Search
Gareth von Kallenbach (980 KP) rated the PC version of Wolfenstein II: The New Colossus in Video Games
Jun 19, 2019
Bj Blazkowicz is back to fight Nazis in the latest chapter in the long-running Wolfenstein series. With Wolfenstein 2: The New Colossus marks the third entry in the series by Bethesda and continues their focus on gritty and gripping storytelling where all the focus is on the campaign versus having a multiplayer component.
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
BankofMarquis (1832 KP) rated The Ballad of Buster Scruggs (2018) in Movies
Jan 10, 2019 (Updated Jan 10, 2019)
A winning anthology
I am NOT a Coen Brothers apologist. For every good/great film that they have made (like FARGO, NO COUNTRY FOR OLD MEN or underrated THE HUDSUCKER PROXY) there are duds/movies that didn't work for me (like O' BROTHER WHER ART THOU, INSIDE LLEWYN DAVIS and the movie I ranked as the worst film of 2016, HAIL, CAESAR). So when I heard that the latest Coen Brothers flick was going straight to Netflix AND (like HAIL, CAESAR), it was a film anthology of 6 short stories, I dragged my feet in checking this out.
But...I am glad I finally got around to it...for THE BALLAD OF BUSTER SCRUGGS is a strong film, taking on a heavy subject (death) in a variety of ways - light-hearted, poignant and deadly (pun intended) serious. The tone of this film - or, more accurately, these 6 short films - worked for me and I felt they wove together very well to tell an overarching story of man's relationship with death - as seen through the eyes of Wild, Wild West characters.
And what characters they are! From Tim Blake Nelson's titular character, Buster Scruggs, to James Franco's hapless (but lucky) Outlaw to Liam Neeson's traveling theatrical show to Tom Waite's grizzled prospector to Zoe Kazan's lonesome Prairie Widow to the group of passengers on the Stagecoach in the last vignette, all are interesting to watch, and listen to.
Credit, of course, needs to go to Joel and Ethan Cohen. These characters are interesting to watch, because these two put wonderful scenes and scenery up on the screen with dialogue (or lack of dialogue) that perfectly reflects what is going on and what the characters are feeling. In my opinion, the Coen Brothers are at their best when they focus on gritty subjects with poignancy (BARTON FINK) but fail when they try to get "wacky" or "over-serious" (BURN AFTER READING, A SERIOUS MAN), this film is full of the former and has very little of the latter.
I'm sure, like all Coen Brothers films, that this anthology of short films is not for everyone - and not every film will work for everyone - but they did for me. I thought each short film was the better than the one before it. I caught the vibe of what the Coen's were after and I fell under their spell.
Letter Grade: A-
8 stars out of 10 and you can take that to the Bank (ofMarquis)
But...I am glad I finally got around to it...for THE BALLAD OF BUSTER SCRUGGS is a strong film, taking on a heavy subject (death) in a variety of ways - light-hearted, poignant and deadly (pun intended) serious. The tone of this film - or, more accurately, these 6 short films - worked for me and I felt they wove together very well to tell an overarching story of man's relationship with death - as seen through the eyes of Wild, Wild West characters.
And what characters they are! From Tim Blake Nelson's titular character, Buster Scruggs, to James Franco's hapless (but lucky) Outlaw to Liam Neeson's traveling theatrical show to Tom Waite's grizzled prospector to Zoe Kazan's lonesome Prairie Widow to the group of passengers on the Stagecoach in the last vignette, all are interesting to watch, and listen to.
Credit, of course, needs to go to Joel and Ethan Cohen. These characters are interesting to watch, because these two put wonderful scenes and scenery up on the screen with dialogue (or lack of dialogue) that perfectly reflects what is going on and what the characters are feeling. In my opinion, the Coen Brothers are at their best when they focus on gritty subjects with poignancy (BARTON FINK) but fail when they try to get "wacky" or "over-serious" (BURN AFTER READING, A SERIOUS MAN), this film is full of the former and has very little of the latter.
I'm sure, like all Coen Brothers films, that this anthology of short films is not for everyone - and not every film will work for everyone - but they did for me. I thought each short film was the better than the one before it. I caught the vibe of what the Coen's were after and I fell under their spell.
Letter Grade: A-
8 stars out of 10 and you can take that to the Bank (ofMarquis)
Phil Leader (619 KP) rated The Grim Company in Books
Nov 14, 2019
The Grim Company aims to deliver a swords and sorcery tail in the epic mould while being gritty, grimy and dirty in detail. And to a very large extent it suceeds, managing to tell a tale of war between city states from the point of view of some of the characters cauught up in it.
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
One thing that is always hard to do when starting out on a new story is to get used to the characters. The author must balance the need to ensure that enough time is spent to flesh out each character as they are introduced without overwhelming the reader and Scull is adept at this, the first few chapters detailing some of the misadventures, goals and dreams of the main characters.
And what characters they are. Cole is a young hero with a magical blade, who's destiny is to free the city of Dorminia from the tyrant Salazar, while at the same time being a real catch for any pretty girls. Or so he sees himself. To everyone else he is vain, boastful and arrogant. Jerek is a barbarian who has the market cornered in foul language, pithy insults and scowling at everything. Also good is Barandas, head of the elite guard of the city who is just trying to do his job.
The obvious author to compare Scull to is Joe Abercrombie, and the comparison is a fair one although (in this book) Scull doesn't quite manage to create the depth and range in Abercrombie's characters and situations. So although they aren't really classic fantasy archetypes, they are still close and don't subvert them. What Scull does bring is a little less cynicism than Abercrombie. Here it is worth fighting for what you believe is right, and honour still has value. This gives it a rather refreshing feeling.
The book also has strength in being the first of a series so it doesn't have to be a stand alone story and can leave enough threads for the next book to pick up. This allows the end, after a frenetic climactic battle, to relax into telling the aftermath rather than spending too much time trying to tie up all the loose ends.
Overall a good book for the fantasy lover. Not as grim or dark as 'grimdark' but still with enough spit and sawdust to add an underbelly to the reliable fantasy concepts it should appeal to a wide audience.
Rated: Strong language, bloody violence and some sexual references throughout
Phil Leader (619 KP) rated Half the World in Books
Nov 14, 2019
Father Yarvi has a problem. He is minister for Gettland but the High King is determined to engineer a war to remove Gettland from the map. Yarvi needs allies but with half the world swearing allegiance to the High King they may be in short supply.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Emma @ The Movies (1786 KP) rated The Corrupted (2019) in Movies
Jun 20, 2020
The first thing you notice about The Corrupted is that it's filmed like a TV crime drama. The atmosphere, the style, everything screamed mini-series. It's an interesting story and I enjoyed it, but it gives a very different vibe to a "normal" film. It's difficult to explain. It's something you'd watch while ironing or when you've got a take away coming. It's the perfect accompaniment to doing something else not sitting in silence in the dark, it needs interaction, someone to discuss with while it's on.
Timothy Spall makes a pretty good villain in this, I probably would have also accepted Tim Roth in this role. Spall did seem to be channelling some of his mannerisms.
Sam Claflin as Liam brings the interesting mix of warmth and no-nonsense in his character to life. He turns on a knife edge from family man to criminal, although the latter is more of a protective quality than criminal endeavour.
It's been a long time since I've seen a film where I thought all the acting was excellent, The Corrupted has a fantastic bunch of actors and actresses in it. At the same time as being excited about them all though, I'm sad. This probably would have got more notice as a TV series. I went in with no real knowledge of this, I hadn't even seen it advertised anywhere apart from checking upcoming listings. It was criminally under publicised considering how much marketing King Of Thieves got and didn't deserve.
Noel Clarke as a detective really works for me. He seemed very comfortable in the role and it was nice to see him without a dubious accent... I'm looking at you Fisherman's Friends. I can't say I liked where his story went but the journey there was fantastic. I've been trying to find a listing online of character names, I can only find things listing him as Beckett but I'm sure I heard him call himself "Noel" but at another point his partner calls him "Neil"... of course I can't guarantee my hearing wasn't shot.
Loosely based on real events, The Corrupted offers a surprisingly gritty crime drama. While it does have the odd moments that make you wonder how it made the cut, those are greatly outweighed by the good points. I'll definitely be watching this again at some point, I'm also seeing a potential gift for my dad coming up.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/05/the-corrupted-movie-review.html
Timothy Spall makes a pretty good villain in this, I probably would have also accepted Tim Roth in this role. Spall did seem to be channelling some of his mannerisms.
Sam Claflin as Liam brings the interesting mix of warmth and no-nonsense in his character to life. He turns on a knife edge from family man to criminal, although the latter is more of a protective quality than criminal endeavour.
It's been a long time since I've seen a film where I thought all the acting was excellent, The Corrupted has a fantastic bunch of actors and actresses in it. At the same time as being excited about them all though, I'm sad. This probably would have got more notice as a TV series. I went in with no real knowledge of this, I hadn't even seen it advertised anywhere apart from checking upcoming listings. It was criminally under publicised considering how much marketing King Of Thieves got and didn't deserve.
Noel Clarke as a detective really works for me. He seemed very comfortable in the role and it was nice to see him without a dubious accent... I'm looking at you Fisherman's Friends. I can't say I liked where his story went but the journey there was fantastic. I've been trying to find a listing online of character names, I can only find things listing him as Beckett but I'm sure I heard him call himself "Noel" but at another point his partner calls him "Neil"... of course I can't guarantee my hearing wasn't shot.
Loosely based on real events, The Corrupted offers a surprisingly gritty crime drama. While it does have the odd moments that make you wonder how it made the cut, those are greatly outweighed by the good points. I'll definitely be watching this again at some point, I'm also seeing a potential gift for my dad coming up.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/05/the-corrupted-movie-review.html
Charlie Cobra Reviews (1840 KP) rated The Kitchen (2019) in Movies
Jul 7, 2020
A Very Messy Kitchen: Good Ingredients But No Flavor
The Kitchen is a 2019 action crime movie written and directed by Andrea Berloff and producers Michael Dell Luca and Marcus Viscidi. It's based on the Vertigo comic created by Ollie Masters and Ming Doyle and produced by New Line Cinema, Bron Creative, D.C. Vertigo and Michael Dell Luca Productions with distribution by Warner Bros. Pictures. The film stars Melissa McCarthy, Tiffany Haddish, Elisabeth Moss and Common.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
Hazel (2934 KP) rated The Lost Children (DCI Matilda Darke #9) in Books
Sep 11, 2022
I have run out of superlatives to say how good this series is so I will just say ... wow, Mr Wood you have done it again and written an absolute corker.
At the very start of the book, Mr Wood gives a clear warning that this novel deals with child abuse and historical child abuse. I went into it wondering whether it was going to be too much to read about such abhorrent behaviour but whilst it was difficult, I feel Mr Wood did it with honesty but without over-doing it.
DCI Matilda Darke and her team are called to the truly horrific murder of a prominent property developer in his home. It, quite literally, sickens many of those attending the scene but this appears to be personal rather than your run-of-the-mill murder and as the Team start to investigate and delve deeper into the life of the victim, it becomes clear that someone doesn't want them to but what transpires, no one saw coming.
This is a fast paced, gripping, tense and quite emotional book. Yes, it's dark, gritty and, at times, a difficult read but it is done with care and compassion and that same care and compassion drives the determination from DCI Darke and her team to bring those responsible for heinous crimes against children to justice regardless of who the perpetrators are and the consequences to their own careers and futures.
Mr Wood has created the characters of DCI Darke and her team with such strength that you really get attached to them and the more books in the series you read, the stronger that attachment gets. I know they aren't real people but the strength of their development makes them feel like they are.
What this books reminds us of is that child abuse has happened and continues to happen; unfortunately, all too often those disgusting people who do this get away with it but we must remember that the perpetrators are just as likely to be "respectable" people in power as they are to be the 'dirty old men' we are warned about as children as this book highlights.
I have no hesitation whatsoever in recommending this book and the rest of the series to others who enjoy cracking good crime novels that don't shy away from difficult subjects and I must thank HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of The Lost Children.
I can't wait to read number 10!
At the very start of the book, Mr Wood gives a clear warning that this novel deals with child abuse and historical child abuse. I went into it wondering whether it was going to be too much to read about such abhorrent behaviour but whilst it was difficult, I feel Mr Wood did it with honesty but without over-doing it.
DCI Matilda Darke and her team are called to the truly horrific murder of a prominent property developer in his home. It, quite literally, sickens many of those attending the scene but this appears to be personal rather than your run-of-the-mill murder and as the Team start to investigate and delve deeper into the life of the victim, it becomes clear that someone doesn't want them to but what transpires, no one saw coming.
This is a fast paced, gripping, tense and quite emotional book. Yes, it's dark, gritty and, at times, a difficult read but it is done with care and compassion and that same care and compassion drives the determination from DCI Darke and her team to bring those responsible for heinous crimes against children to justice regardless of who the perpetrators are and the consequences to their own careers and futures.
Mr Wood has created the characters of DCI Darke and her team with such strength that you really get attached to them and the more books in the series you read, the stronger that attachment gets. I know they aren't real people but the strength of their development makes them feel like they are.
What this books reminds us of is that child abuse has happened and continues to happen; unfortunately, all too often those disgusting people who do this get away with it but we must remember that the perpetrators are just as likely to be "respectable" people in power as they are to be the 'dirty old men' we are warned about as children as this book highlights.
I have no hesitation whatsoever in recommending this book and the rest of the series to others who enjoy cracking good crime novels that don't shy away from difficult subjects and I must thank HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of The Lost Children.
I can't wait to read number 10!
Rachel (48 KP) rated The Streets (The Pines Trilogy #3) in Books
May 27, 2017
Stick with it!
Firstly - the formatting of the Kindle edition is pretty terrible. Half of sentences are missing, some are cut in half by paragraphs, words are missing and strange gaps appear where they shouldn't be. Hopefully these issues will be rectified soon.
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
If you are looking for a cheery, easy bed time read then this is definitely not it! The tone of the book is rather dystopian and gritty. It's certainly not suitable for younger readers!
I wasn't aware that this is the last installment of a trilogy. Although prior knowledge of the other books probably adds more layers to the story and characters it can be read as a stand alone. The first two books do not seem to be available yet on the Kindle.
It took me a few chapters to 'get' the style of writing. It starts off with a huge bang and then slows down considerably. The way the author writes creates a pretty tense, claustrophobic atmosphere that doesn't let up at all throughout.
One character is both the centre of the story and absent for the majority of the time. There are various sub plots that all lead to the same ending. The author deals with these well and it's rarely confusing, especially when you get to know the characters a bit so you automatically know which plot line they are in. Unfortunately the formatting issues I brought up at the beginning of the review can cause confusion. That is not the authors fault, though, so my rating is not affected by those issues.
It is rather disturbing at times and deals with an awful lot of taboo and hard hitting subjects. Some people will probably find it too much but I felt that, although sometimes they are hammered home a little too often, the author deals with them on the right way.
Some of the characters are pretty much impossible to identify with but I feel that is kind of the point! I can't really say that any of the characters are completely sympathetic because they all have a darkness around them - sometimes due to their overt actions and others just because of their complicity in certain situations and events. Again, though, this seemed to be the authors intention.
Can I say that I enjoyed this novel? I'm not sure. It is very bleak, extremely uncomfortable at times and I found myself thinking about certain events that happened whilst doing everyday things. So enjoyment isn't the right word but it is very well written, intense and I am planning to try to get copies of the two earlier books. That in itself shows just how much the story got into my head and is proof of the authors skill
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
