Search
Search results
Gareth von Kallenbach (980 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 9, 2019
I was introduced to Scary Stories to Tell in the Dark (the amazing book series written by Alvin Schwartz back in 1981) in my Junior High history class. An odd place for sure to listen to this amazing collection of stories, and yet it displayed how these stories are impactful even if you aren’t reading them around a campfire in the middle of the woods. Schwartz had written two additional sequels to his stories in 1984 and 1991 and the incredibly creepy illustrations (by Stephen Gammell) helped to complete a collection of books that are at home in anyone’s collection both young and old.
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
The 80’s was a decade obsessed with the occult and works of fiction that parents thought were written to corrupt the minds of the youth of the age. Before video games were blamed for all the evil in the world there was Heavy Metal music, the fantastical role-playing games such as Dungeons and Dragons and books such as these that parents rallied around and attempted to ban from schools and after school functions. Looking back now at the hysteria that this caused is almost laughable, but for those of us growing up in that time it was a very real threat to the imaginations of youth around the globe. Outside of this brief history lesson however, I wondered how the books would translate into a movie.
Our story begins on Halloween night, the year is 1968 and the Vietnam War and the upcoming presidential elections are on everyone’s mind. Stella (Zoe Colletti) and her nerd friends Chuck (Austin Zajur) and Auggie (Gabriel Rush) decide that this will be the year that they get revenge on the local bully Tommy (Austin Abrams) for all his years of stealing candy from them on Halloween. After things go predictably wrong, the young group of kids are pursued to a drive-in theater where they seek refuge in a car that is owned by another out-of-town youngster named Ramon (Michael Garza). As thanks for “saving” them from a certain beating, Stella and the group decide to take Ramon to a real-life haunted house. A place where a young Sarah Bellows would tell stories to frighten children only for them to end up dead days later. While exploring the house the young group discover the hidden room of young Sarah Bellows and come across her book of “Scary Stories”. Unable to contain her own curiosity, Stella takes the book home with her and watches as the words on the pages turn into living nightmares of their own darkest fears.
Produced by Guillermo del Toro, Patrick Melton and Marcus Dunstan, Scary Stories takes a handful of fan favorites and weaves them into a “scary” story of their very own. Instead of simply being a collection of haunting tales, each one serves a purpose, whether it’s the “Red Dot” or “Harold”, each one is used to drive the story even further along. While at first, I was hoping that it would be a collection of short stories featuring these timeless classics, the way in which each individual story progresses the plot leads to a far more interesting experience overall.
Those looking for a movie filled with frightening tales that will have you reaching for the closest shoulder (whether you know who it belongs to or not) will be in for a bit of disappointment. That’s not to take away from the incredible amount of vision needed to bring these classic stories to life, but it takes on a far more contemporary feel, then the dark stories and supernatural visions of the books that came before it. The film comes away feeling more like Goosebumps and less like Freakshow which makes sense given its PG-13 rating and its obvious pre-teen to teen demographic. The movie is still fun however, particularly for those who fondly remember the stories from their youth and is one that will proudly sit beside the likes of Hocus Pocus when it comes to network television down the road as part of its likely Halloween line-up.
4 out of 5 stars
http://sknr.net/2019/08/08/scary-stories-to-tell-in-the-dark/
Maris (8 KP) rated Hocus Pocus and the All-New Sequel in Books
Jun 10, 2019
I can not tell you how disappointing this book was. Everything from the start of the sequel to the very end. I almost DNF the book, but since this is a sequel to one of my favorite Halloween movies as a child I wanted to finish the story. I knew it wasn't going to get better.
The beginning of the book is just a recap from the movie with more knowledge of the characters feelings and a little bit more about the Sanderson sisters. I'm pretty bummed out that the author left out my favorite scene from the movie which was when the kids ran up to the cop who really wasn't a cop! I just think that part should have been put into the book.
Once you get to the sequel its 25 years later on Halloween day in Salem. Max and Allison have a daughter named Poppy. I'm curious to why the author wanted the daughter name Poppy when everyone else has normal names like the author wanted the character to stand out more? Poppy has two close friends, Isabella and Travis. Poppy has a crush on her friend Isabella, and Travis who looks out for Poppy helping her with school, and social life with the other kids when Poppy seems to be getting attacked by others.
To sum it up without giving away to much of the story, Poppy doesn't believe in her parents or her Aunt Dani's story about Sanderson's sister when they were kids. Poppy, Isabella, and Travis head to the Sanderson's house and pretty much did exactly what her parents did 25 years ago minus the black candle.
It seems to me the author tried too hard to make this sequel to be better or equal to the first Hocus Pocus that she was adding too much of the same stuff from the first story. I didn't like the same jokes and it wasn't nearly as funny. The story was just too much for me and didn't have enough originality for me. One thing that was irritating was that Sarah Sanderson would say Amok Amok Amok in the first story than with the sequel she always seems to be repeating herself with words like Afoot and such.
You do get to read some familiar characters from the first story which was nice. There is a new character named Elizabeth who is Winnie, Mary, and Sarah's sister. I honestly didn't think it was necessary to add another witch to the famous Sanderson witches.
All in all this story wasn't it for me. Like I said I'm pretty bummed out about it. I couldn't get into the story, everything just seemed forced together and that the author was trying to hard to make this story stand out.
The beginning of the book is just a recap from the movie with more knowledge of the characters feelings and a little bit more about the Sanderson sisters. I'm pretty bummed out that the author left out my favorite scene from the movie which was when the kids ran up to the cop who really wasn't a cop! I just think that part should have been put into the book.
Once you get to the sequel its 25 years later on Halloween day in Salem. Max and Allison have a daughter named Poppy. I'm curious to why the author wanted the daughter name Poppy when everyone else has normal names like the author wanted the character to stand out more? Poppy has two close friends, Isabella and Travis. Poppy has a crush on her friend Isabella, and Travis who looks out for Poppy helping her with school, and social life with the other kids when Poppy seems to be getting attacked by others.
To sum it up without giving away to much of the story, Poppy doesn't believe in her parents or her Aunt Dani's story about Sanderson's sister when they were kids. Poppy, Isabella, and Travis head to the Sanderson's house and pretty much did exactly what her parents did 25 years ago minus the black candle.
It seems to me the author tried too hard to make this sequel to be better or equal to the first Hocus Pocus that she was adding too much of the same stuff from the first story. I didn't like the same jokes and it wasn't nearly as funny. The story was just too much for me and didn't have enough originality for me. One thing that was irritating was that Sarah Sanderson would say Amok Amok Amok in the first story than with the sequel she always seems to be repeating herself with words like Afoot and such.
You do get to read some familiar characters from the first story which was nice. There is a new character named Elizabeth who is Winnie, Mary, and Sarah's sister. I honestly didn't think it was necessary to add another witch to the famous Sanderson witches.
All in all this story wasn't it for me. Like I said I'm pretty bummed out about it. I couldn't get into the story, everything just seemed forced together and that the author was trying to hard to make this story stand out.
Sean Farrell (9 KP) rated The Ice Twins in Books
Mar 15, 2018
Angus and Sarah Moorcraft are struggling to keep their marriage in tact after the tragic death of one of their twin daughters. To escape from the memories of the incident and to hopefully push past other issues including alcoholism and infidelity, they move to an isolated lighthouse on an island just off the coast of Scotland, which Angus inherited from his grandmother. It starts promisingly enough for the family, until it becomes apparent that their surviving twin, Kirstie, is very likely Lydia, whom they thought had died. Things begin to spiral further out of control as their daughter appears to be being haunted by her dead sister (whichever one that may be) and both parents begin to go a bit crazy, Sarah especially. Secrets get revealed that threaten to shatter the already fragile balance they're maintaining until finally the truth about the accident comes out. The concept is pretty creepy and the setting is perfect for it. The characters aren't exactly likable, but no one is really as contemptuous as some recent "protagonists" in other novels, which makes it easier to root for them. Once things really get rolling, the twists come out pretty fast and furious and the suspense builds to a somewhat shocking conclusion. Unlikely to be the thriller of the year, but a very entertaining read that is perfect for the Halloween season.
Russ Troutt (291 KP) rated The Nun (2018) in Movies
Jul 2, 2019
So often now the theater experience gets ruined with people talking or on their phone, but tonight was a great experience, and nights like tonight, are the reason why I keep going. Whether it was slip of tongue or said on purpose I don't know, but the guy who checked my ticket at the theater said, "Good luck" as he directed me to my screen. And before even touching on the movie, which was amazing, I got super excited seeing the new Halloween trailer on the big screen for the first time; perfect mood setter leading into the movie. Couldn't have asked for a better group of people to watch a movie with tonight. No talking, no bright lights of cell phones, just the sound of chuckles during the few funny lines and the occasional jump and slight screech of a few.
Now, to the movie. There have been some great horror movies in recent years and this one is right up there with the best of them. The Nun was so well done! Set in Romania during the early 50's, it just had that classic horror movie feel to it. I'll finish by decribing and praising it like this, it felt like if The Exorcist was made by Universal back in the 30's/40's era then the result would've been The Nun.
Now, to the movie. There have been some great horror movies in recent years and this one is right up there with the best of them. The Nun was so well done! Set in Romania during the early 50's, it just had that classic horror movie feel to it. I'll finish by decribing and praising it like this, it felt like if The Exorcist was made by Universal back in the 30's/40's era then the result would've been The Nun.
LeftSideCut (3776 KP) rated The Thing (1982) in Movies
Feb 6, 2020
In my many years of enjoying movies, I've yet to come across anything quite like John Carpenter's The Thing.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
It's quite simply, a horror masterpiece!
The imagery and monsters bought to the screen feel like they're straight out of hell. All these years later, and The Thing, and it's many disturbing forms, remains arguably the most terrifying movie monster out there.
The incredible use of practical effects ensures that the films visceral and horrible imagery still remains to this day, and is a testament to the amazing work put by the art and make up crews.
The isolated and snowy setting is almost iconic as the titular alien, and adds an eery atmosphere from the opening scene.
Kurt Russell is a fine lead, as his character McCready drives the narrative forward at a fast and manic pace. The story if one dripping with paranoia and tension, and the whole cast do a great job at conveying this.
The plots conclusion is different from what you might expect of the genre at the time, and it's lack of a 'final girl' shows that The Thing was not afraid to go against the grain when it came to horror.
It's probably my top horror movie of all time, with the original Halloween coming a close second. Long live John Carpenter.
Mahjong Flower Garden
Games, Entertainment and Stickers
App
From the creators of the popular Venice Mystery puzzle, Mahjong Flower Garden is a wonderful classic...
Daily Magic from Disney Photography Blog
Photo & Video, Entertainment and Stickers
App
Ready to add a little Magic to your iOS device? Then this is the app for you. The app includes 20...
Sticky: 10th Anniversary Edition
Dale Lazarov and Steve MacIsaac
Book
"TimeOut Chicago" says "carnality and sweetness is exactly the right combination that makes Sticky a...
LoganCrews (2861 KP) rated House of 1000 Corpses (2003) in Movies
Oct 9, 2020
Has there ever been another movie that more profoundly screams "Halloween" than this one? If there is, I have yet to see it. A front-to-back phantasmagoria of blood, ick, and some of the all-time greatest horror movie imagery you'll ever see: what can only be described as a carnival of pure filth sprawled out in the form of a feature length Rob Zombie music video - the increasing amounts of bonkers gore, the unforgettable and outright euphoric production design, the horror-ready cast all grotesquely dolled up, the sheer headstrong devotion to being as revolting as can be all interspliced with film-grained smut footage, diagnostic seething Zombie tunes, and 50s/60s primetime television spookiness. Every frame just oozes old school shock and terror, a clear love letter to the sweaty stuck pig that was the 70s horror film meets a neon-soaked greasy stage provocation. Plus it's funny as hell, too. It's so eager to bash its brains up against the wall to please, the copious amounts of passion and work that went into this is always apparent on the screen - quite possibly the most self-assured and satisfying debut since the previous year's 𝘛𝘩𝘦 𝘚𝘪𝘹𝘵𝘩 𝘚𝘦𝘯𝘴𝘦. A tremendous time inside and out that could only be possible by a seasoned visual + audible horror maestro and forever one of my go-to movies for the October season.
Voice Recorder – Sound Changer & Modifier Effects
Entertainment and Music
App
Record your speech and modify it instantly by using special effects. This fabulous Voice Recorder...