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Black Hammer, Vol. 2: The Event
Black Hammer, Vol. 2: The Event
Jeff Lemire | 2018 | Comics & Graphic Novels, Horror
8
8.0 (1 Ratings)
Book Rating
Following up on my review of BLACK HAMMER Vol. 1, this volume picks up where it left off, filling in more and more of the backstory to "the Event". There is a boatload of the feels in this one, and it never lets up, not once. If you liked Volume 1 (aw hell, why wouldn't ya, right?), then you are seriously going to love Volume 2. And if you loved it like I did, chances are you will delighted to know that the story does not end with the conclusion to this tpb. Read it, or miss out on probably one of the smartest comic series out there! 'Nuff said!
  
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Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies

Feb 9, 2018 (Updated Feb 9, 2018)  
The Blood on Satan's Claw (1971)
The Blood on Satan's Claw (1971)
1971 | Horror
9
8.0 (4 Ratings)
Movie Rating
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.

On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.

Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
  
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Awix (3310 KP) rated The Legend of the 7 Golden Vampires (1974) in Movies

Feb 7, 2018 (Updated Feb 9, 2018)  
The Legend of the 7 Golden Vampires  (1974)
The Legend of the 7 Golden Vampires (1974)
1974 | Action, Adventure, Horror
6
6.8 (6 Ratings)
Movie Rating
Chop Sucky
One of those movies where a bunch of very talented people get together and somehow manage to produce something not all that great. The famous British horror movie studio Hammer gets together with Hong Kong's Shaw Brothers to produce a Gothic horror kung fu movie that also manages to pastiche The Magnificent Seven (et al).

You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).

Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
  
The Legend of Hell House (1973)
The Legend of Hell House (1973)
1973 | Horror
7
7.5 (6 Ratings)
Movie Rating
Broodingly effective British horror movie is strikingly unlike anything else of its time - not much resemblance to a movie by Hammer, or Amicus, or AIP. Four people move into a haunted house for a week; their beliefs about the supernatural vary, but they are forced to agree there is something funny about the place...

Understated, almost pseudo-documentary atmosphere works in the film's favour; the actors also know to underplay it until the big histrionics are required. Unsettling soundtrack by radiophonic genii Delia Derbyshire and Brian Hodgson is a major plus. The script goes a bit nuts towards the end (don't think too hard about the plot) but the journey to get to this point is more than worthwhile.