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Kristy H (1252 KP) rated The Collective in Books
Nov 18, 2021
Camille Gardner lost her daughter five years ago and is still angry and grieving. After a public incident, she joins a Facebook group for grieving mothers. From there, Camille is drawn into the dark web and a collective of women who seek revenge on those who killed their children. Unsure if this group is real or not, Camille finds herself pulled into the group, unsure if its members are survivors or murderers. And finding out the truth may lead to her own demise.
This was such a dark thriller--it pulled me in immediately. It's twisted and a little crazy in its plot, but it's so mesmerizing and keeps you guessing the entire time. Camille's grief and anger seeps through the pages, and the themes of loss and motherhood are prominent throughout the story. It's such a tense tale, as you keep reading and wondering, along with Camille, about the collective and its intentions. The book makes you question yourself and how far would you go to protect or avenge your family.
Overall, this is a twisty and dark thriller with an original and emotional plot. 4+ stars.
I received a copy of this book from William Morrow and Custom House and Netgalley in return for an unbiased review.
This was such a dark thriller--it pulled me in immediately. It's twisted and a little crazy in its plot, but it's so mesmerizing and keeps you guessing the entire time. Camille's grief and anger seeps through the pages, and the themes of loss and motherhood are prominent throughout the story. It's such a tense tale, as you keep reading and wondering, along with Camille, about the collective and its intentions. The book makes you question yourself and how far would you go to protect or avenge your family.
Overall, this is a twisty and dark thriller with an original and emotional plot. 4+ stars.
I received a copy of this book from William Morrow and Custom House and Netgalley in return for an unbiased review.
The Silence of Scheherazade
10.0
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Set in the ancient city of Smyrna, this powerful novel follows the intertwining fates of four...
Historical fiction Turkish Literary fiction War Cultural Colonialisation
Lyndsey Gollogly (2893 KP) rated The Secrets of Primrose Square ( book 1) in Books
Oct 20, 2022
192 of 230
Book
The Secrets of Primrose Square (book 1)
By Claudia Carroll
⭐️⭐️⭐️⭐️⭐️
It's late at night and the rain is pouring down on the Dublin city streets. A mother is grieving for her dead child. She stands silently outside the home of the teenage boy she believes responsible. She watches . . .
In a kitchen on the same square, a girl waits anxiously for her mum to come home. She knows exactly where she is, but she knows she cannot reach her.
A few doors down, and a widow sits alone in her room. She has just delivered a bombshell to her family during dinner and her life is about to change forever.
And an aspiring theatre director has just moved in to a flat across the street. Her landlord is absent, but there are already things about him that don't quite add up . . .
Welcome to Primrose Square.
What a genuinely lovely book to read. It was so heartfelt and touching. It showed the struggles of grief and the amazing friendships that come from it. There’s nothing worse than losing a child and this book showed the struggle of dealing with it. I think we all need a Primrose Square in our lives.
Book
The Secrets of Primrose Square (book 1)
By Claudia Carroll
⭐️⭐️⭐️⭐️⭐️
It's late at night and the rain is pouring down on the Dublin city streets. A mother is grieving for her dead child. She stands silently outside the home of the teenage boy she believes responsible. She watches . . .
In a kitchen on the same square, a girl waits anxiously for her mum to come home. She knows exactly where she is, but she knows she cannot reach her.
A few doors down, and a widow sits alone in her room. She has just delivered a bombshell to her family during dinner and her life is about to change forever.
And an aspiring theatre director has just moved in to a flat across the street. Her landlord is absent, but there are already things about him that don't quite add up . . .
Welcome to Primrose Square.
What a genuinely lovely book to read. It was so heartfelt and touching. It showed the struggles of grief and the amazing friendships that come from it. There’s nothing worse than losing a child and this book showed the struggle of dealing with it. I think we all need a Primrose Square in our lives.
One Fatal Secret
6.0
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Book
Sometimes your enemies are closer than you think… Nicole Jameson has always been proud of her...
Dragon Time and Other Stories
8.0
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Book
A collection of four previously published fantasy tales by Ruth Nestvold: "Dragon Time," "Wooing Ai...
Short Story Collection Fantasy Dragons
Overlap: The Lives of a Former Time Jumper
Book
This unexpected journey full of secrets, heartache, and hope, considers the consequences of time...
The Blackest Time: A Novel of Florence during the Black Plague
Book
It's Europe in the 1300s, and Gino, a young man living in rural Italy, leaves behind the familiarity...
Historical Fiction Medieval Italian Historical Fiction Plague Black Death
Lyndsey Gollogly (2893 KP) rated Zombie Insurance ( Book 1) in Books
Jun 12, 2024
114 of 220
Booksirens arc
Zombie Insurance ( Book 1)
By Dean Williamson
⭐️⭐️
Emma works for Zombie Insurance, a company selling what she believes to be bogus policies. The growing pile of bills are enough to quiet Emma’s conscience, and, to her, this is merely a job. With her father crashing on the couch of her small, one bedroom apartment, and dealing with the grief of her husband’s death five years prior, Emma is depressed, penniless, and desperate.
During a routine claim inspection, Emma makes the harrowing discovery that she is an unwitting accomplice in the zombie apocalypse. She is forced to contend with the startling discovery that zombies are real and that the movies, video games, and comics ill prepared Emma for dealing with their horrifying nature.
Emma must navigate through her emotions of revenge, sorrow, and loneliness as she faces trials that confront her past. Forgiveness and redemption are available should she summon the strength to take them.
This started well and had such a good concept. But it got bizarre and not in a good way it got way to “clever” and I got bored.
I received an advance review copy for free, and I am leaving this review voluntarily.
Booksirens arc
Zombie Insurance ( Book 1)
By Dean Williamson
⭐️⭐️
Emma works for Zombie Insurance, a company selling what she believes to be bogus policies. The growing pile of bills are enough to quiet Emma’s conscience, and, to her, this is merely a job. With her father crashing on the couch of her small, one bedroom apartment, and dealing with the grief of her husband’s death five years prior, Emma is depressed, penniless, and desperate.
During a routine claim inspection, Emma makes the harrowing discovery that she is an unwitting accomplice in the zombie apocalypse. She is forced to contend with the startling discovery that zombies are real and that the movies, video games, and comics ill prepared Emma for dealing with their horrifying nature.
Emma must navigate through her emotions of revenge, sorrow, and loneliness as she faces trials that confront her past. Forgiveness and redemption are available should she summon the strength to take them.
This started well and had such a good concept. But it got bizarre and not in a good way it got way to “clever” and I got bored.
I received an advance review copy for free, and I am leaving this review voluntarily.
Bob Mann (459 KP) rated Jackie (2016) in Movies
Sep 29, 2021
Spoiler! Her husband gets shot.
“Jackie” tells the story of the spiralling grief, loss and anger of Jackie Kennedy driven by the assassination of JFK in Dallas in November 1963. Hopping backwards and forwards in flashback, the film centres on the first interview given by Jackie (Natalie Portman, “Black Swan”) to a ‘Time’ journalist (Billy Crudup, “Watchmen”, “Spotlight”).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
