"He's a friend of mine and I'm proud to call him that. They gave us one of our first breaks, around 1990 when we were on tour with those guys for about half a year. When I discovered his music, I think they had already released a couple of records. The first one was in ‘78, and I was in Pennsylvania in ‘79 when Van Halen II came out, but I had never actually heard them, instead I’d heard friends talking about them at school. A couple of my friends had the Van Halen logo written on their folders. I was like: ""What's that?"" ""This band Van Halen man, they're fucking killers, you gotta check 'em out!"" So, my Dad let me join the Columbia records and tapes club. It was a total scam. It was like you send a penny then you could pick out, I don’t know, seven or eight records, but then you were hooked for so many records after that, for way past full price. Some of the records I picked for my penny, were Van Halen I and II. I remember, my dad was watching TV in the living room like we did most nights. We had a pretty decent stereo system. So I put the headphones on, and I put on Van Halen I for the first listen. And from the first fucking note... I remember how magical that was. Same thing as with Hendrix. That's why I cite Eddie and Hendrix, ‘cause I think those guys are like brothers, of different eras. It's completely unique. There's nobody before that guy that sounded like that guy. But there were a ton of guys that sounded like him afterwards, or were trying to emulate him. I tried my tapping technique, but I'm no good at it. That record, for a kid wanting to be a guitarist, that was like an unachievable goal, to be that fucking good and to sound that fucking bad-ass, but it made you wanna try. Years later, when we went on that tour, we became really good friends. He had his new guitar and amps that he had had made. I remember asking if I could buy one, if he could give me a little discount or something like that. He's like: ""Fuck that man, I'll just give it to you!"" and, ""Look man, I got paid. It's the lamest thing in the world: when you got nothing, nobody will give you anything, when you have everything, everybody just gives you everything for free. So let me just give you some shit."" I forgot about that, it was sometime in the middle of the tour... I got home from that tour. I was living with my manager Kelly Curtis and his wife, down in their basement. Kelly greeted me at the door, like: ""Welcome home man! How was the tour?"" “Oh that was good man!"" ""Oh that's cool man! And d'you mind getting your shit out of my garage?"" I'm like: ""What are you talking about?"" He's like:""Eddie Van Halen has put so much gear in my garage, I can't even park my car. Get that fucking shit out of there."" So it was there, two full stacks and two guitars that he had fucking sent me for free. And I still have one of them. The other was stolen by someone years ago and I never saw it again. I still mourn the loss of that. But I saw him [Van Halen] about a month ago in LA before we left. As a matter of fact, I stole his guitar tech, Craig DeFalco [laughs]!"

"One of the first jobs I ever had was working as a caddy on a golf course, and I worked just long enough so I could buy Lodger by David Bowie. The second job I had was cutting lawns, and I remember it was one of those hot summer days, I was sweating and getting attacked by wasps, and I was just thinking 'This is all worthwhile, because when I'm done here I'm going to ride my bike and go and buy the cut out vinyl of Suicide'. Cut outs were like the discount version. To be honest with you, I don't really even remember why I was fixated on buying the first Suicide album. Part of it was the cover, and the guy who ran my local record store, his name was Johnny, he was this alcohol and drug-addicted crazy person, and you'd walk in and he'd be playing all these random records, from Nick Drake to the Grateful Dead to The Clash to Miles Davis, and one day he was playing Suicide. It sounded like nothing I'd ever heard before. I think I was about 14. It wasn't until many years later that I met anyone who liked Suicide. I don't know if you experienced this as well, but when I was growing up albums were these almost, not to sound too grad studenty, totemic things that you would take into your house. Nowadays if I hear a song and it doesn't immediately resonate with me I probably won't spend any time on it. Some of the early records that I bought, like Public Image's Second Edition or Suicide, I'd made the effort to bring these into my house. I only had nine or 10 albums in my possession, so if I didn't understand a record back then I would think it was my fault. I'd think that the people making the record were smarter and more sophisticated than I was, and the fact that I didn't understand it was indicative of my own shortcomings. It was the middle of the summer, and I didn't really have a lot of friends, I didn't have a lot going on. My mum would go to work in the day and I was pretty much left alone to read books and watch TV. I had a lot of free time to listen to records. I took the Suicide album home and it didn't make sense to me, but I spent day after day and week after week listening to it until I cracked the code and it started to make sense. The first song is 'Ghostrider', and I still remember that Saul on the road to Damascus moment when I was listening to it for the third or fourth time, and there's that recurring line ""America America is killing its youth"", and I'd never heard anyone say anything like that before. And to say it in such a throwaway, casual way, it wasn't delivered in a portentous way, it's a throwaway lyric in a song, and that was the moment that really resonated. At the same time I was taking guitar lessons, and my teacher loved very complicated well-produced modern jazz fusion and heavy metal with long guitar solos, and he'd force me to listen to Van Halen or Larry Carlton and then when I listened to Suicide I was first confused - am I allowed to like something that clearly my music teacher hates? And finally I admitted to myself I don't like these well-produced records, I like these strange sounds. I think it also really corrupted my musical DNA."