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Butch Vig recommended Achtung Baby by U2 in Music (curated)

 
Achtung Baby by U2
Achtung Baby by U2
1991 | Alternative

"I think that when this came out I put it in my car and didn’t take it off for six months. Honestly I think this record, at least for me, was one of the influences on us making that first Garbage record. I loved how they reinvented themselves; how they started flirting with electronics and fuzz and beeps and industrial noise yet made these amazing songs. They stirred it all up, threw it against the wall and spat it all out. They redefined themselves and it resulted in what I think is their finest work. At the time I think a lot of people couldn't quite get their head around it and then they went out and did that massive Zoo TV tour, which was quite a sensory experience. You could see that the band were almost making fun of themselves: there's almost a self-deprecation in there, telling us how they were approaching themselves. There's some gritty humour in the songs, I think. We (Garbage) were thrilled to be asked last year to a do a cover of 'Who's Gonna Ride Your Wild Horses' as all of us absolute love that record. When we tried sounding like U2 it didn't work. We needed it to sound like Garbage so, much like U2, we had to sort of reinvent ourselves and take a different slant on it to give it something that we felt comfortable with, which ended up being a whole heap of fun to do! We stripped the verses down and we're all pretty pleased as to how it turned out as we were honoured to have been asked to have been involved. Bono sent us a note and it was lovely; I can't remember exactly what he said but it was something about the way Shirley sang the verses and the bridge making him feel like a peeping Tom. He obviously listened to the track and he got where we were going with it. It was an awesome note."

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The Coffinmaker's Garden (Ash Henderson #3)
The Coffinmaker's Garden (Ash Henderson #3)
Stuart MacBride | 2021 | Crime, Thriller
8
8.0 (2 Ratings)
Book Rating
The Coffinmakers Garden is a gritty thriller with a healthy dash of black humour. There is clearly a good reason why Ash Henderson is an ex-Detective Inspector, and it’s not just his severe arthritis. This is a man who will pretty much stop at nothing to bring the criminals to justice - unless he’s using criminals to help him get what he wants. Ash is a teeny bit corrupt, I think (for the record, I don’t think you can be a teeny bit anything: you’re either doing it, or you aren’t).

I really enjoyed the dark humour, and I’m not particularly squeamish, so the murdery bits didn’t bother me - in fact I really enjoyed the whole book. Yes, Ash’s actions were a bit OTT sometimes, but in my opinion, this is a piece of fiction, not a documentary on police procedure 🤷🏼‍♀️ It did read a bit like a cop film set in a big US city, except with a much smaller budget and Scottish accents. And let’s face it - Ash Henderson has a dog that he clearly adores, so he can’t be all bad!

I liked that there were actually two investigations running at the same time - one of which Ash is kicked off because of his poor behaviour. He still seems to manage to be involved with them both though, which must have been frankly exhausting for him!

The fact that I haven’t read the first two books in this series didn’t lessen my enjoyment, it merely made me curious as to what happened in the previous books. I wasn’t left not understanding what was going on. Short, appropriate explanations saw to that. The characters were richly described and fascinating to read about - they were all very different people.

So, another great book chosen by The Pigeonhole, and I really appreciated the short videos that Stuart McBride prepared for us to watch throughout the book.
  
A Curse So Dark and Lonely
A Curse So Dark and Lonely
Brigid Kemmerer | 2019 | Fiction & Poetry, Young Adult (YA)
9
8.5 (4 Ratings)
Book Rating
Have you ever finished a book and just felt bereft afterwards? Unable to figure out what on earth you are supposed to do now? That is how I felt earlier today when I finished A Curse So Dark And Lonely.

Brigid Kemmerer's retelling of Beauty and the Beast is the first in the Curse breaker series but it is nothing short of brilliant. It possibly took me 5 whole minutes to buy book 2: A Heart So Fierce and Broken once I had finished.

Now you may have gathered that I have read my fair share of retellings but this one has teeth! Split between Washington DC and the kingdom of Emberfall this is simply 480 ish pages of tension, angst and gritty violence.

Elements of ACSDAL mirror the traditional fairytale : enchantress, tick; cursed Prince, tick; true love is the only way to break the curse, (sickening) tick. However, this enchantress sticks around for a bit of torture, the cursed Prince is more of a beast than you expect and if the girl does not fall in love with the Prince? Then he has to start all over again!

If that hasn't got you heading for your local bookshop then Brigid Kemmerer also throws in a female protagonist with cerebral palsy, an enemies to lovers relationship and torn loyalties wherever you turn.

Kemmerer's characters are incredibly well developed and really seem to stay with the reader. Harper manages to be simultaneously vulnerable and kick ass; Grey is stoic and loyal, barely ever showing glimpses of his true heart or personality; and Rhen is the epitomy of a cursed Prince. You don't want to like Rhen sometimes but slowly you find yourself rooting for him and, maybe even falling a little bit in love with him.

This is a non-stop story with a fast-paced plot that leaves you guessing until the very end... Only to have you reeling at the epilogue. This is no fairytale and love doesn't always save the day!

Now everyone leave me alone... I'm reading book 2!
  
Pan's Labyrinth (2006)
Pan's Labyrinth (2006)
2006 | Fantasy
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.

Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.

Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.

Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
  
Ad Astra (2019)
Ad Astra (2019)
2019 | Adventure, Drama, Mystery
An atmospheric slow-burner
I usually can't stand films that are slow burners as I just don't have the interest or the patience, but there's something about Ad Astra that really appealed to me.

For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.

The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
  
    Phosphor 2

    Phosphor 2

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    Full manual available at the Audio Damage website. Phosphor is an unique instrument modeled on the...