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Death by Haunted House
Book
When new neighbors move in next door, Hayley Powell is finding the Halloween spirit a little too...

Lyndsey Gollogly (2893 KP) rated The Last Haunt in Books
Jun 17, 2024
117 of 220
Booksirens arc
The Last Haunt
By Max Booth III
⭐️⭐️⭐️⭐️
On the one-year anniversary of a young woman’s tragic death, an extreme haunted house attraction reopened its doors to the public. What happened next would forever traumatize a small Texas town. The Last Haunt is an attempt to make sense of the mysterious brutality that occurred on that fateful Halloween night. Constructed from interviews with the survivors, this oral history is the closest anyone has ever come to documenting the truth behind the McKinley Manor massacre.
Another brilliant piece of work from this author! I’m yet to read one I don’t like. This was a really good read and different to the others I’ve read of his. The ending just so justified to a point.
I received an advance review copy for free, and I am leaving this review voluntarily.
Booksirens arc
The Last Haunt
By Max Booth III
⭐️⭐️⭐️⭐️
On the one-year anniversary of a young woman’s tragic death, an extreme haunted house attraction reopened its doors to the public. What happened next would forever traumatize a small Texas town. The Last Haunt is an attempt to make sense of the mysterious brutality that occurred on that fateful Halloween night. Constructed from interviews with the survivors, this oral history is the closest anyone has ever come to documenting the truth behind the McKinley Manor massacre.
Another brilliant piece of work from this author! I’m yet to read one I don’t like. This was a really good read and different to the others I’ve read of his. The ending just so justified to a point.
I received an advance review copy for free, and I am leaving this review voluntarily.

Gareth von Kallenbach (980 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/

Little Miss Christmas
Book
Little Miss Christmas lives in an igloo at the North Pole, next door to her uncle, Father Christmas,...

Mr Men in London
Roger Hargreaves and Adam Hargreaves
Book
The Mr Men are in London. Everyone is very excited. Mr Busy is taking them on a very busy tour of...

LeftSideCut (3776 KP) rated Halloween II (1981) in Movies
Mar 5, 2021
There's a fair amount to love about Halloween II, a sequel set on the same night as the original, immediately following that films ending.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.

Natasha Khan recommended Words Of Wisdom And Hope by Teenage Fanclub and Jad Fair in Music (curated)

Something Cryptid This Way Comes (Love in Maplewood #9)
Book
Trevor Casal loves Maplewood and will do anything for its residents, including hosting the town’s...
Contemporary MM Romance

Suswatibasu (1703 KP) rated Pay the Ghost (2015) in Movies
Nov 4, 2017 (Updated Nov 4, 2017)
Another terrible Nicholas Cage horror
I was bored so I decided to watch this film knowing that it has terrible ratings. And I can definitely see why.
It surrounds Cage's missing child who disappeared on Halloween. There emerges a rather unclear pattern of missing children and bizarre otherworldly messages. Given that it is New York, it's difficult to see how they established a sequence of missing children as there were far more than just three children going missing on this day every year. And somehow Celtic folklore gets drafted in, where a mother, who was burned at the stake with her three children, seems to be the one taking these kids in revenge.
The end battle is almost comedic, as Cage gets strangled by a burnt witch while hovering in the sky and rotating simultaneously. It's pretty ridiculous - there's nothing that threads the story together, going from all out supernatural to thriller back to supernatural. A flakey story no doubt.
It surrounds Cage's missing child who disappeared on Halloween. There emerges a rather unclear pattern of missing children and bizarre otherworldly messages. Given that it is New York, it's difficult to see how they established a sequence of missing children as there were far more than just three children going missing on this day every year. And somehow Celtic folklore gets drafted in, where a mother, who was burned at the stake with her three children, seems to be the one taking these kids in revenge.
The end battle is almost comedic, as Cage gets strangled by a burnt witch while hovering in the sky and rotating simultaneously. It's pretty ridiculous - there's nothing that threads the story together, going from all out supernatural to thriller back to supernatural. A flakey story no doubt.
Good jump scares. (1 more)
Did sleep with the light on.
Does it live up to the hype?
After two years eagerly anticipating the release of this film, (I am a clown hater, but love to be scared) I took myself off to the cinema on opening night (of course) I admit, that in the dark theatre, pennywise' cartooney giggle, was scary, so much so, everybody in the cinema watched me instead of the film! I may be very unpopular with the next bombshell....it didn't live up to the original, and certainly not the book. It was too over-hyped, too Hollywood, and too glossy. If this was a free standing, one of a kind film, I'd have enjoyed it for what it was, but it was not good enough to replace the Tim curry clown I saw when I was 12, and still makes me cry at clown masks on Halloween.