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Neon's Nerd Nexus (360 KP) rated Gretel & Hansel (2020) in Movies
Sep 10, 2020
Something Wicked
Gretel and hansel is everything I hoped it would be & more, a devilsh dive into witchcraft & an utterly nightmarish visual feast for both the eyes & senses. Gretel & Hansel is a new take on the well known Grimm fairytale & for a simple comparison it's much like one of my favourite horror films of all time 2015's The witch. Now I'm guessing that's put some people off already but those who are still with me are in for a delightful treat. Think Suspira if it were boiled in a pot with the witch, hagazussa & it comes at night & you have painted a picture of what to expect here. Extremely slow pacing, constantly lingering ominous dread & a soundtrack that's likely to cause the hairs on your neck to stand up every time it drones. To say this film is absolutely gorgeous is an insult, every single frame is awash with beautifully striking & highly interesting to explore imagery & colour. It's so visually striking & breathtaking I could happily of sat & watched it with no sound & still be as entranced by its wicked ways. However the way these visuals mash with the synth & droning soundtrack honestly kept me glued to the screen seemingly bewitched & fixated in a trance like state. As you can tell these types of films are my passion when it comes to horror, I much prefer the slow lingering constant sense of dread & creepy imagery that lead up to a shocking pay off while also intertwining the kind of depth & philosophy you have to unravel yourself instead of being spoon fed the plot by the characters themselves. This film is no different & as we delve deep into such themes as female empowerment, innocence, sacrifice, responsibility, naivety, addiction & greed as a viewer the web spun for you begins to unravel about what the film is truly trying to say at its core. Sophia Lillis who you may know from IT does wonders here as Gretel & it's her character, acting & attachment that really hooks you & makes every scene with her in feel calming amongst all the oddities going on. I honestly can not praise this film enough & say if your into art house cinema do not hesitate at grabbing this on glorious 4k. A stunning, breathless wonder of a movie to that will leave you feeling body unnerved & your mind shaken.
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Gareth von Kallenbach (980 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 15, 2019
In “Maleficent: Mistress of Evil”; Angelina Jolie returns as the title character to the smash Live-Action film based on the classic Fairy Tale and Animated film.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
In the years since the last film ended; Aurora (Elle Fanning) has relished in her role as Princess over the Moors and all of the enchanted creatures that live within it. When she accepts a proposal from Prince Phillip (Harris Dickinson), this sets off a chain of celebratory events as they all prepare for the big day which will unite the two lands.
Phillip’s parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer) are eager for the union while Maleficent strongly opposes it and tells Aurora that there will be no wedding. When Aurora persists; Maleficent reluctantly accepts an invitation to dinner at the Castle where things soon go horribly wrong and Maleficent is accused of putting a curse on the King.
Injured while fleeing, Maleficent is wounded and takin in by others of her kind who are preparing for war against the humans as a dark and dangerous plan is underway and the survival of the enchanted creatures is threatened.
The film then becomes a tense adventure with plenty of action, magic, and fantasy which is a nice framework for the great visual effects of the film.
I had been concerned that the film might be too dark for the usual audience for this type of film and there are moments where my concerns are validated. However there is much more charm, fantasy and wonder in the film and if anyone has ever read the original Grimm Fairy Tales; they will know that this is considerably toned down compared to what they offered.
The film has some great visuals to it but they never overshadow the characters in the film as Jolie seems to be taking gleeful delight in playing the title character but allows herself to have some fun with the character at times which helps her emerge as a well-rounded character versus being a staple Fairy Tale Villain.
The film may take a bit of time getting up to the main events but it does so to give more time for the characters to develop which helps them stand out from the usual good/bad monikers given to many fantasy characters.
The supporting cast is solid especially the performances by Pfeiffer and Chiwetel Ejiofor who add much to the complexity of the film and also invoke many themes of discussion that mirrors what is happening in much of society today.
In the end the film delivers a strong performance by Jolie and plenty of magic to make this a modern Fairy Tale Disney classic in the making.
3.5 stars out of 5.
Debbiereadsbook (1300 KP) rated Slippers and Songs (Brodyr Alarch #1) in Books
Feb 23, 2024
There is romance here, but it takes time!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Prince Brenin and his brother are summoned to help solve a mystery, to where Princess Tesni goes at night, and ruins her dancing shoes. She can't remember, and no one has been able to solve the riddle. Given that Brenin and his brothers survived a curse, they might be able to finally let Tesni sleep.
There is a book previous to this, but it's not really necessary to read Sealed with A Curse before this one. It would give you the story of how Brenin and his brothers were cursed, and why one brother still has a swan wing instead of an arm, but not really NEEDED to understand this one.
Brenin is called to help Tesni. (I was reading this as Tensi through the whole book though, so if I slip and type it wrong, I'm sorry!) They kinda clash a bit at first, but they do begin to get on once they start spending time together. There is romance here, but it takes time, and it's CLEAN. And I loved that it was! If you follow my reviews, you'll know I will always say I prefer my books on the spicier side, but here?? Nope, loved that it was clean and no violence.
I loved how I did not see who was responsible for Tesni's plight. Did not see that coming at all! Nor why! So well played there!
It's beautifully written. Full of Welsh myths and gods, and I can't remember their names but those same gods are central to Sealed With a Curse, so maybe you SHOULD read that one before this!
My only niggle, and it really is a niggle. I'm picky like that and it's my review but this won't affect my star rating! The book is told from only Brenin's point of view and I really wanted to know what Tesni was thinking, at key points along the way. When she meets Brenin, when she gets up at night, what was going through her mind, when Brenin solves the riddle, and when Brenin first asks that very important question! I loved her reaction, I kinda expected it, but I didn't expect Brenin to run away! He does come good, with a little help from previously aforementioned Welsh gods whose names I can't say let alone spell!
I'm intrigued by these fairytale retells. They are all Brothers Grimm, but ones I've never heard of! I'm looking forward to reading the next one.
I liked Sealed with a Curse, it was a nice read that I gave 4 stars to. But this one? I LOVED this one! And as such, it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Prince Brenin and his brother are summoned to help solve a mystery, to where Princess Tesni goes at night, and ruins her dancing shoes. She can't remember, and no one has been able to solve the riddle. Given that Brenin and his brothers survived a curse, they might be able to finally let Tesni sleep.
There is a book previous to this, but it's not really necessary to read Sealed with A Curse before this one. It would give you the story of how Brenin and his brothers were cursed, and why one brother still has a swan wing instead of an arm, but not really NEEDED to understand this one.
Brenin is called to help Tesni. (I was reading this as Tensi through the whole book though, so if I slip and type it wrong, I'm sorry!) They kinda clash a bit at first, but they do begin to get on once they start spending time together. There is romance here, but it takes time, and it's CLEAN. And I loved that it was! If you follow my reviews, you'll know I will always say I prefer my books on the spicier side, but here?? Nope, loved that it was clean and no violence.
I loved how I did not see who was responsible for Tesni's plight. Did not see that coming at all! Nor why! So well played there!
It's beautifully written. Full of Welsh myths and gods, and I can't remember their names but those same gods are central to Sealed With a Curse, so maybe you SHOULD read that one before this!
My only niggle, and it really is a niggle. I'm picky like that and it's my review but this won't affect my star rating! The book is told from only Brenin's point of view and I really wanted to know what Tesni was thinking, at key points along the way. When she meets Brenin, when she gets up at night, what was going through her mind, when Brenin solves the riddle, and when Brenin first asks that very important question! I loved her reaction, I kinda expected it, but I didn't expect Brenin to run away! He does come good, with a little help from previously aforementioned Welsh gods whose names I can't say let alone spell!
I'm intrigued by these fairytale retells. They are all Brothers Grimm, but ones I've never heard of! I'm looking forward to reading the next one.
I liked Sealed with a Curse, it was a nice read that I gave 4 stars to. But this one? I LOVED this one! And as such, it can only get:
5 full and shiny stars!
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Fantastic Four (2005) in Movies
Aug 14, 2019
In 1994, a low budget film was created in order to preserve the film rights to one of Marvel Comics popular series The Fantastic 4. Created by comic legend Stan Lee, the comic tells the ongoing tales of four people who were endowed with amazing powers after accidental exposure to an element in space.
The film was never released and has gone on to become a popular bootleg amongst comic fans. The ensuing rights for the film were also sold, and for almost a decade Fox has worked in bringing the comic to the big screen.
After years of languishing, the film finally got on the fast track and under the helm of Director Tim Story and features a dynamic cast headed by some of the biggest emerging superstars in Hollywood.
Ioan Gruffudd stars as Reed Richards, a brilliant yet recently bankrupt scientist who, along with his friend Ben Grimm (Michael Chiklis), is visiting famed scientist Victor Von Doom (Julian Mc Mahon), in an effort to get his latest venture funded.
Reed is convinced that an approaching storm in space is the key to unlocking vast amounts of genetic secrets and that the shielding on Doom’s space station allows for safe study of the very rare phenomenon.
Doom agrees to the venture in exchange for 75% of all revenue generated from the findings and that he gets to assign certain people to the mission. Among them are Sue Storm (Jessica Alba), and her pilot brother Johnny (Chris Evans). The fact that Sue is Reed’s ex is a source of tension within the group, as she is obviously still hurt and bitter over Reed’s inability to look at her and life in ways that are not based upon analytical science.
Despite the issues, the crew arrives at the station and the test is going according to plan. That is until an unexpected situation arises, which causes the team to get caught in the storm with the shields lowered, exposing them all to the storm’s radiation.
Back on earth, the crew awakens to find themselves in quarantine and suffering no ill effects from the accident. The failure of the mission is of great concern for Doom. His investors are using this as a reason to pull their support, which in turn is causing his stock to drop rapidly.
In time, Reed, Sue, Johnny, and Ben start to show amazing abilities resulting from their exposure to the storm. Johnny can become a human fireball, Reed can stretch his body to amazing lengths, Sue can become invisible and project force fields, and Ben has become a living wall of rock, capable of great feats of strength.
Since Ben is no longer able to pass as a human, he feels like a freak and is shunned by his wife, causing him much anger and depression. It is due to this that the team becomes noticed by the media who dub them the Fantastic 4 after watching them in action.
The resulting fame causes the team to withdraw, save for Johnny who basks in the glory and attention heaped upon him. It is against this changing dynamic that the team must find a way to restore themselves to their normal state and to discover what is causing their new found abilities.
The Fantastic 4 are not the only ones who changed. Doom is becoming more and more angry and violent as he blames Reed for the failure of his company. Victor also has the ability to hurl deadly bolts of energy from his body which is quickly becoming metallic.
As fans of the comic know, it will not take long for Doom and the Fantastic 4 to face off, paving the way for a final confrontation. While I went in not expecting much from the film, I must say I was surprised. Yes, the film has a thin plot, and fairly basic characters and action, but it is also above all fun.
The dynamic between the characters is enjoyable, as is the humor which accurately captures the tone and feel of the comic. Some purists will take exception with some of the liberties taken, such as Doom being on the trip to space and other variations on his character which are not part of the original comic.
Alba and Evans tend to come off at times as airheads but they stay true to their characters throughout. Gruffudd plays Reed with modesty and charm that works well in the film and shows that he is a star on the rise. Praise should be heaped upon Chiklis and McMahon who could easily have become lost behind their costumes. Theygive very human and compelling performances. Chiklis captures the duality of Grimm as he battles his despair over his physical appearance with his desire to do what is right. McMahon does riveting work as the man pushed over the edge and becomes fueled by a desire for revenge and power. The fury and evil upon his face and in his walk shows him as a man of menace and danger.
I for one would have liked to have seen a bit more action in the film but as it stands, it is not as bad as some of the trailers hinted that it might be. If you do not mind thin plots and characters, you may be able to sit back and enjoy this film for what it is, a simple summer escape. Here is hoping that we will see the “Fantastic 4” up on the big screen as the next franchise series from Marvel.
The film was never released and has gone on to become a popular bootleg amongst comic fans. The ensuing rights for the film were also sold, and for almost a decade Fox has worked in bringing the comic to the big screen.
After years of languishing, the film finally got on the fast track and under the helm of Director Tim Story and features a dynamic cast headed by some of the biggest emerging superstars in Hollywood.
Ioan Gruffudd stars as Reed Richards, a brilliant yet recently bankrupt scientist who, along with his friend Ben Grimm (Michael Chiklis), is visiting famed scientist Victor Von Doom (Julian Mc Mahon), in an effort to get his latest venture funded.
Reed is convinced that an approaching storm in space is the key to unlocking vast amounts of genetic secrets and that the shielding on Doom’s space station allows for safe study of the very rare phenomenon.
Doom agrees to the venture in exchange for 75% of all revenue generated from the findings and that he gets to assign certain people to the mission. Among them are Sue Storm (Jessica Alba), and her pilot brother Johnny (Chris Evans). The fact that Sue is Reed’s ex is a source of tension within the group, as she is obviously still hurt and bitter over Reed’s inability to look at her and life in ways that are not based upon analytical science.
Despite the issues, the crew arrives at the station and the test is going according to plan. That is until an unexpected situation arises, which causes the team to get caught in the storm with the shields lowered, exposing them all to the storm’s radiation.
Back on earth, the crew awakens to find themselves in quarantine and suffering no ill effects from the accident. The failure of the mission is of great concern for Doom. His investors are using this as a reason to pull their support, which in turn is causing his stock to drop rapidly.
In time, Reed, Sue, Johnny, and Ben start to show amazing abilities resulting from their exposure to the storm. Johnny can become a human fireball, Reed can stretch his body to amazing lengths, Sue can become invisible and project force fields, and Ben has become a living wall of rock, capable of great feats of strength.
Since Ben is no longer able to pass as a human, he feels like a freak and is shunned by his wife, causing him much anger and depression. It is due to this that the team becomes noticed by the media who dub them the Fantastic 4 after watching them in action.
The resulting fame causes the team to withdraw, save for Johnny who basks in the glory and attention heaped upon him. It is against this changing dynamic that the team must find a way to restore themselves to their normal state and to discover what is causing their new found abilities.
The Fantastic 4 are not the only ones who changed. Doom is becoming more and more angry and violent as he blames Reed for the failure of his company. Victor also has the ability to hurl deadly bolts of energy from his body which is quickly becoming metallic.
As fans of the comic know, it will not take long for Doom and the Fantastic 4 to face off, paving the way for a final confrontation. While I went in not expecting much from the film, I must say I was surprised. Yes, the film has a thin plot, and fairly basic characters and action, but it is also above all fun.
The dynamic between the characters is enjoyable, as is the humor which accurately captures the tone and feel of the comic. Some purists will take exception with some of the liberties taken, such as Doom being on the trip to space and other variations on his character which are not part of the original comic.
Alba and Evans tend to come off at times as airheads but they stay true to their characters throughout. Gruffudd plays Reed with modesty and charm that works well in the film and shows that he is a star on the rise. Praise should be heaped upon Chiklis and McMahon who could easily have become lost behind their costumes. Theygive very human and compelling performances. Chiklis captures the duality of Grimm as he battles his despair over his physical appearance with his desire to do what is right. McMahon does riveting work as the man pushed over the edge and becomes fueled by a desire for revenge and power. The fury and evil upon his face and in his walk shows him as a man of menace and danger.
I for one would have liked to have seen a bit more action in the film but as it stands, it is not as bad as some of the trailers hinted that it might be. If you do not mind thin plots and characters, you may be able to sit back and enjoy this film for what it is, a simple summer escape. Here is hoping that we will see the “Fantastic 4” up on the big screen as the next franchise series from Marvel.
Movie Metropolis (309 KP) rated Fantastic Four (2015) in Movies
Jun 11, 2019
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
Sophia (Bookwyrming Thoughts) (530 KP) rated Indigo Incite (Indigo Trilogy, #1) in Books
Jan 23, 2020
Well, in a few words, Indigo Incite was quite the snooze fest. It has an interesting premise, yes, but quite DULL. There's nothing much going on. Nothing!
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
--------------------
Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
It started out interesting, of course, with all those seriously cool powers but over the course of the book, there really was nothing going on. I was really just hoping it would slowly build up and end with a good pow.
It honestly didn't. It was like Nikita in walking through very deep snow motion, and I actually like Nikita. It's certainly not as interesting as Grimm though. I'm not even surprised by the end. It's obvious and doesn't exactly take brains to figure out the most logical answer.
Then again, I could be surprised by the second book, but I'm pretty sure I won't be surprised. I probably won't be surprised on what may happen at the end of the trilogy either, but that's yet to be seen. *doesn't really plan on reading further on the series unless things spice up a notch in action*
<blockquote>A few different people some good, some not so good. Do you have time to talk? My name is Sarah, by the way.</blockquote>
Essentially it's a repeat of "Hi, I'm so and so. Can we talk?" in a different style. I stress SLOW. Too much talking. Less talking, more action. I have a semi-short attention span and I have other books on my review queue to read that are most likely more interesting than a bunch of dialogue. >_<
Let me backtrack a little. Indigo Incite isn't full of dialogue, but it simply felt like it's all talk and no action, if you know what I mean?
Maybe it's the random commas that just felt really out of place. I really thought that was the main reason for the slow going of things. I eventually ignored them, but still... nothing interesting going on. Zzzzz. *yawns*
<blockquote>Come on, boys. Henry waved the gun toward the door. Lets walk. First, Ill take that disc off your hands.</blockquote>
What happens next? ATTENTION: SPOILER ALERT! Hellooo, the police barge in. -_-
Typical bad guy gets caught by the authorities and real life stuffy. -_-
I thought Tyler and Toby would go all Jackie Chan on Henry and things will finally have some SPICE. I adore spices. Particularly cinnamon and does gingerbread marshmallows count? It contains ginger and they're delicious. Quite cheap right after Christmas too. I don't mean those Asian herbs that look like alien fingers, though for all I know they're the same thing. :D
--------------------
Review copy provided by author for review on the blog tour
Original Rating: 2.5 out of 5 Owls
Formatting has been removed due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/01/review-indigo-incite-by-jacinda-buchmann.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Green Riding Hood
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postapocalypticplayground (27 KP) rated The Hazel Wood in Books
Feb 28, 2018
Review of The Hazel Wood
"Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get. Her mother is stolen away - by a figure who claims to come from the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
Hazel (1853 KP) rated Alice Takes Back Wonderland in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!
When a book starts with “‘Do you know fairy tales are real’ asked the cat,” you know you are in for a magical ride. Nearly everyone knows the tale of the seven-year-old girl from nineteenth century London who falls down a rabbit hole and spends a day of madness in the magical world of Wonderland. In David D. Hammons version, however, Alice was a young girl from twenty-first century Missouri. On her return to the real world she was diagnosed with ADHD and Schizophrenia and forced to believe that the Cheshire Cat and the Mad Hatter were figments of her imagination. But ten years later a white rabbit appears and leads Alice back to the world where nothing makes sense.
All is not well in Wonderland. The Cheshire Cat is dead and the Ace of Spades is in charge. Barely anything is the way Alice remembers. Everything looks far too “normal” and similar to the world she comes from. Ace is determined to remove the wonder from Wonderland and create a place where madness is forbidden. Alice has a big fight on her hands as she tries to end this former playing card’s tyrannous reign and restore Wonderland back to its original insanity.
<i>Alice Takes Back Wonderland</i> is not purely a retelling of Lewis Carrols famous story. Although many of the well known and loved characters appear in this book, so do others from a variety of different fairytales: <i>Peter Pan, Pinocchio</i>, and various tales from the <i>Brothers Grimm</i>. As readers will discover, all is not exactly as it should be for these characters either. Despite them being contrasting, magical stories, Hammons has successfully merged them all together in an imaginative manner resulting in a humorous young adult novel.
Although mostly focused on the goings on in Wonderland and the other fictional locations, it is also a subtle metaphor to describe what Alice’s life had been like back in present day America. For a decade Alice was forced to take medication to help her understand the difference between reality and fantasy. It got rid of most of the nonsense thoughts she picked up during her first visit to Wonderland. In a way, that is what the Ace of Spades is doing to characters he believes are mad. He is taking the wonder out of them, just like the pills to the wonder out of Alice.
Lovers of fairytales will definitely love this book, especially those who grew up loving <i>Alice in Wonderland</i> and <i>Peter Pan</i>. In some ways it is a continuation of the original tale, yet in other ways it could be viewed as an alternative way the story could have gone. Primarily targeted at young adults, <i>Alice Takes Back Wonderland</i> is much darker than Carrols version and combines a mix of real life with fantasy. It also goes to show that no one is too old for fairytales!