes, with the final level focusing on a boss fight with a particularly difficult enemy.
While traversing the levels, the player must fight a variety of enemies, including demons and possessed undead humans, while managing supplies of ammunition, health, and armor. Enemies often appear in large groups, and the game features five difficulty levels which increase the quantity and damage done by enemies, with enemies respawning upon death and moving faster than normal on the hardest difficulty setting.
Levels can also include pits of toxic waste, ceilings that lower and crush anything below them, and locked doors which require a keycard, skull-shaped key device, or a remote switch to be opened.
The plot:
Doom is divided into three episodes: "Knee-Deep in the Dead", "The Shores of Hell", and "Inferno". A fourth episode, "Thy Flesh Consumed", was added in an expanded version of the game, The Ultimate Doom. The game itself contains very few plot elements, with the minimal story instead given in the instruction manual and short text segues between episodes.
In the future, the player character (an unnamed space marine) has been punitively posted to Mars after assaulting a superior officer, who ordered his unit to fire on civilians. Players assume the role of a space marine, popularly known as "Doomguy", fighting his way through hordes of invading demons from Hell.
The Impact/Legacy:
Doom helped define the FPS genre and inspired numerous similar games, known as "Doom clones". It is one of the most significant games in video game history, and is frequently cited as one of the greatest games of all time. It pioneered online distribution and technologies including 3D graphics, networked multiplayer gaming, and support for customized modifications via packaged files (WADs). However, its graphic violence and hellish imagery also made it a subject of controversy.
Doom was influential and dozens of new first-person shooter titles appeared following Doom's release, and they were often referred to as "Doom clones" rather than "first-person shooters". The term "Doom clone" was used to describe the style of gameplay in Doom-style games. While the term was initially popular, it was, after 1996, gradually replaced by "first-person shooter", and the phrase "first-person shooter" had firmly superseded "Doom clone" around 1998. Some of these were certainly "clones", hastily assembled and quickly forgotten, while others explored new grounds of the genre and were highly acclaimed. Many of the games closely imitated features in Doom such as the selection of weapons and cheat codes.
Devoted players have spent years creating speedruns for Doom, competing for the quickest completion times and sharing knowledge about routes through the levels and how to exploit bugs in the Doom engine for shortcuts. Achievements include the completion of both Doom and Doom II on the "Ultra-Violence" difficulty setting in less than 30 minutes each. In addition, a few players have also managed to complete Doom II in a single run on the difficulty setting "Nightmare!", on which monsters are more aggressive, launch faster projectiles (or, in the case of the Pinky Demon, simply move faster), and respawn roughly 30 seconds after they have been killed (level designer John Romero characterized the idea of such a run as "[just having to be] impossible").
So overall Doom is a epic game, and started the first person shooter genre, started speedrunning and started the franchise as we know today. So thank you id software and John Ramero for this game.
Goddess in the Stacks (553 KP) rated The Wrong Stars in Books
Aug 26, 2018 (Updated Aug 26, 2018)
Diversity (2 more)
World-building
Amazing alien species
I've watched my fair share of Space Opera (Firefly, Dark Matter, Farscape, Star Trek, Star Wars - don't try to tell me those last two aren't Space Opera, THEY TOTALLY ARE) - but I haven't read much of it. I picked up The Wrong Stars mostly because reviews said it had a demisexual main character, rather than because it's a Space Opera. Regardless, I am SO GLAD I DID. The book is excellent.
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com
First off, the diversity! Over the course of the story, we meet people who are, in no particular order, gay, bisexual, demisexual, asexual, transgender, and non-binary. The story is set 500 years after Earth sends out its first colony ships, and in that time, culture has evolved. Marriage is not common, but contractually-bound relationships exist. Promiscuity and non-monogamy aren't viewed any different than monogamy, and in the same way, the distinctions between gay, straight, and bi don't carry any negative connotations. It's not a complete utopia - it's still a capitalist society, and there is still scarcity - but socially, at least, it has definitely evolved a lot from the present!
Elena, one of our main characters, was a biologist sent out on one of the first colony ships. Stocked with seeds, crude replicators, and cryo-sleep pods, a small crew was sent out, in stasis, on a five-hundred year journey to a system with probable life-supporting planets. They were called Goldilocks ships, in the hope they'd find a planet that was "just right." What humanity didn't expect was that in the intervening five hundred years, they would make contact with an alien species and be given the means for true space travel via wormholes. Some of the ships arrived at their destinations to find human colonies already thriving on their target planets! Elena, however, found something quite different, and it's a very disconcerting difference. She is rescued by the motley crew of the White Raven, and they quickly get drawn into the mystery.
I really enjoyed the world-building and characterization in The Wrong Stars. The science of it made sense to me, but I'm not very versed in science, so I can't really say how realistic it is. It was at least pretty internally consistent. I'd like to learn more about how the AIs are created, though. Luckily, there is a sequel coming! The Dreaming Stars should be coming out this September, and I'm DEFINITELY going to read it.
If you like Dark Matter, Firefly, or Farscape, you should definitely read The Wrong Stars. There's a little bit of light romance threaded into the larger plot, and one fade-to-black sex scene. It's definitely not the focus of the book. There is some violence, but nothing incredibly graphic. I would put it at about the same maturity level as Star Trek.
You can find all my reviews at http://goddessinthestacks.com
Heather Cranmer (2721 KP) rated Gwendy's Button Box in Books
Nov 4, 2018
Interesting Plot (2 more)
Great Characters
An Easy Read
A Nice Short Read
I was on the hunt for my next great read from my local library. While browsing the books, I came across Gwendy's Button Box by Stephen King and Richard Chizmar. The synopsis definitely caught my attention. I'm glad I found this book because I loved it! I also loved the illustrations peppered throughout the book.
The pacing for Gwendy's Button Box was spot on. It flowed at such a nice even pace. Not once did I find myself becoming too bored or wondering what had just happened.
The world building and plot are written superbly. This is a short read, and all of the chapters are short as well. However, the plot is still strong and told in a way that answered all my questions. The world building is believable, and I found myself wanting a button box but also wondering if I'd want all that responsibility. The plot is as follows. Gwendy, an overweight 12 year old is tired of being made fun of because of her size. One day while exercising, she encounters a man in a black hat. He gives her a box with button on top. It is not a normal box though. It seems to have powers. Before long, Gwendy is popular, thin, beautiful, and everything is going swimmingly for her. In time, events start to happen that make her think the box isn't all it's cracked up to be. Gwendy is left wondering what life would have been like without the box, and she comes to resent it. Will Gwendy be able to live life without the box after it's done so much for her?
Gwendy's Button Box focuses mainly on the titular character. We get to see her starting out as a 12 year old, and we read about her growing up throughout the years. I loved Gwendy, and I loved her thought process and how curious she was about the box. It was interesting seeing the change in her through the years and how she matured. I found her to be fleshed out well enough to be enjoyable to read about. The minor characters mentioned throughout the book are also well written, and each adds something to the story however minor. I enjoyed Mr. Farris. I still can't figure out his motives for giving Gwendy the button box or where he came from, but I believe that's the beauty of Gwendy's Button Box. It does leave it up for speculation on purpose.
Trigger warnings for Gwendy's Button Box include swearing (although not much), violence, attempted rape (though not graphic), mentions of nudity, and murder.
Overall, Gwendy's Button Box is a short yet interesting read. It held my attention throughout and was very enjoyable. I would definitely recommend Gwendy's Button Box by Stephen King and Richard Chizmar to everyone aged 16+.
The pacing for Gwendy's Button Box was spot on. It flowed at such a nice even pace. Not once did I find myself becoming too bored or wondering what had just happened.
The world building and plot are written superbly. This is a short read, and all of the chapters are short as well. However, the plot is still strong and told in a way that answered all my questions. The world building is believable, and I found myself wanting a button box but also wondering if I'd want all that responsibility. The plot is as follows. Gwendy, an overweight 12 year old is tired of being made fun of because of her size. One day while exercising, she encounters a man in a black hat. He gives her a box with button on top. It is not a normal box though. It seems to have powers. Before long, Gwendy is popular, thin, beautiful, and everything is going swimmingly for her. In time, events start to happen that make her think the box isn't all it's cracked up to be. Gwendy is left wondering what life would have been like without the box, and she comes to resent it. Will Gwendy be able to live life without the box after it's done so much for her?
Gwendy's Button Box focuses mainly on the titular character. We get to see her starting out as a 12 year old, and we read about her growing up throughout the years. I loved Gwendy, and I loved her thought process and how curious she was about the box. It was interesting seeing the change in her through the years and how she matured. I found her to be fleshed out well enough to be enjoyable to read about. The minor characters mentioned throughout the book are also well written, and each adds something to the story however minor. I enjoyed Mr. Farris. I still can't figure out his motives for giving Gwendy the button box or where he came from, but I believe that's the beauty of Gwendy's Button Box. It does leave it up for speculation on purpose.
Trigger warnings for Gwendy's Button Box include swearing (although not much), violence, attempted rape (though not graphic), mentions of nudity, and murder.
Overall, Gwendy's Button Box is a short yet interesting read. It held my attention throughout and was very enjoyable. I would definitely recommend Gwendy's Button Box by Stephen King and Richard Chizmar to everyone aged 16+.
Night Reader Reviews (683 KP) rated The Rochester Runes in Books
Jan 9, 2020
The Rochester Ruins is the second book in the series Freiyon Fables by Justin Hunt, too which the first book only received a 2 from me. The timeline this book and the first appear to overlap to some extent at the beginning. Old friends and foes, as well as new, make an appearance in this book as well.
Unlike the first book that detailed a lightning-tailed squirrel's journey through Freiyon this story follows the three human Rochester siblings. The three siblings., Robert, Charles, and Sarah move with their mother into their grandparents old manor. None of the children are exactly thrilled about the move and are surprised to find the manor to have traps in it. After finding a mysterious stone that unlocks a door at the end of a secret passage the children find themselves in Freiyon.
It is in this world of talking animals and sentient trees that they search for the rune stones that will lift their familys curse. The rune stones, once gathered together also have the ability to grant wishes. The Rochester siblings. use these wishes to aid them in protecting Freiyon from The Grabbers, who are also in search of the rune stones. This is an adventure that will bring their entire family together, but it may also tear some of them apart.
What I liked best was Freiyon still feeling a lot like Narnia. Then there is also the fact that this book is tied very nicely in with the first one. Some of the human characters even made me question if they are in any way related to the unnamed boy at the end of the first book, but that is just speculation on my part. What I did not like is just like the first book the writing felt oversimplified. At times it did seem like maybe this was on purpose with the goal of preventing the book from being too long. If that is the case than the book suffers from it. The ending also felt very confusing and as if it was unnecessary for things to turn out the way the did, but I dont want to give any major spoilers.
Once again I would suggest that middle school-aged children and some elementary students can visit the would of Freiyon. The violence that made me question how some parents of younger children might perceive this series even appeared to be a little less graphic this time around. I rate this book a 2 out of 4 just like the first. Once again the book seems to jump from one major sequence of events to another with only minimal transitioning. Still, the world itself is intriguing if only it was given a better description. The ending of this one also made it lose major points.
https://nightreaderreviews.blogspot.com/
Unlike the first book that detailed a lightning-tailed squirrel's journey through Freiyon this story follows the three human Rochester siblings. The three siblings., Robert, Charles, and Sarah move with their mother into their grandparents old manor. None of the children are exactly thrilled about the move and are surprised to find the manor to have traps in it. After finding a mysterious stone that unlocks a door at the end of a secret passage the children find themselves in Freiyon.
It is in this world of talking animals and sentient trees that they search for the rune stones that will lift their familys curse. The rune stones, once gathered together also have the ability to grant wishes. The Rochester siblings. use these wishes to aid them in protecting Freiyon from The Grabbers, who are also in search of the rune stones. This is an adventure that will bring their entire family together, but it may also tear some of them apart.
What I liked best was Freiyon still feeling a lot like Narnia. Then there is also the fact that this book is tied very nicely in with the first one. Some of the human characters even made me question if they are in any way related to the unnamed boy at the end of the first book, but that is just speculation on my part. What I did not like is just like the first book the writing felt oversimplified. At times it did seem like maybe this was on purpose with the goal of preventing the book from being too long. If that is the case than the book suffers from it. The ending also felt very confusing and as if it was unnecessary for things to turn out the way the did, but I dont want to give any major spoilers.
Once again I would suggest that middle school-aged children and some elementary students can visit the would of Freiyon. The violence that made me question how some parents of younger children might perceive this series even appeared to be a little less graphic this time around. I rate this book a 2 out of 4 just like the first. Once again the book seems to jump from one major sequence of events to another with only minimal transitioning. Still, the world itself is intriguing if only it was given a better description. The ending of this one also made it lose major points.
https://nightreaderreviews.blogspot.com/
JT (287 KP) rated World War Z (2013) in Movies
Mar 10, 2020
Zombies, they’ve been around for a while now in all shapes and sizes, yet like the walking undead the genre shows no signs of dying out. Director Marc Forster teams up with Brad Pitt for a zombie horror (if you can really call it that) which travels the world in search of a vaccine that will stop the world’s population being wiped out.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
It doesn’t take long for the first action set piece to explode into life, as Pitt and his family face a race against time to get out of New York city and off the streets as the zombie pandemic takes a grip. It’s certainly enough to hold your attention as we watch the transformation. People scampering this way and that as hordes of zombies swarm the streets like rats coming up from the sewer.
Gerry secures safety on board one of the few remaining battleships and is told that he must join the fight to find a cure, or head back to hell with his family in tow. He then jets off on a whistle stop tour taking him to South Korea, Israeli and of all places Wales (that got a chuckle from the audience) where each destination kicks off another exciting and thoroughly enjoyable zombie set piece.
However one thing is missing from this film, something vital that sets it apart from others, gore. Given the PG-13 rating certain scenes cut away from anything resembling graphic violence, which was a massive shame. The lack of flesh eating action which fans are used to seeing is a real disappointment. It is an element that could have taken this film from good to great and I felt like I had been cheated out of my ticket price.
Forster’s CG zombie hordes are impressive, particularly rampaging through the Israeli back streets and the film certainly delivers on some slick tension with one or two jump out of your seat moments. But for me it’s not enough to carry the entire film through, and when things quieten down you’re not left with much else to fill the time before the next shit hitting fan moment.
The occasional plot hole threatens to rear its ugly head, and given the size of the budget the ending is a real let down, but it clearly hints at a potential sequel. If they choose to go down that route then blood must be spilled and lots of it. The acting in World War Z is hardly filled with standouts, and with the exception of Pitt, most only pop up from time to time. Like Matthew Fox’s paratrooper which pretty much feels like a cameo and James Badge Dale’s Captain Speke, around for minutes before taking one to the head.
Visually it’s great there is no question about that, the zombies are terrifying but it needed just a little bit more to push it into the front as one of the better zombie flicks.
Heather Cranmer (2721 KP) rated The New Husband in Books
Feb 19, 2020
I love a good thriller, so when I found out about The New Husband by D.J. Palmer, I was all over it! This was a book that I knew I had to read. Luckily, I was not disappointed at all.
Nina's husband Glen disappeared after going out on his boat. No one was ever able to locate Glen's body although Nina presumes him to be dead. About two years later, Nina finds love with Simon Fitch, a teacher at her daughter's middle school. Simon is absolutely perfect for Nina, but Maggie, Nina's daughter, knows something is very wrong with Simon. Is Simon actually who he says he is or is Nina over her head?
I found the plot for The New Husband to be entertaining even though I also found it fairly predictable. While the plot is similar to other books, Palmer does a fantastic job at adding his own voice to the story. There were a couple of little plot twist I didn't predict to be fair, and the pacing was done brilliantly. I felt like every loose end was tied up by the end of the book and was explained very well. The descriptive use of text has me transported right into the middle of the setting for every scene in The New Husband.
The characters in The New Husband all had plenty of depth and were very fleshed out. I loved Nina, but so many times I wanted her to really pry more into Simon's background instead of taking him at face value. It was easy to see why she wanted to trust him since she was in love with him though. I loved how Nina's curiosity eventually got the better of her, and she did start digging up info on Simon. Simon seemed like a complete psychopath to me. I loved how well he was written, but I was constantly second guessing everything Simon said. I wanted to be wrong about him. I loved how Maggie was willing to investigate Simon from the get go. Something about him didn't sit right with her, and she acted on it. Whenever everyone else was jaded when it came to Simon, Maggie saw right through him. I did feel that Maggie sometimes acted younger than her actual age though based on how her thoughts were written.
Trigger warnings include profanity, gas-lighting, mentions of sex (although not graphic), gun use, alcohol use, violence, attempted murder, and murder.
The New Husband will definitely leave you on your toes as well as turning the page wanting to know more. Although the plot is fairly predictable, it has a great cast of characters who hold their own. I would definitely recommend The New Husband by D.J. Palmer to those who love a story that sucks them right in!
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(A special thank you to the publisher for sending me a paperback ARC of The New Husband by D.J. Palmer. I was not required to write a review.)
Nina's husband Glen disappeared after going out on his boat. No one was ever able to locate Glen's body although Nina presumes him to be dead. About two years later, Nina finds love with Simon Fitch, a teacher at her daughter's middle school. Simon is absolutely perfect for Nina, but Maggie, Nina's daughter, knows something is very wrong with Simon. Is Simon actually who he says he is or is Nina over her head?
I found the plot for The New Husband to be entertaining even though I also found it fairly predictable. While the plot is similar to other books, Palmer does a fantastic job at adding his own voice to the story. There were a couple of little plot twist I didn't predict to be fair, and the pacing was done brilliantly. I felt like every loose end was tied up by the end of the book and was explained very well. The descriptive use of text has me transported right into the middle of the setting for every scene in The New Husband.
The characters in The New Husband all had plenty of depth and were very fleshed out. I loved Nina, but so many times I wanted her to really pry more into Simon's background instead of taking him at face value. It was easy to see why she wanted to trust him since she was in love with him though. I loved how Nina's curiosity eventually got the better of her, and she did start digging up info on Simon. Simon seemed like a complete psychopath to me. I loved how well he was written, but I was constantly second guessing everything Simon said. I wanted to be wrong about him. I loved how Maggie was willing to investigate Simon from the get go. Something about him didn't sit right with her, and she acted on it. Whenever everyone else was jaded when it came to Simon, Maggie saw right through him. I did feel that Maggie sometimes acted younger than her actual age though based on how her thoughts were written.
Trigger warnings include profanity, gas-lighting, mentions of sex (although not graphic), gun use, alcohol use, violence, attempted murder, and murder.
The New Husband will definitely leave you on your toes as well as turning the page wanting to know more. Although the plot is fairly predictable, it has a great cast of characters who hold their own. I would definitely recommend The New Husband by D.J. Palmer to those who love a story that sucks them right in!
--
(A special thank you to the publisher for sending me a paperback ARC of The New Husband by D.J. Palmer. I was not required to write a review.)