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Blazing Minds (89 KP) rated Deathstroke: Knights & Dragons - The Movie (2020) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Deathstroke: Knights & Dragons bring us a look at a backstory of this rather complicated and probably one of DC’s most controversial characters and DC Animated Movies has certainly brought a real comic book feeling to the movie, there are several scenes that the colouring has a “crosshatch” look to it that keeps our feet firmly on the comic book ground.
Story-wise the movie moves along nicely to keep you watching as Slade Wilson (Deathstroke) kick backsides in an action-packed animated movie, Sung Jin Ahn (Niko and the Sword of Light) directs the film from a script by J.M. DeMatteis (Superman: Red Son, Batman: Bad Blood). Sam Register, Greg Berlanti and Sarah Schechter serve as executive producers.
Story-wise the movie moves along nicely to keep you watching as Slade Wilson (Deathstroke) kick backsides in an action-packed animated movie, Sung Jin Ahn (Niko and the Sword of Light) directs the film from a script by J.M. DeMatteis (Superman: Red Son, Batman: Bad Blood). Sam Register, Greg Berlanti and Sarah Schechter serve as executive producers.
Hazel (1853 KP) rated If I Could Ask God One Question in Books
Dec 14, 2018
<b>This is a review of a soon to be published (April 2016) version of <i>If I Could Ask God Just One Question</i></b>
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Whether you have been brought up in a Christian family or have made the decision to turn to God yourself, religion can still be very confusing. Greg Johnson has worked with teenagers for fifteen years and has compiled “80 Answers to teen’s most-asked questions.” Johnson’s aim with <i>If I Could Ask God Just One Question</i> is to aid the reader’s progress towards their goal of understanding the bible.
Johnson maintains that all answers to questions that matter can be found in the bible. He tries to prove this by answering each question firstly with a bible verse or passage, before explaining it in an informal, more relatable manner.
Presumably, the questions discussed are what teens have directly asked the author, or questions he has heard throughout his career. Many of the questions are generalized, such as how to become a better Christian, fears about being mocked in school, worries about sin and not going to heaven, and so forth. On the other hand there are a few deeper questions, for example why do bad things happen? These are not simple yes/no questions that can be stated as fact. Many of the answers are up for their own interpretation depending on the reader’s own circumstances. This may make things more confusing, however something may hit home and open their eyes in recognition of the Christian faith.
Although written informally and appropriately for teenagers, it is still obvious that this is an adult talking to someone considerably younger than himself. Johnson includes his own personal experiences, however they are slightly outdated compared with the issues modern-day teens may face, e.g. social media.
Johnson tries to make the Bible a less intimidating book. He suggests a chapter order to follow for those new to the Christian faith. The layout of<i> If I Could Ask God Just One Question </i>lets readers dip in and out, reading the answers to questions that relate to them or that they have thought of at some point themselves. It is probably not wise to read from front to back in one sitting, but instead to take the questions one at a time, analyzing the answers and relating them to personal experience. Note pages have been included for the reader to jot down any thoughts they have whilst reading.
Ultimately this book helps teenagers to feel less alone and overwhelmed with their newfound faith. Despite this there is nothing to stop older Christians from benefitting from it too. Everyone needs a reminder once in a while, and a nudge back onto the right path in order to continue living a humble, Christian lifestyle.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Whether you have been brought up in a Christian family or have made the decision to turn to God yourself, religion can still be very confusing. Greg Johnson has worked with teenagers for fifteen years and has compiled “80 Answers to teen’s most-asked questions.” Johnson’s aim with <i>If I Could Ask God Just One Question</i> is to aid the reader’s progress towards their goal of understanding the bible.
Johnson maintains that all answers to questions that matter can be found in the bible. He tries to prove this by answering each question firstly with a bible verse or passage, before explaining it in an informal, more relatable manner.
Presumably, the questions discussed are what teens have directly asked the author, or questions he has heard throughout his career. Many of the questions are generalized, such as how to become a better Christian, fears about being mocked in school, worries about sin and not going to heaven, and so forth. On the other hand there are a few deeper questions, for example why do bad things happen? These are not simple yes/no questions that can be stated as fact. Many of the answers are up for their own interpretation depending on the reader’s own circumstances. This may make things more confusing, however something may hit home and open their eyes in recognition of the Christian faith.
Although written informally and appropriately for teenagers, it is still obvious that this is an adult talking to someone considerably younger than himself. Johnson includes his own personal experiences, however they are slightly outdated compared with the issues modern-day teens may face, e.g. social media.
Johnson tries to make the Bible a less intimidating book. He suggests a chapter order to follow for those new to the Christian faith. The layout of<i> If I Could Ask God Just One Question </i>lets readers dip in and out, reading the answers to questions that relate to them or that they have thought of at some point themselves. It is probably not wise to read from front to back in one sitting, but instead to take the questions one at a time, analyzing the answers and relating them to personal experience. Note pages have been included for the reader to jot down any thoughts they have whilst reading.
Ultimately this book helps teenagers to feel less alone and overwhelmed with their newfound faith. Despite this there is nothing to stop older Christians from benefitting from it too. Everyone needs a reminder once in a while, and a nudge back onto the right path in order to continue living a humble, Christian lifestyle.
Sarah (7798 KP) rated Crisis (2021) in Movies
Feb 19, 2021
Worth it just for Oldman
Crisis is a 2021 film from write, director and producer Nicholas Jarecki, who previously brought us 2012's Arbitrage starring Richard Gere. Crisis is a story about drugs, namely opioids, and follows three separate yet related narratives about opioids and their impact on US society. There's an undercover DEA agent posing as a drug trafficker arranging a Fentanyl smuggling operation between Canada and the US (Armie Hammer), a recovering addict architect determined to track down those responsible for her son's involvement in narcotics (Evangeline Lilly), and a university professor (Gary Oldman) who's research laboratory uncovers dangerous revelations about a new drug that they've been paid to research by a very influential drug company and their executives (Luke Evans).
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.